35 Movies Like Mission: Impossible - Dead Reckoning Part One (2023) On Itunes Australia (Page 2)

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Chasing the feel of watching Mission: Impossible - Dead Reckoning Part One ? Here are the movies we recommend you watch right after.

Many films that deal with the advent of some sort of apocalypse usually hit the ground running, but When Evil Lurks also keeps its sense of panic and paranoia right up to its bitter end. Even during moments of downtime—as this small group of "survivors" tries to keep moving—there is an overwhelming sense that they're only delaying their inevitable suffering, or that evil has existed long before  any of them. There are passing mentions of this demonic presence having originated in the city, and how it manages to infiltrate the lives of those on the outskirts through modern things like electricity and gunfire. It's an intriguing angle that gives possession a new texture: these demons aren't just randomly manifesting, but invading and occupying.

And when the violence kicks in, When Evil Lurks really doesn't spare its characters, as shown by some pretty gnarly practical effects and vicious sound design. The constant escalation of the demonic threat can feel contrived at times—as the rules of how things operate in this world keep on being added or modified, at a rate that can be hard to process—but the anguish it leaves its characters in is suffocating all the same. There may not appear to be a moral at the end of all this, but it evokes a sense of hopelessness better than many other films.

Genre: Horror, Thriller

Actor: Demián Salomón, Emilio Vodanovich, Ezequiel Rodríguez, Federico Liss, Isabel Quinteros, Jorge Prado, Luis Ziembrowski, Marcelo Michinaux, Sebastián Muñiz, Silvina Sabater, Virginia Garófalo

Director: Demián Rugna

Rating: NR

This documentary charts the challenges faced by sailor Tracy Edwards and her 12-woman crew in the wake of their decision to participate in the Whitbread Round the World Yacht Race, the grueling yachting competition that covers 33,000 miles and lasts nine months. Director Alex Holmes recreates their adventure using archival footage shot by the women themselves on their voyage, and interesting interviews with the crew members as well as the men who criticized and ridiculed them at the time. Maiden is an interesting bit of documentary filmmaking that is also inspirational and empowering.

Genre: Documentary, Drama

Actor: Frank Bough, Howard Gibbons, Jo Gooding, John Chittenden, Sally Hunter

Director: Alex Holmes

, 2023

Golda Meir was Israel's only female Prime Minister and that's already reason enough a biopic celebrating her historical importance would be made. Oscar-winning Israeli director Guy Nattiv rose to the task and Meir's own grandson requested British actress Helen Mirren to play the role of his grandmother (a decision that was not left undisputed). However, Miren is a virtuoso of stoic, physically confined acting and delivers a strong performance as the elderly Golda in the wake of a militarized attack on Israel coming from Egypt and Syria. Instead of being caught in the web of global politics between the Arab world, Russia, and the United States, she navigates the terrain with sustained empathy, although not without failings. The film itself describes Golda as a hero outside of Israel and controversial in her own land, and it does well enough in embodying that very same controversy.

 

 

Genre: Drama, History, Thriller, War

Actor: Ben Caplan, Camille Cottin, Daniel Ben Zenou, Dominic Mafham, Dvir Benedek, Ed Stoppard, Ellie Piercy, Emma Davies, Helen Mirren, Henry Goodman, Jaime Ray Newman, Jonathan Tafler, Kit Rakusen, Liev Schreiber, Lior Ashkenazi, Mark Fleischmann, Muneesh Sharma, Ohad Knoller, Olivia Brody, Rami Heuberger, Rotem Keinan, Sam Shoubber, Sumit Chakravarti, Zed Josef

Director: Guy Nattiv

Rating: PG-13

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.

What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Genre: Crime, Mystery, Thriller

Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Rowan Robinson, Tina Fey, Vanessa Ifediora

Director: Kenneth Branagh

Rating: PG-13

For better or worse, The Reason I Jump isn't a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn't really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their own unique ways, uninterrupted. That said, The Reason I Jump still structures itself smartly (with stunning filmmaking to boot) by having each of its five characters introduce us to different aspects of the autism experience, from sense and memory to communication and community.

Genre: Documentary

Actor: David Mitchell, Donna Budway, Emma Budway, Jeremy Dear, Jordan O'Donegan

Director: Jerry Rothwell

Although limited by the timeframe in which it was released—that is, before its characters really got to finish organizing themselves in response to the film's subject matter—Aftershock still provides a detailed primer on the ways the American healthcare system has been manipulated to take advantage of the underprivileged. The documentary can get technical but since it grounds its reporting on two tragic stories of preventable loss, there's more than enough reason to pay full attention. It definitely isn't meant to answer every question about pregnancy care, but it definitely compels deeper inquiry into the ways we've been socialized into perceiving romantic notions about childbirth.

Genre: Documentary

Director: Paula Eiselt, Tonya Lewis Lee

There are people in life that have a one of a kind voice that you can’t help but listen to, as they provide different perspectives that challenge your own in compelling ways. The Whole Wide World tries to capture the fairly elusive pulp fiction writer Robert E. Howard, but through the perspective of the one love he once had, Novalyne Price. It’s a unique perspective, one that contrasts the choices the real life couple made that diverged their paths– pursuing the road less travelled over what’s socially expected– and director Dan Ireland crafts some pulp-like moments, especially with the rousing score and the excellent performances. That being said, Ireland does play it safe with his debut, as The Whole Wide World leaves things as vague as Howard did in his relationship with Price.

Genre: Drama, Romance

Actor: Ann Wedgeworth, Benjamin Mouton, Harve Presnell, Marion Eaton, Michael Corbett, Renée Zellweger, Vincent D'Onofrio

Director: Dan Ireland

This Norwegian documentary in English is about Magnus Carlsen, the current world champion who became a chess grandmaster at age 13. It might be tough to believe but Magnus' ascension was slowed down significantly by many crises in self-confidence and difficulty to cope with the pressure at a young age. With home footage and interviews with everyone from his adversaries to the champion himself, Magnus the movie tries to be a complete portrait of the prodigy. Yet, crucial aspects are missing, such as an explanation for a sudden change in character, and perhaps more importantly, explanations of Magnus' genius in chess. His techniques and approaches are mostly attributed to intuition, but the movie fails to explain how that intuition is reflected in the game.

Genre: Documentary

Actor: Garry Kasparov, Magnus Carlsen, Viswanathan Anand

Director: Benjamin Ree

It’s easy to classify Destroy All Neighbors as B-movie schlock; it unabashedly pays tribute to the low-budget comedy horror movies that pervaded the ‘80s. But it also feels too good for that. Elevated by funny bits, easy chemistry, solid production design, and a lightweight but easygoing script, Destroy All Neighbors never really wastes your time. It may confuse and drag at times, but there’s always an element that delights. As the straight man anchoring all the absurdity and gore surrounding him, Ray is also surprisingly likable. He connects easily to the colorful ensemble of characters in the film. 

Destroy All Neighbors is stylish, trippy, nonsensical, and quite commendable in its creativity (the practical effects and prosthetics are the highlight). In all, it’s harmless good fun, just beware of the overflowing blood and guts! 

Genre: Comedy, Horror, Music

Actor: Alex Winter, Chase Kim, Christian Calloway, Deanna Rooney, DeMorge Brown, Franco Vega, Jon Daly, Jonah Ray, Kiran Deol, Kumail Nanjiani, Madara Jayasena, Pete Ploszek, Phil Hendrie, Randee Heller, Ryan Kattner, Thomas Lennon

Director: Josh Forbes

Champions is as formulaic as it gets, but it’s impossible not to smile watching it. It’s based on a 2018 Spanish movie of the same name, but it feels a lot like the 2023 Korean movie Dream too. In both (and indeed a lot of other) films, we follow a sad sack antihero who, by virtue of being exposed to less fortunate people, is magically transformed into a good guy who gets all the glory he wished for by the end of the story. You know where it’s headed and you even know how it gets there, so it’s devoid of genuine twists and thrills. But the ways in which it gets there, however familiar, are sometimes funny and heartwarming. If you can stomach the cheesiness and predictability of it all, then Champions comes as an effectively hopeful and feel-good film that’s worth tuning into if you want a light laugh. Otherwise, it's all familiar fluff you can skip for better fare.

Genre: Comedy, Drama

Actor: Aaron Hughes, Alex Hintz, Alexandra Castillo, Alicia Johnston, Ashton Gunning, Barbara Pollard, Champ Pederson, Cheech Marin, Clint Allen, Cory Wojcik, Eddy Norman, Ernie Hudson, Heath Vermette, Jacob Blair, Jalen Rose, Jean-Jacques Javier, Joshua Felder, Kaitlin Olson, Kevin Iannucci, Lauren Cochrane, Lois Brothers, Madison Tevlin, Matt Cook, Mike Smith, Ryan DeLong, Ryder Dueck, Scott Van Pelt, Seán Cullen, Stephanie Sy, Vance Halldorson, Woody Harrelson

Director: Bobby Farrelly

Rating: PG-13

Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.

Genre: Drama

Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose

Director: Michihito Fujii

Rating: R, TV-MA

Dropping on DVD and digital download in America at the end of summer 2023, Mavka: the Forest Song made its Hulu debut this November. Taking the plot of the 1912 poetic play and rewriting the tragic deaths into lighthearted, fantastical adventures, the film is precisely the sort of generic, child-friendly fairy tale that we’ve come to expect from Disney, albeit with a Ukrainian twist. The plot is predictable, and the humor is rife with cliche, but it’s still a fairly entertaining watch for young audiences.

Genre: Adventure, Animation, Family, Fantasy

Actor: Andrii Mostrenko, Artem Pyvovarov, Julia Sanina, Kateryna Kukhar, Mykhailo Khoma, Nataliia Denysenko, Nataliia Sumska, Nazar Zadniprovskyi, Oleh Mykhailiuta, Oleh Skrypka, Olena Kravets, Serhii Prytula

Director: Oleg Malamuzh, Oleksandra Ruban

Rating: PG

As a growing number of horror movies are, Influencer is inspired by the fact that we’re increasingly spending our lives in the digital, rather than physical, world. Kurtis David Harder’s film makes some effort to highlight the tension between those two realms: its plot hinges on the idea that vapidly sunny influencer-speak often masks gloomier realities, and suggests that, if your existence is mainly validated through a screen, would anyone really know if something truly dark happened to you?

It’s an interesting premise, to be sure, but Influencer’s critique settles there. Instead of striving for social thriller status by exploring the paradox of social media with any real rigor, the rather broad writing here means it lands as a run-of-the-mill scary movie, one that verges on being a forgettable experience once the credits have rolled. One element saves it from that fate, though: Cassandra Naud, who gives an unnerving performance that brings intriguing psychological depths to the role of CW, the film’s villain. She can only do so much to elevate a script that is shallowly interested in her character, though, meaning Influencer can’t quite transcend its status as a middling social media horror.

Genre: Drama, Horror, Mystery, Thriller

Actor: Cassandra Naud, Emily Tennant, Justin Sams, Paul Spurrier, Rory J. Saper, Sara Canning

Director: Kurtis David Harder

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a soldier driven between warring sides by love.

Part of that effect might be because the premise is an iffy one to swallow, as The Creator drops during a time when the once-theoretical threats posed by AI start to become disconcertingly real. But mostly, the sterile feeling of the film is a product of the writing, as a shallow script prevents most of the cast from ever making their characters compelling. Though its lifelike effects are something to marvel at, The Creator never quite convinces us that any of its humans are real — a pretty gaping flaw for a movie that wants to sell us on the idea that robots might one day be sentient.

Genre: Action, Adventure, Drama, Science Fiction

Actor: Allison Janney, Amar Chadha-Patel, Anjana Ghogar, Brett Bartholomew, Brett Parks, Chananticha Chaipa, Charlie McElveen, Dana Blouin, Eoin O'Brien, Gemma Chan, Ian Verdun, Jeb Kreager, John David Washington, Karen Aldridge, Ken Watanabe, Leanna Chea, Mackenzie Lansing, Madeleine Yuna Voyles, Marc Menchaca, Mariam Khummaung, Mav Kang, Michael Esper, Monthatip Suksopha, Natthaphong Chaiyawong, Niko Rusakov, Pat Skelton, Pongsanart Vinsiri, Rad Pereira, Ralph Ineson, Robbie Tann, Sahatchai Chumrum, Sawanee Utoomma, Scott Thomas, Sturgill Simpson, Syd Skidmore, Teerawat Mulvilai, Veronica Ngo

Director: Gareth Edwards

Rating: PG-13

Proof that even the most tired tropes (which the holiday genre is arguably entirely made up of at this point) can still be warm and enjoyable with above-average craft and a fun cast, Candy Cane Lane avoids the monotony that tends to plague other Christmas movies. Which isn't to say that the film is a new classic—it still concludes too easily and doesn't give its more emotional side the space to breathe. But with an entertaining fantasy premise (specifically, a sort of scavenger hunt based on The Twelve Days of Christmas) bolstered by strong visual effects and supporting actors who have been given free rein to improvise, the movie stays dynamic and lightly humorous, if a little lacking in substance.

Genre: Comedy, Family, Fantasy

Actor: Aidan Kennedy, Ali Astin, Amanda Schoonover, Amy Johnston, Anjelah Johnson-Reyes, Catherine Dent, Chris Redd, D.C. Young Fly, Danielle Pinnock, David Alan Grier, Eddie Murphy, Genneya Walton, Iman Benson, James DuMont, Jenly Crespo, Jillian Bell, Kelly Younger, Ken Marino, Kevin Olusola, Kimberly Christian, Kirstin Maldonado, Lombardo Boyar, Madison Thomas, Matthew Sallee, Mitch Grassi, Nick Offerman, Preston Galli, Reginald Hudlin, Riki Lindhome, Robin Thede, Scott Hoying, Stephen Tobolowsky, Tallie Brinson, Thaddeus J. Mixson, Tiago Roberts, Timothy Simons, Tracee Ellis Ross, Trevante Rhodes

Director: Reginald Hudlin

Rating: PG