23 Movies Like Lucy (2014) On Netflix Australia (Page 2)

King of Clones tells the story of Hwang Woo-suk, a South Korean scientist once praised as a national hero for his pioneering work in cloning. However, Hwang's reputation was shattered in 2006 when it was revealed that he had falsified data in his research. The documentary follows Hwang's rise and fall, and it provides a fascinating glimpse into the world of scientific research and the ethical challenges that it raises. Through simplified explanations and testimonies from beneficiaries and journalists that exposed his fraudulent activities, the film remains accessible without losing its narrative. It also opens the conversation on the progress of cloning technology and the implications of not having ethics that can be agreed upon among the scientific community and the general public. 

Genre: Documentary

Actor: ChoI Seung-ho, George W. Bush, Hwang Woo-suk, Jung Ho-seok, Kim Dae-jung, Kim Jong-il, Kim Tae-hyung, Park Ji-sung, Roh Moo-hyun, Son Heung-min

Director: Aditya Thayi

Rating: PG-13

A deep dive into African-American cinema in the 1970s, Is That Black Enough for You?!? may at times feel like an extended audiovisual Wikipedia article, but it convincingly sets up its ideas in breezy, entertaining fashion. And it successfully argues that Hollywood today just hasn't cashed in on the wealth of innovative Black art that already existed 50 years ago. At the center of this talking heads documentary is director and narrator Elvis Mitchell, who elevates the assembled footage with frank commentary that isn't afraid to make things personal or to throw shade at other filmmakers who've made a career out of appropriating Black film traditions.

Genre: Documentary

Actor: Antonio Fargas, Billy Dee Williams, Charles Burnett, Elvis Mitchell, Glynn Turman, Harry Belafonte, James Signorelli, Laurence Fishburne, Louise Archambault, Margaret Avery, Mario Van Peebles, Roscoe Orman, Samuel L. Jackson, Sheila Frazier, Stan Lathan, Suzanne de Passe, Whoopi Goldberg, Zendaya

Director: Elvis Mitchell

American Girl follows 13-year-old Fen as she returns to Taiwan from the US and tries to make sense of a culture that’s supposedly her own. In addition to her awkward but relatable attempts to understand identity and adolescence, Fen also struggles to connect with her mother Lily, whose own problems further push her away from her teenage daughter. If you’ve seen Lady Bird, you may recognize a bit of Christine and Marion in Fen and Lily as they throw themselves into an endless tug-of-war of emotions. Their fights are genuinely frustrating, but only because of how true-to-life they are.

As painful as it sometimes is to see them clash, it’s their love-hate dynamic that charges much of the film’s emotional energy and makes it ultimately irresistible to watch. 

Genre: Drama, Family

Actor: Blaire Chang, Bowie Tsang, Caitlin Fang, Hsia Yu-chiao, Jia-Yin Tsai, Kaiser Chuang, Karena Lam, Karena Lam Kar-Yan, Ming-shiou Tsai, Teng-Hui Huang, Winnie Chang, Winnie Shih-Ying Chang

Director: Feng-I Fiona Roan, Fiona Roan

Rating: Not Rated

In depictions of organized crime, we’re used to the stone-cold crime boss, and the conflicted, unwilling crime lord, but Miss Shampoo presents a new version of the gangster– one that’s fallen head over heels in love. The film plays out in hilarious ways, with the humor expected from writer-director Giddens Ko, and Daniel Hong and Vivian Sung are able to inject some heart into their performances with surprising chemistry. That being said, the film is clearly more interested in mocking organized crime, so the film feels more skewed towards Tai rather than Fen. It’s still really entertaining, though Miss Shampoo had so much more it could have shown, had it focused equally on Fen’s perspective.

Genre: Comedy, Crime, Drama, Romance

Actor: Bai Jing Yi, Bruce He, Chih-ju Lin, Chu Chung-heng, Duan Chun-hao, Duncan Lai, Honduras, Hong Yu Hong, Hsia Teng Hung, Hsin-Ling Chung, Kai Ko, Ke-Li Miao, Kent Tsai, Mei-Man Jin, Teng-Hung Hsia, Tsai Chang-Hsien, Tzu-Chien Kuo, Vivian Sung, Wei-min Ying

Director: Giddens Ko

The beginning instantly captures Kodama’s essence, and quickly sets lofty expectations with the regal intro sequence and the clean narration and reenactments. But it’s basically a feature length interview of the subject, who shares her screen time with the supporting cast to her action drama life (assistants, love interests, the usual), tackling the big scandals that brought trouble to Kodama. It’s a worthy watch, if only for the deep Nelma Kodama and laundering iceberg; however, it does get very long and redundant in feel, which may be necessary to paint the whole picture, but at some point it’s a bunch of branches that lead to other branches and the tree is big.

Genre: Crime, Documentary

Actor: Anzu Lawson, Nelma Kodama

Director: João Wainer

Rating: R

Better known as a podcast host, Stavros Halkias proves that he does have the writing ability and (the lack of shame and/or pride) to come up with effective jokes from his own perspective. But his momentum just doesn't hold throughout this hour-long special; he starts strong and keeps a coherent train of thought throughout the whole routine, but the latter sections begin to rely on gross-out comedy and potshots at the audience more than anything. Halkias knows who his audience is and he's very fortunate to be able to perform in front of people who seem to be very familiar with his style. But for a wider range of people watching through streaming, his more relaxed style of storytelling may come off as him simply droning on without particularly great timing.

Genre: Comedy

Actor: Stavros Halkias

Director: Ben O'Brien

Known for his comedy skits on Facebook, the comedian Kountry Wayne finally gets his own Netflix special to middling results. The character that he plays on the stand-up stage is meant to be highly irreverent, showing a callous disregard to everybody except himself. But while a more seasoned comic (which Wayne could become in good time) might find a way to build these predictable jokes into something truly novel or subversive, Wayne settles for shock value—often relying on exaggerated physical comedy to sell a flatly written punchline. But even this trick he relies on too often, which makes his already impressive stage presence seem cheaper than it should.

Genre: Comedy

Actor: Kountry Wayne

Director: Jeff Tomsic

Rating: R