25 Movies Like Marie Antoinette (2006)

You might call Francis Lee's spellbinding debut a Call me By Your Name without the privilege and pretentiousness, and we think it's a better movie because of it. God's Own Country tells the story of Johnny Saxby (Josh O'Connor), a farmer's son who is trapped working on the family farm, who dulls his frustration and misery with binging at the pub and aggressive sex with strange men—his true desire is not so much repressed by society's rampant homophobia here, but by his family's emotional callousness. When his strict and icy father suffers a stroke, things get worse for him still. Then, during lambing season, help arrives in the shape of watchful, radiant, and strikingly handsome Romanian seasonal worker, Gheorghe (Alec Secareanu), whose warmth of character and professional competence feels threatening to Johnny at first. But when they withdraw to the hills to repair a stone wall, Johnny's aggression gives way to passion as Gheorghe helps him to feel, to love, and to see beauty in the country around him. God's own country. A beautiful, stirring, and passionate debut!

Genre: Drama, Romance

Actor: Alec Secareanu, Alexander Suvandjiev, Gemma Jones, Harry Lister Smith, Ian Hart, John McCrea, Josh O'Connor, Josh O'Connor, Liam Thomas, Melanie Kilburn, Moey Hassan, Naveed Choudhry, Patsy Ferran, Sarah White, Stefan Dermendjiev

Director: Francis Lee

Rating: Not Rated

With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and yet it also feels thoroughly modern. The film charts the tragic entwining of three families: the progressive and intellectual middle-class Schlegel sisters, the much more traditionally minded and wealthier Wilcox family, and the Basts, a down-on-their-luck working-class couple. It’s the liberally minded Schlegels who cross the class divide of 1910 London to bring these two distant social circles so close to each other, but it’s the old-world values of the Wilcoxes that make that meeting a tragic one. Simmering with rich emotion and crackling with class politics, Howards End is the crowning glory of the Merchant Ivory powerhouse and the rare perfect period drama.

Genre: Drama, Romance

Actor: Adrian Ross Magenty, Allie Byrne, Anne Lambton, Anthony Hopkins, Atalanta White, Barbara Hicks, Brian Lipson, Crispin Bonham-Carter, Duncan Brown, Emma Thompson, Gerald Paris, Helena Bonham Carter, James Ivory, James Wilby, Jemma Redgrave, Jo Kendall, Joseph Bennett, Margery Mason, Mark Payton, Mark Tandy, Mary McWilliams, Nicola Duffett, Patricia Lawrence, Peter Cellier, Prunella Scales, Sally Geoghegan, Samuel West, Simon Callow, Susie Lindeman, Vanessa Redgrave

Director: James Ivory

Rating: PG

In a different change of pace, this biopic focuses on John Lennon’s reckless adolescence and family life instead of his soon-to-be iconic music. It brings an epic rockstar many of us have known our entire lives down to a more relatable level. The young Aaron Taylor-Johnston gives a very angsty performance which feels a little over the top at times. Anne-Marie Duff does comes off too flirtatious for a newly formed mother-son relationship but Kristin Scott Thomas outshines them all with her steely demeanor.

Genre: Drama

Actor: Aaron Taylor-Johnson, Andrew Buchan, Angela Walsh, Angelica Jopling, Anne-Marie Duff, Baillie Walsh, Chris Coghill, Colin Tierney, Dan Armour, Daniel Ross, David Morrissey, David Threlfall, Jack McElhone, Josh Bolt, Kerrie Hayes, Kristin Scott Thomas, Lizzie Hopley, Ophelia Lovibond, Paul Ritter, Richard Syms, Richard Tate, Sam Bell, Sam Wilmott, Simon Lowe, Thomas Brodie-Sangster

Director: Sam Taylor-Johnson

Rating: R

The sunniest installment of Éric Rohmer’s Tales of the Four Seasons series is a sly, slow burn of a character study. Everything looks sensuously beautiful in the honey-toned French sunshine, except for the ugly egotism of Gaspard (Melvil Poupaud), the full extent of which is gradually revealed over the film’s runtime to amusing — if maddening — effect.

A brooding twenty-something, Gaspard has the traumatic task of having to decide between three beautiful and brilliant young women while vacationing alone on the French coast one summer. He dithers and delays his choice, each woman appealing to a different insecurity of his — but, as frustrating and plainly calculating as he is, you can’t help but be charmed by Gaspard. That’s partly because of Poupaud’s natural charisma, but also because Rohmer grants Gaspard as many searingly honest moments as he does deceitful ones. These come through Rohmer’s hallmark naturalistic walking and talking scenes (a big influence on the films of Richard Linklater), coastal rambles that produce conversations of startling, timeless candor. That inimitable blend of breeziness and frankness is never better matched in the director’s films than by the summer setting of this one, the sharp truths going down a lot smoother in the gorgeous sunlight.

Genre: Comedy, Drama, Romance

Actor: Aimé Lefèvre, Amanda Langlet, Aurelia Nolin, Gwenaëlle Simon, Melvil Poupaud

Director: Éric Rohmer

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Amanda Welles, Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jenni Tooley, Jill Parker-Jones, Julio Cedillo, Julio Cesar Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Nena Smarz, Owen Wilson, Robert Musgrave, Russell Towery, Stephen Dignan, Tak Kubota

Director: Wes Anderson

Rating: R

A dark and sophisticated slow-burning drama, Never Let Me Go is adapted from the highly acclaimed novel of the same name by Japanese-born British author Kazuo Ishiguro. It stars Carey Mulligan, Keira Knightley, and Andrew Garfield as boarding school raised teenagers eager to explore the outside world when they learn a secret that will threaten their very existence. Anything more is a spoiler, watch it.

Genre: Drama, Romance, Science Fiction

Actor: Amy Lennox, Andrea Riseborough, Andrew Garfield, Anna Maria Everett, Carey Mulligan, Charles Cork, Charlie Rowe, Charlotte Rampling, Chidi Chickwe, Damien Thomas, David Sterne, Domhnall Gleeson, Ella Purnell, Fidelis Morgan, Hannah Sharp, Huggy Leaver, Isobel Meikle-Small, Izzy Meikle-Small, John Gillespie, Kate Bowes Renna, Kate Sissons, Keira Knightley, Luke Bryant, Lydia Wilson, Monica Dolan, Nathalie Richard, Sally Hawkins

Director: Mark Romanek

Rating: R

When categorizing Lars von Trier's oeuvre, critics speak of a "Depression Trilogy" bookended by Antichrist and Nymphomaniac, but Melancholia is the one that really embodies the concepts and worries nested at the heart of this project. The Danish director may be known for his provocative approach to filmmaking and disregard of taboos, but with this film, he makes room for vulnerability. On the character of Justine (Dunst) he places the weight of the world, only after allowing her to be weak, small, and socially unacceptable at her own wedding celebration. A rather subversive decision, but vesting these expectations in someone as wide-ranging as Kirsten Dunst assures an absolute win, even if there remain some questionable characteristics that align too well with abstract male fantasies of what a woman in distress would look like.

Genre: Drama, Science Fiction

Actor: Alexander Skarsgård, Brady Corbet, Charlotte Gainsbourg, Charlotte Rampling, Christian Geisnæs, Jesper Christensen, John Hurt, Katrine A. Sahlstrøm, Kiefer Sutherland, Kirsten Dunst, Stellan Skarsgård, Udo Kier

Director: Lars von Trier

Rating: R

If you’ve been paying close attention to Royal Families in general, then get a snack and settle in, because A Royal Affair’s got it all for you: the steamy scenes, dirty, affair-laden hands, the corsets, and a stunning backdrop of 18th Century Europe. Quite literally deranged and mentally incapable King Christian of Denmark (Mikkel Boe Folsgaard) marries the brave Princess Caroline of Great Britain (Alicia Vikander), only to find out that he isn’t cut out for the wedded life. Enlightenment comes in the form of Dr. Johann Struensee (Mads Mikkelsen), a German physician to the infantile King and true-born reformer. Mostly saddened by her unfortunate fate, the now-Queen Caroline finds herself falling in love with the intellectual; thus, beginning a whirlwind of events that shakes up the entire Kingdom.

Genre: Drama, History, Romance

Actor: Alicia Vikander, Bent Mejding, Cyron Melville, Daniel Bambas, David Dencik, Frederik Christian Johansen, Harriet Walter, Ivan G'Vera, Ivan Vodochodský, Jacob Ulrik Lohmann, Jakub Albrecht, Jan Krafka, John Martinus, Julia Wentzel Olsen, Karel Polišenský, Karin Rørbech, Klaus Tange, Kristian Fjord, Laura Bro, Mads Mikkelsen, Michaela Horká, Mikkel Boe Følsgaard, Mikkel Boe Følsgaard, Morten Holst, Nikol Kouklová, Nikolaj Arcel, Peter Varga, Petr Janiš, Rosalinde Mynster, Søren Malling, Søren Spanning, Tereza Terberová, Thomas W. Gabrielsson, Trine Dyrholm, William Jøhnk Nielsen, Zinnini Elkington

Director: Nikolaj Arcel

Rating: R

The Cuban bolero, not to be confused with the Spanish dance, is a Latin ballad form that spread all throughout the Americas, and even the whole world, that mixed and mingled with and influenced jazz in the 1940s and 50s. Chico & Rita celebrates this music, as well as the nightlife that made these sounds possible, through a stirring star-crossed romance that recalls the typical inspiration behind these songs. There are moments that do falter– like the way Chico tries to woo Rita back– but the familiar, if slightly cliché, beats work in this animation through a unique, thick-lined art style, and of course, excellent music. It's no wonder it was the first Spanish full-length animated film nominated for an Oscar.

Genre: Animation, Music, Romance

Actor: Eman Xor Oña, Jon Adams, Ken Forman, Limara Meneses, Mario Guerra, Ray Gillon, Renny Arozarena

Director: Fernando Trueba, Javier Mariscal, Tono Errando

Rating: NR