85 Movies Like No Hard Feelings (2023) (Page 3)

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Chasing the feel of watching No Hard Feelings ? Here are the movies we recommend you watch right after.

It’s best not to overthink the details of No Hard Feelings, an uproarious comedy that benefits from the lead actors’ physicality. It’s meant to be enjoyed as it happens, at the moment, with Lawrence lighting up every scene with full-bodied commitment and Feldman, a worthy co-lead, delighting at every turn. They’re playing stock characters, and the script doesn’t give much beyond the usual backstories, but Lawrence and Feldman play them with so much heart and gusto, knocking every scene they’re in out of the park. Everything else plays second fiddle to their two-hander show. The cameos are star-studded but forgettable (except for Kyle Mooney, who I wished was onscreen more as Percy’s male nanny), the character development is heartwarming but predictable, and though it bills itself as a sex comedy, the film never really touches past third base. But all that is water under the bridge when you’re watching Maddie and Percy flirt and fumble their way through the film.  

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are. Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.

Genre: Comedy

Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder

Director: Emma Seligman

Rating: R

Pain, in and of itself, is terrible, but more so when you can’t determine the solution. The River is centered around the mysterious neck pain that a young man suffers out of the blue, but through writer-director Tsai Ming-liang’s lens, the pain is made much more poignant as it seems he’s all alone in dealing with the issue, alienated from others, tainted from something that was supposed to be life-giving, yet he’s not the only one that’s lonely. While the film takes the characters’ means in finding connection to the extreme, The River does capture the pain of modern day loneliness.

Genre: Drama, Romance

Actor: Ann Hui, Chen Chao-jung, Chen Shiang-Chyi, Lee Kang-sheng, Lu Yi-Ching, Miao Tian, Yang Kuei-Mei

Director: Tsai Ming-liang

Green Day's Bullet in a Bible has certainly aged well. Maybe it's even better now with time and hindsight, and knowing that the once punk group would commit to their alternative sound from that point forward. Green Day with their American Idiot tracks and frontman Billie Joe Armstrong's stage presence absolutely belongs as a stadium-level act, but you could argue they could've cut down on the heavy American Idiot representation to have more of a mix of albums in the setlist. The film could've also had less of the vignettes and montages with edgy editing—we don't need that many breaks from 14 songs—but it's all nitpicking, really. Say what you want, but this concert marks the birth of Green Day as rockstars.

Genre: Documentary, Music

Actor: Adrienne Armstrong, Billie Joe Armstrong, Jason Freese, Jason White, Mike Dirnt, Samuel Bayer, Tre Cool

Director: Samuel Bayer

Rating: NR

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

While most media outlets would rather talk about Taylor Swift’s love life and never-ending feuds, the fact remains that Swift is a dedicated artist. She’s a prolific songstress and an astute writer, and regardless of what you think of her, it’s always a treat to see someone with that much passion and talent delve deep into their craft. 

This is precisely what she does in Folklore. Between cozy conversations with co-producers and rustic live sessions, Swift lets her guard down to reveal how she works on each song, from the backstory to the melody. The result is a mesmerizing documentary about how Swift spent the secluded year of 2020 working on a record that would go on to win Album of the Year at the Grammys. 

Genre: Documentary, Drama, Music

Actor: Aaron Dessner, Jack Antonoff, Justin Vernon, Taylor Swift

Director: Taylor Swift

Rating: TV-14

, 1987

While marked as a comedy, Zegen isn’t the kind of film that would make you laugh freely– it is, after all, a film that mocks the real-life sex trafficking of impoverished Japanese women during both world wars. This makes it a challenging film to watch, especially to viewers outside the country. But to Shohei Imamura’s credit, the butt of the joke isn’t on the women being sold, but rather, on the titular pimp Iheiji Muraoka, the delusions and lies he told himself and others, and the twisted nationalism he uses to exploit his ladies. Zegen is based on Muraoka’s supposedly true autobiography, but Imamura uses the text to mirror the follies (and consequences) of imperialism.

Genre: Comedy, History

Actor: Hiroyuki Konishi, Ken Ogata, Ko Chun-Hsiung, Mitsuko Baisho, Norihei Miki, Sanshô Shinsui, Shino Ikenami, Taiji Tonoyama, Tetta Sugimoto

Director: Shōhei Imamura

While it starts off slow and rocky, River Wild sails smoothly as soon as it hits the waters. The rafting on the rapids, the wild chases, the suspenseful silences—all are effectively shot and believably terrifying, even if they border on predictability at times. Real-life couple Meester and Brody are vulnerable and intense, adding some depth to an otherwise basic story. Killam is compelling too, especially during the action sequences, but I might have seen him in one-too-many comedy sketches to trust his sincerity here. It’s not the best outdoor thriller by a long shot, especially if you compare it to the superior 1994 original film starring Meryl Streep and Kevin Bacon, but it is entertaining in its own right.

Genre: Adventure, Drama, Mystery, Thriller

Actor: Adam Brody, Courtney Chen, Eve Connolly, Leighton Meester, Matt Devere, Nicholas Wittman, Olivia Swann, Taran Killam

Director: Ben Ketai

Retrograde takes place in early 2021 and captures the exact moment when the US troops exited Afghanistan, effectively leading to the Taliban takeover. With a fly-on-the-look approach, director Matthew Heineman reveals the cruel consequences of this sudden exit as the Afghan people (led by the charismatic General Sammi Sadat) scramble to defend themselves despite limited means and support. In this documentary, we're privy to tactical military planning, civilian chaos, and even official Taliban gatherings. 

It’s heartbreaking and chilling, another reminder of the human cost of war and the terrible need for genuine peace. 

Genre: Documentary, Drama, History, War

Director: Matthew Heineman

In Tina Mabry’s first full length feature film Mississippi Damned she tells the story of three poor, Black adolescents as they advance into adulthood. The story is mostly centered on Kari Peterson, portrayed by Tessa Thompson, who has fallen witness and victim to violence/abuse since her childhood. As she navigates her trauma while facing poverty and familial issues, we begin to understand the inner machinations of Kari and those who have harmed her.

While Mississippi Damned isn’t particularly easy to digest, I consider it essential. As unflinchingly brutal as this film is, it taught me a lot about trauma and how to navigate my own. With performances as powerful as these, it’s impossible to forget this film.

Genre: Drama

Actor: Adam Clark, Cynthia Addai-Robinson, D.B. Woodside, Malcolm David Kelley, Malcolm Goodwin, Michael Hyatt, Simbi Khali, Tessa Thompson

Director: Tina Mabry

Rating: TV-MA

If you’re new to the story, I Don’t Expect Anyone to Believe Me feels difficult to understand. The film adaptation portrays the novel through abruptly cut sequences, meticulously framed naturalistic frames, and monologue and dialogue that mean more than what’s being said, on top of Juan Pablo’s gradual descent into a criminal network. It’s as disorienting as being in Barcelona feels for Mexican couple Juan Pablo and Val. However, this film feels like a new approach in adapting novels – the multiple perspectives and epistolary portions adeptly portrayed through typed up screens and alternating perspectives (and direction) between the couple. It doesn’t feel like something that you’ve likely seen before.

Genre: Comedy, Crime, Drama

Actor: Aimar Vega, Alexis Ayala, Ángel Zermen, Anna Castillo, Ariana Van X, Bel Gris, Bruna Cusí, Carmen Beato, Clara Roquet, Darío Rocas, Dario Yazbek Bernal, Jelen García, Juan Carlos Remolina, Juan Daniel Garcia Treviño, Juan Minujín, Natalia Portnoy, Natalia Solián

Director: Luis Fernando Frías de la Parra

Rating: R

Of course, a lovely vacation in the Italian countryside will not solve all your problems. It won’t fix marital problems, or solve financial issues, or grant you respect, or suddenly make everything feel better. But Enchanted April charmingly suggests that maybe a break in a new environment, with the sun and the waves and the quiet, might grant you a new perspective and maybe lifelong friendships that can change your life, and make the day-to-day just a little better. The film might not be the most profound story ever created, but it’s a lovely little adaptation with relatable women enjoying life in the same way we probably should do once in a while.

Genre: Drama, Romance

Actor: Adriana Facchetti, Alfred Molina, Anna Longhi, Davide Manuli, Jim Broadbent, Joan Plowright, Josie Lawrence, Matthew Radford, Michael Kitchen, Miranda Richardson, Neville Phillips, Polly Walker, Stephen Beckett, Vittorio Duse

Director: Mike Newell

Rating: PG

It’s slower and talkier than you’d expect from a semi-erotic film, but Ehnegard lives up to its title well enough to satisfy. It’s titillating, but in a cheeky rather than provocative way. The dialogues are lengthy, but they’re alternately witty and poetic, so despite the pace they never actually bore. Ehnegard’s real delight, however, is its beauty. Set in the old kingdom of Babenhausen, Ehnegard looks like a fairy tale come to life. The towering castles, the sprawling meadows, the twinkling forest lakes, and of course, the smartly costumed people who populate the scenery—all these and more ensure that each frame has a picturesque glow to it. And with Sidse Babett Knudsen (Borgen, Westworld) taking charge of an appealing cast, Ehnegard proves to be a charming watch.

Genre: Comedy, Drama, Romance

Actor: Alice E. Bier Zandén, Christopher Laesso, Emilie Kroyer Koppel, Jacob Ulrik Lohmann, Jakob Højlev Jørgensen, Lone Rødbroe, Mikkel Boe Følsgaard, Paul Hüttel, Sara-Marie Maltha, Sidse Babett Knudsen

Director: Bille August

Rating: R

Richard Wershe, Jr. was arrested for carrying eight kilos of cocaine in 1988, when he was just 17. He went on to become one of Michigan’s longest-serving non-violent juvenile drug offenders, dubbed by the press as White Boy Rick. His fate was sealed by Michigan law that had just been passed, which stated that anyone found with more than 650 grams of drugs had to be sentenced to mandatory life. 

Featuring interviews with drug lords, journalists, as well as Rick’s mother and attorney, this documentary — along with the follow-up Hollywood biopic, White Boy Rick, starring Matthew McConaughey— provides an insightful account into his tragic story. 

Genre: Documentary, Drama

Actor: Chris Hansen, Herm Groman, Johnny Curry, Richard Wershe Jr., Scott M. Burnstein, Seth Ferranti, Shawn Rech

Director: Christopher S. Rech, Shawn Rech

Rating: N/A

On one side, this is a look at the real-life efforts of local North Dakota Pastor Jay Reinke to provide shelter for Oil-working migrants in his Church for the course of well over two years – he ends up calling this The Overnighters Program. On another, it is the story of more than a thousand people living the broken American Dream, the pastor’s concerned, sensible neighbors, his well-meaning attempts backfiring, and all that’s in between. The Overnighters is an engaging, if not highly-aware, award-winning documentary that feeds on altruism, hope of redemption, and their ideal truth about the nature of human existence.

Genre: Documentary, Drama

Actor: Jay Reinke, Keegan Edwards

Director: Jesse Moss

Rating: PG-13

After more than six years in the making, The Little Mermaid should be a spectacle for the ages, but even the magic of Rob Marshall (Chicago) and Lin-Manuel Miranda (Hamilton) cannot save the live-action remake. The film feels at once too stunted for an actual musical and too expansive to be just another movie. There's something uncanny, too, in how the humans look underwater and inland so that the wetness of the characters (of all things!) becomes a weirdly icky factor. Not to mention Scuttle the diving bird who looks more like a demonic creature than a feathery companion, or the flat disappointment that is Flounder. If that's the price we must pay for reality, we don't want it.

Genre: Adventure, Family, Fantasy, Music, Romance

Actor: Adrian Christopher, Art Malik, Awkwafina, Christopher Fairbank, Craig Stein, Daveed Diggs, Emily Coates, Halle Bailey, Jacob Tremblay, Javier Bardem, Jessica Alexander, Jodi Benson, John Dagleish, Jon-Scott Clark, Jonah Hauer-King, Jude Akuwudike, Kajsa Mohammar, Karolina Conchet, Leon Cooke, Lorena Andrea, Marcus Hodson, Martina Laird, Melissa McCarthy, Noma Dumezweni, Russell Balogh, Sienna King, Simone Ashley, Sophie Carmen-Jones, Tarik Frimpong, Yasmin Harrison

Director: Rob Marshall

Rating: PG