21 Movies Like May December (2023) (Page 2)

Staff & contributors

Chasing the feel of watching May December ? Here are the movies we recommend you watch right after.

The colloquial phrase "May-December" refers to romantic partners with a large age gap, but leave it to Todd Haynes to craft a poetic and unsettling world out of this (slightly troubling) banality of life. His new film is loosely based on the real case of Mary Kay Letourneau, who in 1997 was convicted as a sex offender after being caught having a relationship with a minor, a student of hers, 12 years old (22 years her junior). May December begins twenty years after the tabloid scandal surrounding the marriage of Joe and Gracie has died down. Elizabeth, an actress, is conducting research in preparation to play Gracie in a film production, but she doesn't know what to expect. Alongside her, we are welcomed into the family home, meet their teenage children, sit through their family dinners, marvelling at the levity and nonchalant atmosphere in the air. Something is missing, or at least that's what Elizabeth suspects. A psychological drama-thriller-black comedy, May December is impossible to pin down. A profound film on human confusion, identities, and past traumas, it unites two of the best Hollywood stars, Julianne Moore and Natalie Portman, in a delightfully eerie play of doubling and revelations.

So much of Puppy Love is adorable. The title alone promises that, and to be fair, it actually delivers. The movie is filled with romance, pooches, and hijinks that circle back to those two core aspects. I couldn’t be giddier watching this, as a dog lover and romantic comedy aficionado myself, but it’s frustrating how the movie doesn’t go above and beyond its basic premise, even if it easily could’ve done so. It has strong leads in Hale and Gustin, whose chemistry may be lacking but who individually perform well. It has a decent script, “reasonably funny” as it calls itself in the film, delivering amusing and touching lines in equal measure. It even manages to flesh out Nicole and Max with backstories; Max, in particular, gets an interesting characterization as an anxious germaphobe who refuses to go to the office for work. But for whatever reason, every exciting thorn in this premise gets smoothed out by the end. The tension is never realized and loose ends are tied up neatly in a conclusion that feels too simplified for its own good. 

Genre: Comedy, Drama, Romance

Actor: Al Miro, Christine Lee, Corey Woods, Grant Gustin, Jane Seymour, Lucy Hale, Michael Hitchcock, Nore Davis, Rachel Risen, Sarah Almonte Peguero

Director: Nicholas Fabiano, Richard Alan Reid

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever

An unsung hero of the civil rights movement gets the customary Oscar bait treatment in this biopic. Though he was instrumental in organizing the historic March on Washington — which helped force the US government to enshrine civil rights — gay Black activist Bayard Rustin isn’t the household name his peers are. In an inversion of that narrative, figures like Martin Luther King appear here as supporting characters to Colman Domingo’s Bayard.

Domingo’s energetic, commanding performance holds the center of the film, but he’s ill-served by the formulaic approach to storytelling that unfolds around him. More than a few scenes feel like they were written, directed, and performed with an eye to making awards ceremony clips, giving the film a disjointed, self-aware air. And yet, for all the limits of its by-the-numbers approach, Rustin does manage to pack in glints of insight. By virtue of who he was, Bayard will never not make for a compelling central figure — so even lackluster filmmaking can’t sap this inherently radical material of all its power. Though not without its flaws, then, the film is valuable for the light it sheds on the polarising effect Bayard's identity as a gay Black man had within the movement and the intersectional depths he nevertheless brought to it. 

Genre: Drama, History

Actor: Adrienne Warren, Aml Ameen, Audra McDonald, Ayana Workman, Bill Irwin, Carra Patterson, CCH Pounder, Chanel Minnifield, Chris Rock, Collin Antrim Miller, Colman Domingo, Cotter Smith, Da'Vine Joy Randolph, Dan Sauer, Daniel Johnson, Frank Harts, Glynn Turman, Grantham Coleman, Gus Halper, Hope Clarke, Ivan Moore, Jeff Hochendoner, Jeffrey Wright, Johanna McGinley, Johnny Ramey, Jordan Aaron Hall, Jules Latimer, Kevin Mambo, Lilli Kay, Maxwell Whittington-Cooper, Michael Potts, Rashad Edwards, Robert F. Kennedy, Scott Deal, Zuri Starks

Director: George C. Wolfe

Rating: PG-13

After being blindsided by the trailer, it’s no wonder the newest Mean Girls shocked cinema viewers who were just expecting a rehashed version of the original, rather than a film version of the Broadway musical hit. This version misses some moments, like the iconic four-way phone call, and some of the numbers were staged quite strangely, but all-in-all, this film was not that bad. It still captures the core of the original, making the message of being one’s self more clearer, while making some updates to better match its new and younger audience. Mean Girls might still be trying to make fetch happen, but it’s still fun enough to watch, especially with its talented cast.

Genre: Comedy

Actor: Alan Chow, Alexandra Witek, Alexis Frias, Allison Winn, Amann Iqbal, Angourie Rice, Ari Notartomaso, Ashley Park, Auli'i Cravalho, Avantika, Bebe Wood, Ben Heineman, Ben Wang, Brian Altemus, Brooke Johnson, Busy Philipps, Calidore Robinson, Calysta R. Eachus, Camille Umoff, Christopher Briney, Colin J. McTernan, Connor D. Paul, Connor Ratliff, Daniela Cassano, Danielle K. Catalano, Ellena Eshraghi, Emely Moreno, Énola Bédard, Eric Patrick Cameron, Fernell Hogan, Francesca Castro, Gabriella Cila, Garid Garcia, Grace Slear, Grant Harrison Mateo, Ian A. Boyce, Isabella Bria Lopez, Ismael Chino, Izzy Bank, Jake Schwencke, James Jones, Janna Graham, Jaquel Spivey, Jazz Jennings, Jenna Fischer, John El-Jor, Jon Hamm, Jordan Gallimore, Jordi, Joshua M. Baer, Joshua P. Doody, Julien F. Miller, Kasey L. Ericson, Kayla LaVine, Kaylee Kaleinani, Kaylin E. DeGroff, Kelsie Daniels, Lindsay Lohan, Mahi Alam, Malachi I. McLean, Mars Avila, Matilde Heckler, Megan Thee Stallion, Meredith Dunbar, Meryem G. Oldro, Morgen McKynzie, Nahscha, Nia Sioux, Nico A. Varone, Nuri Park, Olivia C. Tona, Orlando A. Galazara, Pierson Wodzynski, Reneé Rapp, Ryan J. Horgan, Samantha R. Borsari, Sean G. Haight, Sofia Dobrushin, Soona Lee-Tolley, Stephanie Mincone, Teresa Kissel, Thomas R. Wilson, Tim Meadows, Timothy S. Fletcher, Tina Fey, Vanessa Merrell, Veronica Merrell-Burriss, Veronica S. Taylor, Victoria G. Russo

Director: Arturo Perez Jr., Samantha Jayne

Rating: PG-13

With a lack of films on female sexuality, Thank You for Coming feels refreshing. Kanika Kapoor seeks out sexual fulfillment as much as she seeks an emotional connection, due to the fairytale promises given to many women from girlhood. She hopes for both, knowing that if she doesn’t go through it the right way, she’ll be looked down upon the same way her single mother was. The sex comedy is reminiscent of Mamma Mia, but instead of a child figuring out who of her potential three dads is hers through ABBA songs, it’s Kanika figuring out who from her past and present lovers gave her an orgasm, with excellent, though slightly disconnected tracks. The playful approach is fun and exciting, but this approach stops halfway through, and certain plot aspects and the choice of a male director detracts from the feminist, sex-positive message it wants to portray.

Genre: Comedy, Drama

Actor: Anil Kapoor, Ayesha Raza Mishra, Bhumi Pednekar, Dolly Ahluwalia, Dolly Singh, Karan Kundra, Kusha Kapila, Natasha Rastogi, Pradhuman Singh, Shehnaaz Gill, Shibani Bedi, Sushant Divgikar

Director: Karan Boolani

Family Switch is a film clearly built to give its ensemble fun acting opportunities, with Jennifer Garner and Ed Helms being given excuses to loosen up more than expected, and Brady Noon and Emma Myers (arguably the movie's MVP) moving beyond mere imitation into more full-bodied performances as adults seeing through their kids' eyes. Unfortunately, the rest of the film saddles them with uninteresting situations that never take the body-switching aspect to more clever territory. Whatever mutual understanding that's learned by the end feels contrived, with the Christmas setting feeling especially tacked on—leaving these otherwise talented actors little to anchor their performances on.

Genre: Comedy, Family, Fantasy

Actor: Adam Lustick, Andrew Bachelor, Anwar Jibawi, Austin Boyce, Bashir Salahuddin, Benjamin Flores Jr., Bob Stephenson, Brady Noon, Carl McDowell, Chloé Wepper, Connor Finnerty, Cyrus Arnold, Dan Finnerty, Ed Helms, Emma Myers, Fortune Feimster, Hannah Stocking, Helen Hong, Howie Mandel, Ilia Isorelýs Paulino, Jason Rogel, Jennifer Garner, Lauren Ash, Mark McGrath, Matthias Schweighöfer, Naomi Ekperigin, Ned Bellamy, Paul Scheer, Pete Holmes, Preston Galli, Punam Patel, Ravi Kapoor, Rita Moreno, Rivers Cuomo, Ryan James, Scott Shriner, Sebastian Quinn, Vanessa Carrasco, Xosha Roquemore

Director: McG

Rating: PG