7 Movies Like Margaux (2022)

Staff & contributors

After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

Sophia Castuera's first feature after two indie shorts seems like a low-key affair, but it fits neatly into a canon of post-mumblecore, or a Gen Z mumblecore. It features a fumbling protagonist named Cal and played by Ali Edwards (who also wrote the script), a wanna-be actress fresh out of college who finds herself stuck between two people. Not just any people, but her childhood best friend Jay and his long-term girlfriend Emily. August at Twenty Two queers the love triangle trope and makes the most of the characters' anxieties, their hopes, and awkward daily sacrifices to climb up into each other's good books. Appearances are key, of course, since everyone's delightfully immature. The good thing is that the film knows all this very well and even sneaks a post-ironic hint or two. That said, its self-assurance is also its Achilles heel: you cannot convince me that twenty two year olds would call each other often enough to have voicemail. 

Genre: Drama, Romance

Actor: Adrian Burke, Ali Edwards, Clay Singer, Jorge Felipe Guevara, Lilli Kay, Mia Rose Kavensky

Director: Sophia Castuera

The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes

Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one's complete attention but—like many other arthouse dramas—a willingness to sit with the mundane until it reveals something more profound. The nearly silent nature of its storytelling can be a little awkward, given how lifelike the rest of the movie is, but one should hopefully get used to the idea that this is an attempt to represent something closer to memory than reality. Whether or not the experience sticks or strikes an emotional chord, it's all beautifully put together, with lush cinematography, impeccably detailed sound design, and thoughtful sequencing of one image after another.

Genre: Drama

Actor: Charleen McClure, Chris Chalk, Kaylee Nicole Johnson, Moses Ingram, Reginald Helms Jr., Sheila Atim, Zainab Jah

Director: Raven Jackson

Rating: PG

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

As one would expect from what's essentially a feature-length sports highlight reel, Bye Bye Barry compiles some stunning archival footage of Barry Sanders' best runs, given exactly the star treatment it deserves through a grand score and endless praise from the film's talking heads. But those who might want anything deeper—perhaps about Detroit's football culture, or the factors that may have led to Sanders' early retirement—get very little to chew on here. It's a film that still seems unsure of what it really wants to be, respecting Sanders' humility and private nature but filling the documentary with famous figures who end up forcing us to view the player as more legend than human.

Genre: Documentary

Actor: Barry Sanders, Bill Belichick, Calvin Johnson Jr., Chris Berman, Dan Patrick, Eminem, Emmitt Smith, Greg Gumbel, Jalen Rose, Jeff Daniels, Jemele Hill, Jim Gray, Kevin Glover, Pat O'Brien, Rodney Peete, Tim Allen

Director: Angela Torma, Micaela Powers, Paul Monusky

Though it'll likely have more to offer for those who enjoyed the original Nickelodeon series that ran from 2014 to 2018, The Thundermans Return still does mournfully little with its feature length. There are some promising ideas here relating to what one's responsibility should be as members of a family, but any heart in the story is buried underneath weak attempts at action and painfully stilted humor—which is only made worse by the laugh track running through much of the film. Even in the oversaturated arena of American superhero movies, this one doesn't have relatable enough characters for teenagers and older kids to relate to, nor does it have enough mindless, poorly shot action for the younger kids.

Genre: Action, Action & Adventure, Comedy, Family, Kids, Science Fiction, TV Movie

Actor: Adam Kulbersh, Addison Riecke, Anushka Rani, Aubrey K. Miller, Audrey Whitby, Brady Amaya, Brandon Papo, Brittany Bardwell, Chevonne Hughes, Chris Tallman, Christina Correll, Christina Offley, Dana Snyder, Daniele Gaither, Diego Velázquez, Fletcher Sheridan, Guy Moon, Harvey Guillén, Helen Hong, Jack Griffo, Jake Borelli, James Hong, Jamie Kaler, Jamieson Price, Jeff Meacham, Jennifer Hale, John Sanders, Kenny Ridwan, Kira Kosarin, Laura Louise, Malcolm Foster Smith, Maya Le Clark, Michael Wayne Foster, Paul F. Tompkins, Robin Atkin Downes, Rosa Blasi, Tanner Stine, Valerie Loo

Director: Trevor Kirschner