13 Movies Like Nobody Knows (2004)

Staff & contributors

The title of this 2018 Palme D'or winner is not to be taken metaphorically: Shoplifters is about a marginalized family of day workers, crooks, and small-time outlaws, who live on the fringes of Japanese society. Osamu (Lily Franky) and Nobuyo (Sakura Andô) both have jobs but spruce up their low-wage income by committing petty crimes. One day in winter, Osamu takes in a bruised girl he finds outside in the cold and introduces her to the family in his ramshackle house. But when the second-youngest member of the family, Shota (Kairi Jyo), finds himself teaching her how to shoplift, he faces a moral dilemma that threatens to unravel the family's fabric. If you were hitherto unfamiliar with the unique storytelling and social realism of Hirokazu Koreeda, we really recommend checking it out—as well as his other movies, namely, Still Walking, Like Father, Like Son, I Wish, and After the Storm. His 2018 outing features the last ever performance of Kirin Kiki, who plays the elderly matriarch and passed away that same year. Like many of Koreeda's works, Shoplifters is an understated, beautiful, and mysterious study of the effects of poverty and trauma and a delicate portrait of a family in Japan's urban underbelly.

Genre: Crime, Drama, Family, Thriller

Actor: Aju Makita, Akira Emoto, Chizuru Ikewaki, Hajime Inoue, Haruna Hori, Jyo Kairi, Kairi Jo, Kairi Jyo, Kengo Kora, Kirin Kiki, Lily Franky, Mayu Matsuoka, Miyu Sasaki, Moemi Katayama, Nana Mizoguchi, Naoto Ogata, Sakura Andô, Sosuke Ikematsu, Yoko Moriguchi, Yuki Yamada, 山田裕貴, 松冈茉优, 蒔田 彩珠

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: R

There are many movies by the much-celebrated Japanese auteur director Hirokazu Koreeda on A Good Movie to Watch. Why? Because, like all the movies we showcase here, his work is often little-known, but unbelievably good. After the Storm is no different. Much like his other works, notably Like Father, Like Son, Shoplifters, and Nobody Knows, it deals with the topic of family dynamics, regret, and disappointment. But his movies are never dramatic downers but delicate dioramas, understated in tone. Once a successful writer, Ryota (Hiroshi Abe) is now a private detective who spends the little money he makes on gambling instead of paying child support. His ex-wife and son are increasingly alienated by his behavior until one day, during a storm, they all find themselves trapped in Ryota's childhood home. Subtly touching on notions of inter-generational bond and tension –⁠ Koreeda's works are mesmerizing and stick with you long after you've finished watching.

Genre: Drama, Family

Actor: Aju Makita, Daisuke Kuroda, Hiroshi Abe, Isao Hashizume, Izumi Matsuoka, Jun Matsumoto, Kanji Furutachi, Kazuya Takahashi, Kirin Kiki, Lily Franky, Maki Yoko, Makoto Nakamura, Mickey Curtis, Rie Minemura, Ryoko Tateishi, Satomi Kobayashi, Shôno Hayama, Sosuke Ikematsu, Taiyo Yoshizawa, Yôko Maki, Yukiyoshi Ozawa, Yūko Fukui, Yuri Nakamura, 蒔田 彩珠

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

Koreeda is a master of the tender gaze. He deals so softly, elegantly, and emphatically with the characters in his films, it will make you feel like you're watching life itself in all its complex, emotional splendor. Maybe this is particularly true for this movie because it has been inspired by Koreeda's memories of his own childhood and the passing of his mother. Still Walking is a quietly toned movie spanning a period of 24 hours in the life of the Yokoyama family, as they gather to commemorate the passing of their eldest son. At the center of the story is the father, an emotionally distant man who commands respect both from his family and community. Opposite from him sits the other son, the black sheep, who seeks his father's validation. Directed, written, and edited by Koreeda, this dynamic is one of many in this slice-of-life movie about how families deal with loss. And, however distant the culture or setting in Japan may seem to the outsider, you're bound to recognize either yourself or your family among the tender scenes of this masterful drama.

Genre: Drama, Family

Actor: Haruko Kato, Hiroshi Abe, Hotaru Nomoto, Kazuya Takahashi, Kirin Kiki, Ryoga Hayashi, Shohei Tanaka, Susumu Terajima, Yoshio Harada, You, Yui Natsukawa

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

Koreeda's troubled childhood often serves as the inspiration for his poignant Japanese dramas that deal with loss, the meaning of being a child, and of being parent. In Like Father, Like Son, Ryota Nonomiya (Masaharu Fukuyama), a hard-working architect, who is married to his work, comes home from work. He receives a call from the hospital where his son Keita was born and learns that he was switched at birth with their biological son Ryūsei. His wife and him are not only faced with the prospect of having to switch the two six-year-olds back, but also with the rickety family his 'real' son grew up in—and his aversion to what they stand for. But who is real and who isn't? Must they be switched back? The age-old question of nature vs. nurture and the relationship of love and biology is at the heart of the parent's struggle. As always with Koreeda's works, the result is soft-spoken, sensitive, and symphonically directed. Winner of the Jury Prize at Cannes.

Genre: Drama, Family

Actor: Arata Iura, Hana Kino, Hiroshi Ôkôchi, Ichirō Ogura, Isao Natsuyagi, Jun Fubuki, Jun Kunimura, Kazuya Takahashi, Keiji Nakazawa, Keita Ninomiya, Ken Ochiai, Kirin Kiki, Kōichi Kitamura, Lily Franky, Machiko Ono, Maki Yoko, Masaharu Fukuyama, Megumi Morisaki, Meguri Hiroo, Natsuki Inaba, Pierre Taki, Rina Endou, Shogen Hwang, Tetsushi Tanaka, Tomomitsu Adachi, Tomoya Nakamura, Yamamoto Shuri, Yo Yoshida, Yoh Yoshida, Yôko Maki, Yuji Yoshimasu, Yuri Nakamura, 福山雅治

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

, 2003

It has become increasingly rare to find films made in Afghanistan, so when a movie like Osama comes along, it becomes nothing short of essential viewing. This is a profoundly depressing but beautifully crafted story of a young girl made to look like a boy so as to go unnoticed by Taliban forces while trying to help her family. It's a simple film wherein this character's budding awareness of her girlhood is set against a terrifying backdrop of violence, abuse, and fundamentalist extremism—all of which director Siddiq Barmak keeps off the screen.

Barmak knows exactly what to point his camera at, covering multiple angles of life in Taliban-controlled Afghanistan without calling attention to himself, and still finding ways to show the smallest shreds of sympathy and support hiding within this society. And in the lead role, a teenage Marina Golbahari delivers a towering, heartbreaking performance that never registers as anything but authentic. The fear that she embodies is almost too real to watch without becoming afraid yourself. Osama is incredibly difficult viewing, but it's a truly valuable work of art that deserves to be preserved.

Genre: Drama

Actor: Arif Herati, Malik Akhlaqi, Marina Golbahari, Zabih ullah Frotan, Zubaida Sahar, مالک اخلاقی

Director: Siddiq Barmak

Director Hirokazu Kore-eda’s feature debut is nothing short of a masterpiece, his style of serenity apparent from the get-go. With Kore-eda’s still frames and touching, relatable stories, it’s almost impossible not to find yourself caring for his characters like they are your own family. 

In Maborosi, Yumiko (Makiko Esumi) is haunted by one loss after another and struggles to accept these tragedies and move on with her life. Her story is probably the toughest Kore-eda has had to tell, yet there is still a certain beauty to it, especially in its quietness and moody atmosphere. Not forcing any of his characters’ feelings on the audience, Kore-eda manages to tell a harrowing tale in the gentlest of ways.

Genre: Drama

Actor: Akira Emoto, Hidekazu Akai, Hiromi Ichida, Makiko Esumi, Midori Kiuchi, Minori Terada, Mutsuko Sakura, Ren Osugi, Sayaka Yoshino, Tadanobu Asano, Takashi Inoue, Takashi Naito

Director: Hirokazu Kore-eda

Rating: Not Rated

Hirokazu Koreeda can do no wrong. The director of Shoplifters and Still Walking is a master of dissecting complex family dynamics through a handful of events. In Our Little Sister, three close sisters who live at their grandmother's house learn that their absent father has passed. They travel to the mountains to attend his funeral and meet their half-sister, Suzu, for the first time. Suzu is invited to live with the sisters and join their bond.

This movie is a true-to-the-form slice of life, it's almost drama-free. This absence of plot is an absence of distractions: the sisters are all that matters to Koreeda. His only focus is on how this family becomes bigger, sees past grief, and how the group of close-knit sisters that grew up together can make room for a new addition.

Genre: Comedy, Drama, Family

Actor: Fukiko Hara, Haruka Ayase, Ichirō Ogura, Jun Fubuki, Kaho, Kaoru Hirata, Kentaro Sakaguchi, Kirin Kiki, Lily Franky, Maeda Oushirou, Masami Nagasawa, Masumi Nomura, Midoriko Kimura, Mikami Saya, Oshiro Maeda, Ryō Kase, Ryohei Suzuki, Shinichi Tsutsumi, Shinobu Otake, Suzu Hirose, Takamitsu Nonaka, Yuko Nakamura, 中春优子

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: PG

Eat Drink Man Woman takes place in Taipei, Taiwan in the mid-1990s. It tells the story of an aging father and his three daughters, all of whom are navigating different phases of adulthood while embracing new relationships. The family uses cooking and eating together as a way to communicate their love.

Food as a love language wasn’t a new concept in 1994, when the film was released, however it is impeccably explored in Eat Drink Man Woman. 

Genre: Comedy, Drama, Romance

Actor: Chen Chao-jung, Chi-Der Hong, Chin-Cheng Lu, Gin-Ming Hsu, Gua Ah-leh, Huel-Yi Lin, Jui Wang, Kuei-Mei Yang, Lester Chan, Lester Chit-Man Chan, Lung Hsiung, Lung Sihung, Shih-Jay Lin, Sihung Lung, Sylvia Chang, Wang Yu-wen, Winston Chao, Wu Chien-Lien, Ya-lei Kuei, Yang Kuei-Mei, Yu Chen, Yu-Wen Wang, 张艾嘉

Director: Ang Lee

Rating: Not Rated

While it would be easy to make comparisons to The Good Place and other shows and films dealing with the afterlife, Hirokazu Kore-eda's film is devoted to a single thing: commemorating the ordinary moments that make our life precious. Through little more than workplace banter and documentary-style interviews (with an ensemble delivering uncannily naturalistic performances), After Life reminds us how beautiful the mundane can be and how important it is for us to be present for each other in the everyday. And as the fim's characters prepare to create reenactments of each person's most precious memory, Kore-eda also defines filmmaking itself as an act of comfort and empathy. No existential crises here; an overwhelming sense of peace floods After Life, making it all the more memorable.

Genre: Drama, Fantasy

Actor: Akio Yokoyama, Arata Iura, Erika Oda, Hisako Hara, Kazuko Shirakawa, Kei Tani, Kotaro Shiga, Kyōko Kagawa, Miyako Yamaguchi, Natsuo Ishido, Sadawo Abe, Sayaka Yoshino, Susumu Terajima, Tae Kimura, Takashi Naito, Taketoshi Naitô, Tōru Yuri, Yûsuke Iseya

Director: Hirokazu Kore-eda

, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

It looks like something you’ve already seen before: a student genius turns a simple high school cheating scheme into a full-blown, high-stakes heist. But layered with great acting, taut writing, and sharp observations about the ways in which education (and society in general) fails its students, Bad Genius turns a familiar premise into something genuinely exciting and impressively affecting. It’s everything you want a caper movie to be: smart and thrilling, with almost no moment to breathe, and of course, peppered with characters you can’t help but root and be nervous and excited for. 

Genre: Comedy, Crime, Drama, Thriller

Actor: Aokbab Chutimon Chuengcharoensukying, Chanon Santinatornkul, Chutimon Chuengcharoensukying, Ego Mikitas, Eisaya Hosuwan, Kanjana Vinaipanid, Nopawat Likitwong, Pasin Kuansataporn, Sahajak Boonthanakit, Sarinrat Thomas, Suquan Bulakul, Teeradon Supapunpinyo, Thaneth Warakulnukroh, Valerie Bentson, Vittawin Veeravidhayanant

Director: Nattawut Poonpiriya

Rating: PG-13, TV-MA

The Witch hardly reinvents the thriller wheel. In fact, part of the fun in watching it is calling out the cliches. Cold-blooded villain? Check. Antihero who defies death? Check. Senseless, bloody killings for minutes on end? Check, check, check. The Witch has everything you'd expect from an action movie, and yet, the viewing experience is all the better for it. 

By trimming all the unnecessary fat and zeroing in on the action, director Park Hoon-jung delivers a no-nonsense, no-holds-barred film that could hold a candle to the John Wick franchise. Like those films, the movements here are sharp and the gore relentless. The only difference is that The Witch is led by a teenage girl—seemingly flimsy but deliciously deranged, Kim-Dami is magnetic in her breakout role as the titular witch Ja-yoon. It's also a bit like Stranger Things in that sense, but comparisons aside, The Witch stands out as a razor-edged entry into the genre. 

Genre: Action, Adventure, Drama, Mystery, Science Fiction, Thriller

Actor: Baek Seung-chul, Cho Min-soo, Choi Jung-woo, Choi Woo-shik, Chung Ye-jin, Da-Eun, Go Min-si, Hyun Bong-sik, Jeong Da-eun, Kim Byeong-Ok, Kim Byung-ok, Kim Da-mi, Kim Ha-na, Ko Min-si, Kwon Tae-won, Lee Ju-won, Lee Ki-young, Lee Si-hoon, Oh Mi-hee, Park Hee-soon, Park Hoon-jung, Seung-chul Baek, Song Hyeong-su, Woo Min-kyu, Woo-sik Choi, Yeo Moo-yeong

Director: Hoon-jung Park, Park Hoon-jung

Rating: Not Rated, R

A cynical down-on-his-luck Seoul taxi driver is hired by a German journalist to go to another town called Gwangju. What seemed like an easy and overcompensated journey at first takes him into the heart of a city under siege by the military. This is in fact the student uprising that will be a very important event in South Korean history, known as 1980 Guangju Democratic Uprising. Both the journalist and the taxi driver confront life-threatening situations as they find themselves at the center of the movement. A true-story-based movie, it's a heartfelt and entertaining political drama about one of the bleakest chapters of modern Korean history. In 2018 it was the country's official submission to the Oscars.

Genre: Action, Drama, History

Actor: Cha Soon-bae, Choi Guy-hwa, Choi Gwi-hwa, Daniel Joey Albright, Hae-jin Yoo, Han Sa-myeong, Han Sa-myung, Han Yi-jin, Heo Jeong-do, Heo Jung-do, Jeon Hye-jin, Jeong Seok-yong, Jin-young Jung, Joey Albright, Jun-yeol Ryu, Jung Jin-young, Kang-ho Song, Ko Chang-seok, Kyul Hwi, Lee Bong-ryeon, Lee Ho-chul, Lee Jung-eun, Lee Sae-byeol, Lee Yong-i, Lee Yong-yi, Park Hyeok-kwon, Park Hyuk-kwon, Ryu Jun-yeol, Ryu Sung-hyun, Ryu Tae-ho, Seo Hyun-woo, Seok-yong Jeong, Song Kang-ho, Thomas Kretschmann, Uhm Tae-goo, Um Tae-goo, Yoo Hae-jin, Yoo Hai-jin, 许政度

Director: Hun Jang, Jang Hoon, Jang Hun

Rating: Not Rated