22 Movies Like No Time to Die (2021)

Summer of Soul would already be remarkable if it was just a collection of some of the greatest live performances ever put to film. Boasting a roster that includes Stevie Wonder, Nina Simone, Gladys Knight, and Sly and the Family Stone, the nearly-forgotten 1969 Harlem Cultural Festival featured in the documentary was an all-star catalog of some of the biggest names in popular music, all at pivotal moments in their careers. Seeing them at the height of their powers, in front of a Black audience that meant so much to them, makes for an unexpectedly emotional experience.

But Summer of Soul also expands beyond the actual concert, using the Harlem Cultural Festival to represent a turning point in Black culture and history, especially after the death of Martin Luther King Jr. Through the film's pristine, electric editing and gorgeous archival restoration, music becomes a communal act of mourning, a rallying cry to face the uncertain future, and a celebration of a people and a heritage continuing to fight against erasure and persecution.

Genre: Documentary, Drama, History, Music

Actor: Abbey Lincoln, B. B. King, Chris Rock, David Ruffin, Fidel Castro, Herbie Mann, Hugh Masekela, Jesse Jackson, John F. Kennedy, John V. Lindsay, Lin-Manuel Miranda, Mahalia Jackson, Malcolm X, Martin Luther King Jr., Mavis Staples, Max Roach, Moms Mabley, Nina Simone, Questlove, Redd Foxx, Richard Nixon, Robert F. Kennedy, Sly Stone, Stevie Wonder, Tony Lawrence, Walter Cronkite

Director: Questlove

Asif Kapadia, the genius of biopics who gave us Senna, is back with this documentary on an even bigger sports personality: Argentinian soccer player Diego Armando Maradona. Considered as possibly the best soccer player of all time, Maradona's footage on the pitch is pure wizardry, and you'll feel that way whether you are a soccer fan or not. But that's not the focus of this documentary. What happens outside the pitch is more interesting: from Maradona's modest beginnings to the passionate hatred (and love) that entire countries develop of him. And it doesn't make his story less interesting that during his time in Naples he was affiliated with the mafia.

This is an excellent documentary that distills 500 hours of footage into 2, giving you all you need to know about a character who captured the imagination of a big part of the world for decades. 

Genre: Documentary

Actor: Alberto Bigon, Ciro Ferrara, Claudia Villafane, Corrado Ferlaino, Dalma Maradona, Diego Armando Maradona, Diego Maradona, Gonzalo Bonadeo, Maria Rosa Maradona, Pele

Director: Asif Kapadia

Rating: TV-14, TV-MA

A healthy mix of despair and self-deprecation has always been Bo Burnham's signature, but Inside takes it to the next level. It's a deconstructed film, rather than a simple one-night special; a one-man-show that constantly undercuts itself. Even more so, it sabotages its own immersive qualities and explores the depths of self-loathing by turning oneself into comedy material. Some may say, it's a classic move, but the pandemic reality and Burnham's unkempt look predispose us to embrace all the cringe (YouTube reactions), quirkiness, (the sock puppet), and frightening angst (suicide jokes) he puts forward. Emotional rawness and a polished DIY look fits the Netflix bill, but as far as the content goes, this one goes straight to the world heritage lockdown archives.

Genre: Comedy, Drama

Actor: Bo Burnham

Director: Bo Burnham

Rating: R

This Oscar-nominated drama tells the story of the events leading up to the Srebrenica massacre, in which 8372 Bosnian Muslims were killed. It focuses on one U.N. worker who was caught between trying to protect her family, herself, and helping people in need.

The film is as horrific as it is relevant: up until the actual killing starts, people are constantly being assured that everything is under control and that there is no reason to panic. This gives an eerie feeling of resemblance to the tone many minorities in distress receive nowadays.

Still, Quo Vadis, Aida? stops at depicting any of the acts that were committed that day. Instead, it focuses on Aida’s unrelenting race against the clock to save whatever she can.

Genre: Drama, History, War

Actor: Alban Ukaj, Boris Isaković, Boris Ler, Dino Bajrović, Dražen Pavlović, Emina Muftić, Emir Hadžihafizbegović, Ermin Bravo, Ermin Sijamija, Izudin Bajrović, Jasna Đuričić, Job Raaijmakers, Joes Brauers, Johan Heldenbergh, Juda Goslinga, Micha Hulshof, Raymond Thiry, Reinout Bussemaker, Rijad Gvozden, Sanne den Hartogh, Sol Vinken, Teun Luijkx

Director: Jasmila Žbanić

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft — plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

The Last Duel propped high expectations as the Closing Film at the 2021 Venice Film Festival, but its theatrical release later that year proved to be a flop. Ridley Scott blamed it on millennials, but both critics and streaming audiences have been much more favorable than moviegoers. As a film, it's a rather monumental project: quite a dark period piece set in Medieval France, dealing with harsh and offensive themes. Or better said, it deals with ethics and morality through these harsh and offensive themes. There are many ways where this could have gotten wrong—and it's evident from the labels that have been circulating from the very beginning, that Scott has made his "MeToo" movie—but the truth is much more nuanced. From Eric Jager's 2004 book to a script co-written by Ben Affleck, Matt Damon, and (most importantly) the astute Nicole Holofcener, The Last Duel is really the best of both worlds: action-packed and devoted to the right side of history.

Genre: Action, Drama, History

Actor: Adam Driver, Adam Nagaitis, Alex Lawther, Ben Affleck, Bosco Hogan, Brian F. Mulvey, Brontis Jodorowsky, Bryony Hannah, Caoimhe O'Malley, Chloe Harris, Christian Erickson, Clare Dunne, Clive Russell, Harriet Walter, Ian Pirie, Jodie Comer, John Kavanagh, Julian Firth, Marton Csokas, Matt Damon, Michael McElhatton, Nathaniel Parker, Oliver Cotton, Paul Bandey, Peter Hudson, Sam Hazeldine, Serena Kennedy, Shane Lynch, Simone Collins, Stephen Brennan, Tallulah Haddon, Thomas Silberstein, Tyrone Kearns, William Houston, Zeljko Ivanek, Zoé Bruneau

Director: Ridley Scott

Rating: R

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

Don't let the title and poster fool you—Riders of Justice isn't the testosterone-filled action flick you'd expect going in (though it does get ridiculous at some points). It centers on deployed military man Markus, played by the appropriately masculine Mads Mikkelsen, who has to return home to his teenage daughter Mathilde after his wife dies in an accident. Instead of coping normally and sticking with his daughter to get through the tragedy, he goes down a rabbit hole discovering how the accident that killed his wife is more than just bad luck and may have been collateral damage from a gang orchestrating an assassination.

Surprisingly, director Anders Thomas Jensen injects this violent film with a lot of gentle moments about trauma and togetherness. Mikkelsen and the rest of the cast play off of each other very well, using dark humor to bring together a bunch of characters who are, in oversimplified terms, "fucked up but trying their best."

It may seem like the guns, blood, and badass moments are a front for this film that, at its core, shows men who badly need therapy banding together to cope with the harshness of life. Extremely funny and deeply moving, it qualifies as a heartwarming Christmas movie, believe it or not.

Genre: Action, Comedy, Drama, Thriller

Actor: Albert Rudbeck Lindhardt, Alice E. Bier Zandén, Anders Nyborg, Andrea Heick Gadeberg, Anne Birgitte Lind, Anne Fletting, Christina Ibsen Meyer, Gustav Dyekjær Giese, Gustav Lindh, Henrik Noël Olesen, Jacob Ulrik Lohmann, Jesper Groth, Jesper Ole Feit Andersen, Johanne Dal-Lewkovitch, Kaspar Velberg, Klaus Hjuler, Lars Brygmann, Mads Mikkelsen, Morten Suurballe, Natasja Crone, Nicolas Bro, Nikolaj Lie Kaas, Omar Shargawi, Peder Holm Johansen, Raivo Trass, Rigmor Ranthe, Rikke Louise Andersson, Roland Moller

Director: Anders Thomas Jensen

Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.

This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny. 

Genre: Crime, Drama, History, Thriller

Actor: Adam Kosh, Alexandre St-Martin, Alexis Lefebvre, Cynthia Wu-Maheux, Dawn Ford, Emmanuelle Girard, Eugénie Beaudry, Ève Duranceau, Eve Gadouas, Evelyne Brochu, Francesca Barcenas, Johanne-Marie Tremblay, Jonathan Dubsky, Josée Lacombe, Julien Maranda, Karine Vanasse, Larissa Corriveau, Lily Thibeault, Louise Proulx, Manon Lapointe, Marc Gourdeau, Marc-André Brisebois, Marie-Évelyne Baribeau, Martin Watier, Maxim Gaudette, Mireille Brullemans, Natalie Hamel-Roy, Nathalie Girard, Pierre Leblanc, Pierre-Yves Cardinal, Sébastien Huberdeau, Sophie Desmarais, Stéphane Julien, Valerie Cadieux

Director: Denis Villeneuve

Rating: Not Rated

In the Mexican film A Cop Movie, director Alonso Ruizpalacios mixes fact and fiction, documentary and narrative, to tell the tale of Teresa and Montoya, two police officers whose dreams are dashed by the corruption of their trade and who, eventually, find love and comfort in each other.

Ruizpalacios takes thrilling risks in structuring this genre-bending story—cutting stories into parts, jumping back and forth between the harrowingly real and captivatingly non-real. For all the experimental maneuvers he makes, however, the through-line is always Teresa and Montoya: particularly, their love for each other and for an institution that should have, in an ideal world, supported them and the people they vowed to protect. 

To its credit, instead of merely humanizing the controversial police force, A Cop Movie adds some much-needed nuance to the big picture. At the end of the day, they’re no different than any other underpaid laborers working desperately to make end meets. A Cop Movie doesn’t gloss over the fact that the police, like so many other workers, are stuck in a rotten system that’s long overdue for a major overhauling. 

Genre: Action, Crime, Documentary, Drama, Thriller

Actor: Leonardo Alonso, Mónica Del Carmen, Olivia Lagunas, Raúl Briones

Director: Alonso Ruizpalacios

Rating: R

Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

The title says it all: this is a story of love and basketball, one where the two intertwine and excitedly inform one another. Two childhood friends with a passion for ball develop deep feelings for one another. They have ambitions to go pro, but as Monica discovers how uneven the playing field really is for female athletes, and as Quincy grapples with his own needs and career, they reconsider their relationship both to each other and to the game they so love. 

Love & Basketball is a beautiful and sensitive movie that breaks stereotypes about Black love, which exists here as soft and nuanced as any other expertly drawn pairings in movies, and about Black women; Monica gets angry, but also vulnerable, hardworking, and loving. The sports component of the movie is just as finely detailed, with the energy of the matches bouncing off the screen walls. Clearly ahead of its time, Love & Basketball gets at the core of the game without losing sight of its talented players. 

Genre: Action, Comedy, Drama, Romance

Actor: Al Foster, Alfre Woodard, Boris Kodjoe, Chick Hearn, Chris Warren, Christine Dunford, Debbi Morgan, Dennis Haysbert, Erika Ringor, Gabrielle Union, Glenndon Chatman, Harry Lennix, Kyla Pratt, Monica Calhoun, Naykia Harris, Omar Epps, Regina Hall, Sanaa Lathan, Tyra Banks

Director: Gina Prince-Bythewood

Rating: PG-13