89 Movies Like Me Before You (2016) (Page 2)

Staff & contributors

With elaborate sets, musical numbers, and an ensemble cast, Aachar and Co doesn’t feel like a regular budget-bound debut feature. In fact, director Sindhu Sreenivasa Murthy, who also stars as Suma, pulls off this family drama with a whimsical yet period-accurate, Wes Anderson-esque style. This style keeps the film’s nostalgic and lighthearted tone, even as the siblings’ journeys, most especially that of Suma, go into darker times. As the family cycles through each of their weddings and funerals, Aachar and Co comments on the societal changes that shifted the lives of Indian women in the 1960s. The resulting film is just as bittersweet and nostalgic as the mango preserves the family makes.

Genre: Comedy, Family, Music

Actor: Anirudh Acharya, Harshil Koushik, Mandara Battalahalli, Sindhu Sreenivasa Murthy, Sudha Belawadi

Director: Sindhu Sreenivasa Murthy

Celebrated Malian filmmaker Souleyman Cissé crafted Yeelen (which means ‘brightness’) as an explicit antidote to the “ethnographic” lens through which Western directors often told Africa-set stories. That intention is certainly felt, because Yeelen doesn’t trouble itself to translate its folklore-drawn premise for audiences unfamiliar with 13th-century Malian myths. Rejecting Western storytelling conventions, it instead uses those of the culture it depicts — a looping approach to time and matter-of-fact magical realism — to present the tale of Nianankoro (Issiaka Kane), a supernaturally gifted young man whose sorcerer father (Niamanto Sanogo) plots to kill him because of the threats he poses to the elder man's power. 

 A basic primer to the customs central to Yeelen is provided in the opening titles, but knowledge of the culture it communicates through isn’t a prerequisite to watching and enjoying the film because its epic conflicts — both Oedipal (father versus son) and religious (flesh versus spirit) — and otherworldly sensibilities make it both instinctively familiar and mesmerizing. A deserved winner of the Cannes Jury Prize, though the fact that it was the first African film to win one of the festival's awards — 40 years into its existence — makes this an unjustly belated milestone.

Genre: Drama

Actor: Aoua Sangare, Balla Moussa Keita, Ismaila Sarr, Issiaka Kane, Niamanto Sanogo

Director: Souleymane Cissé

Rating: NR

Taking 23 years until its completion, The Tragedy of Man is quite possibly the most ambitious film ever made, not just in its animation, but also in its scope. It’s quite fitting, as an adaptation of the classic Hungarian play, as Imre Madách’s story sets out to question not just the individual’s purpose, but the purpose of humanity as a whole, with writer-director Marcell Jankovics giving life to the play through the historical art styles of past civilizations that shifted today’s Western world, as well as adding what has happened after the play’s publication in 1861. While the film’s length can be daunting, being the Western animated feature in the world, the dialectic hits at the heart of this absurd existence, informed by the cynicism formed after Hungary’s fall of communism in 1989. The Tragedy of Man isn’t an easy film to watch, considering the themes, but it’s an interesting vision of humanity, illustrated in such an interesting way.

Genre: Animation, Drama, History

Actor: Ágnes Bertalan, Mátyás Usztics, Piroska Molnár, Tamás Széles, Tibor Szilágyi

Director: Marcell Jankovics

This journey is as much about Jake Roberts overcoming his addiction and damaged self-outlook, as it is about the heroic, life-changing efforts that DDP made to get him there. DDP's brand of aggressive wholesomeness and belief in Roberts is palpable, and the rawness of the presentation only accentuates how real this friendship is, and how urgent DDP's mission is—he will do this himself because no one else can. The documentary is inspiring with its vulnerability alone, as the underlying story is of men renouncing toxic behaviors that keep them looped into destructive habits. It doesn't waste time with fluff minutes or details, just straight to your heart from start to finish.

Genre: Documentary

Actor: Adam Copeland, Aurelian Smith Jr., Chris Jericho, Dustin Runnels, Gene Okerlund, Jim Duggan, Jim Ross, Page Falkinburg Jr., Scott Hall, Steve Austin, Ted DiBiase Sr.

Director: Steve Yu

A wonderful, witty teen comedy—possibly the best the genre has known in a long time! In a powerhouse performance, Hailee Steinfeld plays Nadine, a high school junior at peak angst and awkwardness. Her roller coaster journey through family, friends, lovers, or lack thereof, gives her that all-too-common impression for people her age that life is unbearable. Things get more complicated when Nadine's dad passes and her only friend hooks up with an unexpected person. Her temperament and humor will help her see past her demons to understand what's important in life, putting you in privileged spectator mode to this highly smart and exciting coming-of-age story.

Genre: Comedy, Drama

Actor: Alexander Calvert, Ava Grace Cooper, Blake Jenner, Chris Shields, Christian Lagasse, Christian Michael Cooper, Daniel Bacon, Eric Keenleyside, Hailee Steinfeld, Haley Lu Richardson, Hayden Szeto, Jena Skodje, Katie Stuart, Kavandeep Hayre, Kelly Fremon Craig, Kirsten Robek, Kyra Sedgwick, Laine MacNeil, Laura Ward, Lauren K. Robek, Lina Renna, Lyle Reginald, Meredith Monroe, Nesta Cooper, Woody Harrelson

Director: Kelly Fremon Craig

Rating: R

A slice-of-life true-story-based film on growing old and in love. When on his own land, Craig Morrison (played by James Cromwell) starts building a more convenient house for his ailing wife Irene (Geneviève Bujold), he is faced with crippling bureaucracy. The state gives him the choice between stopping the construction or going to jail, while he is witnessing his wife's health deteriorating even further. The act of going against the system brings out both how beautiful his relationship with his wife is, as well as his own resilience in this moving, insightful drama.

Genre: Drama

Actor: Barbara Gordon, Campbell Scott, Chris Farquhar, Chuck Shamata, Geneviève Bujold, George R. Robertson, James Cromwell, Joe Pingue, Jonathan Potts, Julie Stewart, Kiva Mary Golden Carlson, Lewis Hodgson, Ray Landry, Rick Roberts, Ronan Rees, Zachary Bennett

Director: Michael McGowan

Rating: PG-13

It's difficult not to compare Of an Age to other beautifully shot and tenderly told queer love stories like Call Me By Your Name and Weekend. Like them, Of an Age gives its young lovers ample time and space for their relationship to blossom over a short while. And like them still, it's made of intimate moments that will haunt the lovers long after their first meet, crystallized as they are with affection, longing, and the knowledge that they might not feel as deeply about anyone ever again.

But if Call Me By Your Name is awash with Italy's grandeur and Weekend is snugged in Britain's cold embrace, then Of an Age is distinctly Australian, all humid suburbia and sunbaked roads. The film hones in on emotional and cultural specifics alike, and by doing so, it successfully captures the immaculate and unforgettable heartache of first love.

 

Genre: Drama, Romance

Actor: Elias Anton, Hattie Hook, Jack Kenny, Julia Harari, Thom Green, Toby Derrick

Director: Goran Stolevski

Rating: R

, 2020

Mayor follows Musa Hadid, the mayor of the de-facto capital of Palestine, Ramallah, over two years as he tries to make his constituents’ lives better under occupation. With shootings, sieges, and a wide array of life-threatening situations taking place, his focus remains on cheesy Christmas decorations and funny city-branding attempts.

The director follows the mayor everywhere, including in his home and with his family, examining the toll of the unique job. Ramallah is portrayed like it were any other capital—except for the daily reminders that it’s very far from that.

Genre: Documentary, Drama

Director: David Osit

See, low budget films do work! Like Crazy schools other romantic films on what they should all be: cute and sweet but also frustrating and nerve-wracking. Felicity Jones is absolutely fantastic here, she stars as a British girl who falls in love with an American, Jacob, while in college. On a whim, she overstays her visa to be with him, and then return to England to face the consequences. The intimacy this film explores really distinguishes it from others and makes for an authentic experience, as it is based on its writer/director's own 8-year long-distance relationship. A great option if you're in the mood for the type of suspense that pulls at your heartstrings.

 

Genre: Drama, Romance

Actor: Alex Kingston, Amanda Carlin, Anton Yelchin, Ben York Jones, Charlie Bewley, Chris Messina, Drake Doremus, Edy Ganem, Felicity Jones, Finola Hughes, Jamie Thomas King, Jennifer Lawrence, Kayla Barr, Oliver Muirhead, Robert Pike Daniel

Director: Drake Doremus

Rating: PG-13

This small movie set over one summer weekend is a tender and affecting coming-of-age drama.

Jack is a bullied adolescent who lives in a run-down small town. When his aunt falls sick, he has to take care of his cousin, a younger and even more vulnerable kid. Their relationship evolves in this sensitive drama that spans a quick hour and 15 minutes.

Genre: Drama

Actor: Charlie Plummer, Chloë Levine, Christian Madsen, Cory Nichols, Danny Flaherty, Elijah Richardson, Yainis Ynoa

Director: Felix Thompson

Rating: Not Rated

Artist and filmmaker Clio Barnard put herself on the map of new British talents with her 2010 debut The Arbor, a daring, genre-bending biopic about Bradford-born playwright Andrea Dunbar and her tragic personal and impressive artistic life. Coming from a poor working class family with seven siblings, Dunbar wrote her first play age 15. She died in 1990, aged 29, and left a legacy of three plays in total. Knowing how under-appreciated her work has been, Barnard decided to revive the life that imbued Dunbar's creations. Rather than staging a conventional documentary, the director features interviews with family and friends, performed and lip-synced by actors in front of the camera. She also adds re-enactments of the plays that feature the estate where Dunbar grew up, as well as archival footage of her TV appearances. The Arbor is an experimental documentary, but that doesn't prevent it from being touching, humane, and a special tribute to art flourishing in adverse circumstances.

Genre: Documentary

Actor: Christine Bottomley, Danny Webb, Gary Whitaker, George Costigan, Jimi Mistry, Jonathan Jaynes, Josh Brown, Kate Rutter, Kathryn Pogson, Kulvinder Ghir, Lizzie Roper, Manjinder Virk, Matthew McNulty, Moey Hassan, Monica Dolan, Natalie Gavin, Neil Dudgeon, Robert Emms, Robert Haythorne

Director: Clio Barnard

Bill Forsyth, an acclaimed Scottish director best known for his films Local Hero and Gregory’s Girl, directs an underrated masterpiece with the 1987 drama Housekeeping. Adapted from Marilynne Robinson’s outstanding novel, Housekeeping is the story of two sisters, Ruthie and Lucille, who are orphaned and raised by their peculiar Aunt Sylvie. 

As the young sisters grow apart, Ruthie gravitates toward her transient aunt. This is a movie about not quite fitting in—about feeling like your life exists just outside of modern time, somewhere off to the side of railroad tracks running over frozen water. Sylvie shows Ruthie that there is more to life than their small, cold town of Fingerbone. In fact, there is a whole world out there, calling to misfits like them.

Housekeeping is deftly directed, balancing both humor and tragedy. Christine Lahti’s performance is also, with no exaggeration, one of the greatest of all times, as she conveys so much of Sylvie’s yearning to go, go, go with as little as a glance toward the beckoning horizon.

Genre: Comedy, Drama

Actor: Andrea Burchill, Anne Pitoniak, Betty Phillips, Bill Smillie, Bob Hughes, Brian Linds, Christine Lahti, Dolores Drake, Georgie Collins, Karen Elizabeth Austin, Leah Penny, Margot Pinvidic, Sara Walker, Sheila Paterson, Wayne Robson

Director: Bill Forsyth

Rating: PG

In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty

Director: Ken Loach

Rating: R

Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Don Phillips, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Fred Roos, Glenn Close, Jeanine Basinger, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Linda Lowy, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Nessa Hyams, Norman Lear, Oliver Stone, Paul Haggis, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Wallis Nicita, Woody Allen

Director: Tom Donahue

Although Who We Are is essentially a professionally recorded masterclass interspersed with additional interviews, it only emphasizes Jeffery Robinson's skill as an orator and his compassion as a teacher. In a clear and levelheaded manner, he lays out how even the historical documents that formed the blueprint of the United States are exclusionary in key ways. Robinson does this not to condemn his country, but to challenge the way we view traditions as sacred, and to see how modern-day white nationalism is upheld by these institutions, intentionally or not. The new interviews that accompany Robinson's talk take these lessons on the road, reminding us of those who are directly affected by these centuries-old decisions.

Genre: Documentary

Actor: Jeffery Robinson, Martin Luther King Jr.

Director: Emily Kunstler, Sarah Kunstler