686 Movies Like Interstellar (2014) (Page 40)

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Chasing the feel of watching Interstellar ? Here are the movies we recommend you watch right after.

"Interstellar," directed by Christopher Nolan, is a mesmerizing cinematic experience that seamlessly weaves together awe-inspiring visuals, intricate science fiction, and heartfelt storytelling. Set against a backdrop of Earth's environmental collapse, the film follows Cooper (Matthew McConaughey) and his team of scientists and astronauts as they embark on a perilous journey through a wormhole in search of a new habitable planet. Nolan's commitment to practical effects and meticulous attention to detail is evident in the film's stunning visuals, which bring the vastness and beauty of space to life. Hans Zimmer's hauntingly emotive score adds depth and intensity to the narrative, enhancing the overall cinematic experience. "Interstellar" challenges its audience with complex scientific concepts, yet it treats them with respect, avoiding oversimplification. This intellectual depth adds layers to the story, making it particularly rewarding for viewers who appreciate a more thought-provoking approach to science fiction. The performances, especially McConaughey's portrayal of Cooper, are outstanding, grounding the film's emotional core in the midst of its cosmic spectacle. While the film's deliberate pacing may test some viewers' patience, those who embrace its intellectual challenges will be rewarded with a profound and unforgettable journey through space and time. "Interstellar" stands as a visionary work of science fiction, exploring themes of love, sacrifice, and the human spirit's indomitable will to survive in the face of the unknown.

This documentary about the 2015 massacre at the Emanuel African Methodist Episcopal Church explores key questions around faith, justice, and forgiveness. It situates the massacre – which left nine African American churchgoers dead – within a bigger picture, with Emanuel being the first-ever freestanding black church in Charleston, a city in South Carolina with a highly charged racial history.

The film’s strengths lie in the stories of those who lost loved ones in the massacre, and the miraculous forgiveness some of the survivors offered the 21-year-old white supremacist responsible for the attack. Above all, it is a story about the power of faith.

Genre: Crime, Documentary, Drama

Actor: Dylann Storm Roof

Director: Brian Ivie

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Incredible footage combined with a great soundtrack will keep you frozen in your seat until global warming melts you off (so to speak). Chasing Ice is about a National Geographic photographer who tries to capture a complete overview of what climate change is doing to our planet. Consequently this movie took years to make and countless technical issues had to be dealt with in order to record the time-lapse videos. The result is mesmerizing, and captures something that has never been caught on camera before. This movie is evidence of what our planet is going through that everyone can relate to. Be prepared to be charmed and saddened at the same time.

Genre: Documentary

Actor: Adam LeWinter, Dennis Dimick, James Balog, Jeff Orlowski, Kitty Boone, Louie Psihoyos, Svavar Jónatansson, Sylvia Earle, Tad Pfeffer

Director: Jeff Orlowski

Rating: PG-13

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Funny, sweet, and tropey, Badhaai Do is a unique Hindi dramedy about a lavender marriage. Gay policeman Shardul (Rajkummar Rao) and lesbian teacher Sumi (Bhumi Pednekar) agree to wed in order to satisfy their family’s wishes without exposing their sexual orientations. Unfortunately, this doesn’t stop their family from other expectations, such as that of maintaining their marriage and having a child. After their immediate connection, Shardul and Sumi’s continuous bickering, through Rao and Pednekar’s chemistry, is hilarious, leading to elaborate lies about each other for their family. However, underneath their funny back-and-forth is an understanding between them that almost feels freeing. Their platonic partnership feels like a lifeline in an isolating closet. While India is portrayed here to have a thriving LGBTQ+ community, microaggressions, harassment, and legal discrimination are still present. Despite this, the film carves up moments where Shardul and Sumi actively seek connection, with each other and with other people, including their eventual lovers. The most touching of these moments come when they both allow themselves to be honest.

Genre: Comedy, Drama

Actor: Apeksha Porwal, Bhumi Pednekar, Chum Darang, Gulshan Devaiah, Loveleen Mishra, Nitesh Pandey, Rajkummar Rao, Seema Pahwa, Shashi Bhushan, Sheeba Chaddha

Director: Harshavardhan Kulkarni

Rating: PG

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George Clooney and Brad Pitt are two of the coolest actors to come out of Hollywood, and this film is a testament to this fact. Watching them, you’ll be reminded of how leading men should be effortlessly funny and charming, but there is such a thing as too cool. Clooney and Pitt are so relaxed and unbothered, you rarely feel the danger of some scenes. When they’re chased by a mob of hitmen or enter a mafia house, you can tell from their expressions alone that they’ll survive, which strips all the fun and mystery out of a thriller such as this. Not that the plot is anything to speak of; its bones are formulaic, helped only by the witty dialogue and charming delivery. They can be hilarious, but mostly watching them feels like hearing a joke that’s gone on for way too long. The movie quickly loses its novelty and drags on, picking up only during the Kid’s (Austin Abrams) whose earnestness and liveliness make him a scene-stealer, yes even and especially with Clooney and Pitt there.

Genre: Action, Comedy, Crime, Thriller

Actor: Amanda Aday, Amy Ryan, Anthony N., Austin Abrams, Brad Pitt, Frances McDormand, Frank Trigg, George Clooney, Irina Dubova, Poorna Jagannathan, Richard Kind, Robert Timothy Smith, Vladimir Sizov, Zlatko Burić

Director: Jon Watts

Rating: R

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I'm still stuck between calling The Tour 23 a clever marketing trick or a feast for the senses. Contradictions have always nested at the heart of the brand, between beauty and its toxic standards, so it's self-aware of them to highlight that in an audience-facing film. It's undeniable that the VS shows have held spectacle in high regard and cultivated a fanbase that outnumbers the actual consumers, but this film will feel like a treat even if you don't care for luxury wear. Even more, it's perhaps a bit too likable: it's lush without being kitschy, it's woke without the overt politics, it's fun, but not a joke, and most of all, it brings us closer to the visions of creators from around the world who have so much more to give than what they've given Victoria's Secret.

Genre: Documentary

Actor: Adriana Lima, Adut Akech, Adwoa Aboah, Candice Swanepoel, Doja Cat, Emily Ratajkowski, Gigi Hadid, Hailey Bieber, Imaan Hammam, Iris Law, Julia Fox, Lily Aldridge, Naomi Campbell, Sui He, Taylor Hill, Tess McMillan, Valentina Sampaio, Winnie Harlow, Yseult, Ziwe Fumudoh

Director: Cristina Sánchez Salamanca, Korty Eo, Lola Raban-Oliva, Margot Bowman, Umi Ishihara

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Despite what its title suggests, the real thrill of this documentary isn’t the mysterious 1998 robbery of a royal Austrian jewel, but the many other criminal escapades of Gerald Blanchard’s that are chronicled here. Blanchard, who appears on camera for much of the doc, remains cagey (for legal reasons) about how exactly he orchestrated the titular crime, but even if he divulged his secrets, the jewel theft pales in comparison to his earlier exploits: his ballsy teenage shoplifting, slippery escapes from police custody, and subsequent spree of audacious bank heists.

The Jewel Thief benefits from a wealth of remarkable footage thanks to Blanchard's penchant for videotaping his criminal antics. This exhibitionist tendency is corroborated by testimonies from the many other interviewees featured here, including the two policemen who received taunting photos of Blanchard’s loot during their years-long cat-and-mouse chase. As indicated by the opening titles — “This is a true story… Mostly” — Blanchard also has a tendency to embellish his stories, which makes the fact-checking provided by these other participants a wise inclusion by the filmmakers. Ultimately, though, having such an unreliable subject isn’t a handicap — it’s a blessing, giving the documentary a winkingly ludicrous edge that helps it stand out in an overstuffed genre.

Genre: Crime, Documentary

Director: Landon Van Soest

Rating: R

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While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Drama, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

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Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

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In the same festival where she showcased her screenwriting chops, Rachel Sennott also showcased her dramatic side in I Used to Be Funny, a difficult drama that garnered less acclaim than Bottoms (2023). It’s understandable– while both films have a witty, gen-Z slant in its comedy, this drama is much harder to balance and heavy to watch, dealing with mental health and PTSD. The non-linear narrative occasionally does make the film feel a tad disjointed as well. However, there’s a care and a warmth from Ally Pankiw’s direction that makes this exploration of Sam’s complex trauma feel heartfelt, and Sennott holds each scene with compelling charisma.

Genre: Comedy, Drama

Actor: Caleb Hearon, Dan Beirne, Dani Kind, Ennis Esmer, Hannah Spear, Jason Jones, Kathy Imrie, Matia Jackett, Miguel Rivas, Olga Petsa, Rachel Sennott, Sabrina Jalees

Director: Ally Pankiw

Rating: NR

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Being a priest requires full devotion to God, so falling in love would naturally challenge a seminarian and make them question whether priesthood is the right path for them. I Love Lizzy portrays this conflict as the seminarian Jeff falls in love with Bicol tour guide Lizzy, on the break where he’s supposed to make his discernment. It’s an intriguing love story, especially as Jeff and Lizzy heal past wounds with each other, and Carlo Aquino adeptly navigates his second seminarian role with ease. However, it’s clear that more care and attention was given to Jeff’s storyline rather than Lizzy’s. Despite this, I Love Lizzy is a unique, if a bit uneven, take on the seminarian love story that continues to captivate the predominantly Catholic country today.

Genre: Drama, Romance

Actor: Andrew Gan, Barbie Imperial, Carlo Aquino, Meanne Espinosa, Robert Seña, Turs Daza

Director: RC Delos Reyes

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While this documentary may not provide the level of insight or as cohesive a narrative as other films from recent years about children's entertainment, Hot Potato benefits from the sheer charm and approachability of The Wiggles themselves. It's inspiring to see these men and women be perfectly ordinary people who just patiently put in the work to get to where they are today. The film doesn't necessarily find a central idea or philosophy behind The Wiggles' music, but their creativity and enthusiasm for performing manages to turn the simplest things (like fruit salad) into a celebration of life. The documentary isn't particularly good at balancing its tones, especially when it deals with the struggles that various Wiggles have faced in their personal lives, but it remains likable and wholesome all the same.

Genre: Documentary

Actor: Anthony Field, Bindi Irwin, Caterina Mete, Emma Watkins, Evie Ferris, Greg Page, Jeff Fatt, John Travolta, Lachlan Gillespie, Lucia Field, Matthew Broderick, Murray Cook, Paul Field, Paul Paddick, Robert De Niro, Sam Moran, Sarah Jessica Parker, Simon Pryce, Steve Irwin, Terri Irwin, Tsehay Hawkins

Director: Sally Aitken

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The main subject that Hold Your Fire promises to be about—negotiation tactics first used in resolving a New York City standoff at a sporting goods store—is ultimately its most least interesting aspect. These supposed tactics aren't too well, and they end up putting a damper on all the human drama that comes before it, which proves strikingly three-dimensional. As the film revisits the details of the hostage situation from the perspective of those who were actually there, it also complicates the situation by compelling us to think of it in a dense, sociopolitical sense rather than a reductive lens of crime and punishment. It's this build-up to the actual negotiation that may actually hold more insight into these kinds of crises.

Genre: Documentary

Director: Stefan Forbes

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Child Star feels like it’s two movies clumsily stitched into one. On the one hand, it’s a straightforward documentary about the history of child actors. There are talking heads of experts explaining things like the Coogan Law, also known as the California Child Actor's Bill, as well as interviews with children who dream of being famous one day. These latter interviews are precious and heartbreaking, and they make the documentary’s advocacy feel more urgent and real. On the other hand, it’s a documentary about Demi Lovato and her famous friend's trauma dumping over coffee. I’m not saying these parts are less watchable than the others. In fact, I appreciate the celebrities’ willingness to unpack the traumatic parts of their childhood—Drew Barrymore, in particular, seemed to have it incredibly tough. But there’s just too much ground for a feature-length film to cover. This is all on top of Demi’s own catharthic confrontation with her past, which she hashes out with her friends and family. As a result, it feels like the film is merely scratching the surface of the important issues it brings up.

Genre: Documentary

Actor: Alyson Stoner, Ariana Grande, Chris Columbus, Christina Ricci, Dallas Lovato, Daniel Radcliffe, Demi Lovato, Drew Barrymore, Ellen DeGeneres, Emma Watson, Hilary Duff, Jackie Coogan, JoJo Siwa, Kenan Thompson, Macaulay Culkin, Madison De La Garza, Miley Cyrus, Oprah Winfrey, Raven-Symoné, Rupert Grint, Selena Gomez, Shirley Temple, Zendaya

Director: Demi Lovato, Nicola B. Marsh

Rating: R

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If you’ve ever been puzzled by “Greek life”, this documentary will go some way to demystifying that somewhat baffling phenomenon of American college culture. Bama Rush follows four hopefuls as they “rush” the University of Alabama’s sororities, a TikTok-viral weeklong recruitment process so cutthroat some candidates spend months preparing for it. The documentary digs deep into why these young women put so much time, energy, and money into joining what the film hints is a largely unforgiving and reductive element of campus life. What it finds is pretty affecting: they’re really just looking for acceptance and belonging.

Threaded throughout are director Rachel Fleit’s reflections on her own history with those motivations, having grown up with alopecia. Though it does illustrate that rushing isn’t so dissimilar from other quests for acceptance, this parallel is sometimes clunkily drawn — and can seem somewhat self-indulgent in places, given the documentary’s comparatively surface-level exploration of more systemic issues. A late development shifts Bama Rush into an even deeper self-reflexive mode, as the film itself becomes a contentious issue in the process it’s documenting. Despite its flaws, turns like this — and its participants’ extraordinary candor — help make Bama Rush an often illuminating look into an opaque world. 

Genre: Documentary, Drama

Director: Rachel Fleit

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 As glad as I am to see a film celebrating the complex joys of interracial love and debunking the stigma of arranged marriages, I can’t help but wonder how and why a film about love got to be so dry and passionless. Is dating really this painfully awkward? Is marriage really this burdensome? Realistically, yes, but when you’re trying to make a point about true love supposedly trumping it all, including cultural differences and age-old traditions, then you should at least make it seem like the winner. The movie tries to have its cake and eat it too by serving us heaps of realism and fantasy on one plate, failing to understand that you only have to pick one to be palatable. “Love Contractually” is the title of Zoe’s documentary, but it’s also the name this movie should’ve gone with, seeing as how everyone acts like they’re obligated to be here. 

Genre: Comedy, Romance

Actor: Alexander Owen, Alice Orr-Ewing, Asim Chaudhry, Ben Ashenden, Emma Thompson, Haqi Ali, Jamal Andreas, Jeff Mirza, Lily James, Michael Marcus, Mim Shaikh, Munir Khairdin, Nikkita Chadha, Nosheen Phoenix, Oliver Chris, Peter Sandys-Clarke, Ravi Aujla, Sajal Ali, Shabana Azmi, Shaheen Khan, Shazad Latif, Sindhu Vee, Taj Atwal, Wasim Zakir

Director: Shekhar Kapur

Rating: PG-13

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