534 Movies Like Joker (2019) (Page 11)

Staff & contributors

The Breadwinner is as beautiful as it is heartbreaking. The animation is magical as it seamlessly jumps back and forth between Parvana's stark reality and richly detailed fantasy. It's a wonder to just look at, but it's a tapestry brought to life by the story at the center of it. 

Set in 2001, at the height of Taliban rule in Afghanistan, the film follows Parvana, a young girl driven to desperate measures to keep her family alive. Because of the violent restrictions imposed on women (they’re not allowed to buy, sell, study, or practically do anything without a male chaperone), Parvana disguises herself as a boy so she can work for a living. The more she gets away with it, the bolder her attempts get. It's a story of survival and standing up, but it's also a sobering reminder of what fundamentalism is capable of doing (or more accurately, ruining). As long as cruel systems like this are taking place in the world, Breadwinner remains essential viewing for all.

Genre: Animation, Drama, Family, War

Actor: Ali Badshah, Ali Hassan, Ali Kazmi, Kane Mahon, Kanza Feris, Kawa Ada, Laara Sadiq, Lily Erlinghauser, Noorin Gulamgaus, Nora Twomey, Patrick McGrath, Reza Sholeh, Saara Chaudry, Salaman Hamidkohzad, Shaista Latif, Soma Bhatia, Soma Chhaya

Director: Nora Twomey

Rating: PG-13

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Artist and filmmaker Clio Barnard put herself on the map of new British talents with her 2010 debut The Arbor, a daring, genre-bending biopic about Bradford-born playwright Andrea Dunbar and her tragic personal and impressive artistic life. Coming from a poor working class family with seven siblings, Dunbar wrote her first play age 15. She died in 1990, aged 29, and left a legacy of three plays in total. Knowing how under-appreciated her work has been, Barnard decided to revive the life that imbued Dunbar's creations. Rather than staging a conventional documentary, the director features interviews with family and friends, performed and lip-synced by actors in front of the camera. She also adds re-enactments of the plays that feature the estate where Dunbar grew up, as well as archival footage of her TV appearances. The Arbor is an experimental documentary, but that doesn't prevent it from being touching, humane, and a special tribute to art flourishing in adverse circumstances.

Genre: Documentary

Actor: Christine Bottomley, Danny Webb, Gary Whitaker, George Costigan, Jimi Mistry, Jonathan Jaynes, Josh Brown, Kate Rutter, Kathryn Pogson, Kulvinder Ghir, Lizzie Roper, Manjinder Virk, Matthew McNulty, Moey Hassan, Monica Dolan, Natalie Gavin, Neil Dudgeon, Robert Emms, Robert Haythorne

Director: Clio Barnard

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«When comedians get a bit older they do a movie with “emotions” in it. Here’s mine.» Flight of the Conchords’ Jemaine Clement on Twitter. People Places Things is exactly that, a funny yet heartfelt comedy. Will Henry, A New York City graphic novelist walks in on his girlfriend cheating on him at their kids’ birthday party. A year later, Will is struggling to define his new life as a single parent while still getting over his breakup. Smart, honest, and led by Jemaine Clement, this film will strike you in its simplicity but will hold you with its charm.

Genre: Comedy, Drama, Romance

Actor: Aundrea Gadsby, Celia Au, Derrick Arthur, Dionne Audain, Gavin Haag, Gia Gadsby, Jemaine Clement, Jessica Williams, Matthew Maher, Michael Chernus, Nancy Eng, Paul Castro Jr., Regina Hall, Samantha Posey, Stephanie Allynne

Director: Jim Strouse

Rating: R

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Andy Samberg, Cristin Milioti (Modern Love, Black Mirror), and J.K. Simmons star in this easy but original rom-com that takes place in a wedding time loop. Nyles (Samberg) finds himself living the same day over and over again, so he gives in to the monotony and the fact that there is no way to escape it. 

When he is about to hook up with one of the guests, Sarah (Milioti), he is attacked by a mysterious character. The routine of his time-loop is broken. 

Palm Springs is often surreal and philosophical, which are not adjectives usually used to describe rom-coms. It offers just enough twists to be original without jeopardizing the things that make it a good rom-com.

Genre: Comedy, Fantasy, Mystery, Romance, Science Fiction

Actor: Andy Samberg, Brian Duffy, Camila Mendes, Chris Pang, Conner O'Malley, Cristin Milioti, Dale Dickey, David Hutchison, Erin Flannery, J.K. Simmons, Jacqueline Obradors, Jena Friedman, June Squibb, Lilli Birdsell, Mark Kubr, Martin Kildare, Meredith Hagner, Michelle Johnston, Peter Gallagher, Rocky Bonifield, Tongayi Chirisa, Tyler Hoechlin

Director: Max Barbakow

Rating: R

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The sooner you adjust your expectations for Nomad—and realize that this isn't a travel documentary but Werner Herzog's own wonderfully offbeat way of remembering his dear friend—the better. Any uneven moments in this film's construction are smoothed over by the sheer authenticity of what Herzog puts on screen, from his own distinctive narration, to gorgeous excerpts from Bruce Chatwin's writings, to the sounds and images that make up the strange worlds that both men were fascinated in. No mysteries are solved here, but just being closer to the strange and surreal becomes a way for Herzog to come to terms with the strangest and most surreal of life's realities: death.

Genre: Documentary

Actor: Bruce Chatwin, Elizabeth Chatwin, Karin Eberhard, Marcus Wheeler, Michael Liddle Pula, Nicholas Shakespeare, Petronella Vaarzon-Morel, Stefan Glowacz, Werner Herzog

Director: Werner Herzog

Rating: PG

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When Brian was eight years old he lost five hours of his life to a black out. Now ten years later he is searching for the truth. His search leads him to Neil, a boy who was on his little league team the summer of the blackout. Brian has always believed he was abducted by aliens from the dreams he had with Neil in them. Neil however knows the truth. Neil had just left the small town life and moved to New York. When he comes home for Christmas and meets Brian will he finally tell him the answers he has been looking for? This is the story of one boy who can't remember and a boy who can't forget.

Genre: Drama, Mystery

Actor: Bill Sage, Billy Drago, Brady Corbet, Bruno Alexander, Chase Ellison, Chris Mulkey, David Alan Graf, David Lee Smith, Elisabeth Shue, Gwenne Hudson, Jeffrey Licon, Joan Blair, John Ganun, Joseph Gordon-Levitt, Kelly Kruger, Larry Marko, Lisa Long, Mary Lynn Rajskub, Michelle Trachtenberg, Reedy Gibbs, Richard Riehle, Trieste Kelly Dunn, Zane Huett

Director: Gregg Araki

Rating: NC-17

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This drama is based on the true story of Bryan Stevenson, a young Harvard graduate who moved to Alabama in the 80s to defend wrongly accused prisoners on death row. He's played by Michael B. Jordan, who brings to the surface the unstoppable determination and ambition of the character. Components that were necessary to go on such a difficult task, especially with the racist barriers at the time. Not to mention, no one had ever been released from death row in the history of Alabama at that point. An inspiring and well-acted movie, made by Short Term 12 director Destin Daniel Cretton.

Genre: Crime, Drama, History

Actor: Adam Boyer, Al Mitchell, Alex Van, Andrene Ward-Hammond, Ben Peck, Benjamin Weaver, Brad Sanders, Brie Larson, Bryan Stevenson, C.J. LeBlanc, Carl Palmer, Charlie Pye Jr., Charmin Lee, Christopher Wolfe, Claire Bronson, Darrell Britt-Gibson, Darryl W. Handy, Deadra Moore, Denitra Isler, Desmond Phillips, Dominic Bogart, Drew Scheid, Drew Starkey, Elizabeth Becka, Greta Glenn, Harvey B. Jackson, Hayes Mercure, J. Alphonse Nicholson, Jacinte Blankenship, Jamie Foxx, Jay D. Kacho, Jay DeVon Johnson, John Lacy, Karan Kendrick, Kelly Mumme, Kirk Bovill, Leydi Morales, Lindsay Ayliffe, Mallory Hoff, Mary Kraft, Matthew Byrge, McDaniel Austin, Michael B. Jordan, Michael Harding, Norm Lewis, O'Shea Jackson Jr., Olivia De Paux, Patti Schellhaas, Pete Burris, Rafe Spall, Rhoda Griffis, Rob Morgan, Robert Tinsley, Ron Clinton Smith, Ryan Dinning, Sandy Givelber, Scarlet Olivia Dunbar, Sebastian Eugene Hansen, Steve Coulter, Susie Spear Purcell, Tatom Pender, Ted Huckabee, Terence Rosemore, Tim Blake Nelson, Tim Hooper, Tim Ware, Tonea Stewart

Director: Destin Daniel Cretton

Rating: PG-13

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Bill Forsyth, an acclaimed Scottish director best known for his films Local Hero and Gregory’s Girl, directs an underrated masterpiece with the 1987 drama Housekeeping. Adapted from Marilynne Robinson’s outstanding novel, Housekeeping is the story of two sisters, Ruthie and Lucille, who are orphaned and raised by their peculiar Aunt Sylvie. 

As the young sisters grow apart, Ruthie gravitates toward her transient aunt. This is a movie about not quite fitting in—about feeling like your life exists just outside of modern time, somewhere off to the side of railroad tracks running over frozen water. Sylvie shows Ruthie that there is more to life than their small, cold town of Fingerbone. In fact, there is a whole world out there, calling to misfits like them.

Housekeeping is deftly directed, balancing both humor and tragedy. Christine Lahti’s performance is also, with no exaggeration, one of the greatest of all times, as she conveys so much of Sylvie’s yearning to go, go, go with as little as a glance toward the beckoning horizon.

Genre: Comedy, Drama

Actor: Andrea Burchill, Anne Pitoniak, Betty Phillips, Bill Smillie, Bob Hughes, Brian Linds, Christine Lahti, Dolores Drake, Georgie Collins, Karen Elizabeth Austin, Leah Penny, Margot Pinvidic, Sara Walker, Sheila Paterson, Wayne Robson

Director: Bill Forsyth

Rating: PG

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Mike Leigh’s films have always touched on class politics, but seldom as directly as in this lowkey portrait of Thatcher-era London. Cyril and Shirley are a sweet working-class couple at a crossroads in their relationship. Their lifestyle is contrasted with Cyril’s sister and her husband who exist in a more comfortable middle-class setting, and then paralleled again with an upper-class couple living next door from Cyril’s mother. 

Even at this early stage of his career Leigh gracefully entwines these stories to create a moving and coherent narrative. ‘High Hopes’ as a title might be largely sarcastic, but the film is full-hearted and occasionally even optimistic as it strides its snarky way through the grim facades of 80s London.

Genre: Comedy, Drama

Actor: Cheryl Prime, David Bamber, Diane-Louise Jordan, Edna Doré, Heather Tobias, Jason Watkins, Judith Scott, Lesley Manville, Linda Beckett, Phil Davis, Philip Jackson, Ruth Sheen

Director: Mike Leigh

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In Ken Loach’s conspiracy thriller, an American human rights activist (Frances McDormand) and a no-nonsense UK police officer (Brian Cox) work tirelessly to uncover the truth behind a suspicious death — but this is no rousing triumph of good over evil, only a bitter pill about corruption and complicity. Human rights lawyer Paul (Brad Dourif) and girlfriend Ingrid (McDormand) are in Troubles-era Belfast wrapping up their report into the UK government’s shoot-to-kill policy when Paul is shot dead by mysterious assailants while on his way to speak to an informant. Police investigator Kerrigan (Cox) is flown in from England to look into the death; Cox plays him as a stickler for the rules and fierce agent of justice, inspired by a real-life official who was abruptly suspended from the police before he could deliver his findings into the UK government’s alleged death squad in Northern Ireland.

But the network of high-level corruption that Kerrigan and Ingrid uncover poses a direct challenge to those values, ultimately forcing him to choose between revealing the conspiracy — and risk destroying his life — or concealing the truth and betraying his ethics. A fascinating look at the slippery slope to complicity, this is a gripping, unabashedly ideological conspiracy thriller blending Hollywood polish with gritty reality.

Genre: Drama, Thriller

Actor: Bernard Archard, Bernard Bloch, Brad Dourif, Brian Cox, Brian McCann, Des McAleer, Frances McDormand, George Staines, Ian McElhinney, Jim Norton, John Benfield, John Keegan, Llew Gardner, Mai Zetterling, Maurice Roëves, Michelle Fairley, Oliver Maguire, Patrick Kavanagh, Paul Moriarty

Director: Ken Loach

Rating: R

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It's impossible not to be moved by this passionate love letter to the medium of film and its singular abilities to witness, commemorate, connect, educate, and, yes, entertain. The Living Record is more than that, though: it’s also an urgent clarion call for better support of the infrastructure and people who preserve and restore the celluloid reels that contain so much of our history.

In two hours, it packs in a lot — perhaps even too much, because there is so much fascinating material here that it’s almost overwhelming to take it in all at once. The doc draws on a sweeping line-up of contributors who collectively illuminate every facet of the need for preservation and restoration, from archivists to filmmakers like Jonas Mekas, Ken Loach, and Costa-Gavras. Its scope is just as commendably exhaustive, featuring nuanced discussions of the dangers politics poses to preservation efforts, as well as the particular need for archives in formerly colonized countries to prevent “cultural amnesia.” Despite all the challenges it highlights, its tone isn’t hopeless, as the film draws strength from the tireless efforts of archivists and cinematic saviors like Martin Scorsese. It’s impossible to watch this and not come away affirmed or converted into similarly passionate champions of preservation.

Genre: Documentary, Drama

Actor: Ben Mankiewicz, Costa-Gavras, Fernando Trueba, Jonas Mekas, Ken Loach, Laure Adler, Margaret Bodde, Martin Scorsese, Patricio Guzman, Ridley Scott, Vittorio Storaro, Wim Wenders

Director: Inés Toharia Terán

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Watch this documentary and find yourself amazed at how much of Hollywood history was determined by one woman: legendary casting director Marion Dougherty. At a time when studios were casting actors based on “type,” Dougherty revolutionized the process with her preternatural ability to see the potential in budding actors like Al Pacino, Dustin Hoffman, Robert Redford, and Glenn Close. Her work in introducing NYC’s theater actors to the silver screen launched countless careers and indelibly shaped iconic films like Midnight Cowboy and Lethal Weapon.

And yet, Dougherty’s work — and that of those who followed in her steps — is criminally underappreciated, as this doc both lays bare and seeks to redress. A largely female profession, casting was long devalued by a casually misogynistic industry, the persistent legacy of which is subtly highlighted in some interviews here. Among the talking heads sharing appreciation and anecdotes are many of the actors and casting directors whose careers Dougherty launched, as well as filmmakers (including Martin Scorsese) testifying to the pivotal role casting has played in their work. Playing the villain is Ray director Taylor Hackford, who believes casting directors add little to the filmmaking process — an argument that the doc wryly disproves with the sheer weight of refuting evidence it offers up.

Genre: Documentary

Actor: Al Pacino, Amanda Mackey, Bette Midler, Buck Henry, Burt Young, Clint Eastwood, Cybill Shepherd, Danny Glover, David Rubin, Deborah Aquila, Diane Lane, Don Phillips, Dustin Hoffman, Ed Asner, Ed Lauter, Ellen Chenoweth, Ellen Lewis, Fred Roos, Glenn Close, Gretchen Rennell, Jeanine Basinger, Jeff Bridges, John Lithgow, John Papsidera, John Sayles, John Travolta, Jon Voight, Juliet Taylor, Linda Lowy, Lora Kennedy, Lynn Stalmaster, Marion Dougherty, Martin Scorsese, Mel Gibson, Mike Fenton, Nancy Klopper, Ned Beatty, Nessa Hyams, Norman Lear, Oliver Stone, Paul Haggis, Paul Mazursky, Paul Rudd, Peter Bogdanovich, Richard Donner, Richard Dreyfuss, Risa Bramon Garcia, Rita Hayworth, Robert De Niro, Robert Duvall, Robert Redford, Ronna Kress, Ronny Cox, Taylor Hackford, Tony Bill, Wallis Nicita, Woody Allen

Director: Tom Donahue

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Often considered Claire Denis’ best film, Beau Travail is an epic exploration of both masculinity and colonialism. Inspired by Melville’s Billy Budd, she transplants the story to Djibouti where the French Foreign Legion run seemingly aimless drills in an arid desert landscape while largely alienated from the local community. 

Denis inverts the male gaze and imbues charged eroticism to the bodies in motion as the men train and wrestle. Accompanied by the music of Britten’s Billy Budd opera, these movements transform into a breathtaking modern dance. Underneath her jaw-dropping direction is a cutting allegory on repression, desire, and violence, working on both the individual and geopolitical level. This incredible tale is capped off by one of the best end credit sequences of all time. 

Genre: Drama

Actor: Adiatou Massudi, Bernardo Montet, Dan Herzberg, Denis Lavant, Gianfranco Poddighe, Grégoire Colin, Michel Subor, Mickael Ravovski, Nicolas Duvauchelle, Richard Courcet

Director: Claire Denis

Rating: Unrated

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This charming documentary about one of the most brilliant, groundbreaking comedians alive strikes a delicate balance between accessible and deeply appreciative, making it both a great gateway for those yet to be uninitiated into the Albert Brooks fan club and a satisfying retrospective for us confirmed devotees. It’s directed and fronted by Rob Reiner, celebrated director himself and one of Albert Brooks’ oldest friends, and the choice is perfect: his rapport with Brooks is warm and easy, extracting real sincerity from the famously deadpan comedian-writer-actor-director.

Defending My Life features plenty of talking heads gushing about Brooks’ dazzling multi-hyphenate talents (among them Steven Spielberg and Sharon Stone), a standard convention for documentaries of this kind. But what elevates this into a portrait worthy of its subject are the scenes from a dinner shared by Brooks and Reiner, during which the former opens up about his childhood, reflects on his career, and divulges the autobiographical elements that informed his work. Their tete-a-tete flows with all the unforced rhythm of conversation between good friends; Reiner’s presence coaxes illuminating insight from Brooks, which makes watching the documentary feel as close to pulling up a seat at their table as you’d hope for. The 90 minutes just fly by.

Genre: Documentary

Actor: Alana Haim, Albert Brooks, Anthony Jeselnik, Ben Stiller, Brian Williams, Chris Rock, Conan O'Brien, David Letterman, James L. Brooks, Jon Stewart, Jonah Hill, Judd Apatow, Larry David, Neil deGrasse Tyson, Nikki Glaser, Rob Reiner, Robert De Niro, Sarah Silverman, Sharon Stone, Steven Spielberg, Tiffany Haddish, Wanda Sykes

Director: Rob Reiner

Rating: PG-13

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Teenagers forced to grow up quickly and spend their prime years wiling away at garment factories sounds like a grim reality, and it is, but in Youth (Spring), Chinese documentarist Wang Bing captures more than just the inherent tragedy of young labor. Here, they build friendships, find love, discover an affinity for their craft, stand up for themselves against exploitative bosses, and look for ways to have fun. Even if it’s just as simple as eating street food, spending the night at an internet cafe, or finding nice clothes, we’re with them in every way. Though it’s never explicitly political, the documentary makes you think about the conditions that put the kids there in the first place, such as our insatiable need for cheap and trendy clothes, governments turning a blind eye to child labor, and a skewed system that favors these above people’s—especially young people’s—well-being and welfare.

Genre: Documentary

Director: Wang Bing

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