770 Movies Like Joker (2019) (Page 14)

Staff & contributors

A relatively straightforward story of a village of Sotho people building the courage to resist unwanted development on their land and the erasure of their culture, the rousingly titled This Is Not a Burial, It's a Resurrection wastes no time on the oppressors' point of view. For director Lemohang Jeremiah Mosese, there is no debate: these people are more important than any markers of progress hoping to displace them. Their struggle is rendered in some of the most crisp and colorful cinematography you could hope to see, with a powerful performance by the late, great Mary Twala front and center, channeling so much sadness into fury and determination.

Genre: Drama

Actor: Jerry Mofokeng, Jerry Mofokeng Wa, Makhaola Ndebele, Mary Twala, Siphiwe Nzima-Ntskhe, Tseko Monaheng

Director: Lemohang Jeremiah Mosese

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An incredible documentary about Matt Green, a man who decided to walk every street in New York City. That’s more than 8000 miles (more than the diameter of Earth) that he had been walking for six years up to the point of making this movie.  

Matt stops. And that’s the beauty of this documentary, where the filmmaker joins him for part of the journey. You quickly realize that the intrigue is not so much about Matt’s challenge, but about who he meets and what kind of experiences he goes through. You also realize (if you didn’t already) that New York is a place of unimaginable size, with incredibly lively and diverse human stories. Plus lots of other forms of life too: Matt doesn’t have a fixed place, so he cat-sits for shelter.

Fun fact: this is the first movie that actor Jesse Eisenberg ever produced!

Genre: Documentary

Actor: Matt Green

Director: Jeremy Workman

Rating: PG-13

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A truly bizarre comedy that shoots far beyond the boundaries of what should probably be considered good taste, The Twentieth Century stands as one of the strangest movies ever made based on a historical figure. Adapted from the real Mackenzie King's (Canada's longest-serving prime minister) diaries, the film replaces any traces of reality with psychological projection and almost nonsensical stoner humor. It functions as a satire of the way Canadian society is often depicted as polite (when, according to writer/director Matthew Rankin, it's anything but) and as a portrait of how even the most powerful politicians are just little boys seeking approval and indulging in fetishes to compensate for the love they can never receive.

Genre: Comedy, Drama, Fantasy

Actor: Annie St-Pierre, Bernard Arène, Brent Skagford, Catherine St-Laurent, Charlotte Legault, Dan Beirne, Emmanuel Schwartz, Ève Duranceau, Gordon Masten, Guillaume Lambert, Jadyn Malone, Kee Chan, Louis Negin, Marie Brassard, Martin Dubreuil, Mikhaïl Ahooja, Richard Jutras, Sarianne Cormier, Satine Scarlett Montaz, Seán Cullen, Simon Lacroix, Trevor Anderson

Director: Matthew Rankin

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Charlie Chaplin has been called the most famous person of all time, soaring into global renown way before mass media and the internet made it all too easy, but only a few accounts have tried to paint a complete picture of the man behind the clipped mustache and bowler hat. This documentary by James Spinney and Peter Middleton comes very close, mainly because all sides of Chaplin’s complicated history are heard. The directors show grace to his stressed-out co-stars and groomed wives, especially poor Lita Chaplin, so we come out of the film learning how far from perfect Chaplin was. That’s what sets this documentary apart from all the Chaplin biographies out there: it strikes a very fine balance between celebrating the objective breakthroughs the actor has accomplished and criticizing the consequences of his less-than-ethical actions. This is a real person after all, not some beloved caricature. It helps that the animation and script are utterly delightful, and that narrator Pearl Mackie has the soothing and graceful voice of a patient educator.

Genre: Documentary, Drama

Actor: Anne Rosenfeld, Charlie Chaplin, Dickie Beau, Eben Young, Jeff Rawle, Matthew Wolf, Paul Leonard, Pearl Mackie

Director: James Spinney, Pete Middleton

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The Painter and the Thief opens with a great hook: an artist tracks down and confronts the man who stole her painting. In a surprising turn, the two become close and develop an intimacy that deepens when she begins to paint the troubled man.

Yet, director Benjamin Ree pushes past where other documentarians would have been content to stop, and instead begins to deconstruct the very narrative we’ve followed up till now. At its core, this is a film about the way we tell stories about ourselves and others, and how often people don’t fit into the neat categories we set out for them.

Genre: Documentary, Drama

Actor: Bjørn Inge Nordland, Karl-Bertil Nordland

Director: Benjamin Ree

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In this documentary about John Allen Chau — the American Christian missionary reportedly killed when he tried to preach the Gospel to one of the last uncontacted groups in the world — a participant muses about the “fine line between faith and madness.” The hazy border where one ends and the other begins is the focus of this doc, and it makes for a fascinating challenge of audience’s open-mindedness.

The film presents Chau’s perspective through scattered interviews with friends and readings of the diary he left behind, but it also features interviews with surviving, persistent adherents of the same radical evangelicalism that inspired Chau to preach the Gospel to the North Sentinelese people (something he believed was a prerequisite for the Second Coming of Jesus). The filmmakers treat these highly controversial perspectives with a light touch, never explicitly challenging Chau’s peers, but strong balance is provided via the voices of vehement opponents of this ideology. Providing equal weighting to both sides is an unusually hands-off approach, one that might easily be misread as tacit approval from the filmmakers. Ultimately, though, anyone watching this with an open mind will still come to the same moral conclusion — you’ll just be better informed about it.

Genre: Documentary

Actor: Dan Davis, Daniel Everett, David Shih, Lawrence Kao, Levi Davis, Pam Arlund

Director: Amanda McBaine, Jesse Moss

Rating: PG-13

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Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.

They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It's a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.

Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.

Genre: Drama, Fantasy, Horror, Thriller

Actor: Jeff Cruts, Kyla Nicolle, Logan Hawkes, Pierre Richard, Preston Hudson, Robert Pattinson, Shaun Clarke, Valeriia Karamän, Valeriia Karamän, Valeriia Karaman, Willem Dafoe

Director: Robert Eggers

Rating: R

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If you’ve seen his stand-up, you’ll know that Pete Davidson likes to make fun of himself. But it’s also true that Davidson is honest. He speaks openly about his childhood traumas and mental health struggles, and this film about his life is no different than his live performances. It's darkly funny and deeply personal, this time plumbing new depths of his life with the help of director (and patron saint of comedians) Judd Apatow. 

Here, Apatow allows Davidson to hell his story in his own irreverent flavor, all while boosting him with directorial flair and his trademark balance of humor and humanity. A triumphant collaboration between Apatow and Davidson, King of Staten Island is rich with nuanced performances and relatable insights into the life of someone slowly but surely healing from pain and coming into his own. 

Genre: Comedy, Drama

Actor: Action Bronson, Adam Keane, Alexis Rae Forlenza, Angus Costello, Anthony Lee Medina, Bel Powley, Bill Burr, Bonnie McFarlane, Carly Aquilino, David S. Lomax, Derek Gaines, Domenick Lombardozzi, Gina Jun, Hank Strong, Jack Hamblin, Jessica Kirson, Jimmy Tatro, Keith Robinson, Ken Holmes, Kevin Corrigan, Laurence Blum, Lilly Brown, Liza Treyger, Lou Wilson, Luke David Blumm, Lynne Koplitz, Machine Gun Kelly, Marilyn Torres, Mario Polit, Marisa Tomei, Maude Apatow, Melania Zalipsky, Meredith Handerhan, mgk, Michelle Sohn, Mike Vecchione, Moises Arias, Nana Mensah, Nils Johnson, Nina Hellman, Nyla Durdin, Pamela Adlon, Pauline Chalamet, Pete Davidson, Rafael Poueriet, Rich Vos, Ricky Velez, Robert Smigel, Steve Buscemi, Teodorina Bello

Director: Judd Apatow

Rating: R

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Witty, unexpected, and thrilling, The Innocent pulls off an excellent European heist film with modern sensibilities and its stylistic mix of genres. All at once, the film is a crime film, as well as a family farce, but also a screwball romantic comedy. The genres line up with the premise perfectly, but there’s something intriguing about the way director Louis Garrel uses each genre’s tropes. Abel’s clumsy spying over his mom’s ex-convict husband and drama pupil Michel is framed through noir techniques, while his friend Clémence gleefully interrupts his efforts with witty repartee. Abel’s suspicion of Michel’s schemes ironically leads to one of his own. And when his mom’s expressive acting techniques are used in that scheme, Abel expects fake emotions, only to reveal his true feelings. With each new twist, The Innocent plays with genre expectations for unexpected but delightful results.

Genre: Comedy, Crime, Drama, Romance

Actor: Anouk Grinberg, Jean-Claude Bolle-Reddat, Laëtitia Clément, Louis Garrel, Manda Touré, Noémie Merlant, Roschdy Zem, Thomas Rortais

Director: Louis Garrel

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This is a half-hour documentary about Cuban-American artist Carmen Herrera. She is one of the oldest artists working today, close to being 100 years old. Her story is fascinating because she only became successful in her 80s, although she never stopped working her whole life. There are many reasons as to why her work went unnoticed for so long and they’re all examined here. But the best thing about this movie is Herrera’s outlook on life and what drives her every day.

Genre: Documentary

Actor: Carmen Herrera

Director: Alison Klayman

Rating: N/A

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Su-ki-da is a Japanese romantic drama about Yu and Yosuke, a girl and a boy studying in the same school. Their odd friendship develops as Yu starts following Yosuke to the meadow, where he goes to play his guitar. As the years go on, Yu and Yosuke grow apart — until a night of coincidence reunites them. Throughout the movie, there are a lot of silent moments shared between the two protagonists, which sometimes make for an awkward watch. But the soft sound of guitar and views of the lush meadow will be sure to fill you with serenity.

Genre: Drama, Romance

Actor: Aoi Miyazaki, Eita, Eita Nagayama, Hidetoshi Nishijima, Hiromi Nagasaku, Maho Nonami, Nao Ōmori, Ryō Kase, Sayuri Oyamada

Director: Hiroshi Ishikawa

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Prepare to be captivated by the bittersweet tale of Strawberry and Chocolate, a 1994 Cuban film that immerses you in the complexities of friendship, love, and societal taboos. Set against the backdrop of Havana, the movie beautifully explores the relationship between an earnest university student and a sophisticated gay artist. With its poignant storytelling engrossing itself in the socio-political climate of Cuba, the film delves into themes of identity, acceptance, and the clash between tradition and individuality. Powerful and emotionally resonant, the vibrant Cuban culture is expertly woven into the narrative, transporting you to the heart of Havana's vibrant streets. 

Genre: Comedy, Drama

Actor: Francisco Gattorno, Jorge Perugorría, Mirta Ibarra, Vladimir Cruz

Director: Juan Carlos Tabío, Tomás Gutiérrez Alea

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In the early 1990s, Singaporean teens Sandi, Jasmine, and Sophie set out to make the country’s first indie movie. Incredibly, in between college, day jobs, and very limited funding, they manage to do just that with the help of their wise but mysterious mentor, Georges. Shirkers, as the project came to be called, seemed primed to revolutionize the burgeoning Singaporean film industry. It was ambitious and bonkers, unlike anything the country has seen before, and it lovingly contained tributes to the makers' cinematic heroes (among them Wim Wenders and David Lynch). But before it could see the light of the day, before it could even be viewed and edited by the girls who conceptualized it, Shirkers’ raw footage was whisked away by Georges, who fled the country without a trace. 

The potentially pioneering film was never to be seen again—that is, until 20 years later when it resurfaces in near-mint condition (sadly, the audio could not be recovered). Fascinated by the journey of the lost film and mystified by Georges’ motives, Sandi decides to remake Shirkers as a documentary. The result is an artistic and personal interrogation into what made their small beloved film possible, how its loss affected the people behind it, and how this all led to Shirkers, the documentary, which is a testament to how art always prevails in the end. 

Genre: Documentary

Actor: Georges Cardona, Jasmine Ng, Jasmine Ng Kin Kia, Sandi Tan, Sophia Siddique Harvey

Director: Sandi Tan

Rating: TV-14

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Michael Jackson’s death triggers the sudden unraveling of a young imam’s buttoned-up life in this idiosyncratic Egyptian character study. The news of the singer’s passing sets Khaled (Ahmed El-Fishawy) straining against reawakened memories of his youth as a mullet-sporting MJ fanatic, before his joyful creative spark was stamped out by two disparate forces: a mocking, macho dad who punished Khaled for his vulnerability and the conservative uncle who took him under his wing.

Sheikh Jackson mostly takes place across two intertwining timelines: Khaled’s free-spirited adolescence and his adulthood, which has so far been defined by a self-flagellating, fire-and-brimstone brand of Islam. These two strands form a neat illustration of the binary options Khaled was led to believe he had to choose from — but, as the movie’s title hints, he might not have to choose at all, a revelation that doesn’t come easy because it flies in the face of everything he’s been taught. Free from the judgemental impulses of Western cinema when it comes to characters like Khaled, Sheikh Jackson is both an introspective portrait of the universal struggle of defining one’s own identity and a refreshingly nuanced look at how that experience might play out in the modern Arab world.

Genre: Drama

Actor: Ahmed Al Fishawy, Ahmed Malek, Amina Khalil, Basma, Bassma, Dorra, Hazem Ehab, Ibrahim Farah, Maged El Kedwany, Mahmoud Al Bezzawy, Mahmoud El-Bezzawy, Mahmoud Gomaa, Omar Ayman, Salma Abu Deif, Yasmin Raeis, Yasmine Raeis, حازم إيهاب, محمود البزاوي

Director: Amr Salama

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Light-hearted and compassionate, Raining Stones is one of Ken Loach’s lesser-known films. It’s also one of his funniest, telling the story of an unemployed chancer trying to raise enough money to buy his daughter her first Communion dress. Desperate for the cash, he falls foul of ruthless loan sharks.

As ever, Ken Loach is keenly attuned to the concerns of the working class, as he finds humour even in the most depressing of circumstances. The dialogue is natural, funny, and yes, profane. He also gets excellent performances from the non-professional actors in the cast, with club comedian Bruce Jones superb in the lead.

Genre: Comedy, Crime, Drama

Actor: Anna Jaskolka, Anne Martin, Bruce Jones, Gemma Phoenix, George Moss, Jack Marsden, Jimmy Coleman, Julie Brown, Karen Henthorn, Lee Brennan, Little Tony, Mike Fallon, Ricky Tomlinson, Ronnie Ravey, Stephen Lord, Susan Cookson, Tom Hickey, Tony Audenshaw, William Ash

Director: Ken Loach

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