162 Movies Like Killers of the Flower Moon (2023) (Page 6)

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Chasing the feel of watching Killers of the Flower Moon ? Here are the movies we recommend you watch right after.

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by William Hale (a skin-crawling Robert De Niro). Scorsese, most often associated with mafia stories, stealthily suggests here that the most dangerous gang of all is the one into which all these perpetrators have been born. That’s an idea he investigates through the confused loyalties of Leonardo DiCaprio’s Ernest Burkhart, the Judas-like husband of Mollie (movie-stealer Lily Gladstone), an Osage woman who owns lucrative oil headrights that William wants to fatten his own pockets with. This searing epic — based on a harrowing chapter of real American history — is an unsparing and self-implicating look at complicity and greed in the eye, a monumental movie that cements its maker as one of the greatest to ever do it.

There is a lot to appreciate and learn from this work, which is a streamlined history of queer standup with so many enlightening stories. There is a LOT of standup footage and commentary from different eras, and different flavors between them evoking crass, feel-good, and revolutionary — which is reason enough to dive in. It’s got a self-assured tone to it, thanks to all the unapologetic and quick-witted figures telling their story and choosing to make it one of inspiration. In a word, it’s an informative celebration of queer standup comics, of tapping into empowered selves on and off-stage, reminding us that activism is always within reach.

Genre: Comedy, Documentary

Actor: Alec Mapa, Anita Bryant, Bill Clinton, Billy Eichner, Bob the Drag Queen, Bruce Vilanch, Carol Burnett, Cher, Conan O'Brien, Dave Holmes, David Letterman, Diane Sawyer, Eddie Izzard, Eddie Murphy, Ellen DeGeneres, Fortune Feimster, Gina Yashere, Guy Branum, Hannah Gadsby, Harvey Milk, James Adomian, Joel Kim Booster, Judy Gold, Lily Tomlin, Lucille Ball, Madonna, Mae Martin, Margaret Cho, Marsha Warfield, Matteo Lane, Patti Harrison, Richard Pryor, River Butcher, Ronald Reagan, Rosie O'Donnell, Roz Hernandez, Sandra Bernhard, Scott Thompson, Solomon Georgio, Sonny Bono, Susan Stryker, Suzanne Westenhoefer, Tig Notaro, Todd Glass, Trixie Mattel, Wanda Sykes

Director: Page Hurwitz

Rating: R

A young Steve Buscemi leads this wry farce about a calamitous film set where nothing goes right. The sardonic script skewers the ins and outs of low budget film production and the various personalities on set from belligerent directors, pretentious cinematographers, and egotistic actors. 

A playful three-act structure and trips into dream sequences keep things light, while a strong supporting cast, including a cheeky appearance by Peter Dinklage and the fantastic Catherine Keener, gives the film the backbone it needs. 

Genre: Comedy, Drama

Actor: Catherine Keener, Danielle von Zerneck, Dermot Mulroney, Hilary Gilford, James Le Gros, Kevin Corrigan, Lori Tan Chinn, Matthew Grace, Norman Fields, Peter Dinklage, Rica Martens, Robert Wightman, Steve Buscemi, Tom Jarmusch

Director: Tom DiCillo

Rating: R

Many people have forgotten that representation and diversity in media isn’t meant just to fill a quota or to signal virtue– the push for it is in response to the way many of these stories were silenced, repressed, and shut out. Lilies might have been overlooked for quite a while, but its 2023 restoration has thankfully enabled more viewers to watch the tale of an imprisoned gay man finally telling his story, turning the tables on a long overdue confession. Michel Marc Bouchard adapts his play through this play-within-a-film, with director John Greyson playing with the confession booth as a viewing booth for both the bishop and the audience to get fully immersed in a love triangle a century ago, juxtaposed with motifs of martyred Catholic saints and French lilies and fire. Lilies is a well-crafted and deeply emotional masterpiece.

Genre: Drama, Fantasy, Romance

Actor: Alain Gendreau, Aubert Pallascio, Brent Carver, Danny Gilmore, Gary Farmer, Ian D. Clark, Jason Cadieux, John Dunn-Hill, Khanh Hua, Marcel Sabourin, Matthew Ferguson, Michel Marc Bouchard, Pierre Leblanc, Rémy Girard, Robert Lalonde

Director: John Greyson

We’re familiar with dick jokes from stand-up comedians, especially male stand-up, but Jacqueline Novak’s 90-minute show about the blow job feels completely new. Get on Your Knees feels like casual storytelling from someone experienced yet distant enough to be a cool authority on it (say, your best friend’s older sister’s best friend), but funnier. It’s like a gossip session about a first experience, except the breathless, dizzying stream of thought is peppered with philosophical thought and points out the absurdity around the language and common attitudes about sex. And as she does so, and as she talks about self-conscious fumbling and unanswered questions, she strides back and forth, in an easy, self-assured way, the way we’d like to feel going into the act.

Genre: Comedy

Actor: Jacqueline Novak

Director: Natasha Lyonne

Rating: R

, 2024

Frida Kahlo is an iconic Mexican painter, not just because of her outstanding art, but also because of her outlook in life, despite her ill health and tragic accident. Because of this, she has been talked about in multiple books, movies, and exhibitions, but a new documentary has popped up, this time from her own words. Carla Gutierrez’s directorial debut is a revelation, voiced primarily in Frida’s native Spanish and paired with key archival footage, vivid animations of her paintings, and an excellent acoustic score plucked from classical guitar. Being a biographical documentary, fans of the artist would, of course, be familiar with her life events, but Gutierrez’s approach is still worth watching, mostly because it’s Frida’s own words driving the film.

Genre: Documentary

Actor: Fernanda Echevarría del Rivero, Frida Kahlo

Director: Carla Gutierrez

Rating: R

, 2023

Director Garth Davis (who worked with Jane Campion on Top of the Lake) adapts Iain Reid's novel Foe with little concern about realism and veracity. The psychologically dense event at the film's centre—an impending separation of husband and wife—renders the whole world around them meaningless. Saoirse Ronan stars as the self-assured Henrietta (Hen) and Paul Mescal, as the belligerent Junior, two of the last remaining people in rural and farm areas. The year is 2065 and Earth is unrecognizable (peak Anthropocene) and life can be reduced to the impossibility of letting go. One fine day, a stranger comes to visit (Aaron Pierre), informing the couple that Junior has been drafted not to the military, but to a space colonization mission. A most curious triangle forms when Pierre's character decides to stay in the family guest room: there is no telling where Foe will take you, but it will be a long, hard fall; either to the pits of despair or desire, ambivalence galore. 

Genre: Drama, Mystery, Romance, Science Fiction, Thriller

Actor: Aaron Pierre, David Woods, Jordan Chodziesner, Paul Mescal, Saoirse Ronan, William Freeman, Yesse Spence

Director: Garth Davis

Rating: R

Making a good erotic thriller out on Wall Street is no easy feat, but Fair Play has just the right ratio of wit, sex, and sleaze to spice up a Friday night viewing. There's also undeniable pleasure in watching a fairytale love story corrode, especially under the influence of money and power—here's one for the romantic capitalists! And even if the script feels a bit uneven and Emily's character a bit too silent until the film's third act, it's a heightened yet realistic depiction of exactly how solidified heteronormative standards still are: in bed, at home, at the workplace. Who would have guessed that's where the true horror lies? 

Genre: Drama, Romance, Thriller

Actor: Alden Ehrenreich, Brandon Bassir, Buck Braithwaite, Eddie Marsan, Filip Todorovic, Geraldine Somerville, Greg De Cuir, Ivona Kustudić, Jamie Wilkes, Jelena Stupljanin, Jim Sturgeon, Katarina Gojković, Laurel Lefkow, Leopold Hughes, Linda Ljoka, Patrick Fischler, Phoebe Dynevor, Rich Sommer, Sebastian de Souza, Sia Alipour, Yacine Ramoul

Director: Chloe Domont

While produced by Wong Kar Wai, Chinese Odyssey 2002 isn’t a moody, melancholy drama that we’re used to. Instead, the Ming Dynasty-set adventure directed by Jeffrey Lau comically spoofs plenty of the beloved genres that captivated Chinese audiences– wuxia epics, musical dramas, and historical romances. The ludicrous crossdressing plot is played in such an over-the-top way, with Lau visually delivering his jabs, with a narrator providing droll commentary on the events, and with intercuts of faux interviews and excerpts from everyone, even including the disgruntled innkeeper spying on the crossdressing princess and the confused restaurant owner. It’s actually quite impressive how the ridiculous plot leads to such a wholesome, moving conclusion.

Genre: Action, Comedy, Romance

Actor: Athena Chu, Chang Chen, Eric Kot Man-Fai, Faye Wong, Jeff Lau Chun-Wai, Ning Jing, Peter Chan Lung, Rebecca Pan, Roy Cheung, Tony Leung Chiu-Wai, Wang Wang, Wang Xudong, Wong Wing-Ming, Zhao Wei

Director: Jeff Lau Chun-Wai

Renowned choreographer Benjamin Millepied brings an 1875 opera leaping into the 21st century with this modern retelling — through dance and drama — of Carmen. The plot is reimagined along the US border and recenters the titular character (Melissa Barrera), a newly orphaned refugee from Mexico making her way to her godmother (a fabulous Rossy de Palma) in LA. In places, Carmen recalls Baz Luhrmann’s Romeo + Juliet: aided by Nicholas Britell’s operatic score, it embraces its grand origins to evoke a star-crossed sense of looming tragedy over the romance that blossoms when reluctant border patrol guard Aidan (Paul Mescal) saves Carmen’s life and flees with her to California. 

Where Carmen really soars is in its translation of drama into dance. It’s an inspired move, pairing this almost mythical story with such a primal medium — but, while the movie achieves visceral emotion that words would struggle to produce in its choreographed scenes, there’s something lacking in the moments where dialogue is crucial. The conversations never move as fluidly as the dancing bodies do, and the passion and the fury falter as a result. That being said, this is largely still a boldly inventive filmmaking experiment, one that spotlights the thrilling potency of pure movement as a storytelling medium.

Genre: Drama, Music

Actor: Benedict Hardie, Corey London, Elsa Pataky, Kaan Guldur, Kevin MacIsaac, Melissa Barrera, Morgan Smallbone, Nico Cortez, Nicole da Silva, Paul Mescal, Pip Edwards, Richard Brancatisano, Rossy de Palma, Tara Morice, The D.O.C., Zac Drayson

Director: Benjamin Millepied

Ashkal takes an audaciously hybrid approach to genre: it’s part-noir, part-supernatural thriller, and full political allegory. The investigation at the center of this slow-burn Tunisian police procedural is a gripping one, as burnt naked bodies keep turning up in abandoned construction sites in Tunis with no trace of a struggle or even a combustible on them. In post-revolution Tunisia, the deaths are an uncomfortable reminder of recent history: it was a young Tunisian man’s self-immolation that sparked the Arab Spring, after all.

The revolution’s complicated legacy looms over the film, as we watch the country’s Truth and Dignity Commission begin its work of uncovering the former government’s corruption and abuses. Ashkal’s two protagonists — the young Fatma (Fatma Oussaifi) and her more seasoned police partner Batal (Mohamed Grayaa) — find themselves on opposite sides of that political divide, he having been implicated in the abuses of power that are now being investigated by Fatma’s father. There are fascinating elements at play here, and the results of Ashkal’s ambitious genre experiment are mostly inspired. Much of the film’s energies are spent on building a paranoid atmosphere — efforts that can, at times, frustratingly slacken the tension — but its fantastical touches tauten things up enough to make it a haunting political commentary in the end.

Genre: Drama, Thriller

Actor: Aymen Ben Hmida, Mohamed Grayaâ

Director: Youssef Chebbi

That this film, an adaptation of a beloved classic and girlhood staple for 50 years and counting, is able to retain the same power, charm, and wisdom as the source material by Judy Blume is impressive in and of itself. 

Director Kelly Fremon Craig (Edge of Seventeen) turns the must-read novel into a must-see film, as urgent and relevant as ever in its frank portrayal of feminine woes and joys. Buying your first bra, getting your first period, losing a friend, doubting your faith, seeing—really seeing—your family for the first time, and knowing in your heart what you stand for...these are some of the thorny requisites of womanhood, and Craig navigates them with a bittersweet ease that never feels pandering nor patronizing. Like the book, the film honors this young person's big feelings by centering them in a sprawling story that involves other characters, who are just as fleshed-out as the lead. Rachel McAdams deserves special mention for turning in a sweetly nuanced performance as Margaret's mother Barbara, an artist attempting to balance her domestic role with her career goals. 

The film may be 50 years in the making, but it tells a timeless tale that will continue to hold the hands of teenage girls for generations to come.

Genre: Comedy, Drama

Actor: Abby Ryder Fortson, Aidan Wojtak-Hissong, Benny Safdie, Echo Kellum, Eden Lee, Elle Graham, Ethan McDowell, Gary Houston, George Cooper, Holli Saperstein, JeCobi Swain, Jim France, Johnny Land, Judy Blume, Kate MacCluggage, Kathy Bates, Mia Dillon, Rachel McAdams, Sloane Warren, Wilbur Fitzgerald

Director: Kelly Fremon Craig

Rating: PG-13

Most sports biopics are centered around winners– their drive, their spirit, and their determination to beat the competition, and maybe win some glory for their respective teams, hometowns, or countries. The Happiest Day in the Life of Olli Mäki instead focuses on a Finnish boxer that lost a match. Shot in 16mm black and white film stock, writer-director Juho Kuosmanen captures the man, not the legend, in sequences that feel like decades-old memories that draws you into his story, his humble character, and the motivations that drive him, a yearning for love rather than bragging rights, trophies, and nationalistic pride. It’s such a charming twist to the genre, one that recognizes a different kind of masculinity. While Mäki might not be the world’s best boxer, this film suggests that he might be one of the happiest, forgoing an important match for a marriage that ended up lasting his lifetime.

Genre: Drama, Romance

Actor: Aaro Airola, Anna Airola, Claes Andersson, Deogracias Masomi, Eero Milonoff, Elma Milonoff, Emilia Jansson, Esko Barquero, Heikki Metsämäki, Iiris Anttila, Jarkko Lahti, Jarmo Kiuru, Joanna Haartti, Joonas Saartamo, Leimu Leisti, Mika Melender, Olli Rahkonen, Oona Airola, Pia Andersson, Salla Yli-Luopa, Tiina Weckström, Viljami Lahti

Director: Juho Kuosmanen

Rating: NR

, 2023

War makes animals of men, and Filip is no exception. The film portrays a lone Jewish survivor who walks the streets of Frankfurt as if he doesn’t have anything to lose. He’s able to get away with it, with his work at a luxury hotel, but he’s unable to escape his trauma. He relieves this through trysts with the local women, treating them cruelly, the same way they would treat his people. It’s a uniquely stunning take on the ugly side of war, with its country club glamor and Filip’s lust for life. But it’s also a grim character study of an unlikeable, yet understandable protagonist, whose moral ambiguity comes purely from his own survival.

Genre: Drama, History, War

Actor: Caroline Hartig, Eryk Kulm, Eryk Kulm jr, Gabriel Raab, Hanna Śleszyńska, Julian Świeżewski, Jürg Plüss, Karol Biskup, Kinga Jasik, Mateusz Rzeźniczak, Monika Kwiatkowska, Nicolas Przygoda, Nicolo Pasetti, Robert Więckiewicz, Sandra Drzymalska, Victor Meutelet, Werner Biermeier, Zoë Straub

Director: Michał Kwieciński

Rating: R

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R