4 Movies Like Kung Fu Panda 3 (2016)

One of the most notable avant-garde filmmakers, Su Friedrich is both a tour-de-force of documentary filmmaking and queer cinema. In Sink or Swim, Friedrich explores the complicated dynamic between a distant, work-oriented father and young daughter longing for his attention, approval, and love.

At just barely 45 minutes, Sink or Swim is cinematic poetry. The movie slowly unfolds across six vulnerable vignettes, through which Friedrich invites the viewer to meditate on the past alongside her. Through photographs, archival footage, and loose narrative storytelling, Freidrich shows that storytelling is a way of both healing the past and learning to live with its ghostly figures.

Genre: Documentary, Drama

Actor: Jessica Meyerson

Director: Su Friedrich

There’s an intriguing meta appeal to this drama, the plot of which is a thinly veiled reference to the scandal that erupted around South Korean director Hong Sang-soo and star Kim Min-hee’s extramarital affair. Here, Kim plays an actress who flees to Germany amidst a media storm swirling around a similar relationship and then returns home to skirt prying questions from friends and — maybe — confront her now-distant lover.

But beyond its references to salacious real life, On the Beach at Night Alone is also a fascinating conversational movie, one that explores with gentleness all the messy feelings that Kim is having in her physical and professional exile (offers of acting roles having dried up because of the scandal). That tone isn’t permanent, though, because the film reaches a violently emotional crescendo with two extremely raw and strange outbursts at dinner parties — a strangeness echoed by the lightning bolts of surreality that break up what is otherwise a naturalistic film (and filmography, for Hong). This might make an unconventional entry point if you’ve never seen a Hong film before (he’s averaged two films a year since 2017, so there are plenty of other options), but it’s an illuminating introduction for newcomers all the same, and a fascinating evolution for confirmed fans.

Genre: Drama

Actor: Ahn Jae-hong, Gong Min-jeung, Han Ja-i, Han Jae-yi, Jung Jae-young, Kang Tae-u, Kim Min-hee, Kwon Hae-hyo, Mark Peranson, Moon Sung-keun, Seo Young-hwa, Song Sun-mi

Director: Hong Sang-soo

In the West, South Korean film is largely defined by the ingenious (oft violent) bombast of directors like Park Chan-wook (Oldboy) and Bong Joon-ho (Parasite), but there is a quieter tradition championed by director Hong Sang-soo that is just as imaginative and worthy of your time. This fascinating film serves as a perfect entry point to a director whose filmography is full of similar riches.

A film director arrives in town to deliver a lecture, and having some time to kill, ends up sharing a day with a stranger. This simple set-up recalling Before Sunrise leads down a charming and quietly romantic route that would be delightful on its own, but Right Now, Wrong Then is about much more than just a chance encounter. It’s a film more concerned with how little moments here and there can change everything, and how much our lives are governed as much by chance and timing as the choices we make.

Genre: Comedy, Drama, Romance

Actor: Choi Hwa-jeong, Gi Ju-bong, Go A-sung, Go Ah-sung, Jae-yeong Jeong, Ju-bong Gi, Jung Jae-young, Ki Joo-bong, Kim Min-hee, Ko A-sung, Ko Asung, Min-hee Kim, Seo Young-hwa, Youn Yuh-jung, Yu Jun-sang, Yuh-jung Youn

Director: Hong Sang-soo, Sang-soo Hong

The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes