686 Movies Like Interstellar (2014) (Page 42)

As a story, Knuckle Girl settles for the simplest beats, at times strung together by odd, obligatory choices (for example, a training montage that comes out of nowhere, or the film's abrupt ending). It's not particularly sophisticated as far as thriller narratives go. But taken as a showcase for boxing-centered action, the film really sets itself apart from many countless action movies on streaming. The fist-fights here are brutal and kinetic, shot through lots of dynamic footage and crunchy sound design—making every punch that's thrown feel desperate. And in the lead role, Ayaka Miyoshi makes for a convincing, everyman action star who always seems in over her head but perseveres all the same.

Genre: Action, Drama, Thriller

Actor: Ayaka Miyoshi, Eishin, Goki Maeda, Hideaki Ito, Kanata Hosoda, Kotona Minami, Masaki Miura, Narimi Arimori, Ruka Matsuda, Satoshi Jinbo, Yoshimasa Kondô, Yosuke Kubozuka, Yuichi Yasoda

Director: Chang

If you’re expecting a twisty and thrilling look at a dangerous group of hackers who hide deep within a military bunker in Europe, and who refer to their entire operation as “straight from a James Bond movie,” then you might be disappointed with Cyberbunker, a dragging documentary that relies too heavily on talking heads for momentum. It takes 30 minutes to establish the relevance of these figures, and a full hour before it finally explains the actual crime and wrongdoings they’re complicit in. The most interesting parts of the case, like the FBI’s involvement, Cyberbunker’s links to the propagation of child pornography, and the group’s advocacy on internet privacy, are completely buried beneath a stack of unnecessary tidbits. I appreciate the effort of the filmmakers and the interviewees coming together to make something decently informative, but by the end of it, you’re left wondering whether all this was better off as a Wikipedia article.

Genre: Crime, Documentary

Director: Kilian Lieb, Max Rainer

Rating: PG-13

“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller

Black Barbie is at its best when director Lagueria Davis keeps the story as personal and political as possible. The first half of the documentary is a necessary history lesson about the impact toys have on our racial consciousness, which charmingly ties into Davis’ aunt’s own experience as one of the first Black staff members over at Mattel. Davis then intercuts colorfully set-up talking heads with equally charming scenes of stop-motion Barbies. But if only the entire documentary would just be as realized and focused as this half. The rest, unfortunately, are scattered pieces that never tie into a cohesive whole. At one point, the documentary morphs into a Mattel mouthpiece, and at another, it’s a straightforward roundtable analysis with little to no editing. The quirky flourishes and personal anecdotes that colored the early parts of the documentary are few and far at this point, making it feel ultimately half-baked.

Genre: Documentary

Actor: Gabourey Sidibe, Hayley Marie Norman, Misty Copeland, Shonda Rhimes, Virginia Watson

Director: Lagueria Davis

Made to commemorate Toei Studio’s 70th anniversary, The Legend & Butterfly seemed like a good choice for this purpose. As a historical epic about the first Great Unifier of Japan, the film could have enabled the production company to show off their studio’s best in production design, set pieces, costumes, and score, through a familiar story Japanese audiences would care about. And with Nohime having a near blank slate in history, it gives enough creative freedom for the team to craft a heartrending romance. While the design aspects definitely succeeded, the romance did not. On top of this, the film’s focus on the romance takes away time, effort, and emotional resonance from the large-scale spectacular war battles that epics like these are known for.

Genre: Drama, History, Romance

Actor: Ai Mikami, Daisuke Honda, Haruka Ayase, Hideaki Ito, Hio Miyazawa, Hirotaro Honda, Ichikawa Somegorō VIII, Jun Hashimoto, Kinya Kitaoji, Kokoro Morita, Manabu Hamada, Mansaku Ikeuchi, Masato Wada, Miki Nakatani, Shuichiro Masuda, Takuma Otoo, Takumi Saitoh, Takuya Kimura, Toshinori Omi, Tsutomu Takahashi

Director: Keishi Otomo

Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.

Genre: Drama

Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier

Director: Patric Chiha

Nostalgia is a powerful emotion, and it’s the main reason why filmmakers keep cashing in with old media franchises. Archie has been reimagined before, with the bewildering twists and turns of the CW’s Riverdale, but this time, it’s India’s turn with the franchise, and Graphic India and Tiger Baby Films partnered with the original publication to reimagine the town as an Anglo-Indian community in The Archies. The production design is undoubtedly stunning, with the maximalist Bollywood spectacle borrowing from 60’s Americana, and the musical numbers aren't half bad either. However, it’s the story and characterization that falters, as it feels like the leads are just going through the motions of the familiar love triangles. The film is still fun to watch, but ultimately, it feels like The Archies relies on spectacle to make up for its shortcomings.

Genre: Comedy, Drama, Music, Romance

Actor: Aditi Saigal, Agastya Nanda, Alyy Khan, Ankur Tewari, Ashok Banthia, Avan Contractor, Delnaaz Irani, Deven Khote, Dianne Commissariat, Dot., Farhan Akhtar, Kamal Sidhu, Khushi Kapoor, Koel Purie, Lovely Sharma, Luke Kenny, Mihir Ahuja, Nikos Andritsakis, Prerana Poddar, Puja Sarup, Satyajit Sharma, Sheena Khalid, Suhaas Ahuja, Suhana Khan, Tara Sharma, Vedang Raina, Vikram Kapadia, Vinay Pathak, Yuvraj Menda

Director: Zoya Akhtar

Parenting is hard by itself, but it’s moreso hard when done alone, especially if there was supposed to be a partner alongside the journey. Thank You, I’m Sorry depicts this through Sara, who has to deal with her husband’s absence and difficulties in connecting with her husband’s family in his stead, on top of her pregnancy, but it’s her connection with her estranged sister Linda that can make or break her journey. The dynamic between the sisters is what drives the film. Sanna Sundqvist and Charlotta Björck manage to depict the strained yet clearly loving relationships naturally, and it’s lovely to see the mundane ways they reestablish their bond. It’s a unique story, though it does feel rushed and some of the humor can be totally off-putting.

Genre: Comedy, Drama

Actor: Charlotta Björck, Ia Langhammer, Jonatan Rodriguez, Juan Rodríguez, Sanna Sundqvist, Ville Virtanen

Director: Lisa Aschan

Rating: PG-13

As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.

Genre: Comedy, Mystery

Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro

Director: Jun Robles Lana

Suzzanna: Kliwon Friday Night is the second part of a trilogy dedicated to Indonesia’s queen of horror, billed as Suzzanna New Generation. The trilogy recreates three of Suzzanna’s iconic films, and the second installment is based on the 1986 film Malam Jumat Kliwon. The supernatural horror isn’t exactly scary– the film takes a bit too long between the scares, and there are moments that are downright hilarious. However, fans of the original scream queen would appreciate Luna Maya’s take on her demonic role, shifting the sundel bolong into a woman rightfully out for revenge.

Genre: Drama, Fantasy, Horror

Actor: Achmad Megantara, Adi Bing Slamet, Baron Hermanto, Clift Sangra, Egy Fedly, Ence Bagus, Lela Anggraini, Luna Maya, Max Yanto, Opie Kumis, Sally Marcelina, Taskya Namya, Tio Pakusadewo, Yurike Prastica

Director: Guntur Soeharjanto

This a small-town, true-crime thriller that has John Hamm (Mad Men) as the detective, Nick Mohammed (Ted Lasso) as the trusty sidekick, and Tina Fey (30 Rock) as the love interest. They’re a charismatic cast helming a bizarro story whose real-life details are already teeming with juicy details, and yet, the resulting film, directed by John Slattery, is as lackluster and forgettable as can be. There is no sense of mystery, the jokes fall flat, and every scene looks like it’s shot from a studio lot. There is plenty of better fare out there for anyone looking for comedy capers, and I bet the true crime documentary of the real-life Maggie Moore case is infinitely more engaging than its filmic counterpart. 

Genre: Comedy, Crime, Mystery

Actor: Allison Dunbar, Bryant Carroll, Chance Romero, Christopher Denham, Christopher Kriesa, Debrianna Mansini, Denielle Fisher Johnson, Derek Basco, Happy Anderson, Jodi Lynn Thomas, Jon Hamm, Louisa Krause, Mary Holland, Micah Stock, Nick Mohammed, Oona Roche, Peter Diseth, Richard Lippert, Roni Geva, Sewell Whitney, Tate Ellington, Tina Fey

Director: John Slattery

Rating: R

They did it. They took advantage of Pinoy movies’ penchant for sappy writing and used it to deliver on its premise. Coming into it blind more-so, you see the violent shift in writing and energy, with everything feeling more relaxed, organic, and truthful after the premise sets in. But they take that subversion a step further by unironically sticking with the sappy elements and not drowning in them; using dramatic backstories, catchphrases, and the staple recurring '80s theme song to tease and anchor the drama throughout. By Filipino drama standards, it might be an unconventional family film, but with how well they used the tropes, it might also be the quintessential Filipino family film.

Genre: Drama, Family

Actor: Alfred Vargas, Euwenn Mikaell, Iza Calzado, Joel Torre, Joem Bascon, Juan Karlos Labajo, Markki Stroem, Meryll Soriano, Nico Antonio, Shaina Magdayao

Director: Benedict Mique

Composed of archival footage of the titular musical legend and testimonials from those who worked with him or whose lives were profoundly impacted by his courage, Little Richard: I Am Everything feels comprehensive but is also oddly lacking. The documentary makes a bold, confident claim: that all popular music today can be directly traced to his work. And when the film lets itself get into full music nerd mode, it's easy to be convinced. But after you accept that perspective on Little Richard, the rest of the movie seems like it's just spinning its wheels, covering key moments in the artist's life and career without really challenging or substantiating long-held ideas about him.

Chief among these is Little Richard's shifting feelings toward his own queerness—proudly expressing his true self one year, then openly denouncing his own homosexuality the next. This subject matter is ripe for difficult but insightful analysis, which the film just never gets around to. It begins to feel like the believes there is no more discussion to be had about him. And that may very well be true; he deserves the flowers that were denied him for so long. But this attitude doesn't necessarily make for the best documentary.

Genre: Documentary, Music

Actor: Alan Freed, Billy Porter, Elvis Presley, John Lennon, John Waters, Little Richard, Mick Jagger, Nile Rodgers, Nona Hendryx, Pat Boone, Paul McCartney, Tom Jones, Valerie June

Director: Lisa Cortés