12 Movies Like Jeanne Dielman 23 Quai du Commerce 1080 Bruxelles (1976)

Clocking in at just over four hours and shot in vivid color, Norte, the End of History stands not only as Filipino auteur Lav Diaz's best work since his earliest films, but as the easiest entry point into his unique filmography. Told on a sweeping yet intimate scale, the film has all the trademarks of Diaz's work: slow, lengthy shots; bursts of dense dialogue and philosophizing; and copious amounts of human despair and systemic corruption. As our three protagonists' souls (who rarely share the screen, if at all) are pushed to the limit after a terrible crime is committed, everything heads toward universal truths—the perseverance of love, and the inevitability of divine justice.

It can be difficult to recommend any film of this length and deliberate pace, but Norte remains a masterful example of how to use time itself to build a monumental story.

Genre: Crime, Drama

Actor: Angeli Bayani, Archie Alemania, Barbie Capacio, Hazel Orencio, Ian Lomongo, Kristine Kintana, Mae Paner, Mailes Kanapi, Moira Lang, Noel Sto. Domingo, Paolo Rodriguez, Perry Dizon, Sheenly Gener, Sid Lucero, Soliman Cruz

Director: Lav Diaz

Danish writer-director Lars von Trier concludes his so-called Depression trilogy with the two parts of Nymphomaniac, an elaborate retelling of the life of a young woman (played by Stacy Martin and then, by Charlotte Gainsbourg) lived from one libidinous pleasure to another. The film's elaborate subplots have a life of their own and flashbacks often take center stage in Joe's auto-narration. Nymphomaniac I introduces the audience to adolescence and early adulthood, through disappointments, adultery, death drive, and extreme ambivalence. Joe's process of self-actualization seems contested and inspiring at the same time, and Gainsbourg is really given the screen time to shine; even more so than in Trier's previous psycho-social drama, Antichrist. Typically for the rich treasury of cultural references, Bach, Edgar Allan Poe, and Fibonacci play crucial parts in reconstructing the symbolic planes in Joe's story. Oh, and Part One opens with Rammstein's "Führe mich", which in itself is an perfectly valid reason to give it a go.

Genre: Drama

Actor: Ananya Berg, Anders Hove, Andreas Grötzinger, Charlie Hawkins, Charlotte Gainsbourg, Christian Slater, Christoph Jöde, Christoph Schechinger, Clayton Nemrow, Connie Nielsen, Cyron Melville, David Halina, George Dawson, Hugo Speer, James Northcote, Jamie Bell, Jeff Burrell, Jens Albinus, Jesper Christensen, Jesse Inman, Johannes Kienast, Jonas Baeck, Maja Arsovic, Markus Tomczyk, Mia Goth, Michael Pas, Nicolas Bro, Peter Gilbert Cotton, Saskia Reeves, Shia LaBeouf, Simon Böer, Sofie Kasten, Sophie Kennedy Clark, Stacy Martin, Stellan Skarsgård, Tomas Spencer, Uma Thurman, Willem Dafoe

Director: Lars von Trier

Rating: Not Rated, NR

Shattering the rules for how a biographical drama can look and be told, Paul Schrader's Mishima rejects the usual character study template in favor of a much more abstract attempt to understand a person through their art. Told in fragments that flit between Mishima's early life, dramatizations of his fiction novels, and the final day of his life, the film pieces together what it believes was the core of this person's life. Schrader's script (co-written with his brother Leonard Schrader) traces within Mishima's history a lifelong struggle with perceptions of his own masculinity and authority—as if he spent his every waking moment trying to compensate for a lack that he could hardly articulate. The character's eventual turn towards reactionary beliefs makes logical sense in the film, but remains baffling all the same.

With all of its talk about beauty—enhanced by Philip Glass' opulent musical score, and Eiko Ishioka's breathtaking production design that transforms Mishima's novels into tactile stage productions—the film conceals an incredibly dark heart. Mishima doesn't inspire sympathy so much as he inspires morbid fascination, and it's both a daring and frustrating choice to focus entirely on the character's harmful delusions without room for much else. Still, Schrader has constructed an unforgettable audiovisual experience that lingers long after it's over.

Genre: Drama, History

Actor: Alan Poul, Bandō Mitsugorō X, Chishū Ryū, Eimei Esumi, Go Riju, Haruko Kato, Hideo Fukuhara, Hiroshi Katsuno, Hiroshi Mikami, Hisako Manda, Jun Negami, Junkichi Orimoto, Ken Ogata, Kenji Sawada, Koichi Sato, Kunihiko Ida, Masahiko Sakata, Masato Aizawa, Masayuki Shionoya, Miki Takakura, Minoru Hodaka, Mitsuru Hirata, Naoko Ohtani, Naomi Oki, Naoya Makoto, Reisen Ri, Roy Scheider, Ryō Ikebe, Sachiko Hidari, Setsuko Karasuma, Tadanori Yokoo, Toshio Hosokawa, Toshiyuki Nagashima, Yasuaki Kurata, Yasuhiro Arai, Yosuke Mizuno, Yuki Kitazume

Director: Paul Schrader

Rating: R

Argentina, 1985 is a legal drama about how a prosecutor and his young team were able to mount evidence—despite all threats and odds—against the officials behind a brutal military dictatorship. The public trial is supposedly the first of its kind in Latin America, a marker of true democracy that made a hero out of Julio Strassera and Moreno Ocampo, who both led the case.

Despite the presence of very serious themes, there are moments of lighthearted humor here that work to stress the film’s underlying message of goodwill and perseverance. Argentina, 1985 competed at major festivals this 2022, and it’s Argentina’s official entry at the 2023 Academy Awards.

Genre: Crime, Drama, History

Actor: Agustín Rittano, Alejandra Flechner, Alejo Garcia Pintos, Antonia Bengoechea, Brian Sichel, Carlos Portaluppi, Claudio Da Passano, Fernando Contigiani García, Francisco Bertín, Gina Mastronicola, Guillermo Jacubowicz, Héctor Díaz, Laura Paredes, Norman Briski, Peter Lanzani, Pietro Gian, Ricardo Darín, Susana Pampín, Toto Rovito, Walter Jakob

Director: Santiago Mitre

Rating: R

If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

It doesn’t feel quite right to call Pacifiction a political thriller — at 2 hours 45 minutes and with an unhurried, dreamlike pace, it’s hardly the adrenaline rush that that categorization suggests. But Albert Serra’s film is still suffused with all the paranoia and intrigue that the genre promises, just at a slower burn. The specters of colonialism and nuclear apocalypse hang low over the movie, which is set in an idyllic Tahiti, where Benoît Magimel’s Monsieur De Roller is stationed as France’s outgoing High Commissioner, a bureaucratic relic of the country’s imperialist history. As shady figures and strange rumors about a military submarine begin to arrive on the island, a paranoid De Roller struggles to exert political control — and, in the process, seems to lose some of his own sanity. With an ethereal score, defiantly murky plot, hallucinatory cinematography, and some of humanity’s greatest horrors hanging over it like a pall, Pacifiction feels like a fever dream in the truest sense.

Genre: Drama, Thriller

Actor: Benoit Magimel, Cécile Guilbert, Marc Susini, Montse Triola, Sergi Lopez

Director: Albert Serra

Primarily, Cha Cha Real Smooth follows Andrew (Cooper Raiff) as he figures out what to do with his life post-college. But peripherally, it’s also about love, friendship, coming of age, and parenthood. Sometimes the movie wobbles under the weight of all it wants to be and you start to wonder whether it would benefit from a leaner script and a tighter focus. 

But ultimately, Cha Cha Real Smooth is endearing and a breeze to watch. Andrew is relatable as a know-it-all who doesn’t actually know it all, and Domino (Dakota Johnson) is moving as a young mother consumed by both her envy and love for Andrew. Despite its occasional unevenness, the film’s big emotional heart triumphs, and sometimes that’s the best that you can hope for in a story about one’s 20s.

Genre: Comedy, Drama, Romance

Actor: Amara Pedroso, Brad Garrett, Chris Newman, Colton Osorio, Cooper Raiff, Corrie Danieley, Dakota Johnson, Davina Reid, Evan Assante, John Paul Hurley, Jonathan Berry, Kelly O'Sullivan, Leslie Mann, Lisa Velten Smith, Odeya Rush, Raúl Castillo, Tommy Lafitte, Vanessa Burghardt

Director: Cooper Raiff

Rating: R

We remember the idea of the tortured artist, in part due to many works depicting life’s sorrows, but also due to the fact plenty of the greats fit this trope well. Camille Claudel is one such tortured artist, but her anguish has not led her to artistic acclaim. Instead, Isabelle Adjani’s take on the sculptor contemplates the ways her genius has gone unrecognized, in part due to her bout of insanity, but in part due to the maddening ways her art has been cut short by those that claim to love her. While it does take nearly three hours, and, like in real life, the film focuses more on her relationship with Rodin than her own art, Camille Claudel nonetheless remains a fascinating character study of a woman that just wanted to make art on her own terms.

Genre: Drama, History, Romance

Actor: Alain Cuny, Aurelle Doazan, Danièle Lebrun, Gérard Baume, Gérard Depardieu, Hester Wilcox, Isabelle Adjani, Jean-Pierre Sentier, Katrine Boorman, Laurent Grévill, Madeleine Marie, Madeleine Robinson, Maxime Leroux, Philippe Clévenot, Roch Leibovici, Roger Planchon

Director: Bruno Nuytten

Rating: R

Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha