14 Movies Like One Week Friends (2022)

How far would you go to help a friend? The answer to this question might turn out quite differently after you have lived through the 2-hour squalor of 4 Months, 3 Weeks and 2 Days. Set in the bleak late-1980s reality of Communist Romania, under the ironclad rule of Stalinist dictator Nicolae Ceaușescu, Anamaria Marinca and Laura Vasilu play Otilia and Gabriela, two small-town students. Otilia volunteers to help Gabriela go through with an illegal abortion, which takes place in a shoddy hotel room with the help of a man named Bebe (played by Vlad Ivanov). When things don't go as planned, they find their situations quickly going from very bad to outright horrible. Powerful performances, a realistic script, and director Cristian Mungiu's technical finesse create an experience that will force you to relive the desperation the two women must endure. Little wonder that it won the Palme d'Or at Cannes in 2007.

Genre: Drama

Actor: Adi Carauleanu, Adina Cristescu, Alexandru Potocean, Anamaria Marinca, Cerasela Iosifescu, Constantin Bojog, Doru Ana, Eugenia Bosânceanu, Geo Dobre, Ion Sapdaru, Laura Vasiliu, Liliana Mocanu, Luminita Gheorghiu, Mădălina Ghițescu, Mărioara Sterian, Tania Popa, Teodor Corban, Vlad Ivanov

Director: Cristian Mungiu

Rating: Not Rated

Art is a hobby for most people, but for musician Jon Batiste and writer Suleika Jaouad, art is part and parcel of this thing called life. Of course, it’s part of their work, and it’s how they make a livelihood, but it’s more than that– it’s almost a spiritual ritual they cling to, especially when Jaouad finds out that her leukemia has returned. American Symphony mainly depicts the creation of said orchestral work, but director Matthew Heineman translates the symphony into cinematic form, culminating in a performance played over the intimate moments between Batiste and Jaouad. It’s not just a documentary of a performance, but a documentary about art, about creation despite life’s pains, perhaps to survive life’s pains. It’s a powerful work that makes it easy to believe in art as imperative for life, and vice versa.

Genre: Documentary, Music

Actor: Anna Wintour, Billie Eilish, James Taylor, Jon Batiste, Jonathan Dinklage, Justin Bieber, Lenny Kravitz, Louis Cato, Questlove, Simon Helberg, Stephen Colbert, Stevie Wonder, Suleika Jaouad, Trevor Noah

Director: Matthew Heineman

Rating: PG-13

Sandra Oh earned her breakout in this warm, candid Canadian indie, which — not uncoincidentally — shares its name with that of a decorative Chinese symbol associated with marriage. The movie’s title is also a reference to 22-year-old Jade Li’s (Oh) struggle to pursue her own ambitions and meet the clashing romantic and professional expectations her disapproving first-generation immigrant parents have for her. As she puts it, “Double happiness is when you make yourself happy and everyone else happy, too.”

An aspiring actress who dreams of playing Blanche DuBois, Jade is instead asked by unimaginative casting directors to adopt a pronounced Chinese accent for tiny bit parts. In essence, she’s typecast everywhere: on set, and at home, where she struggles to play the good daughter who’ll give up acting for a more conventional job and will only marry a man her parents approve of. It’s a jarring existence, but Double Happiness never feels claustrophobic because it gives Jade the freedom to finally be herself via witty, confessional monologues and fantasy sequences. There’s undoubtedly bittersweetness to this portrait of a young woman fighting to be herself on every front, but that it's nevertheless such an irresistibly charming, never-flippant watch is a testament to first-time director Mina Shum and Oh’s already mature talents.

Genre: Comedy, Drama, Romance

Actor: Alannah Ong, Callum Keith Rennie, Donald Fong, Frances You, Gene Kiniski, Sandra Oh, Stephen Chang

Director: Mina Shum

The Earth Is Blue as an Orange chronicles the lives of a single mother and her four children as they live in the war-torn Donbas region of Ukraine. Despite the constant threat of violence, the family finds solace in the arts (more specifically in filmmaking). While striving for normalcy in these tumultuous times, they channel their efforts into creating a film about the effect of war on their family. Even as they try to lead individual lives, nurturing this collective project, bombs, debris, and their reality is unavoidable. 

This film is a moving testament to the power of art, creativity, and hope in the darkest times. 

Genre: Documentary, Drama

Director: Iryna Tsilyk

Surprisingly heartwarming and enjoyable, The Unbearable Weight of Massive Talent turns its over-the-top premise into a tribute to the one and only Nicolas Cage. Playing an unfulfilled and broke version of himself, Cage’s next gig is an appearance at eccentric billionaire Javi Gutierrez’s (Pedro Pascal) birthday party. They strike up an instant bond over their love of film. However, the CIA suspects Gutierrez’s involvement in a political kidnapping, forcing Cage to investigate his friend. The film brilliantly employs those 90s-esque action tropes that Cage’s movies are known for - the car chases, the sunglasses, and the eccentric characters. Cage himself fully commits to the premise, but Pedro Pascal adeptly matches his energy with his easy-going charm. Their moments together and their shared love for cinema makes this a great watch.

Genre: Action, Comedy, Crime, Drama

Actor: Alessandra Mastronardi, Björn Freiberg, Caroline Boulton, Cesare Taurasi, David Gordon Green, Demi Moore, Eli Jane, Enrique Martínez, Ike Barinholtz, Jacob Scipio, Jaime Ordóñez, Joanna Bobin, Katrin Vankova, Kristian Flores, Kristian Ventura, Lily Mo Sheen, Manuel Tallafé, Mario Perez, Neil Patrick Harris, Nicholas Wittman, Nicolas Cage, Paco León, Pedro Pascal, Rebecca Finch, Ricard Balada, Sharon Horgan, Tiffany Haddish

Director: Tom Gormican

Rating: R

Going to sleep is something we do every day, though, when we were kids, it certainly wasn’t easy. With family-friendly source material and a new (and adorable!) sleepytime ensemble, Orion and the Dark plays with this fact of childhood, but screenwriter Charlie Kaufman transforms it into something more as the title characters journey into literal midnight dreams, tell stories-within-stories, and return back home with a poetic repetition. It still has some of his existential despair– after all, the overly imaginative Orion literally contemplates the possibility of death through his many, many anxieties– but it doesn’t just play with the classic childhood fear. Kaufman transforms the bedtime story, and the act of storytelling itself, as co-creation and connection between generations of filmmakers and viewers, with this film’s surprisingly layered writing.

Genre: Animation, Comedy, Family, Fantasy

Actor: Aliki Theofilopoulos, Amy Hill, Angela Bassett, Aparna Nancherla, Carla Gugino, Colin Hanks, Golda Rosheuvel, Hira Ambrosino, Ike Barinholtz, Jack Fisher, Jacob Tremblay, Matt Dellapina, Nat Faxon, Natasia Demetriou, Nick Kishiyama, Paul Walter Hauser, Ren Hanami, Sean Charmatz, Shannon Chan-Kent, Sky Alexis, Toru Uchikado, Walt Dohrn, Werner Herzog

Director: Sean Charmatz

There is a great deal of disbelief to suspend with this film, arguably the weakest of Japanese animation director Makoto Shinkai’s oeuvre. It follows Hodaka, a broke high school student in Tokyo looking for a job. The story kicks off when he meets Hina, a cheerful girl who lives with her younger brother and has the power to control the weather.

Again, as with all of Shinkai’s work, it’s remarkably beautiful. Rainfall, skies, and cityscapes are eye candy here, probably more than in any piece of animation ever. But this has every high school romance trope elevated to an extreme level, like Shinkai’s best known film Your Name but on steroids—a teenage boy and cute girl fit together like pieces of a puzzle, a grand adventure starts, forces beyond their control threaten to separate them, and the standard anime couple seemingly never see each other again, until they dramatically meet years later.

For the sake of an against-all-odds romance, Weathering with You downplays its insane plot devices. It glosses over runaway kids wielding firearms, an underage girl almost going into sex work, and a climate disaster potentially displacing millions of people—all for a love story.

Genre: Animation, Drama, Fantasy, Romance

Actor: Aoi Yuki, Ayane Sakura, Chieko Baisho, Hidekatsu Shibata, Kana Hanazawa, Kana Ichinose, Kanon Tani, Kotaro Daigo, Masako Nozawa, Mone Kamishiraishi, Nana Mori, Ryo Narita, Ryohei Kimura, Ryunosuke Kamiki, Sakura Kiryu, Sei Hiraizumi, Shinjirou Gouda, Shun Oguri, Sumi Shimamoto, Tsubasa Honda, Yuki Kaji, Yuki Ominami

Director: Makoto Shinkai

Rating: PG-13

One day, Filipino romances will wean themselves away from the tropes that keep their stories circling back to the same conclusions, undermining the bold narrative ideas on which that they establish themselves. Nothing Like Paris still doesn't break free, but its commitment to a more serious, modern view of romance set against the loneliness of migration is surprising given director Sigrid Andrea Bernardo's previous collaboration with her lead actors (the inadvertently creepy I See You, set in Japan). Here, the possibility of romance built on little more than one's shared nationality and language is explored with real maturity, through two performers who prove that subtlety will always leave more room for complex emotion than ugly crying and cutesy, empty gestures.

Genre: Drama, Romance

Actor: Alessandra de Rossi, Dolly de Leon, Empoy Marquez, Jean-Marc Noirot-Cosson

Director: Sigrid Andrea Bernardo

The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes

Susie Searches begins intriguingly for two reasons: first, there’s the strange disappearance of popular college student Jesse Wilcox (Alex Wolff), and then there’s the fact that that mystery is solved in the film's first 20-ish minutes. With over an hour left of its runtime at this point, Susie Searches seems to suggest Jesse’s disappearance was only a red herring, and that we’re in for something juicier now.

Alas, the rest of the movie — which stars Kiersey Clemons as the titular socially awkward student sleuth who finds Jesse — never lives up to this promise. An encouraging cast list is let down by thin characters; this isn’t true just for the supporting parts played by Rachel Sennott, Jim Gaffigan, Ken Marino, Dolly Wells, and Wolff, but, far more detrimentally to the film, Susie herself. Her motivations are complicated by more than just a desire for the truth, but, despite Clemons’ best efforts, this not-quite Nancy Drew is never all that psychologically compelling or believable. In a film that hinges on big twists revolving around its protagonist, that’s a fatal flaw, because we’re only ever half-invested. Though it may play better with younger audiences, anyone else will likely find its promising cast to be the biggest red herring of all.

Genre: Comedy, Mystery, Thriller

Actor: Aaron Costa Ganis, Alex Moffat, Alex Wolff, Ana Cruz Kayne, Ana Kayne, Chris Sheffield, David Walton, Dolly Wells, Ellie Reine, Geoffrey Owens, Isaac Powell, Jammie Patton, Jared Gilman, Jim Gaffigan, Juliette Goglia, Kat Foster, Ken Marino, Kiersey Clemons, Mellanie Hubert, Neal Bledsoe, Rachel Sennott

Director: Sophie Kargman

Jack Whitehall definitely has funny observations to make about life around him, and he clearly has a writer's ear for detail-oriented jokes. But he hardly allows his jokes to breathe during this special, constantly over-explaining the point or killing the momentum of a really smart, clever punchline with so many more unnecessary lines after the fact. This is really just Whitehall's style at this point, and those who already find his dorkiness endearing (which it really can be) should enjoy most of this. But for this writer, his jokes are just far too obvious and feel far too "performed." It feels like he's speaking at an audience, rather than for them.

Genre: Comedy

Actor: Jack Whitehall

Director: Chris Howe

Rating: R

Though it'll likely have more to offer for those who enjoyed the original Nickelodeon series that ran from 2014 to 2018, The Thundermans Return still does mournfully little with its feature length. There are some promising ideas here relating to what one's responsibility should be as members of a family, but any heart in the story is buried underneath weak attempts at action and painfully stilted humor—which is only made worse by the laugh track running through much of the film. Even in the oversaturated arena of American superhero movies, this one doesn't have relatable enough characters for teenagers and older kids to relate to, nor does it have enough mindless, poorly shot action for the younger kids.

Genre: Action, Action & Adventure, Comedy, Family, Kids, Science Fiction, TV Movie

Actor: Adam Kulbersh, Addison Riecke, Anushka Rani, Aubrey K. Miller, Audrey Whitby, Brady Amaya, Brandon Papo, Brittany Bardwell, Chevonne Hughes, Chris Tallman, Christina Correll, Christina Offley, Dana Snyder, Daniele Gaither, Diego Velázquez, Fletcher Sheridan, Guy Moon, Harvey Guillén, Helen Hong, Jack Griffo, Jake Borelli, James Hong, Jamie Kaler, Jamieson Price, Jeff Meacham, Jennifer Hale, John Sanders, Kenny Ridwan, Kira Kosarin, Laura Louise, Malcolm Foster Smith, Maya Le Clark, Michael Wayne Foster, Paul F. Tompkins, Robin Atkin Downes, Rosa Blasi, Tanner Stine, Valerie Loo

Director: Trevor Kirschner