80 Movies Like Oldboy (2003) On Itunes (Page 4)

Staff & contributors

Chasing the feel of watching Oldboy ? Here are the movies we recommend you watch right after.

From Korean director Park Chan-wook, who also brought you the far quieter The Handmaiden, comes a movie that is positively terrifying. Its premise alone is enough for any sentient human being to shudder. On his daughter's birthday, the good-for-nothing Oh Dae-su (played by Choic Min-sik) gets drunk and is arrested by the police. A friend eventually bails him out and, while he is making a phone call, Oh Dae-su disappears. Not knowing why, he is held in the same room for 15 years for no apparent reason. Until, one day, he is released. That's all that can be revealed about this winner of the Grand Jury Prize at Cannes in 2004 without giving away too much. All we can add here is the way we recommend Oldboy to people admitting to not having seen it yet: “Watch Oldboy. You're welcome. We're sorry.” A crazy, twisted film that goes to extremes. A cult classic and a statement.

"California Dreamin'" by the Mamas and the Papas. You will fall in love with that song (if you haven't already) after watching this movie. Two stories, entangling into one; both about Hong Kong policemen falling in love with mysterious women. It was recommended by my friend after I said I loved Frances Ha. I don't know whether you can call this as offbeat romance.. but to me it was, and it's well worth the watch.

Genre: Comedy, Drama, Romance

Actor: Brigitte Lin, Chen Jinquan, Faye Wong, Jimmy Wong Chi-ming, Kwan Lee-Na, Lee-na Kwan, Liang Zen, Lynne Langdon, Piggy Chan Kam-Chuen, Rico Chu, Rico Chu Tak-On, Songshen Zuo, Takeshi Kaneshiro, Tony Chiu-Wai Leung, Tony Leung Chiu-Wai, Valerie Chow, Vickie Eng, Wong Chi-Ming, Zhiming Huang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: PG-13

Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Don Phillips, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Fred Roos, Glenn Close, Jeanine Basinger, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Linda Lowy, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Nessa Hyams, Norman Lear, Oliver Stone, Paul Haggis, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Wallis Nicita, Woody Allen

Director: Tom Donahue

A very touching film about Japanese children who are abandoned by their mother in their apartment and left on their own. It's movie that perfectly encapsulates the world of kids and its alignment with this story is both heartbreaking and joyful. Their innocence will make you smile from ear to ear until moments come where you will shed tears. This is a film everyone should have watched, it breaks my heart how little-known it is.

Genre: Drama

Actor: Ayu Kitaura, Hanae Kan, Hiei Kimura, Kazuyoshi Kushida, Ken'ichi Endô, Momoko Shimizu, Ryō Kase, Sei Hiraizumi, Susumu Terajima, You, Yuichi Kimura, Yukiko Okamoto, Yûya Yagira

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: PG-13

Eat Drink Man Woman takes place in Taipei, Taiwan in the mid-1990s. It tells the story of an aging father and his three daughters, all of whom are navigating different phases of adulthood while embracing new relationships. The family uses cooking and eating together as a way to communicate their love.

Food as a love language wasn’t a new concept in 1994, when the film was released, however it is impeccably explored in Eat Drink Man Woman. 

Genre: Comedy, Drama, Romance

Actor: Chen Chao-jung, Chi-Der Hong, Chin-Cheng Lu, Gin-Ming Hsu, Gua Ah-leh, Huel-Yi Lin, Jui Wang, Kuei-Mei Yang, Lester Chan, Lester Chit-Man Chan, Lung Hsiung, Lung Sihung, Shih-Jay Lin, Sihung Lung, Sylvia Chang, Wang Yu-wen, Winston Chao, Wu Chien-Lien, Ya-lei Kuei, Yang Kuei-Mei, Yu Chen, Yu-Wen Wang, 张艾嘉

Director: Ang Lee

Rating: Not Rated

The story that Whale Rider tells is a familiar one: that of a young girl challenging the expectations of a patriarchal community in order to claim her rightful place in a position of authority. But this isn't a superficial girl-power movie; writer/director Niki Caro maintains the utmost reverence for this Māori community, even if its customs might not appear fair to an outsider's point of view. It's a film full of realistically flawed people, whose struggles are all borne from a common love for their culture in their little corner of the world. What could have been generic and simplistic is made beautiful—especially thanks to a truly moving performance from Keisha Castle-Hughes, who at the time became the youngest nominee for the Best Actress Oscar.

Genre: Drama, Family

Actor: Cliff Curtis, Grant Roa, Keisha Castle-Hughes, Mana Taumaunu, Rachel House, Rawiri Paratene, Tahei Simpson, Tammy Davis, Taungaroa Emile, Vicky Haughton

Director: Niki Caro

Similar in spirit and in subject matter to the Oscar-winning documentary 20 Feet from Stardom, The Wrecking Crew pulls back the curtain on the recording of many of the greatest American songs of the 1960s and '70s: that a single group of unassuming session musicians were responsible for bringing out the sound in these tracks. The film is a treasure trove for musicians and music fans, making you hear certain instrumental nuances in a different light and deepening your perception of music between what was written and what was recorded. Then inevitably and tragically, the realization sets in that few—if any—of these musicians have received the recognition they truly deserve, as essential but unfairly small parts of a music industry ecosystem that often cares more about image and entertainment than musicianship.

Genre: Documentary, Family, Music

Actor: Adam West, Al Casey, Al Jardine, Annette Funicello, Bones Howe, Brian Wilson, Bruce Johnston, Carl Wilson, Carol Kaye, Cher, Dean Martin, Dick Clark, Eva Gabor, Frank Sinatra, Frank Zappa, Frankie Avalon, Glen Campbell, Graham Nash, Hal Blaine, Herb Alpert, Jan Berry, Jimmy Webb, Jody McCrea, Lou Adler, Micky Dolenz, Mike Love, Nancy Sinatra, Peter Tork, Ricky Nelson, Sam Cooke, Sammy Davis Jr., Sonny Bono, Tommy Kirk, Tommy Sands

Director: Denny Tedesco

The Last Man on the Moon is a documentary about astronaut Eugene Cernan, Commander of the Apollo 17 lunar landing mission in 1972. Chronicled by Cernan himself as he reminisces on his life, the film follows his early career with the Navy, his recruitment and training as an astronaut, and his participation in 3 trips to space: Gemini 9A, Apollo 10 and eventually Apollo 17—the last of NASA’s six expeditions to the Moon. Cern also delves heartfully into his loss of friends as well as his regretfulness for missing out on so much family time while away. It’s a poignant and inspiring account, with Cern providing a fine lesson in the confidence and diligence in takes to pursue and accomplish one’s dreams

Genre: Documentary, History

Actor: Alan Bean, Charles Duke, Eugene Cernan

Director: Mark Craig

Rating: Unrated

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

Genre: Drama, Mystery, Thriller

Actor: Ah-in Yoo, Ban Hye-ra, Cha Mi-Kyung, ChoI Seung-ho, Jang Won-hyung, Jeon Jong-seo, Jeon Seok-chan, Jeong Da-yi, Jong-seo Jun, Jun Jong-seo, Kim Shin-rock, Kim Shin-rok, Kim Sin-rock, Kim Soo-kyung, Lee Bong-ryeon, Lee Joong-ok, Lee Soo-jeong, Min Bok-gi, Moon Sung-keun, Ok Ja-yeon, Song Duk-ho, Soo-Kyung Kim, Steven Yeun, Yoo Ah-in

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated

Is courage still courage when you have no choices left? What do you do when you're pressed to the wall and have no way to go? Maria, a pretty, modest and hardworking girl living in a small Colombian town, where the only career choice (thus not being a choice, really) is working in a floral plant, packing and distributing flowers - a dead-end job with killer hours and zero-tolerance boss. Yet, it's money. Until the day Maria gets pregnant and her choices become even more limited. By accident, she makes acquaintance with a guy who turns out to be her way out - and the way is out to become a drug mule, transporting drugs in your stomach across the border to the American soil. A job dangerous in many aspects, illegal and potentially deadly, but also paid well. Maria decides to take the only way out, a way that may be a one-way street. Maria Full of Grace is a gut-wrenching story about survival in a seemingly hopeless situation. It's about taking that one chance that has all the potential to go south, and investing in it all the hope you have left, and all the survival instinct you have in your heart and soul. And when everything that could go bad does, and everything turns from bad to worse beyond imagination, it's about standing strong and not giving up, no matter what. Though technically not a documentary, it's real beyond belief, and you can be sure Colombia is full of Marias - just hoping for a decent life, ready to sacrifice the very life itself to obtain it. It's a masterpiece of its genre and it also boasts one of the best posters in the history of the cinema. Highly recommended.

Genre: Crime, Drama, Thriller

Actor: Catalina Sandino Moreno, Charles Albert Patiño, Guilied Lopez, Jaime Osorio Gómez, Jhon Álex Toro, Johanna Andrea Mora, John Álex Toro, Orlando Tobón, Patricia Rae, Selenis Leyva, Victor Macias

Director: Joshua Marston

Rating: R

In Waltz with Bashir, director Ari Folman grapples with the trauma and dehumanization of war by examining the role he played in the 1982 Invasion of Lebanon. But his memories are fractured, so in an attempt to piece them back together, he visits his comrades and has them recall the events for him. The result is both poignant and painful, a horrific tell-all of what happens on both sides of the battleground. The film is a documentary, chillingly honest and straightforward, but it's also an animation gem that continues the legacy that Persepolis started and Flee continues. By combining the harshness of war with the lightness of animation, all three films effectively deliver their anti-war message with a much-needed human and personal touch. 

Genre: Animation, Documentary, Drama, War

Actor: Ari Folman, Mickey Leon, Ori Sivan, Ron Ben-Yishai, Yehezkel Lazarov

Director: Ari Folman

Rating: R

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Seok-jeong, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-cheon, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Sun-hee, Lee Yong-nyeo, Moon Chang-gil, Park Seong-yeon, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching. 

Genre: Crime, Drama, Romance, War

Actor: Andreas Patton, Anton von Lucke, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher

Director: Sebastian Meise

Taking inspiration from neorealist classics, Chop Shop tells a thoroughly modern story about a pair of orphans contending with hard choices and blunt truths as they hustle to survive in New York City. But rather than take place in the concrete jungle, Ramin Bahrani’s third feature is set in an area of the city most of us aren’t familiar with: Queens’ “Iron Triangle,” an industrial zone crammed with scrapyards and car mechanic shops.

It’s in the upstairs room of one such shop that the bright young Ale (Alejandro Polanco) and his teen sister Isamar (Isamar Gonzalez) live, working days and nights downstairs to save up for the food truck that will give them a more stable life. This daily grind drives them into dark corners and onto the paths of unscrupulous adults, forcing the two kids to grow up beyond their years. Despite their plucky resilience, there’s still a childlike sweetness about them, which only further deepens the heartbreak of their situation. Polanco and Gonzalez give such emotionally raw and entirely believable performances that you’d almost think they were real siblings living lives like these. The fact that neither were professional actors before starring here makes their extraordinarily fluid performances all the more impressive, and helps burnish Chop Shop’s golden aura of genuine discovery.

Genre: Drama

Actor: Carlos Ayala, Laura Patalano, Nick Jasprizza

Director: Ramin Bahrani

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun