120 Movies Like Oppenheimer (2023) On Netflix Canada (Page 2)

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Although Descendant is built around the finding of the Clotilda—the last ship to bring African slaves to the United States—this documentary knows that there's so much more potent drama in the stories of the ordinary people of Africatown, Alabama. As this painful reminder of the roots of their community is salvaged from the water, their view of history itself begins to change. Now they face the responsibility of making sure that the Clotilda doesn't just become a tourist attraction, and that their call for reparations unites the Mobile region of Alabama more than anything else. Its a gripping, complex documentary that feels like reading a great novel.

Genre: Documentary, Drama, History

Actor: Cleon Jones

Director: Margaret Brown

Between its maximalist production design and increasingly dark comedic set pieces, the most striking thing about Damien Chazelle's critically misunderstood industry satire is how it strikes a tone closer to tabloid gossip than anything else. As opposed to the clockwork precision of Chazelle's Whiplash, or the dreaminess of La La Land, Babylon's restlessness doesn't resemble Hollywood spectacle so much as it begins to feel like an unscratchable itch, desperate to feel anything. The film ends up trying to say so much that it threatens to say nothing at all, but its vision of cinema becoming reality is so potent that just the experience is more than worth getting lost in.

Genre: Comedy, Drama

Actor: Aaron Oltman, Albert Hammond Jr., Alex Mansour, Alex Reznik, Alexandre Chen, Andrew Hawtrey, Anna Chazelle, Anna Dahl, Anthony Burkhalter, Ariel Flores, Armando Cosio, Avery Baylin, Azizi Donnelly, Benjamin Jacobson, Bob Clendenin, Brad Pitt, Bregje Heinen, Bryan Scott Johnson, Carson Higgins, Chloe Fineman, Chris Doubek, Christopher Allen, Cici Lau, Circus-Szalewski, Cyrus Hobbi, Dana Marcolina, Danny Jolles, David Abed, David Ury, Dean Anderson, Del Atkins, Diego Calva, Dorian Martin, E.E. Bell, Eamon Hunt, Eric Roberts, Ethan Suplee, Evan Greer, Evgeny Tonkha, Flea, Frederick Koehler, Freya Parker, Hansford Prince, Hayley Huntley, J.C. Currais, Jacob Scesney, James Crittenden, James Vincent, James Wellington, Jean Smart, Jeff Garlin, Jennifer Grant, Jeremy Roberts, Jim O'Brien, Jimmy Ortega, Joe Dallesandro, Joey de Leon, John Kerry, John Macey, John Mariano, John Polite, Johnny Britt, Johnny Hoops, Jonathan Ohye, Jonathan Thomson, Jordan Seigel, Jovan Adepo, Kaia Gerber, Karen Bethzabe, Karina Fontes, Karolina Szymczak, Katherine Waterston, Katia Gomez, Kelly Meyer, Kenajuan Bentley, Kevin Symons, Kevin Toney, Kyle Richter, Laura Steinel, Lewis Tan, Li Jun Li, Lukas Haas, Manny Liotta, Marc Platt, Marcos A. Ferraez, Margot Robbie, Mateo Pollock, Mather Zickel, Max Minghella, Michael Naishtut, Mike C. Manning, Miraj Grbić, Mykail McDade, Nana Ghana, Olivia Hamilton, Olivia Wilde, Oscar Balderrama, P. J. Byrne, Pat Skipper, Patrick Fugit, Pete Ploszek, Phoebe Tonkin, Ric Sarabia, Richard Clarke Larsen, Rickey D. Woodard, Robert Beitzel, Robert Morgan, Rory Scovel, Ryan Porter, Samara Weaving, Sarah Ramos, Sean Billings, Sean O'Bryan, Shane Powers, Sidney Hopson, Sol Landerman, Spike Jonze, Taylor Hill, Taylor Nichols, Telvin Griffin, Terry Walters, Tobey Maguire, Todd Giebenhain, Trisha Simmons, Troy Metcalf, Tyler Seiple, Vanessa Bednar, Walker Hare, William Roper

Director: Damien Chazelle

Rating: R

An all-female action comedy that doesn’t get self-serious about the way it’s subverting the genre — Wingwomen feels like a breath of fresh air. It wisely grasps that plot isn’t paramount for a movie like this, and so it joyously dunks on cerebral scenarios with its unabashedly silly story convolutions, like when its professional thieves take a brief pause from their momentous One Last Job™️ to sail to Italy and exact bloody, flamenco-delivered revenge on the gangsters who killed their beloved rabbit. Exotic Mediterranean location-hopping isn’t the only way Wingwomen milks Netflix’s finance department for all it can get, either: director-star Mélanie Laurent also packs in all manner of stunts, from spectacular base-jumping sequences to dramatic drone shootouts. 

For all its breezy style, though, there is real heart here, and not the kind that feels crafted by an algorithm. It’s true that a late twist unwisely uses the movie’s embrace of implausibility for emotional ends, but otherwise, the relationship between its professional thieves — ostensibly platonic but very much coded otherwise (a la Bend It Like Beckham) — has surprisingly sincere warmth. Thanks to the cast’s natural chemistry and characters that feel human despite the ridiculous plot, Wingwomen is much more moving than you might believe possible for a Netflix action-comedy.

Genre: Action, Comedy, Drama

Actor: Adèle Exarchopoulos, Annick Roux, Aurélien Gabrielli, Camille Verschuere, Felix Moati, Foued Nabba, Isabelle Adjani, Jean-François Perrone, Jean-Philippe Ricci, Leona D'Huy, Manon Bresch, Mélanie Laurent, Meriem Serbah, Myriam Azencot, Philippe Katerine

Director: Mélanie Laurent

Rating: R

Director Noah Baumbach’s autobiographical film is a strikingly realistic take on divorce and the turmoil it sets on an already-dysfunctional family. Bernard (Jeff Daniels) is a selfish decadent writer who’s splitting with his unfaithful wife Joan (Laura Linney). Their two sons, Walt (Jesse Eisenberg) and Frank (Owen Kline), are taking different sides that reflect their personality. This separation only reinforces their insecurities as they quickly fall into depression and grow away from their friends. The parents, however, find unconventional lovers just as quickly, Bernard with a student of his, and Jane with her son’s tennis coach. The Squid and the Whale is a funny, emotional, and gripping story that finds a perfect balance in tone despite dealing with bitter divorce and troubled adolescence.

Genre: Comedy, Drama

Actor: Adam Rose, Alexandra Daddario, Andrew Kaempfer, Anna Paquin, Bobby Shue, Britta Phillips, David Benger, Dean Wareham, Eli Gelb, Elizabeth Meriwether, Emma Straub, Greta Kline, Halley Feiffer, James Hamilton, Jeff Daniels, Jesse Eisenberg, Jo Yang, Ken Leung, Laura Linney, Maryann Plunkett, Michael Countryman, Michael Santiago, Nico Baumbach, Owen Kline, Peggy Gormley, Peter Newman, William Baldwin

Director: Noah Baumbach

Rating: R

, 2022

Set in 1920s India, RRR follows two revolutionaries who strike up an unlikely bond and fend off the British regime from their home. In their epic journey to protect their people, they encounter a number of setbacks that prompts them to put their incredible combat skills on full display. 

Despite its three-hour run, RRR never drags, thanks in large part to its breathtaking action sequences and eye-popping visuals. It may contain all the familiar beats of a blockbuster, but RRR is notably grounded in its central, political theme of anti-colonialism, the sincerity of which keeps the film's big heart beating palpably throughout. 

Genre: Action, Adventure, Drama

Actor: Ahmareen Anjum, Ajay Devgn, Alexx O'Nell, Alia Bhatt, Alison Doody, Chatrapathi Sekhar, Edward Sonnenblick, Ivan Kostadinov, Makrand Deshpande, Mark Bennington, N. T. Rama Rao Jr., Oleh Karpenko, Olivia Morris, R. Bhakti Klein, Rahul Ramakrishna, Rajiv Kanakala, Ram Charan, Ray Stevenson, S. S. Rajamouli, Samuthirakani, Shriya Saran, Spandan Chaturvedi, Varun Buddhadev

Director: S. S. Rajamouli

Rating: Not Rated

Given a budget from Netflix to make a documentary on Korean film, some would have chosen instead to make one for big Korean filmmaking personalities like Academy Award winner Bong Joon-ho, who is featured here. However, director Lee Hyuk-rae instead creates Yellow Door, a love letter to the ‘90s film club that inspired a generation. The warm way each member tries to remember the club made decades ago, and the handy, almost cheeky, animations makes it feel like we’re there in the club with them, just listening to friends reminisce about the way they obsessed about film, even if it wasn’t the major they were studying in. It’s so nostalgic and sentimental, and in shifting its focus, it celebrates the lovely experience of finding a community of like-minded people that’s just obsessed with film as you are.

Genre: Documentary

Actor: Ahn Nae-sang, Bong Joon-ho, Choi Jong-tae, Ju Sung-chul, Kim Hye-ja, Kim Hyung-oak, Lee Hyuk-rae, Woo Hyeon

Director: Lee Hyuk-rae

Rating: PG-13

, 2023

For a short while in the ‘80s, the pop scene benefited from the sheer musical joy created by George Michael and Andrew Ridgeley, known together as Wham! With confectionary hits like “Wake Me Up Before You Go-Go” and “Last Christmas,” the  British duo sang about the escapism that a generation desperately sought out. Their songs were dismissed by pundits as shallow (“How can the country be in love with these two idiots?”), but as young people flocked to their concerts in droves, it was clear that Wham! struck a chord with the worn-out youth. 

They were no Beatles or Bowie, not heavyweight enough to make a lasting impression in our collective pop culture memory, but theirs is a story rich with meaningful lessons. Wham!, the film, is as much about the personal lives of the duo as it is about the difficulty of making it as independent artists; about the saving grace of music; and about the importance of authenticity. 

Genre: Documentary, Music

Actor: Andrew Ridgeley, Aretha Franklin, Bono, Boy George, David Bowie, Elton John, Freddie Mercury, George Michael, Helen DeMacque, Jerry Wexler, Mick Jagger, Paul McCartney, Sting, Terry Wogan, Tony Hadley

Director: Chris Smith

Rating: NR

We Are the World is a charity single created for African famine relief. It was a smash success– it inspired plenty of other charity singles and already has a TV documentary about it. But The Greatest Night in Pop reveals new behind-the-scenes footage with a home video flair, intercut with interviews from those who were in the booth on that fateful day. The anecdotes about that night might have already been said elsewhere, but director Bao Nguyen manages to capture the energy in the room, peeking into the emotions of the various personalities that helped shape the song. It’s an intriguing, if straightforward documentary, and it’s certainly a treat watching the decade’s best voices collaborate to make this one track.

Genre: Documentary, Music

Actor: Al Jarreau, Anita Pointer, Bette Midler, Billy Joel, Bob Dylan, Bob Geldof, Bonnie Pointer, Bruce Springsteen, Cyndi Lauper, Dan Aykroyd, Daryl Hall, Diana Ross, Dionne Warwick, Harry Belafonte, Huey Lewis, Jackie Jackson, James Ingram, Jeffrey Osborne, Jermaine Jackson, John Oates, Kenny Loggins, Kenny Rogers, Kim Carnes, La Toya Jackson, Lindsey Buckingham, Lionel Richie, Madonna, Marlon Jackson, Michael Jackson, Paul Simon, Prince, Quincy Jones, Randy Jackson, Ray Charles, Ruth Pointer, Sheila E., Smokey Robinson, Steve Perry, STEVEN IVORY, Stevie Wonder, Tina Turner, Tito Jackson, Tom Bähler, Tom Myers, Waylon Jennings, Wendy Garfield-Ferris Rees, Willie Nelson

Director: Bao Nguyen

Rating: PG-13

Documentaries about musicians — or anyone famous, for that matter — are often mythologizing puff pieces, essentially feature-length airings of PR material. But Against All Odds has more to it than flattery. It chronicles the rise of Australia’s first drill rappers, five young men of Samoan origin who soared to fame from their disadvantaged Sydney neighborhood after going viral and catching the eye of artists like the UK’s Skepta and Australia’s own The Kid Laroi. 

ONEFOUR’s rise from “the trenches” is compelling in itself — far more so than some of the dull origin stories that often pad out this kind of movie — but the documentary is given even more weight by its examination of the forces that sought to put out their fire: New South Wales police. ONEFOUR’s lyrics, which often reference violence, put them in the crossfires of a police tactical unit determined to, in one officer’s words, “make [ONEFOUR’s] life miserable until [they] stop what [they’re] doing.” Amazingly, the on-camera police interviews feature even more brazen admissions of the ways they “lawfully harass” ONEFOUR, a fact that makes this documentary an eye-opening portrait of both aggressive (and allegedly racist) policing and the resilience of the group in the face of it.

Genre: Documentary, Music

Actor: Celly, J Emz, Lekks, Spenny, YP

Director: Gabriel Gasparinatos

Rating: R

, 2023

After winning Oscars for their documentary work, filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin make their narrative feature debut with Nyad. The move to narrative fiction isn’t a monumental jump for the director duo, whose cinematic documentaries (among them Free Solo and The Rescue) play like nerve-shredding action thrillers and intense human dramas. Nor does Nyad’s subject — another extreme feat of human daring and endurance — make this feel a million miles away from their most famous works.

The most obvious departures from the directors’ documentary strengths — Nyad’s flashbacks and hallucination scenes, for example — do sometimes highlight their newness to narrative filmmaking, however. These scenes feel shallow and therefore disconnected from the movie’s otherwise deeper treatment of its subject, just as the performances dip into outsized cliches at times. Mostly, though, Nyad manages to float above the trap of trying too hard to be an inspirational sports drama thanks to its confrontation of Diana’s prickly personality. This flips the film’s perspective onto that of Diana’s team (including her coach and former girlfriend, played by Jodie Foster), who ultimately suffer the consequences of her stubbornness. That refusal to submit to hagiographic impulses gives the film a documentary-like edge of truth, making the rousing moments here feel genuinely earned.

Genre: Drama, History

Actor: Anna Harriette Pittman, Anne Marie Kempf, Annette Bening, Belle Darling, Carolyn McCormick, Diana Nyad, Elizabeth Chahin, Ellen DeGeneres, Eric T. Miller, Erica Cho, Ethan Jones Romero, Garland Scott, Grace Subervi, Harraka Eliana, Iván Oleaga, Jeena Yi, Jodie Foster, John Bartlett, John F. Kennedy, Johnny Solo, Karly Rothenberg, Kate McKinnon, Katherine Klosterman, Lilo Grunwald, Luke Cosgrove, Marcus Young, Melissa R. Stubbs, Nadia Lorencz, Orpha Salimata, Pearl Darling, Rhys Ifans, Samantha Gordon, Sophia Hernandez, Stephen Schnetzer, Tisola Logan, Toussaint Merionne

Director: Elizabeth Chai Vasarhelyi, Jimmy Chin

Rating: PG-13

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

After two adaptations, with the 1982 version considered a Christmastime classic for Polish families, Forgotten Love can seem like a redundant take on the iconic Polish novel. With twenty more minutes, it seems like the new Netflix adaptation could only improve its take through better production design, and sure, it certainly delivers that pre-war aesthetic through period-accurate costumes, props, and sets. However, Forgotten Love takes a more streamlined approach to the novel’s plot, through changing certain character choices. Without spoiling too much, some choices paint certain characters in a better light, while other changes prove to add an entertaining twist, such as the humorous way the villagers defend Kosiba. Znachor takes the 1937 story into the present, bringing a new generation through the emotional journey of the cherished Polish tale.

Genre: Drama, Romance

Actor: Adam Nawojczyk, Agata Łabno, Alicja Jachiewicz, Anna Szymańczyk, Artur Barciś, Dawid Ściupidro, Ewa Kolasińska-Szramel, Ewa Szykulska, Henryk Niebudek, Ignacy Liss, Izabela Kuna, Jarosław Gruda, Joachim Lamża, Kamil Pardo, Karolina Piechota, Krzysztof Dracz, Leszek Lichota, Maciej Damięcki, Małgorzata Mikołajczak, Maria Kowalska, Mikołaj Grabowski, Mirosław Haniszewski, Patryk Szwichtenberg, Paweł Janyst, Paweł Tomaszewski, Piotr Rogucki, Robert Gonera, Sławomir Holland, Stanisław Brudny, Waleria Gorobets

Director: Michał Gazda

Rating: PG-13

Inspired by the Spiniak case, Blanquita reimagines the infamous scandal through mirrored interrogations and disorienting viewpoints. Blanquita rewrites the original witness, whose fictional variant, in turn, rewrites the abuse faced by victims as her own. She is transformed from a clueless liar, into someone still a liar, but one that did so when every other possible witness has been discarded for being unreliable, for being too traumatized to go through the judicial process unflinchingly. The film takes on a provocative subject matter, at a time when real life sexual abuse allegations are treated with the same scrutiny Blanca faces. However, Blanquita does so in a way that gives its complexities the weight it deserves. It’s a fascinating thriller, a quandary that tests the idea of ends justifying the means… But it’s one that’s disturbing, given the consequences to each crime.

Genre: Drama

Actor: Alejandro Goic, Alex Quevedo, Amparo Noguera, Claudio Troncoso, Daniela Ramírez, Hernán Lacalle, Jaime Vadell, José Luis Aguilera, Karen Bejarano, Laura López Campbell, Marcelo Alonso, Nelson Polanco, Nicolás Durán, Roberto Farías

Director: Fernando Guzzoni

, 2023

The mythology surrounding Sylvester Stallone: the action hero is so big and successful that many people, including myself, often forget about Sylvester Stallone: the prolific writer. He failed to bag roles as a young actor in the 1970s, so he whipped out a script (in a span of three days!) that became the iconic film Rocky. Later on, after witnessing the power of elderly entertainers, Stallone rewrote a screenplay that would become the ongoing franchise The Expendables. He’s a hunk in many people’s eyes, nothing more and nothing less, but Sly successfully steers you away from that one-dimensional reputation and reintroduces you to the dramatist and artist Stallone has been all along. The film begins as an immigrant story (Stallone hails from Italy), then turns into a rags-to-riches story (he grew up in a tough New York neighborhood without formal education) before finally transforming into an honest and earnest meditation on superstardom and artistry. Going in, I was wary that this would be just another puff piece on a Hollywood has-been. And while it does have its fair share of schmaltz, I now believe it's a well-deserved and long overdue ode to Stallone’s unwavering commitment to the power of movies. 

Genre: Documentary

Actor: Al Pacino, Anthony Hopkins, Arnold Schwarzenegger, Brian Dennehy, Bruce Willis, Burgess Meredith, Burt Young, Carl Weathers, Chazz Palminteri, David Caruso, Dinah Shore, Dolph Lundgren, Estelle Getty, Frank Stallone, Frank Stallone Jr., Henry Winkler, Jack Lemmon, James Cagney, Jason Statham, Jennifer Flavin Stallone, Jet Li, John Herzfeld, John Wayne, Marlon Brando, Mickey Rourke, Milo Ventimiglia, Mr. T, Perry King, Peter O'Toole, Peter Riegert, Quentin Tarantino, Richard Crenna, Robert De Niro, Sage Stallone, Sandra Bullock, Scarlet Rose Stallone, Sharon Stone, Sistine Rose Stallone, Sophia Rose Stallone, Steve Austin, Steve Reeves, Sylvester Stallone, Talia Shire, Teri Hatcher, Terry Crews, Woody Allen

Director: Thom Zimny

Rating: R

The colloquial phrase "May-December" refers to romantic partners with a large age gap, but leave it to Todd Haynes to craft a poetic and unsettling world out of this (slightly troubling) banality of life. His new film is loosely based on the real case of Mary Kay Letourneau, who in 1997 was convicted as a sex offender after being caught having a relationship with a minor, a student of hers, 12 years old (22 years her junior). May December begins twenty years after the tabloid scandal surrounding the marriage of Joe and Gracie has died down. Elizabeth, an actress, is conducting research in preparation to play Gracie in a film production, but she doesn't know what to expect. Alongside her, we are welcomed into the family home, meet their teenage children, sit through their family dinners, marvelling at the levity and nonchalant atmosphere in the air. Something is missing, or at least that's what Elizabeth suspects. A psychological drama-thriller-black comedy, May December is impossible to pin down. A profound film on human confusion, identities, and past traumas, it unites two of the best Hollywood stars, Julianne Moore and Natalie Portman, in a delightfully eerie play of doubling and revelations.

Genre: Comedy, Drama

Actor: Allie McCulloch, Andrea Frankle, Charles Green, Charles Melton, Chris Tenzis, Cory Michael Smith, D.W. Moffett, Drew Scheid, Elizabeth Yu, Gabriel Chung, Hailey Wist, Hans Obma, Joan Reilly, Jocelyn Shelfo, Julianne Moore, Julie Ivey, Kelvin Han Yee, Lawrence Arancio, Natalie Portman, Piper Curda, Zachary Branch

Director: Todd Haynes

Rating: R