115 Movies Like Me Before You (2016) (Page 4)

Comparisons are easy between friends and within peer groups, but the comparison that is most immediate is that between you and your sibling, especially when they wound up more successful than you are. Hilary and Jackie captures that experience between two real-life musical sisters, but the comparison is so much more difficult as Jackie shot to cellist superstardom, even with under the same musical beginnings as her less known sister Hilary. It’s flawed, but it’s deeply personal, diving into their shared anxieties from two different lives, and it’s surprisingly well-rounded, perfectly halved between the sisters’ perspectives led excellently by Rachel Griffiths and Emily Watson. Hilary and Jackie is not comfortable to watch, especially during Jackie’s later years, but it’s a daring portrait of a difficult, but still loving, sibling relationship.

Genre: Drama, Music

Actor: Anthony Smee, Bill Paterson, Carla Mendonça, Celia Imrie, Charles Dance, David Morrissey, David Shimwell, Delia Lindsay, Emily Watson, Grace Chatto, James Frain, Jon Rumney, Keylee Jade Flanders, Kika Mirylees, Linda Spurrier, Maggie McCarthy, Nick Haverson, Nyree Dawn Porter, Rachel Griffiths, Robert Rietti, Rupert Penry-Jones, Vernon Dobtcheff

Director: Anand Tucker

Nicole is 22, just out of college, and adrift during her first summer as an “adult.” Tu Dors Nicole (“You’re Sleeping Nicole”) is a French-Canadian take on the late coming-of-age story. Nicole spends most of the summer is her small, sleepy Quebec town lounging around her parents house (they are gone for the summer), occasionally working at the local thrift store, trying to sleep (she’s developed insomnia), and wandering aimlessly around town and the Quebec countryside with her best friend Veronique. The two are joined at the hip (as evidenced by how their bikes are always locked-up together) but the arrival of Nicole’s brother and his bandmates threatens to upend the lifelong relationship between the two; because of this waning friendship Tu Dors has earned comparisons to films like Ghost World and Frances Ha which examine the complexities of young female friendships, particularly when one’s identity is in flux. The film was shot on gorgeous Black & White 35mm film , adding to it’s floating dream-like quality, and boasts a sweet and droll sense of humor. There are occasional touches of the surreal as well — my favorite running gag being the presence of the pre-pubescent Martin, a small boy whose voice has prematurely developed (the voice that comes out of his mouth sounds like that of a world weary 45-year-old) who attempts to woo Nicole with poetic insights such as, “the heart has no age.” This film is a true hidden gem.

Genre: Comedy, Drama

Actor: Alexis Lefebvre, Anne-Renee Duhaime, Catherine St-Laurent, Claude Despins, Fanny Mallette, Francis La Haye, Godefroy Reding, Julianne Côté, Luc Senay, Marc-André Grondin, Pierre-Luc Lafontaine, Simon Larouche

Director: Stéphane Lafleur

Rating: Not Rated, Unrated

Set between the years 1977 and 2005, this Polish drama goes through various stages in the life of the controversial surrealist-expressionist painter Zdzisław Beksiński. The extensive video archive left behind by the artist was used to craft an intimate portrait of three interdependent people: Beksiński himself, his suicidal and neurotic son, and his wife.

Beksiński is superbly played by veteran actor Andrzej Seweryn, known for his appearance in numerous Andrzej Wajda films. Even though the film focuses less on Zdzisław's painting career and more on his relationship with his family, it will definitely inspire you to dig deeper into both his tragic life and impressively dark body of work. 

Genre: Drama, History

Actor: Agnieszka Michalska, Aleksandra Konieczna, Alicja Karluk, Andrzej Chyra, Andrzej Seweryn, Danuta Nagorna, Dawid Ogrodnik, Jakub Wróblewski, Magdalena Boczarska, Zofia Perczynska

Director: Jan P. Matuszynski

Rating: N/A

Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary, History

Director: Dawn Porter

Sophie Compton and Reubyn Hamlyn's British-American documentary about the harm of deepfakes won the SXSW Special Jury Award for its innovative storytelling and deservingly so. The two filmmakers use a clever and considerate way to let a young woman fictitiously named Taylor share her story of how she found deepfake pornography of herself online. With testaments, desktop form reconstructions, and lots of deepfakes, Compton and Hamlyn alert the audience to how terrifyingly widespread this kind of abuse is, and even more: how unregulated it is. Across the globe and 48 US states deepfake pornography is legal to make and spread, while victims remain helpless and unprotected. More than 90% of them are women. These chilling statistics are only part of the reason this documentary takes an activist stance and wants to raise awareness against the uncontrolled spread of face-swapping algorhythms amidst heated discussions around AI and ethics.

Genre: Documentary

Director: Reuben Hamlyn, Sophie Compton

Rating: NR

Places evoke certain emotions, but even the most rundown, cramped projects feel special when they’re home. We Grown Now is set in Chicago’s Cabrini-Green public housing complex, an area that was notorious for its crime and poverty, but to Malik and Eric, it’s a place where they became friends. The friendship they share leads them to classic coming-of-age moments like skipping school, egging each other to ask their crush out, and having fun, but unlike other coming-of-age films, these moments aren’t as carefree and consequence-less in the place they live in. We Grown Now is a genuine, full picture of growing up in a rough neighborhood, with both the happiness and hardships the place has to offer.

Genre: Drama

Actor: Avery Holliday, Blake Cameron James, Gian Knight Ramirez, Jurnee Smollett, Lil Rel Howery, Ora Jones, S. Epatha Merkerson

Director: Minhal Baig

Rating: PG

This uplifting Canadian sports drama is based on a true story set in the remote Nunavut town of Kugluktuk. The small community has the highest teen suicide rate in North America, as it suffers from intergenerational trauma, and the resulting alcohol and drug abuse. A new young history teacher who is sent by the government is shocked by the state of the school and the lives of the teenagers. He realizes that he can't engage the kids with history, and turns to his passion for Lacrosse to try to ignite change.

The teacher and director of the movie are both white, which, added to the story, raise red flags about white savior tropes. But thanks to First Nation producers who made sure the kids had time to develop their characters, The Grizzlies narrowly misses disaster. Instead, it gives a voice to communities that are rarely heard from. 

Genre: Drama

Actor: Anna Lambe, Ben Schnetzer, Booboo Stewart, Brad Fraser, Eric Schweig, Fred Bailey, Jack Anawak, Madeline Ivalu, Natar Ungalaaq, Seth Burke, Tantoo Cardinal, Will Sasso

Director: Miranda de Pencier

Rating: R

Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner