8 Movies Like Man on Fire (2004)

There’s a vein of reality running through He Got Game that gives this Spike Lee joint a sense of pulsating immediacy. For one, the young basketball prodigy at its center is played by real-life pro Ray Allen, who shot the movie during the sport’s off-season period in 1997. The film also draws on a host of other ballers and ancillary figures — including coaches and commentators — to fully convince us of the hype around Jesus Shuttlesworth (Allen), a Coney Island high-schooler who’s been crowned America’s top college draft pick.

Lee takes this premise to much more interesting places than sports movies usually go. The plot is a melodrama of sorts, in which Jesus’ incarcerated father Jake (a top-tier Denzel Washington) must convince his son to declare for the governor’s alma mater in exchange for a reduced sentence. The pair are estranged — Jake is in prison for the death of Jesus’ mother — making this as much a tense examination of family and forgiveness as it is a sports movie. And what a sports movie it is: Lee makes his love of basketball not just abundantly clear but also infectious, opening the film on soaring, balletic images of the sport that suggest it’s no mere game, but something unifying, artistic, and ultimately salvatory.

Genre: Drama

Actor: Al Palagonia, Arthur J. Nascarella, Bill Nunn, Bill Walton, Charles Barkley, Chasey Lain, Denzel Washington, Dick Vitale, George Karl, Hill Harper, Jennifer Esposito, Jill Kelly, Jim Boeheim, Jim Brown, John Turturro, Joseph Lyle Taylor, Kim Director, Leonard Roberts, Lonette McKee, Michael Jordan, Milla Jovovich, Ned Beatty, Ray Allen, Reggie Miller, Rick Fox, Robin Roberts, Roger Guenveur Smith, Ron Cephas Jones, Rosario Dawson, Roy Williams, Scottie Pippen, Shaquille O'Neal, Thomas Jefferson Byrd, Zelda Harris

Director: Spike Lee

Rating: R

This is a hard movie to describe, but I’ll do my best without giving too much away. The movie takes place in three separate segments that eventually come together. Half of the story takes place in Germany, half in Turkey, with almost all of the central six characters spending time in both countries while either searching for each other or trying to redeem themselves. Daughters search for their mothers (and vice versa) and one character’s actions will eventually bring everything more-or-less full circle. The film is as much about the characters though as it is about the cultural exchange happening between the two countries. If you have even a passing interest in films from this part of the world, I recommend giving this one a try.

Genre: Drama

Actor: Ali Akdeniz, Annette Uhlen, Baki Davrak, Cengiz Daner, Erkan Can, Feridun Koç, Gökhan Kıraç, Gürsoy Gemec, Güven Kiraç, Hanna Schygulla, İdil Üner, Lars Rudolph, Nejat İşler, Nurgül Yeşilçay, Nursel Köse, Önder Çakar, Öznur Kula, Patrycia Ziolkowska, Tuncel Kurtiz, Turgay Tanülkü, Yelda Reynaud

Director: Fatih Akin

Rating: Unrated

The story of Antwone Fisher as told by Denzel Washington (in his directorial debut) may be a bit too straightforward for its own good, but it only proves the strength of his eye and ear for performance. In addition to turning in his own understated yet authoritative performance, Washington gets a powerhouse turn out of Derek Luke, who allows every new revelation about Fisher to strengthen every aspect of his work. What the film gets right about talking about mental health (that other movies get so wrong) is that it knows that providing an explanation for why someone is the way they are shouldn't be a dramatic climax. What Antwone Fisher emphasizes is healing, community, and the dignity of the person working through these issues.

Genre: Drama, History, Romance

Actor: Charles Robinson, De'Angelo Wilson, Denzel Washington, Derek Luke, Earl Billings, Gary A. Jones, James Brolin, Joy Bryant, Kente Scott, Kevin Connolly, Leonard Earl Howze, Malcolm David Kelley, Novella Nelson, Rainoldo Gooding, Salli Richardson-Whitfield, Stephen Snedden, Sung Kang, Vernee Watson-Johnson, Viola Davis, Yolonda Ross

Director: Denzel Washington

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever