450 Movies Like Oppenheimer (2023) (Page 5)

Many comedians use humor as a way to ease into more serious subject matter, though there always exists a risk that a comedy special can skew too far down the silly or the self-reflective route. Mike Birbiglia has come about as close to the perfect balance as possible, in this recording of his one-man Broadway show at the Vivian Beaumont Theater. Key to this is the fact that Birbiglia tells one very cohesive story throughout these 77 minutes, frequently branching off to other humorous anecdotes but always returning with a pensive self-consciousness to the real possibility of him dying sooner than he'd want.

This filmed version of Birbiglia's show doesn't give a full idea of its multimedia qualities (Birbiglia occasionally has words and images projected onto the curved screen behind him, which he also physically interacts with), but the comedian's sincere style of storytelling more than makes up for the lack of audiovisual tricks we're permitted to see. And don't get it confused: this is a very funny stand-up special, whose jokes always come from the most unexpected places—it also just happens to contain some truly moving moments that come out of nowhere, but make total sense alongside all the laughter.

Genre: Comedy

Actor: Mike Birbiglia

Director: Seth Barrish

Rating: PG-13

A twitchy, uncomfortable noir film for the digital age, Decision to Leave blends the trappings of a restless police procedural with an obsessive forbidden romance. Here, director Park Chan-wook flips every interrogation and piece of evidence on its head, pulling us away from the whodunit and towards the inherently invasive nature of a criminal investigation. It's a movie that remains achingly romantic even if everything about the central relationship is wrong. For detective Hae-jun and suspect Seo-rae (played masterfully by Park Hae-il and Tang Wei, respectively), the attraction between them is built entirely on distrust and suspicion—illustrating the danger of falling for the idea of someone rather than the person themself.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Ahn Seong-bong, Cha Seo-won, Choi Dae-hoon, Choi Sun-ja, Go Kyung-pyo, Go Min-si, Hwang Jae-won, Jeong Ha-dam, Jeong So-ri, Jin Yong-uk, Joo In-young, Jun Sung-ae, Jung Yi-seo, Jung Young-sook, Kim Do-yeon, Kim Mi-hwa, Kim Shin-young, Kwak Eun-jin, Kwon Hyuk, Lee Hak-joo, Lee Hak-ju, Lee Ji-ha, Lee Jung-hyun, Lee Yong-nyeo, Moon Jung-dae, Park Hae-il, Park Jeong-min, Park Yong-woo, Seo Hyun-woo, Shin An-jin, Tang Wei, Teo Yoo, Yoo In-hye, Yoo Seung-mok, Yoo Teo

Director: Park Chan-wook

What starts as an unsettling drama quickly morphs into a searing psychological thriller. The film, based on a play of the same title, tells the story of Tom, a young man who while attending his boyfriend’s funeral, stays with the grieving family unaware of his relationship with their son. During his stay, Tom becomes subject to the violent whims of his boyfriend’s brother. 

The intense psychosexual dynamic that develops becomes a piercing examination of homophobia, masculinity, and violence. Dolan’s expert direction keeps a level of intensity that grips and never let’s go until the gorgeous closing sequence. At times brutal and cruel, Tom at the Farm may be a tough watch, but its portrait of simmering regressive violence speaks vividly and directly to our current moment. 

Genre: Drama, Mystery, Thriller

Actor: Anne Caron, Caleb Landry Jones, Evelyne Brochu, Jacques Lavallée, Johanne Léveillé, Lise Roy, Manuel Tadros, Mélodie Simard, Olivier Morin, Pierre-Yves Cardinal, Xavier Dolan

Director: Xavier Dolan

An old friend shows up on the doorstep of a happy family home and brings a whirlwind of trouble with him. Charles Burnett’s startling parable is tinged with magic and creeping danger. It digs into the tensions between African American folklore of the rural South and the assimilated middle-class lifestyle out West. 

This rift takes the form of Harry, whose disquieting presence throws his old friend Gideon’s Los Angeles home into disarray. Danny Glover is captivating as the devilish visitor, delivering each line with playful ease and simmering menace. Burnett’s sly narrative doesn’t boil down to good and evil but instead offers a layered and enigmatic exploration of identity.

Genre: Drama

Actor: Carl Lumbly, Cory Curtis, Danny Glover, Davis Roberts, DeForest Covan, DeVaughn Nixon, Ethel Ayler, Jimmy Witherspoon, Julius Harris, Mary Alice, Paul Butler, Paula Bellamy, Reina King, Richard Brooks, Sheryl Lee Ralph, Sy Richardson, Vonetta McGee, Wonderful Smith

Director: Charles Burnett

Taking 23 years until its completion, The Tragedy of Man is quite possibly the most ambitious film ever made, not just in its animation, but also in its scope. It’s quite fitting, as an adaptation of the classic Hungarian play, as Imre Madách’s story sets out to question not just the individual’s purpose, but the purpose of humanity as a whole, with writer-director Marcell Jankovics giving life to the play through the historical art styles of past civilizations that shifted today’s Western world, as well as adding what has happened after the play’s publication in 1861. While the film’s length can be daunting, being the Western animated feature in the world, the dialectic hits at the heart of this absurd existence, informed by the cynicism formed after Hungary’s fall of communism in 1989. The Tragedy of Man isn’t an easy film to watch, considering the themes, but it’s an interesting vision of humanity, illustrated in such an interesting way.

Genre: Animation, Drama, History

Actor: Ágnes Bertalan, Mátyás Usztics, Piroska Molnár, Tamás Széles, Tibor Szilágyi

Director: Marcell Jankovics

The Swimmers tells the true story of sisters Yusra and Sara Mardini (played by fellow sisters Nathalie and Manal Issa), Syrian swimmers trained to compete at the Olympics. When their athletic goals and overall safety are threatened by the increasing presence of war, the girls decide to take a chance and migrate to Europe, where they hope to live out their dreams and reunite with their family someday.

The Swimmers is a touching family drama that does right to center on the love and tension between the siblings. Yusra and Sara’s relationship perfectly encapsulates the envy and resentment but also the deep love and loyalty that are present in every sister bond. It’s tender in these moments, but it can also be equally searing—as a refugee drama, it chillingly tracks the complicated and inhumane processes of fleeing one’s country for a safer future.

Genre: Drama, History

Actor: Ahmed Malek, Alfredo Tavares, Ali Soliman, Ali Suliman, Daniel Eghan, Dritan Kastrati, Elmi Rashid Elmi, Giorgio Spiegelfeld, James Floyd, Kinda Alloush, Manal Issa, Matthias Schweighöfer, Nahel Tzegai, Nathalie Issa, Roderick Hill

Director: Sally El Hosaini

Rating: PG-13

You don’t need to know a lot about baseball to appreciate The Saint of Second Chances. It has enough going on to keep you hooked from start to end, beginning with Jeff Daniels’ inimitable voice as the narrator and Charlie Day’s inspired casting as the younger Veeck, all the way down to the Veecks’ fascinating ties with American sports history and Mike’s inspiring and heartwarming second-chance philosophy. It all gets a bit too much at times, as if the filmmakers themselves were overwhelmed with their abundant material and creative decisions, but it’s executed with so much care and love that it seems as if this is the only way it could’ve come out: a wonderful mess. 

Genre: Documentary

Actor: Agnes Albright, Bill Veeck, Charley Rossman, Charlie Day, Dan Barreiro, Darryl Strawberry, Don Wardlow, Gary Private, Howard M. Lockie, Ila Borders, Jeff Daniels, Joel Spence, Kalup Allen, Lamar Johnson, Lee Adams, Max Kassidy, Oscar Jordan, Stewart Skelton, Tom Billett, Tony LaRussa

Director: Jeff Malmberg, Morgan Neville

Rating: PG-13

The magic of this movie — and every other one directed by Aki Kaurismäki — is in the way it inspires so much hope despite the darkness of its subject. When a man (Markku Peltola) is beaten and robbed one night, he wakes up without any memory of who he is. Forced to start life all over again, he’s subjected to yet more cruelty at the hands of a greedy slum landlord and callous authorities, but finds sympathy and support from his equally downtrodden neighbors. Though the street thugs have emptied his wallet, the unquestioning generosity of the people around him suggests he’s now richer than he was at the film’s outset — as does the sweetly simple romance he strikes up with a lonely Salvation Army worker (Kati Outinen). 

Kaurismäki doesn’t just make films about the disenfranchised for the sake of it: he shows us how easy — and yet momentous — acts of human kindness and solidarity can be, how radical they are in a bleak world. It’s not often a movie can so persuasively reassure us of people’s inherent goodness, but it’s even rarer still for it to be done with as much deceptive, charming simplicity as here.

Genre: Comedy, Drama, Romance

Actor: Aarre Karén, Aino Seppo, Andrey Chernyshov, Anneli Sauli, Antti Reini, Elina Salo, Esko Nikkari, Janne Hyytiäinen, Juhani Niemelä, Kaija Pakarinen, Kati Outinen, Liisa Mustonen, Markku Peltola, Olli Varja, Outi Mäenpää, Panu Vauhkonen, Pentti Auer, Pertti Sveholm, Sakari Kuosmanen, Silu Seppälä, Sulevi Peltola, Vesa Mäkelä

Director: Aki Kaurismäki

Focusing squarely on two families and a select few health workers, The First Wave gets intimate access to the fears and anxieties of individuals trying to contend with the effects of the initial outbreak of the coronavirus in New York. That these characters also tend to belong to already vulnerable sectors in the United States isn't a superfluous detail—as director Matthew Heineman illustrates (without the use of detached talking heads interviews) how proper responses to a global pandemic like this one are still hampered by capitalist interests, and racist and xenophobic institutions built into American society. All of these obstacles make every setback and every moment of progress in these characters' lives feel absolutely crucial, making for an emotionally overwhelming experience.

Genre: Documentary, History

Actor: Al Sharpton, Andrew Cuomo

Director: Matthew Heineman

Spanning over decades and continents, The Eight Mountains depicts the kind of childhood friendship that remains central to one’s whole world. While city boy Pietro (Luca Marinelli) treks from the Alps to the Himalayas, the mountain pasture of Grana remains special as his father’s old refuge and as the hometown of childhood best friend Bruno (Alessandro Borghi). When they were younger, the two struck a summer friendship as the only two boys in the small town. However, their friendship isn’t the kind formed through day-to-day, routine interactions. Instead, each moment they share is fleeting, cut short by circumstances, but therefore, all the more precious. Co-directors Felix van Groeningen and Charlotte Vandermeersch slowly and patiently craft intermittent moments that form a lifelong friendship. And at the end, when they last bring us back to Grana, these moments are all we have left of this profound, meaningful connection.

Genre: Drama

Actor: Alessandro Borghi, Elena Lietti, Filippo Timi, Gualtiero Burzi, Luca Marinelli, Surakshya Panta

Director: Charlotte Vandermeersch, Felix Van Groeningen

Feminism has made plenty of strides in multiple areas, but even in the era of free love, talking about sex was difficult, and certain figures were dismissed just because of it. The Disappearance of Shere Hite reexamines the titular forgotten feminist figure that simply focused on the female orgasm, giving a second look at her immediate rise and fall in the American media, and the reasons for her leaving the country. With Dakota Johnson’s soft voice, an excellent selection of archival footage, and Hite’s deeply personal words, the film paints a portrait of a mild-mannered, self-possessed woman, but it also reveals the heartbreakingly repetitive vitriol that affects these open discussions today.

Genre: Documentary

Actor: Dakota Johnson, Shere Hite

Director: Nicole Newnham