300 Movies Like Once Upon a Time… in Hollywood (2019) (Page 18)

Staff & contributors

, 2014

If there’s one obvious thing that keeps Kano from becoming great, it’s the fact that it takes a little over three hours just to get through. It certainly can be trimmed down by a lot, but going through the three hours isn’t too bad of a time, seeing as it celebrates the real life Taiwanese baseball team through a feel-good, if a bit familiar, underdog story of a small island team winning against some of Japan’s best high school rosters. The film shines when it focuses on baseball– It feels like you’re actually in the stands of the arena, with the matches moving the plot forward and realistically hammering home the love of the sport. That being said, the backstory of the characters plays out in a melodramatic fashion, and while it does depict some of the racism the team faced, the film seems to be reluctant on commenting on the immediate parallels to Japan’s colonization of Taiwan. For better or worse, Kano prioritizes the sport to the detriment of every other plotline.

Genre: Drama, History

Actor: Bamboo Chen, Hsing-Chen Yeh, Lisa Chiao Chiao, Maki Sakai, Masatoshi Nagase, Shibuya Tenma, Takao Osawa, Tender Huang, Togo Igawa, Tsao Yu-ning, Yukihiko Kageyama, Yuma Okura

Director: Umin Boya

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Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.

Genre: Comedy, Drama

Actor: Adil Hussain, Anil Rastogi, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh

Director: Shubhashish Bhutiani

Rating: Not Rated

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It might not teach you the basics of cricket but Fire in Babylon uses the sport as an entertaining entry point into the discrimination faced by Caribbean peoples around the 1970s. The footage we see of actual cricket games is kept to the simplest elements, but what ultimately leaves a stronger impression are the lively testimonials from the documentary's many talking heads, injecting this historical account with a generous amount of personality. From the hip West Indian soundtrack to the unabashed pride that fuels every anecdote, this feels like a film that's genuinely being told by its characters, and not from an outsider's point of view.

Genre: Documentary, Family

Actor: Bunny Wailer, Clive Lloyd, Colin Croft, Viv Richards

Director: Stevan Riley

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This documentary about the 2015 massacre at the Emanuel African Methodist Episcopal Church explores key questions around faith, justice, and forgiveness. It situates the massacre – which left nine African American churchgoers dead – within a bigger picture, with Emanuel being the first-ever freestanding black church in Charleston, a city in South Carolina with a highly charged racial history.

The film’s strengths lie in the stories of those who lost loved ones in the massacre, and the miraculous forgiveness some of the survivors offered the 21-year-old white supremacist responsible for the attack. Above all, it is a story about the power of faith.

Genre: Crime, Documentary, Drama

Actor: Dylann Storm Roof

Director: Brian Ivie

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Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

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A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it's a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country's official submission to the Oscars.

Genre: Action, Drama, History

Actor: Cha Soon-bae, Choi Guy-hwa, Choi Gwi-hwa, Choi Jae-sup, Daniel Joey Albright, Hae-jin Yoo, Han Sa-myeong, Han Sa-myung, Han Yi-jin, Heo Jeong-do, Heo Jung-do, Jeon Hye-jin, Jeong Seok-yong, Jin-young Jung, Joey Albright, Jun-yeol Ryu, Jung Jin-young, Kang-ho Song, Ko Chang-seok, Kyul Hwi, Lee Bong-ryeon, Lee Ho-cheol, Lee Ho-chul, Lee Jung-eun, Lee Sae-byeol, Lee Yong-i, Lee Yong-yi, Park Hyeok-kwon, Park Hyuk-kwon, Ryu Jun-yeol, Ryu Sung-hyun, Ryu Tae-ho, Seo Hyun-woo, Seok-yong Jeong, Shin Dam-su, Song Kang-ho, Thomas Kretschmann, Uhm Tae-goo, Um Tae-goo, Yoo Hae-jin, Yoo Hai-jin, 许政度

Director: Hun Jang, Jang Hoon, Jang Hun

Rating: Not Rated

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I'm still stuck between calling The Tour 23 a clever marketing trick or a feast for the senses. Contradictions have always nested at the heart of the brand, between beauty and its toxic standards, so it's self-aware of them to highlight that in an audience-facing film. It's undeniable that the VS shows have held spectacle in high regard and cultivated a fanbase that outnumbers the actual consumers, but this film will feel like a treat even if you don't care for luxury wear. Even more, it's perhaps a bit too likable: it's lush without being kitschy, it's woke without the overt politics, it's fun, but not a joke, and most of all, it brings us closer to the visions of creators from around the world who have so much more to give than what they've given Victoria's Secret.

Genre: Documentary

Actor: Adriana Lima, Adut Akech, Adwoa Aboah, Candice Swanepoel, Doja Cat, Emily Ratajkowski, Gigi Hadid, Hailey Bieber, Imaan Hammam, Iris Law, Julia Fox, Lily Aldridge, Naomi Campbell, Sui He, Taylor Hill, Tess McMillan, Valentina Sampaio, Winnie Harlow, Yseult, Ziwe Fumudoh

Director: Cristina Sánchez Salamanca, Korty Eo, Lola Raban-Oliva, Margot Bowman, Umi Ishihara

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Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

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Jailbreak: Love on the Run could be many things depending on where you stand. You could see it as the tragic story of how an inmate successfully seduced his jailer into letting him escape. Or you could see it as the romantic tale of a woman finding her soulmate after years of denying herself companionship and affection. The commendable thing about this Netflix documentary is that it allows space for both of those perspectives through lengthy interviews with the Whites’ close friends and colleagues. That said, the editing of this Netflix documentary could’ve been tighter. The interviews could’ve been cut short and some phone call excerpts, given their explicit content, could’ve been left out, especially given how this tale ends. Not only would the documentary have been more engaging, it would’ve also been more sensitive to Vicky’s situation. “It’s like a disgusting romance novel,” one co-worker says of Vicky and Casey’s admittedly unethical relationship, but while her comment seems justified at the moment, it turns sour the moment you learn about the couple’s fate.

Genre: Crime, Documentary

Rating: R

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In the same festival where she showcased her screenwriting chops, Rachel Sennott also showcased her dramatic side in I Used to Be Funny, a difficult drama that garnered less acclaim than Bottoms (2023). It’s understandable– while both films have a witty, gen-Z slant in its comedy, this drama is much harder to balance and heavy to watch, dealing with mental health and PTSD. The non-linear narrative occasionally does make the film feel a tad disjointed as well. However, there’s a care and a warmth from Ally Pankiw’s direction that makes this exploration of Sam’s complex trauma feel heartfelt, and Sennott holds each scene with compelling charisma.

Genre: Comedy, Drama

Actor: Caleb Hearon, Dan Beirne, Dani Kind, Ennis Esmer, Hannah Spear, Jason Jones, Kathy Imrie, Matia Jackett, Miguel Rivas, Olga Petsa, Rachel Sennott, Sabrina Jalees

Director: Ally Pankiw

Rating: NR

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With whole franchises dedicated to cars and motorcycles, cinema has often regarded these individually-piloted machines as intrinsically linked with masculinity. Ustaad is the latest Telugu love letter to motorcycles and planes, as these have shaped protagonist Surya Sivakumar’s life. In debut writer-director Phanideep’s hands, Surya’s journey to becoming a commercial airline pilot is a long one, as Ustaad details Surya’s first motorbike, first romantic relationship, and the way he overcame his fear of heights. It’s a fun drive, and there’s plenty of moments where Phanideep’s style feels free and unrestrained. However, it’s a drive that takes too long, with predictable beats that have been seen before.

Genre: Action, Comedy, Romance

Actor: Anu Hasan, Gautham Vasudev Menon, Kavya Kalyanram, Ravi Shiva Teja, Ravindra Vijay, Sri Simha, Sri Simha Koduri, Venkatesh Maha

Director: Phanideep

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Like the action thriller Cellular (2004), Unseen plays with the idea of saving someone only through a phone. This time, however, Yoko Okumura’s directorial debut has video call instead of just audio, with video used to help nearly blind Emily run away from her kidnapper ex. Through split screen shots, occasional open hazy irises, and tiny phone screens, Unseen takes us on a desperate escape, an escape made possible by Emily’s connection with random stranger Sam. While some parts feel absolutely ridiculous, the thriller still feels like a wild ride, especially when focused on its two leads. It’s still enjoyable, if you can accept its silliness and the shallow way it approaches certain themes.

Genre: Horror, Mystery, Thriller

Actor: Brett Baker, Jolene Purdy, Michael Patrick Lane, Midori Francis, Missi Pyle, Nicholas X. Parsons, Ren Hanami

Director: Yoko Okumura

Rating: NR

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Mystery films and whodunits have placed the rich and powerful in their crosshairs for generations now, and Murder Mubarak proudly follows in that tradition through a tried and tested formula. So while there isn't anything particularly surprising here, the film nails the tone it needs, smartly placing the focus away from the central crime and poking fun at the entire ecosystem of privilege and ego that gets revealed in its wake. Unfortunately, the movie also doesn't sustain this momentum till the end, as it abruptly stumbles toward its inevitable revelations without giving itself time to let the consequences breathe. When it's all over, it actually feels like we don't know many of these individual characters any better than the overall situation they're in.

Genre: Comedy, Crime, Drama, Mystery, Thriller

Actor: Aashim Gulati, Brijendra Kala, Deven Bhojani, Dimple Kapadia, Grusha Kapoor, Karisma Kapoor, Pankaj Tripathi, Purnendu Bhattacharya, Sanjay Kapoor, Sara Ali Khan, Suhail Nayyar, Tara Alisha Berry, Tisca Chopra, Varun Mitra, Vijay Varma

Director: Homi Adajania

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Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

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The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco's gorgeous colors and brown tones fill the 4:3 aspect ratio nicely, and director Elisa Miller lets events unfold with the stately pace of a long novel. There's something fascinating here about how each new "chapter" or perspective doesn't really lead to more answers, but simply to more anguish closing in from all sides.

So it would be understandable if some may be put off by how unrelentingly dark Hurricane Season is, especially as the trans woman whose death becomes the central event never enjoys the kind of characterization everybody around her gets. Apart from how the film illustrates that discrimination against women, against repressed "taboo" sexuality, and against access to proper reproductive health only threatens to grow under poverty, it can be difficult to grasp what point the movie is trying to make. Social realism certainly has its place in cinema, but the different perspective in this particular film still don't add up to more than the sum of its parts.

Genre: Crime, Drama, Thriller

Actor: Andrés Cordaz, Edgar Treviño, Flor Eduarda Gurrola, Guss Morales, Kat Rigoni, Mónica Martínez​, Norma Reyna, Paloma Alvamar, Rodrigo Corea, Said Sandoval

Director: Elisa Miller

Rating: R

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