136 Movies Like Mission: Impossible - Dead Reckoning Part One (2023) (Page 5)

As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

Bank of Dave is a simple but well-told film that feels utterly satisfying from start to end. Dave is the little guy who only wants to give back to his community, but stopping him from achieving his noble goals are the big guys in suits with vested interests and too narrow a focus to appreciate the good that Dave is after. The film is David versus Goliath, countryside versus cityside, socialist versus capitalist (or, if you like, ethical capitalism versus unethical capitalism). You know who will triumph in the end, but that doesn’t detract from the film’s overall enjoyability. The dialogue is smart and stirring, and you can’t help but root for the film’s small heroes to win big. 

Genre: Comedy, Drama

Actor: Adrian Lukis, Angus Wright, Cathy Tyson, Drew Cain, Florence Hall, Freddie Bolt, Harry Michell, Hopi Grace, Hugh Bonneville, Jo Hartley, Joe Elliott, Joel Fry, Naomi Battrick, Paul Kaye, Phil Collen, Philip Gascoyne, Phoebe Dynevor, Rick Allen, Rick Savage, Roger Morlidge, Rory Kinnear, Steve Edge, Vivian Campbell

Director: Chris Foggin

Rating: PG-13

Many films that deal with the advent of some sort of apocalypse usually hit the ground running, but When Evil Lurks also keeps its sense of panic and paranoia right up to its bitter end. Even during moments of downtime—as this small group of "survivors" tries to keep moving—there is an overwhelming sense that they're only delaying their inevitable suffering, or that evil has existed long before  any of them. There are passing mentions of this demonic presence having originated in the city, and how it manages to infiltrate the lives of those on the outskirts through modern things like electricity and gunfire. It's an intriguing angle that gives possession a new texture: these demons aren't just randomly manifesting, but invading and occupying.

And when the violence kicks in, When Evil Lurks really doesn't spare its characters, as shown by some pretty gnarly practical effects and vicious sound design. The constant escalation of the demonic threat can feel contrived at times—as the rules of how things operate in this world keep on being added or modified, at a rate that can be hard to process—but the anguish it leaves its characters in is suffocating all the same. There may not appear to be a moral at the end of all this, but it evokes a sense of hopelessness better than many other films.

Genre: Horror, Thriller

Actor: Demián Salomón, Emilio Vodanovich, Ezequiel Rodríguez, Federico Liss, Isabel Quinteros, Jorge Prado, Luis Ziembrowski, Marcelo Michinaux, Sebastián Muñiz, Silvina Sabater, Virginia Garófalo

Director: Demián Rugna

Rating: NR

With Netflix producing countless true crime documentaries, you’d be forgiven for dismissing How to Rob a Bank as usual, forgettable fare. But the documentary ever so slightly curbs cliches by focusing on a theme—in this case Hollywood, in honor of Scurlock’s pseudonym and love of movies—without losing sight of the bigger picture. Which is to say, directors Seth Porges and Stephen Robert Morse go all in the movie theme without giving way to cheesiness, mostly by honing in on Scurlock’s favorite films like Heat and Point Blank and effectively replicating the thrill of those action classics. It uses fine, storyboard-like illustrations that are mostly entertaining and nostalgic but occasionally quite beautiful, and borrows the same synth soundtrack from the said films. But it even though it initially sets Scurlock as the anti-hero, a Robin Hood of the times, its sympathies lie with the victims, the traumatized bank tellers and goers. It’s a smartly made and engaging film, complete with the quintessential shootouts and elaborate heists, and it thankfully doesn’t let the talking heads do all the work.

Genre: Crime, Documentary

Actor: Al Pacino, Chezca Vega, Gavin Langelo, Jeff Bezos, Jordan Burtchett, Keanu Reeves, Kevin Costner, Kurt Ostlund, Lesley Mirza, Lori Petty, Morgan Freeman, Patrick Swayze, Randy Lee, Robert De Niro, Scott Patey, Tristan McKinnon, Val Kilmer

Director: Seth Porges, Stephen Robert Morse

Rating: R

Though Eternal Summer isn't able to fully engage with its queer characters—maybe due to its being released in the mid-2000s—it still makes for a more interesting character study than you'd expect. This romance between three school friends has more on its mind than simply pitting two romantic pairings against each other. Unrequited feelings, unspoken secrets, and identities that are constantly in flux make Eternal Summer compelling just for the way these people try to dance around one another's emotions. And since it's shot in the muted colors of early digital filmmaking, this is a love story that becomes all the more melancholic just in the way it looks.

Genre: Drama, Romance

Actor: Joseph Chang, Kate Yeung, Ray Chang

Director: Leste Chen

Rating: 0

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.

What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Genre: Crime, Mystery, Thriller

Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Rowan Robinson, Tina Fey, Vanessa Ifediora

Director: Kenneth Branagh

Rating: PG-13

With its grounded approach, A Day and a Half feels real, even if the exact events are fictional. Inspired by a couple of lines from a 2008 news article, Fares Fares crafts an intimate family drama for his first directorial debut, built in the bones of a hostage thriller. As a thriller, Fares consistently maintains its suspense, camera eyeing the gun present in most of the film. However, as the cop Lucas tries to defuse the situation with hostage-taker Artan, and the situation escalates to the National Task Force, Artan and Louise confront their broken family, lines opened by improvised hostage negotiations. While Artan’s understandable reasons shouldn’t absolve him of his actions, A Day and a Half effectively builds tension, only relieved at its slightly unrealistic but cathartic ending.

Genre: Drama, Mystery, Thriller

Actor: Alexej Manvelov, Alma Pöysti, Annica Liljeblad, Annika Hallin, Daniel Guldstrand, Fares Fares, Richard Forsgren, Stina Ekblad

Director: Fares Fares

For better or worse, The Reason I Jump isn't a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn't really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their own unique ways, uninterrupted. That said, The Reason I Jump still structures itself smartly (with stunning filmmaking to boot) by having each of its five characters introduce us to different aspects of the autism experience, from sense and memory to communication and community.

Genre: Documentary

Actor: David Mitchell, Donna Budway, Emma Budway, Jeremy Dear, Jordan O'Donegan

Director: Jerry Rothwell

Based on four different books by Colombian author Mario Mendoza, The Initiated (or Los Iniciados) is perhaps too much of a good thing at times, as it struggles to have its many different pieces cohere into one thematic idea. These separate pieces are intriguing on their own, for sure: poisoned water supply, underground activists, the mayor potentially being involved in mysterious disappearances of bodies. But by the end, the film's noir elements seem to be mostly ornamental in nature, with the supposedly twisty narrative arriving at an overly tidy conclusion.

With that said, even just spending time in The Initiated's gloomy city streets and grimy underbelly should be a joy for anyone who already enjoys hardboiled crime dramas. Solid performances and strong technical craft all around keep this world immersive no matter if the central investigation is actually progressing logically or not. It's a film that, impressively, manages to still be suspenseful just on the strength of its mood and atmosphere alone. All the danger feels raw and threatening, and leads us to imagine an even harsher world outside of what we see on screen.

Genre: Crime, Drama, Mystery, Thriller

Actor: Ana Wills, Andrés Parra, Aria Jara, Francisco Denis, Jorge Cao, José Restrepo, Juan Pablo Urrego, Julio Pachón, Patricia Tamayo

Director: Juan Felipe Orozco

Nostalgia for the Light is a documentary about Atacama desert and the two activities that go on there: astronomers in ALMA space observatory examine the sky, and the relatives of murdered people dig the ground hoping to find their loved ones. The way the director compares these seemingly totally different topics (searching the sky and searching the sand) is pure poetry. It's a serious, but not depressing nor boring movie. All the interviewed people are amazingly relevant and have great insight. They made me feel like I want to get to know them personally. If you're looking for a detailed "for dummies" introduction about Chile, ALMA observatory or Pinochet's concentration camps, this movie is not for you. It's for viewers who want to learn to appreciate the beauty of life and history, and the surprising parallels they sometimes offer us.

Genre: Documentary, Drama

Actor: Gaspar Galaz, Lautaro Núñez, Luís Henríquez

Director: Patricio Guzmán

In the world of excavation and wonderous breakthroughs, Unknown: The Lost Pyramid is a refreshing take on archaeology by showing the discoveries of Egyptian history from native Egyptian archaeologists. Following Dr. Hawass and his mentee, Dr. Waziri, as they race against the elements of the desert, the documentary uses their passion and egos to spearhead the narrative. Thus, every step closer feels both prideful and invasive with the constant reminder that they're excavating 2000+-year-old tombs. Comprehensive explanations and illustrative cinematography illuminate the meticulous labor that goes into Egyptology.

Genre: Documentary, Drama

Actor: Zahi Hawass

Director: Max Salomon

When travelling to another place, another city, another town, there’s a certain anonymity that frees one’s self. No one knows who you are, so you’re not expected to maintain a certain personality, and that can be necessary for young people trying to find their way. The Breaking Ice shows this in a fairly sentimental way, juxtaposing the wintry, snowy landscape with the warm but fleeting connection forming between three lonely adults, but there’s just something honest in the way the three try to hide but still share the same youthful ennui, even if they come from vastly different backgrounds. The Breaking Ice might not be daring enough to delve into the queer aspect of this trio, but it’s still a lovely, well-crafted drama contemplating the youth’s melancholy.

Genre: Drama

Actor: Liu Baisha, Liu Haoran, Qu Chuxiao, Ruguang Wei, Zhao Wenhao, Zhou Dongyu

Director: Anthony Chen