136 Movies Like It (2017) (Page 8)

Genre: Documentary, Music

Actor: Brian Epstein, Cilla Black, Cliff Richard, David Gilmour, Elton John, George Harrison, George Lucas, George Martin, Giles Martin, Jimmy Page, John Legend, John Lennon, John Williams, Kanye West, Kate Bush, Liam Gallagher, Linda McCartney, Mary McCartney, Nile Rodgers, Noel Gallagher, Paul McCartney, Ringo Starr, Roger Waters

Director: Mary McCartney

A character study in the absolute purest sense, Anne at 13,000 Ft. doesn't even have the kind of satisfying closure one would expect from any story, nor does it explain anything about its protagonist's difficult, erratic behavior in the context of mental health. It's an exercise in testing how much empathy a character can earn solely on account of their being a human being having a hard time. Appropriately, the filmmaking on display makes for a deliberately uncomfortable experience, with tension ratcheting up in practically every given situation, enhanced by the fact that director Kazik Radwanski and star Deragh Campbell improvised much of the movie as they were making it.

Genre: Drama

Actor: Deragh Campbell, Dorothea Paas, Helly Chester, Joseph Simon, Lawrene Denkers, Lisa Aitken, Matt Johnson, Michael Kuthe, Suzanne Pratley, Tiffany Blom

Director: Kazik Radwanski

American Girl follows 13-year-old Fen as she returns to Taiwan from the US and tries to make sense of a culture that’s supposedly her own. In addition to her awkward but relatable attempts to understand identity and adolescence, Fen also struggles to connect with her mother Lily, whose own problems further push her away from her teenage daughter. If you’ve seen Lady Bird, you may recognize a bit of Christine and Marion in Fen and Lily as they throw themselves into an endless tug-of-war of emotions. Their fights are genuinely frustrating, but only because of how true-to-life they are.

As painful as it sometimes is to see them clash, it’s their love-hate dynamic that charges much of the film’s emotional energy and makes it ultimately irresistible to watch. 

Genre: Drama, Family

Actor: Blaire Chang, Bowie Tsang, Caitlin Fang, Hsia Yu-chiao, Jia-Yin Tsai, Kaiser Chuang, Karena Lam, Karena Lam Kar-Yan, Ming-shiou Tsai, Teng-Hui Huang, Winnie Chang, Winnie Shih-Ying Chang

Director: Feng-I Fiona Roan, Fiona Roan

Rating: Not Rated

I'm still stuck between calling The Tour 23 a clever marketing trick or a feast for the senses. Contradictions have always nested at the heart of the brand, between beauty and its toxic standards, so it's self-aware of them to highlight that in an audience-facing film. It's undeniable that the VS shows have held spectacle in high regard and cultivated a fanbase that outnumbers the actual consumers, but this film will feel like a treat even if you don't care for luxury wear. Even more, it's perhaps a bit too likable: it's lush without being kitschy, it's woke without the overt politics, it's fun, but not a joke, and most of all, it brings us closer to the visions of creators from around the world who have so much more to give than what they've given Victoria's Secret.

Genre: Documentary

Actor: Adriana Lima, Adut Akech, Adwoa Aboah, Candice Swanepoel, Doja Cat, Emily Ratajkowski, Gigi Hadid, Hailey Bieber, Imaan Hammam, Iris Law, Julia Fox, Lily Aldridge, Naomi Campbell, Sui He, Taylor Hill, Tess McMillan, Valentina Sampaio, Winnie Harlow, Yseult, Ziwe Fumudoh

Director: Cristina Sánchez Salamanca, Korty Eo, Lola Raban-Oliva, Margot Bowman, Umi Ishihara

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever, McKeever

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Drama, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred