Genre: Documentary
Director: Anne Bogart, Holly Morris
Chasing the feel of watching Joker ? Here are the movies we recommend you watch right after.
Genre: Documentary
Director: Anne Bogart, Holly Morris
The disturbing conceit of a housewife swallowing inanimate objects may push some away, but those that can stomach it will find a searing exploration of patriarchal control over women’s bodies - an issue more relevant than ever in the US, as anti-choice zealots push closer to overturning abortion rights nationwide.
An odd twist towards the end, and a tone-deaf bit about a Syrian refugee, make the film uneven. But, the edge of the seat suspense, sumptuously colorful cinematography, and Haley Bennet’s resonant performance make this worth seeing nonetheless.
Genre: Drama, Horror, Thriller
Actor: Alyssa Bresnahan, Austin Stowell, Babak Tafti, David Rasche, Denis O'Hare, Elise Santora, Elizabeth Marvel, Haley Bennett, Kristi Kirk, Laith Nakli, Lauren Vélez, Luna Lauren Velez, Maya Days, Myra Lucretia Taylor, Nicole Kang, Olivia Perez, Zabryna Guevara
Director: Carlo Mirabella-Davis
A beautiful and subtle masterpiece exploring the life of Alike, a teen in Brooklyn navigating her identity as a gay black girl. Caught between the traditional world of her family and the butch and sexual world of her friend who has already come out, director Dee Rees allows the audience to see the trials and tribulations of Alike's attempts to be comfortable and sure of herself. It's a moving and raw coming-of-age story with many characters in the film being quite lovable and relatable making it easy for the viewer to become attached.
Genre: Drama
Actor: Aasha Davis, Adepero Oduye, Afton Williamson, Charles Parnell, Jeremie Harris, Joey Auzenne, Kim Sykes, Kim Wayans, Ozzie Stewart, Pernell Walker, Raymond Anthony Thomas, Rob Morgan, Sahra Mellesse, Samuel Encarnacion, Shamika Cotton, Stephanie Andujar, Zabryna Guevara
Director: Dee Rees
Miranda’s Victim often feels like two different movies smushed into one. On the one hand, it tells the story of how Trish finds the courage to speak up against her abuser, who happens to be a person of color. On the other hand, it shows us the legal intricacies that led to the founding of what we now know as Miranda Rights. In better hands, these two stories (one emotional and one technical) could’ve worked well together, and they would’ve spoken to the intersectionality at the heart of this complicated case. But instead of going for nuance, instead of exploring the complex racial and gender politics that inform this case, Director Michelle Danner goes in all sorts of odd directions as if herself confused about what the focus should be.
Breslin is heartbreaking and powerful as Trish, but she’s only given so much to act with. Despite being based on a real person, her character is reduced to trauma and tears—a caricature of abuse—and nothing more. The movie is at its strongest when it converts into pure courtroom drama by the third act. Suddenly, it’s brisk and intelligent, bolstered by the compelling one-two punches of the judge (a commanding Donald Sutherland) and the two lawyers (Ryan Philippe, a revelation, and Luke Wilson, only slightly better here than in his earlier turn in Legally Blonde). As a story about violation and abuse, there’s surprisingly little compassion to be found, despite the title. But as a legal drama, it’s as informative as it can be.
Genre: Drama, History
Actor: Abigail Breslin, Andy Garcia, Brent Sexton, Brian Colin Foley, Dan Lauria, Donald Sutherland, Emily VanCamp, Enrique Murciano, James Healy Jr., Jann Ellis, Josephine Hies, Joshua Bowman, Kyle MacLachlan, Luke Wilson, Michael Mulheren, Mireille Enos, Najah Bradley, Nolan Gould, Ryan Phillippe, Sheilagh Weymouth, Taryn Manning
Director: Michelle Danner
Genre: Documentary, War
Actor: Henry Kissinger, Juan Valdez, Richard Nixon, Stuart Herrington
Director: Rory Kennedy
Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.
Genre: Comedy, Drama
Actor: Adil Hussain, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh
Director: Shubhashish Bhutiani
Genre: Comedy, Documentary, Drama
Actor: Aran Bell, Gaya Bommer Yemini, Joan Sebastian Zamora, Jules Jarvis Fogarty, Michaela Deprince, Miko Fogarty, Rebecca Houseknecht
Director: Bess Kargman
Genre: Documentary
Actor: Andrea Dovizioso, Ben Spies, Casey Stoner, Colin Edwards, Dani Pedrosa, Ewan McGregor, Jorge Lorenzo, Marco Simoncelli, Nicky Hayden, Valentino Rossi
Director: Mark Neale
This documentary about the 2015 massacre at the Emanuel African Methodist Episcopal Church explores key questions around faith, justice, and forgiveness. It situates the massacre – which left nine African American churchgoers dead – within a bigger picture, with Emanuel being the first-ever freestanding black church in Charleston, a city in South Carolina with a highly charged racial history.
The film’s strengths lie in the stories of those who lost loved ones in the massacre, and the miraculous forgiveness some of the survivors offered the 21-year-old white supremacist responsible for the attack. Above all, it is a story about the power of faith.
Genre: Crime, Documentary, Drama
Actor: Dylann Storm Roof
Director: Brian Ivie
Genre: Documentary
Actor: Adam LeWinter, Dennis Dimick, James Balog, Jeff Orlowski, Kitty Boone, Louie Psihoyos, Svavar Jónatansson, Sylvia Earle, Tad Pfeffer
Director: Jeff Orlowski
Genre: Documentary
Director: Stefan Forbes
Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.
Genre: Drama
Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose
Director: Michihito Fujii
Genre: Comedy, Drama, Family
Actor: Angelina Jolie, Ariana Greenblatt, Betsy Graver, Brooklynn Prince, Bryan Cranston, Chaka Khan, Danny DeVito, Davina Sitaram, Dean Phillippi Sr., Eleanor Matsuura, Hannah Bourne, Helen Mirren, Indira Varma, Jacqueline Ramnarine, Jeremy Oliver, Kevin Mathurin, Kriss Dillon, Max Dowler, Mike White, Owain Arthur, Phillipa Soo, Ramón Rodríguez, Roberto Vivancos, Ron Funches, Sam Rockwell
Director: Thea Sharrock
A deadpan anthology of three interconnected stories set in a run-down hotel in Memphis, Tennessee. The film's deliberate pacing, minimalist approach, and observational style are present throughout, capturing the essence of each character and their encounters with the city.
Director Jim Jarmusch's indie film displays its characters' quirks and desires, all underlined with a love letter to Elvis Presley. Each unique segment has some charm, humor, and soundtrack that creates a palpable sense of time and place even if the sum displaces the overall narrative.
Genre: Comedy, Drama
Actor: Calvin Brown, Cinqué Lee, Elizabeth Bracco, Jim Stark, Jodie Markell, Joe Strummer, Masatoshi Nagase, Nicoletta Braschi, Richard Boes, Rick Aviles, Rockets Redglare, Rufus Thomas, Sara Driver, Screamin' Jay Hawkins, Steve Buscemi, Sy Richardson, Tom Noonan, Tom Waits, Vondie Curtis-Hall, Youki Kudoh
Director: Jim Jarmusch
The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.
Genre: Documentary
Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada
Director: Ramona S. Diaz