770 Movies Like Joker (2019) (Page 8)

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Whether or not you're a fan of Nick Cave's contemplative, idiosyncratic style of music, This Much I Know to Be True still works on a purely experiential level. There's confusion, then a rush of euphoria, then an overwhelming sense of peace when listening to Cave's (and musical collaborator Warren Ellis's) cryptic lyrics and delicate compositions—shot with breathtaking use of studio lights by director Andrew Dominik and cinematographer Robbie Ryan.

And things only get more emotional when you consider how far Cave has come, that these performances are happening several rough years from the untimely death of his son. And suddenly even all the unrelated B-roll footage included in the film—of Cave talking about his sculptures, talking to Ellis, answering profound fan emails—takes on a greater urgency. This sounds like music for mourning, but in its own way it's music for celebration, too, and gratitude despite everything.

Genre: Documentary, Drama, Music

Actor: Andrew Dominik, Earl Cave, Marianne Faithfull, Nick Cave, Warren Ellis

Director: Andrew Dominik

It’s hard not to watch The Unknown Country and think of Nomadland: along with similarities in their Terrence Malick-inspired visuals, both films follow lone women seeking catharsis on the road as they grieve profound losses. But Morrisa Maltz’s debut feature is a decidedly lower-key, more spiritual affair — and is all the better for it.

The film is light on plot exposition, but it’s clear from her soft melancholy that Tana (Lily Gladstone) has set off on this road trip following a personal loss, a meandering journey that takes her from freezing Minnesota to Oglala Lakota reservations in South Dakota and down through Texas. Along the way, she reunites with loved ones and crosses paths with total strangers, all of whom are played by charismatic non-professional actors whose real life stories earn as much of the spotlight as Tana’s impressionistically shot journey. These moments of documentary, Gladstone’s naturalistic performance, Andrew Hajek’s contemplative images of lush American landscapes, and the film’s aversion to outright drama enrich the fictional elements by grounding them in earthy reality. There aren’t many more emotionally rewarding ways to spend 80-ish minutes than watching this poignant meditation on the tangled richness of human lives and the land we live on.

Genre: Drama

Actor: Ali Lopez-Sohaili, Devin Shangreaux, Lainey Bearkiller Shangreaux, Lily Gladstone, Raymond Lee, Richard Ray Whitman

Director: Morrisa Maltz

Rating: NR

Sometimes you can just tell a movie means way too much to the people who made it. That makes me want to watch it more than once, which is what I wanted to do with The Tale. But while I think it's such an amazing movie and everyone should watch it, I don't think I can stomach a second watch.. It is based on the director/writer Jennifer Fox's own story - recounting her first sexual experience at a very young age. It's about the stories we tell ourselves to deal with trauma, and in that sense, and with utmost honesty, it invites grief and closure for similar experiences. A powerful movie led by a powerful performance by Laura Dern as Jennifer.

Genre: Drama, Mystery, TV Movie

Actor: Chelsea Alden, Common, Daniel Berson, Deana Deatherage, Elizabeth Debicki, Ellen Burstyn, Emily Sandifer, Frances Conroy, Grant James, Gretchen Koerner, Isabella Amara, Isabelle Nélisse, Jaqueline Fleming, Jason Ritter, Jenson Cheng, Jered Meeks, Jessica Sarah Flaum, Jodi Long, John Heard, Juli Erickson, Katie Fairbanks, Laura Allen, Laura Dern, Lonnie Rashid Lynn Jr., Madara Jayasena, Madison David, Matthew Rauch, Mobin Khan, Noah Lomax, Paul Riley Fox, Pixie Hankins, Rebecca Chulew, Ricki Bhullar, Russell Bradley Fenton, Scott Takeda, Tarek Bishara, Thom Bishops, Tina Parker, Vincent Washington

Director: Jennifer Fox

Rating: Not Rated

After 2019's The Souvenir—a drama about a toxic, suffocating relationship—director Joanna Hogg brings back her protagonist (played by a superb Honor Swinton Byrne) and sees her attempting to communicate the experience of this failed romance through her thesis film. Anybody with an interest in the production process of cinema should glean a ton of useful advice from The Souvenir Part II's mundane on-set interactions and difficult conversations about the line between compromise and practicality. And through increasingly surreal images of stages within stages and reflections within reflections, Hogg paints a complex, intelligent portrait of cinema as a place of ultimate self-examination.

Genre: Drama

Actor: Alice McMillan, Amber Anderson, Amrou Al-Kadhi, Anna Calvi, Ariane Labed, Ben Hecking, Byron Broadbent, Charlie Heaton, Chris Dickens, Crispin Buxton, Davide Albonetti, Erik Wilson, Frankie Wilson, Gala Botero, Harris Dickinson, Honor Swinton Byrne, Inès Rau, Jack McMullen, James Fox, Jaygann Ayeh, Joe Alwyn, Lydia Fox, Richard Ayoade, Tilda Swinton, Tom Burke, Tosin Cole, Yasmin Paige

Director: Joanna Hogg

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To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.

Genre: Comedy, Drama

Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk

Director: Pawo Choyning Dorji

As black a comedy as they come. Nick Naylor (superbly portrayed by Aaron Eckhart) is the chief spokesperson for tobacco and shows the world why smoking is as key to protect as any other liberal value. This movie is funny, smart, thoughtful and raises some good questions about the ego, the morale and what we leave behind, from unexpected sides.

Genre: Comedy, Drama

Actor: Aaron Eckhart, Aaron Lustig, Adam Brody, Aloma Wright, Brian Palermo, Bruce French, Cameron Bright, Catherine Reitman, Christopher Buckley, Connie Ray, Courtney Taylor Burness, Dana E. Glauberman, Daniel Travis, David Koechner, David O. Sacks, Dennis Miller, Earl Billings, Elon Musk, Eric Haberman, Eva La Dare, J.K. Simmons, Jeff Witzke, Joan Lunden, Jordan Garrett, Katie Holmes, Kim Dickens, Marc Scizak, Maria Bello, Marianne Muellerleile, Mary Jo Smith, Melora Hardin, Michael Mantell, Nancy O'Dell, Rachel Thorp, Renée Graham, Richard Speight Jr., Rob Lowe, Robert Duvall, Robert Malina, Roy Jenkins, Sam Elliott, Sean Patrick Murphy, Spencer Garrett, Terry James, Timothy Dowling, Todd Louiso, William H. Macy

Director: Jason Reitman

Rating: R

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, 2018

This true story of a white-supremacist and the civil rights unit that tried to stop his group was so gripping. 

You might recognize the title from the Oscars ceremony, as a shorter version of Skin (same director but different actors) won the Academy Award for Best Short Film. 

The longer movie provides much more time for the characters to develop, and room for more of a commentary on the current political situation in the U.S.

Fun fact: see that scary man in the picture? That’s Billy Elliot star Jamie Bell who went through a transformation for the role, including always wearing a device to pull his ears closer to his head because they were “too cute”.

Genre: Crime, Drama, History, Romance

Actor: Ari Barkan, Bill Camp, Cecil Blutcher, Colbi Gannett, Daniel Henshall, Danielle Macdonald, Jaime Ray Newman, Jamie Bell, Jenna Leigh Green, Joanna Herrington, Justin L. Wilson, Kylie Rogers, Louisa Krause, Maliq Johnson, Mary Stuart Masterson, Michael Villar, Mike Colter, Portia, Rob Figueroa, Rob Giumarra, Russell Posner, Samantha Jones, Seán Cullen, Vera Farmiga, Zoe Colletti

Director: Guy Nattiv

Rating: R

A Spanish 500 Days of Summer mixed with a more urban and up to date You've Got Mail. I liked this film a lot. I connected with both the main characters in the film. Their feelings of loneliness on the inside, yet, still going on with their day to day all while being mixed with their phobias, longings, quarks, and vulnerabilities. This movie works, it works on every level. Beautifully shot and beautifully written. Watching this will not be a waste of your time.

Genre: Drama, Romance

Actor: Adrian Navarro, Alan Pauls, Carla Peterson, Inés Efron, Javier Drolas, Jorge Ernesto Lanata, Miguel Ángel Álvarez, Miguel Dedovich, Pilar López de Ayala, Rafael Ferro, Romina Paula

Director: Gustavo Taretto

Rating: Not Rated, Unrated

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There's a degree of removal in Perpetrator which some viewers may find jarring: most visibly, in the performances, whose heightened sensitivity can seem unlikely for a horror film. That said, director Jennifer Reeder's main conceit here is to entertain and make you think, and she doesn't want you to get too comfortable. In the central concept of "Forevering," a family curse spell that Jonny goes through, Reeder vests her character with metamorphic potential, and with that, ignites hope for a future that is better for women and for horror cinema as a whole. But the film is not overly intellectual. It's rather intuitive in its world-building and celebrates horror's final girl trope in a well-deserved way. A little gore, some slasher tropes, LGBTQ+ themes, and strong central characters make it a perfect pre-Halloween treat.

Genre: Horror

Actor: Alicia Silverstone, Avery Holliday, Casimere Jollette, ​Christopher Lowell, Ireon Roach, Kiah McKirnan, Melanie Liburd, Sasha Kuznetsov, Tim Hopper

Director: Jennifer Reeder

This documentary from journalist David Farrier, New Zealand’s answer to Louis Theroux, plays more like an out-and-out horror movie. But don’t be fooled by the serial killer connotations of its title — the real Mister Organ’s crimes are (mostly) psychological and have no obvious motive, making him quite a bit scarier than your usual screen villain. Described as a “parasite,” “terrorist,” and a “black hole” by the few traumatized victims of his who agree to talk on record about him, Organ is clearly a master at weaving a sticky web around everyone who comes near him — including, as it turns out, Farrier himself, who soon becomes a casualty of his own investigation.   Though the doc never really punctures the nebulous aura of this deeply creepy — and yet somehow deeply dull — character, that’s what makes it such an arresting watch: Farrier takes us along for the ride as he’s sucked into the disorienting orbit of an energy vampire, largely denying us the relief of a clarifying explanation so that we, too, get a taste of the claustrophobia and psychological torture that come with dealing firsthand with someone like Organ.

Genre: Documentary

Actor: David Farrier, Michael Organ

Director: David Farrier

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Director Gianni Di Gregorio’s gorgeous debut is an understated masterpiece about a bachelor who is his mother's caregiver. The movie takes place almost entirely in Di Gregorio's family home in central Rome, a beautiful, big, and well-furnished apartment that his character can't afford any longer. 

To catch a break from rent, he agrees to host the landlord’s mother while the landlord goes on holiday. The same for his and his mother’s medical bills, and the doctor shows up with yet another elderly woman.  

Di Gregorio finds himself running an impromptu elderly home, with conflicts rising about who gets to watch TV and whose dietary restrictions should be respected. But his calm demeanor, love for cooking, and a lot of white wine make him the perfect man for the job.

Genre: Comedy

Actor: Alfonso Santagata, Gianni Di Gregorio, Maria Calì, Marina Cacciotti, Valeria De Franciscis

Director: Gianni Di Gregorio

Rating: Not Rated

In 2010, Dutch 15-year old Laura Dekker set out on a mission to be the youngest person to sail solo around the world. Maidentrip is the beautiful and inspiring documentary film that tells her story as she took on this behemoth task.

The film lets you experience this adventure of a lifetime along with Laura, share at first in her loneliness at sea, and later in her desire to be left alone when surrounded by people. Documenting her thoughts and feelings during this voyage, Laura reveals herself to be wise beyond her years. Yet despite the magnitude of the task Laura has taken in, her teenager self still glows clearly with its distinct child-like quality - simply wanting to do what makes her happy - sailing and seeing the world. The sheer honesty in Laura's narrative is what makes this story so extraordinary. You will accompany the young skipper against all odds as she follows her dream and in the process, lose and once again find her identity and sense of belonging. Maidentrip will leave you with an itch - an itch to travel, but more importantly, an itch to follow your dreams.

Genre: Adventure, Documentary

Actor: Laura Dekker

Director: Jillian Schlesinger

Rating: Not Rated, Unrated

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There are three threads in Daughters that directors Natalie Rae and Angela Patton weave beautifully together. The first thread follows the incarcerated men who gather every week to talk about fatherhood, mostly, because of the program that they’re in, but also: masculinity, race, systemic poverty, social mobility, and the skewed prison system in America. The discussions are raw and enlightening. “This isn’t normal, that we’re all in here,” one of the men wisely says, and it feels special to witness that moment of shared empowerment. The second thread follows the daughters, whose ages range from 5 to 15. In line with the film’s honesty, it shows us girls who miss their fathers and girls who don’t; girls who know everything about them and those who can’t even remember their faces. One is oblivious, the other suicidal. This part is enlightening in a different way: you hope the kids are too young to realize what’s going on, but that’s almost never the case. The final thread is where the two others meet: it offers the most heartbreaking parts of the film, but also the most beautiful. Both parties dress up, take pictures, move on the dancefloor, and say their inevitable goodbyes, and all this is captured in the same darklit, grainy color as the film cameras the fathers and daughters are given to document the dance. The direction and editing is artistic, but never in a gratuitious way. Instead, like other parts of the film, it’s filled with gentleness and empathy.

Genre: Documentary

Director: Angela Patton, Natalie Rae

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Grounded by Lesley Manville and Timothy Spall’s powerhouse performances, this gut-wrenching family drama from Mike Leigh is an acting juggernaut. Penny and Phil are a working-class couple whose marriage is rapidly deteriorating and pushed to the brink when their son, played by a young James Corden, is hospitalized. 

While Manville and Spall are centered as the leads, Leigh draws a staggering amount of depth from Corden as well as a young Sally Hawkins who plays a neighbor. Despite being one of Leigh’s grimmest films, there is still a profound sweetness lingering at the edges as the story teeters between despondency and hope.

Genre: Comedy, Drama

Actor: Alan Williams, Alex Kelly, Alison Garland, Badi Uzzaman, Ben Crompton, Brian Bovell, Daniel Mays, Daniel Ryan, Di Botcher, Diveen Henry, Dorothy Atkinson, Edna Doré, Emma Lowndes, Gary McDonald, Heather Craney, Helen Coker, James Corden, Jean Ainslie, Joe Tucker, Kathryn Hunter, Leo Bill, Lesley Manville, Marion Bailey, Mark Benton, Martin Savage, Matt Bardock, Maxine Peake, Michele Austin, Oliver Golding, Parvez Qadir, Paul Jesson, Peter Stockbridge, Robert Wilfort, Russell Mabey, Ruth Sheen, Sally Hawkins, Sam Kelly, Timothy Bateson, Timothy Spall, Tracy O'Flaherty

Director: Mike Leigh

Rating: R

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Celebrated Malian filmmaker Souleyman Cissé crafted Yeelen (which means ‘brightness’) as an explicit antidote to the “ethnographic” lens through which Western directors often told Africa-set stories. That intention is certainly felt, because Yeelen doesn’t trouble itself to translate its folklore-drawn premise for audiences unfamiliar with 13th-century Malian myths. Rejecting Western storytelling conventions, it instead uses those of the culture it depicts — a looping approach to time and matter-of-fact magical realism — to present the tale of Nianankoro (Issiaka Kane), a supernaturally gifted young man whose sorcerer father (Niamanto Sanogo) plots to kill him because of the threats he poses to the elder man's power. 

 A basic primer to the customs central to Yeelen is provided in the opening titles, but knowledge of the culture it communicates through isn’t a prerequisite to watching and enjoying the film because its epic conflicts — both Oedipal (father versus son) and religious (flesh versus spirit) — and otherworldly sensibilities make it both instinctively familiar and mesmerizing. A deserved winner of the Cannes Jury Prize, though the fact that it was the first African film to win one of the festival's awards — 40 years into its existence — makes this an unjustly belated milestone.

Genre: Drama

Actor: Aoua Sangare, Balla Moussa Keita, Ismaila Sarr, Issiaka Kane, Niamanto Sanogo

Director: Souleymane Cissé

Rating: NR

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