Chasing the feel of watching Io Capitano ? Here are the movies we recommend you watch right after.
Journeying from Africa to Europe without an official permit isn’t just risky, it’s dehumanizing, if not lethal. And though we’ve heard about the many unfortunate ways migrants have suffered, never has the crisis been as intimately and intensely portrayed as in Io Captain. Here, we get to see who Seydou and Moussa were before the voyage out of Senegal, before they were reduced to anonymous bodies bound to torture, slavery, and racism. Director Matteo Garrone takes care not to exploit their lives and instead highlights the joy and hope they left behind and continue to find in small but meaningful portions. Garrone achieves a delicate balance between stark, depressing reality and heartwarming hope, and it’s beautiful to watch. All this in addition to stunning cinematography and unbelievable performances by the two young leads makes Io Capitano easily one of the best films in recent years.
Genre: Action, Adventure, War
Actor: Abdool Lee, Aditi Balan, Alexx O'Nell, Ashwin Kumar, Bose Venkat, Dhanush, Edward Sonnenblick, Elango Kumaravel, Jayaprakash, John Kokken, Kaali Venkat, Mark Bennington, Nivedhithaa Sathish, Priyanka Arul Mohan, Shivaraj Kumar, Sumesh Moor, Sundeep Kishan, Swayam Siddha, Viji Chandrasekhar, Vinoth Kishan
Director: Arun Matheswaran
Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.
What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.
Genre: Crime, Mystery, Thriller
Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Rowan Robinson, Tina Fey, Vanessa Ifediora
Director: Kenneth Branagh
Stereotypically made to look like one-note villains in many other films, the kinds of characters who lead Land and Freedom are rightfully depicted as people acting out of a desire for something constructive and good. Through director Ken Loach's trademark approach to no-frills storytelling, the complex ideologies motivating each of these factions against the common enemy (and against each other) are laid out with crystal clarity. In fact, the most exciting confrontations in the film aren't the skirmishes between the fascists and the revolutionary militias, but the debates held between allies, as they figure out the next best steps forward for every liberated person involved.
Genre: Drama, History, Romance, War
Actor: Angela Clarke, Daniel Muñoz, Eoin McCarthy, Francesc Orella, Frédéric Pierrot, Ian Hart, Icíar Bollaín, Jordi Dauder, Pep Molina, Rosana Pastor, Suzanne Maddock, Tom Gilroy
Director: Ken Loach
Besides the futuristic tech that pops in and out, there’s not a lot about The Kitchen that signals it as a sci-fi film. Neglected housing projects and violent raids have become too common to count as dystopian, so it often feels like The Kitchen could’ve gone without labeling itself as part of the genre (the real world is bad enough). But underneath those layers is a subtle but sublimely tender story about father and son finding each other amid the rubble of real life. First-time directors Daniel Kaluuya (Get Out, The Black Panther) and Kibwe Tavares delicately balance the personal and the political, never undermining the former as many socially aware films do. If Kaluuya and Tavares had fleshed the world it built a little more and removed the parts, such as the sci-fi elements, that did not work out, then Izi and Benji’s story would have been memorably devastating, instead of just affecting.
Genre: Adventure, Comedy, Drama, Science Fiction, Thriller
Actor: BACKROAD GEE, Cristale, Dani Moseley, Demmy Ladipo, Ewart James Walters, Fiona Marr, Henry Lawfull, Hope Ikpoku Jnr, Ian Wright, Jedaiah Bannerman, Kane Robinson, Karen Williams, Lola-Rose Maxwell, Neville Watson, Rasaq Kukoyi, Rhys Yates
Director: Daniel Kaluuya, Kibwe Tavares
Hotel Salvation is a touching movie about a father asking his son for a last wish : let him die in the Holy city of Varanasi. This Indian drama will let you discover a modern Hindu philosophy, the power of the scenic Varanasi and the bonds of family. It faces the question of death in the light, gentle and humorous way that perfectly illustrates the contradiction in question: celebrating life while surrounded by death.
Genre: Comedy, Drama
Actor: Adil Hussain, Anil Rastogi, Geetanjali Kulkarni, Lalit Behl, Navnindra Behl, Palomi Ghosh
Director: Shubhashish Bhutiani
An unsung hero of the civil rights movement gets the customary Oscar bait treatment in this biopic. Though he was instrumental in organizing the historic March on Washington — which helped force the US government to enshrine civil rights — gay Black activist Bayard Rustin isn’t the household name his peers are. In an inversion of that narrative, figures like Martin Luther King appear here as supporting characters to Colman Domingo’s Bayard.
Domingo’s energetic, commanding performance holds the center of the film, but he’s ill-served by the formulaic approach to storytelling that unfolds around him. More than a few scenes feel like they were written, directed, and performed with an eye to making awards ceremony clips, giving the film a disjointed, self-aware air. And yet, for all the limits of its by-the-numbers approach, Rustin does manage to pack in glints of insight. By virtue of who he was, Bayard will never not make for a compelling central figure — so even lackluster filmmaking can’t sap this inherently radical material of all its power. Though not without its flaws, then, the film is valuable for the light it sheds on the polarising effect Bayard's identity as a gay Black man had within the movement and the intersectional depths he nevertheless brought to it.
Genre: Drama, History
Actor: Adrienne Warren, Aml Ameen, Audra McDonald, Ayana Workman, Bill Irwin, Carra Patterson, CCH Pounder, Chanel Minnifield, Chris Rock, Collin Antrim Miller, Colman Domingo, Cotter Smith, Da'Vine Joy Randolph, Dan Sauer, Daniel Johnson, Frank Harts, Glynn Turman, Grantham Coleman, Gus Halper, Hope Clarke, Ivan Moore, Jeff Hochendoner, Jeffrey Wright, Johanna McGinley, Johnny Ramey, Jordan Aaron Hall, Jules Latimer, Kevin Mambo, Lilli Kay, Maxwell Whittington-Cooper, Michael Alban, Michael Potts, Rashad Edwards, Robert F. Kennedy, Scott Deal, Zuri Starks
Director: George C. Wolfe
It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.
Genre: Comedy, Drama
Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz
Director: Manolo Caro