70 Movies Like No Hard Feelings (2023) (Page 2)

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Chasing the feel of watching No Hard Feelings ? Here are the movies we recommend you watch right after.

It’s best not to overthink the details of No Hard Feelings, an uproarious comedy that benefits from the lead actors’ physicality. It’s meant to be enjoyed as it happens, at the moment, with Lawrence lighting up every scene with full-bodied commitment and Feldman, a worthy co-lead, delighting at every turn. They’re playing stock characters, and the script doesn’t give much beyond the usual backstories, but Lawrence and Feldman play them with so much heart and gusto, knocking every scene they’re in out of the park. Everything else plays second fiddle to their two-hander show. The cameos are star-studded but forgettable (except for Kyle Mooney, who I wished was onscreen more as Percy’s male nanny), the character development is heartwarming but predictable, and though it bills itself as a sex comedy, the film never really touches past third base. But all that is water under the bridge when you’re watching Maddie and Percy flirt and fumble their way through the film.  

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

Somewhere in Queens has the familiar feel of an indie dramedy. It’s intimate and unassuming, casually funny and effortlessly moving. It has the low-key charm that evades more large-scale productions, lending the film that rare poignancy that makes something feel special. 

All these boost an otherwise simple story of family and acceptance. Couple Leo and Ange (a very compelling Ray Romano and Laurie Metcalf) are getting on in years, and watching them navigate the common pitfalls of people their age is both funny and heartwarming to watch. This is cleverly paralleled with their son Sticks’ (Jacob Ward) coming-of-age journey, which is just as expected but tender as ever. 

Theirs is a tight-knit family that fights as much as they love, and watching them in a modest production like this isn't just feel apt but authentic and dear too, like an old family picture come to life.

Genre: Comedy, Drama

Actor: Caryn Richman, Danny Garcia, David St. Louis, Elizabeth Yu, Erik Griffin, Geoffrey Owens, J. C. MacKenzie, Jackson Pace, Jacob Ward, James Ciccone, Jennifer Esposito, Jennifer Simard, Joe Caniano, Jon Manfrellotti, June Gable, Karen Lynn Gorney, Katie Kreisler, Lauren Biazzo, Laurie Metcalf, Matt Romano, P. J. Byrne, Ray Romano, Sadie Stanley, Sebastian Maniscalco, Seth Barrish, Tony Lo Bianco

Director: Ray Romano

Rating: R

Judy Blume, the author behind enduring classics like Are You There God? It's Me, Margaret, Superfudge, and Forever, gifts us with her comforting presence and precise insight in Judy Blume Forever, a delightful documentary about a delightful woman.

Here, Blume looks back and lets us in on the eventful private life that inspired her prolific work life. Each book has a behind-the-scenes story, which the documentary pairs with commentary from well-known fans like Molly Ringwald, Lena Dunham, and Samantha Bee. Additionally (and most memorably), the documentary also features the years-old correspondence Blume has kept with the children who wrote and confided in her. Whether or not you’ve read her work, watching this film is a heartwarming experience that will soon have you grabbing the nearest Blume classic.

Genre: Documentary, Drama

Actor: Anna Konkle, Caitlin Kinnunen, Cecily von Ziegesar, Judy Blume, Lawrence Blume, Lena Dunham, Molly Ringwald, Samantha Bee, Tayari Jones

Director: Davina Pardo, Leah Wolchok

Rating: 16

Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.

Genre: Comedy, Drama

Actor: Alexis Lefebvre, Anne-Renee Duhaime, Catherine St-Laurent, Claude Despins, Fanny Mallette, Francis La Haye, Godefroy Reding, Julianne Côté, Luc Senay, Marc-André Grondin, Pierre-Luc Lafontaine, Simon Larouche

Director: Stéphane Lafleur

Rating: Not Rated, Unrated

True to its name, Joy Ride is a raucous delight that has everything you want out of a road trip comedy and more. There’s love, sex, adventure, and even music, but most of all there’s friendship, the interesting complexities of which are explored against the backdrop of race. There’s something meaningful keeping everything together at the core, and first-time director Adele Lim—helped by a strong script and cast—does an excellent job of holding it down. The film is also just plain funny. There are physical gags and of-the-moment jokes, plus a couple of insider quips made for and by the Asian community. But apart from the hilarity and tenderness, the film also delivers in the visual department: it looks gorgeous, not only because the characters are tourists who embark on a jet-setting adventure, but because of the inspired animation and vibrant editing. 

Genre: Comedy

Actor: Alexander Hodge, Annie Mumolo, Ashley Park, Baron Davis, Chris Pang, Daniel Dae Kim, David Denman, Debbie Fan, Desmond Chiam, Isla Rose Hall, Kenneth Liu, Lori Tan Chinn, Meredith Hagner, Michelle Choi-Lee, Ronny Chieng, Sabrina Wu, Sherry Cola, Stephanie Hsu, Timothy Simons

Director: Adele Lim

Rating: R

While produced by Wong Kar Wai, Chinese Odyssey 2002 isn’t a moody, melancholy drama that we’re used to. Instead, the Ming Dynasty-set adventure directed by Jeffrey Lau comically spoofs plenty of the beloved genres that captivated Chinese audiences– wuxia epics, musical dramas, and historical romances. The ludicrous crossdressing plot is played in such an over-the-top way, with Lau visually delivering his jabs, with a narrator providing droll commentary on the events, and with intercuts of faux interviews and excerpts from everyone, even including the disgruntled innkeeper spying on the crossdressing princess and the confused restaurant owner. It’s actually quite impressive how the ridiculous plot leads to such a wholesome, moving conclusion.

Genre: Action, Comedy, Romance

Actor: Athena Chu, Chang Chen, Eric Kot Man-Fai, Faye Wong, Jeff Lau Chun-Wai, Ning Jing, Peter Chan Lung, Rebecca Pan, Roy Cheung, Tony Leung Chiu-Wai, Wang Wang, Wang Xudong, Wong Wing-Ming, Zhao Wei

Director: Jeff Lau Chun-Wai

That this film, an adaptation of a beloved classic and girlhood staple for 50 years and counting, is able to retain the same power, charm, and wisdom as the source material by Judy Blume is impressive in and of itself. 

Director Kelly Fremon Craig (Edge of Seventeen) turns the must-read novel into a must-see film, as urgent and relevant as ever in its frank portrayal of feminine woes and joys. Buying your first bra, getting your first period, losing a friend, doubting your faith, seeing—really seeing—your family for the first time, and knowing in your heart what you stand for...these are some of the thorny requisites of womanhood, and Craig navigates them with a bittersweet ease that never feels pandering nor patronizing. Like the book, the film honors this young person's big feelings by centering them in a sprawling story that involves other characters, who are just as fleshed-out as the lead. Rachel McAdams deserves special mention for turning in a sweetly nuanced performance as Margaret's mother Barbara, an artist attempting to balance her domestic role with her career goals. 

The film may be 50 years in the making, but it tells a timeless tale that will continue to hold the hands of teenage girls for generations to come.

Genre: Comedy, Drama

Actor: Abby Ryder Fortson, Aidan Wojtak-Hissong, Benny Safdie, Echo Kellum, Eden Lee, Elle Graham, Ethan McDowell, Gary Houston, George Cooper, Holli Saperstein, JeCobi Swain, Jim France, Johnny Land, Judy Blume, Kate MacCluggage, Kathy Bates, Mia Dillon, Rachel McAdams, Sloane Warren, Wilbur Fitzgerald

Director: Kelly Fremon Craig

Rating: PG-13

Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner

Funny, refreshing, and heartwarming, You Are So Not Invited to My Bat Mitzvah gives the seminal girlhood film Are You There God? It’s Me Margaret. a Gen Z update. Stacy and her friends are constantly on social media and watch each other for potentially politically incorrect terms, but they also struggle with period pain, crushes, and falling out with former friends. It’s a confusing time in a kid’s life, and  You Are So Not Invited, like Are You There God? before it, honors that. It never condescends, never strays far from the child’s perspective. It’s jubilant and heartwarming, and (to me at least) it’s always fun to see real-life families play themselves in movies. Judd Apatow experimented with this structure in his semi-autobiographical films Knocked Up and This Is 40, which first gave us a glimpse into his daughter Maude Apatow’s acting prowess. I feel You Are So Not Invited will do the same to its young star Sunny Sandler, whose effortlessly funny and charming performance will surely carve a path for a promising career in the future.  

Genre: Comedy, Drama

Actor: Adam Sandler, Allison McKay, Beth Hall, Briana Andrade-Gomes, Bunny Levine, Dan Bulla, Dean Scott Vazquez, Dylan Chloe Dash, Dylan Hoffman, Idina Menzel, Ido Mosseri, Jackie Hoffman, Jackie Sandler, Jean Edwards, Joseph Vecsey, Luis Guzman, Michael Buscemi, Miya Cech, Nigel Downer, Oscar Chark, Sadie Sandler, Samantha Lorraine, Sarah Sherman, Sunny Sandler

Director: Sammi Cohen

Rating: PG-13

A portrait of an Alabama high school wrestling team springboards from a sports documentary into an encompassing exploration of the American working class and institutional racism. The film operates on both levels as it zooms in on the lives of four students and their friendly yet overbearing coach. From the opening moments, Coach Sribner makes it clear that the State Championship is about much more than sport. A failing and underfunded school system all but ensures that a sports scholarship is one of the few chances for these youth to have access to higher education and a path out of poverty. 

This is further exacerbated by the racial dynamics at play, as we watch these mostly Black youth experience casual racism as well as institutional harassment from the police. Even their well-meaning coach is not exempt, he at once can acknowledge his white privilege but is not above baselessly accusing one of the boys of stealing his sunglasses. Herbert’s up close and personal style is immersive and passionate and builds to an exciting sports film climax while maintaining a piercing awareness of the severe economic realities that hollow out any victory on the mat.

Genre: Documentary, Drama

Actor: Chris Scribner, Jailen Young, Jaquan Rhodes, Teague Berres

Director: Suzannah Herbert

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are.

Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.

Genre: Comedy

Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder

Director: Emma Seligman

Rating: R

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

While most media outlets would rather talk about Taylor Swift’s love life and never-ending feuds, the fact remains that Swift is a dedicated artist. She’s a prolific songstress and an astute writer, and regardless of what you think of her, it’s always a treat to see someone with that much passion and talent delve deep into their craft. 

This is precisely what she does in Folklore. Between cozy conversations with co-producers and rustic live sessions, Swift lets her guard down to reveal how she works on each song, from the backstory to the melody. The result is a mesmerizing documentary about how Swift spent the secluded year of 2020 working on a record that would go on to win Album of the Year at the Grammys. 

Genre: Documentary, Drama, Music

Actor: Aaron Dessner, Jack Antonoff, Justin Vernon, Taylor Swift

Director: Taylor Swift

Rating: TV-14

While it starts off slow and rocky, River Wild sails smoothly as soon as it hits the waters. The rafting on the rapids, the wild chases, the suspenseful silences—all are effectively shot and believably terrifying, even if they border on predictability at times. Real-life couple Meester and Brody are vulnerable and intense, adding some depth to an otherwise basic story. Killam is compelling too, especially during the action sequences, but I might have seen him in one-too-many comedy sketches to trust his sincerity here. It’s not the best outdoor thriller by a long shot, especially if you compare it to the superior 1994 original film starring Meryl Streep and Kevin Bacon, but it is entertaining in its own right. 

Genre: Adventure, Drama, Mystery, Thriller

Actor: Adam Brody, Courtney Chen, Eve Connolly, Leighton Meester, Matt Devere, Nicholas Wittman, Olivia Swann, Taran Killam

Director: Ben Ketai

Retrograde takes place in early 2021 and captures the exact moment when the US troops exited Afghanistan, effectively leading to the Taliban takeover. With a fly-on-the-look approach, director Matthew Heineman reveals the cruel consequences of this sudden exit as the Afghan people (led by the charismatic General Sammi Sadat) scramble to defend themselves despite limited means and support. In this documentary, we're privy to tactical military planning, civilian chaos, and even official Taliban gatherings. 

It’s heartbreaking and chilling, another reminder of the human cost of war and the terrible need for genuine peace. 

Genre: Documentary, Drama, History, War

Director: Matthew Heineman