687 Movies Like Interstellar (2014) (Page 35)

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Chasing the feel of watching Interstellar ? Here are the movies we recommend you watch right after.

"Interstellar," directed by Christopher Nolan, is a mesmerizing cinematic experience that seamlessly weaves together awe-inspiring visuals, intricate science fiction, and heartfelt storytelling. Set against a backdrop of Earth's environmental collapse, the film follows Cooper (Matthew McConaughey) and his team of scientists and astronauts as they embark on a perilous journey through a wormhole in search of a new habitable planet. Nolan's commitment to practical effects and meticulous attention to detail is evident in the film's stunning visuals, which bring the vastness and beauty of space to life. Hans Zimmer's hauntingly emotive score adds depth and intensity to the narrative, enhancing the overall cinematic experience. "Interstellar" challenges its audience with complex scientific concepts, yet it treats them with respect, avoiding oversimplification. This intellectual depth adds layers to the story, making it particularly rewarding for viewers who appreciate a more thought-provoking approach to science fiction. The performances, especially McConaughey's portrayal of Cooper, are outstanding, grounding the film's emotional core in the midst of its cosmic spectacle. While the film's deliberate pacing may test some viewers' patience, those who embrace its intellectual challenges will be rewarded with a profound and unforgettable journey through space and time. "Interstellar" stands as a visionary work of science fiction, exploring themes of love, sacrifice, and the human spirit's indomitable will to survive in the face of the unknown.

This documentary is about the life of New York rapper Nas around the time of the release of his first album, Illmatic.

It spans a quick and summarized 74 minutes and, while embellished by the direction of street artist One9, it remains a great snippet of recent American history. Nas’s album was a reflection of many realities that characterized his upbringing, while the movie serves to further explore those very realities.

Genre: Documentary, Music

Actor: Alicia Keys, Busta Rhymes, Cornel West, DJ Premier, Fab 5 Freddy, Henry Louis Gates, Jr., M.C. Serch, Marley Marl, Mrs. Braconi, Nas, Pete Rock, Pharrell Williams, Q-Tip, Skip Gates, Jr., Swizz Beatz

Director: One9

Rating: TV-14

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Aspiring writer-director Vita of My First Film is insufferable. When she starts out making her first feature, she’s pleasantly surprised by the people who came to help her, but the repetition of the shoot, the scene not matching the idea in her head, which she tries to put into image and word, but can’t quite make the vision clear, the anxiety and pressure to be a professional filmmaker blinding her from the concerns of her cast and crew all combine to an inevitable failure of her first feature, which also happens to inspired by Vita’s actual life. Vita is insufferable, but writer-director Zia Anger manages to make her real in an eclectic meta multimedia patchwork that won’t work for everyone, but uniquely depicts an experience filmmakers, aspiring or otherwise, haven’t wanted to talk about.

Genre: Drama

Actor: Cole Doman, Devon Ross, Eamon Farren, Eléonore Hendricks, Jane Wickline, Joanna Fang, Odessa Young, Philip Ettinger, Sage Ftacek, Zia Anger

Director: Zia Anger

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Most of us don't get to live our lives with our first loves, but sometimes that separation leads us to the love of our lives. This is true of the Orked trilogy, the third installment of which is named after the one other love Orked had before Jason. Without the interracial dynamic, one might expect that the dynamic between Orked and Mukhsin would be more simple, and sure, with her tomboyish self-confidence, it starts in that familiar way we would expect from a coming-of-age movie. However, writer-director Yasmin Ahmad challenges this expectation through a nostalgic, but no less honest, depiction of this love in a rural Malay village. It may not have the same obvious challenges, but Mukhsin proves through an endearing first love story that there are much more factors that could make or break even the most innocent childhood relationships, specifically Orked doesn't exactly fit in the ideal her community expects of her. It's not totally groundbreaking, but Mukhsin nonetheless sets the stage for Orked, and girls like her, to understandably seek for connection elsewhere.

Genre: Comedy, Drama, Family

Actor: Adibah Noor, Ho Yuhang, Mislina Mustaffa, Noorkhiriah, Sharifah Aleya, Sharifah Amani, Sharifah Aryana, Syafie Naswip, Taiyuddin Bakar, Yasmin Ahmad

Director: Yasmin Ahmad

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In Tina Mabry’s first full length feature film Mississippi Damned she tells the story of three poor, Black adolescents as they advance into adulthood. The story is mostly centered on Kari Peterson, portrayed by Tessa Thompson, who has fallen witness and victim to violence/abuse since her childhood. As she navigates her trauma while facing poverty and familial issues, we begin to understand the inner machinations of Kari and those who have harmed her.

While Mississippi Damned isn’t particularly easy to digest, I consider it essential. As unflinchingly brutal as this film is, it taught me a lot about trauma and how to navigate my own. With performances as powerful as these, it’s impossible to forget this film.

Genre: Drama

Actor: Adam Clark, Cynthia Addai-Robinson, D.B. Woodside, Malcolm David Kelley, Malcolm Goodwin, Michael Hyatt, Simbi Khali, Tessa Thompson

Director: Tina Mabry

Rating: TV-MA

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With his dad in jail and mom lost to a drug overdose, Michael lives a lonely life with his grandpa in Dublin.

A minor drug bust sends him to jail for three months and implicates his grand-father with a gang.

Michael Inside uses this brief period of incarceration to offer commentary on the Irish underclass, both inside prisons and out. It's a tough watch that aims for realism and doesn't miss.

Genre: Drama

Actor: Ally Ni Chiarain, Dafhyd Flynn, Elaine Kennedy, Frank Berry, Hazel Doupe, John Burke, John Quinn, Lalor Roddy, Moe Dunford, Robbie Walsh, Shane Gately, Steve Blount, Steven Blount, Tony Doyle

Director: Frank Berry

Rating: N/A

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It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Bryan Leder, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Edward Clements, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

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The death of the matriarch is, of course, sad, but the countryside wake of May Fools seems to be the opposite at first. Just before the heat of summer, the family reunion seems quaint, idyllic, and occasionally eccentric with Milou’s penchant for beekeeping and crayfish catching. The inevitable family squabble over the estate also gets humorous, and this all seems unimportant to the larger May 68 protests that threatened to escalate into civil war. But director Louis Malle finds the small personal changes of Milou’s family and presents them, not as more or less important, but genuine all the same, finding the humanity within each of these characters.

Genre: Comedy, Drama

Actor: Bruno Carette, Dominique Blanc, Étienne Draber, François Berléand, Harriet Walter, Hubert Saint-Macary, Jacqueline Staup, Jeanne Herry, Martine Gautier, Michel Duchaussoy, Michel Piccoli, Miou-Miou, Paulette Dubost, Rozenne Le Tallec, Valérie Lemercier

Director: Louis Malle

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This Norwegian documentary in English is about Magnus Carlsen, the current world champion who became a chess grandmaster at age 13. It might be tough to believe but Magnus' ascension was slowed down significantly by many crises in self-confidence and difficulty to cope with the pressure at a young age. With home footage and interviews with everyone from his adversaries to the champion himself, Magnus the movie tries to be a complete portrait of the prodigy. Yet, crucial aspects are missing, such as an explanation for a sudden change in character, and perhaps more importantly, explanations of Magnus' genius in chess. His techniques and approaches are mostly attributed to intuition, but the movie fails to explain how that intuition is reflected in the game.

Genre: Documentary

Actor: Garry Kasparov, Henrik Carlsen, Magnus Carlsen, Viswanathan Anand

Director: Benjamin Ree

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Even if you aren't familiar with Akira Kurosawa classics like Rashomon and Seven Samurai, Madadayo works as a portrait of a great man who seemed to feel nothing at the end of his career other than gratitude. Made up of long, wholesome conversations between real-life Japanese academic Hyakken Uchida (Tatsuo Matsumura) and his former students, the film finds plenty of wisdom in observing the little things. And as hard as his students try to make sure Uchida's twilight years are as comfortable as possible, there's still something elusive about this man overwhelmed by all the good and bad fortune in his life.

Genre: Comedy, Drama

Actor: Akira Terao, Asei Kobayashi, Eiji Bandô, George Tokoro, Hidetaka Yoshioka, Hisashi Igawa, Kazuhiko Kasai, Kinzō Sakura, Kōjirō Kusanagi, Kyōko Kagawa, Masahiko Tanimura, Masayuki Yui, Masuo Amada, Mie Suzuki, Minoru Hirano, Mitsuru Hirata, Nobuto Okamoto, Noriko Honma, Norio Matsui, Shigeo Katô, Shû Nakajima, Takao Zushi, Takeshi Kusaka, Tatsuo Matsumura, Tetsu Watanabe, Tetsuya Ito, Tomoko Ôtakara, Toshihiko Nakano, Yoshitaka Zushi

Director: Akira Kurosawa

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This documentary is about filmmaker Lacey Schwartz, who stands out from her devout New York Jewish family with her darker skin tone. For most of her life, the family attributed this to genes from a distant Sicilian ancestor.

But suspicions have always been there, what a family member calls “the 500-pound elephant in the room”. Schwartz embarks on a journey of untangling family secrets, self-discovery, with fascinating questions on race and identity. If you like family history documentaries like Stories We Tell, you will love this.

Genre: Documentary, Drama

Actor: Joshua Corwin, Lacey Schwartz Delgado, Mehret Mandefro

Director: Lacey Schwartz Delgado

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Sincere and direct, Ana Rocha de Sousa’s debut feature is a tragic portrayal of an immigrant family in the United Kingdom. Known best abroad for her role in Love Actually, Lúcia Moniz shines as devoted mother Bela, who, along with Jota (Ruben Garcia) struggles to keep their family together. The couple and their three children, including the deaf middle child Lu (Sophia Myles), come under the scrutiny of social services, especially after the unexplained bruises. While at times heavy-handed, the film raises important questions on family separation and social services, especially with their limitations with children with disabilities.

Genre: Drama

Actor: Aaron Brookner, Ângela Pinto, António Capelo, Brian Bovell, Holly Horne, Jay Lycurgo, Jon Rumney, Kiran Sonia Sawar, Lúcia Moniz, Maisie Sly, Ruben Garcia, Sian Abrahams, Sophia Myles, Susanna Cappellaro

Director: Ana Rocha de Sousa

Rating: Not Rated

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You don’t have to be an avid fan to enjoy Let the Canary Sing, which presents itself as a joyous blast to the past and an enlightening account of How to Make a Superstar in the ‘80s. Lauper had some help from the industry of course (not that she always listened) but she was a self-made, self-promoting artist who reveled in her outsider status and defiantly punk style. It’s a joy to see her find her voice and cement her status in an overcrowded market, and it’s just as great to see how much work was put into musical gems “Girls Just Wanna Have Fun” and “True Colors,” which have served and continues to serve as anthems of sorts for her unwavering advocacies for women and the queer community.

Genre: Documentary, Music

Actor: Cyndi Lauper

Director: Alison Ellwood

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Though it doesn't delve too deeply into any pressing issues in baseball or into its protagonist's Taiwanese roots, Late Life: The Chien-Ming Wang Story still makes for interesting viewing, mostly for its extremely specific discussions on baseball. Part sports documentary and part study on physical therapy, the film rejects any narratives about innate talent and greatness and aims to depict most great players as they really are: athletes who have had to train hard and maintain their progress through sheer force of will. And at the center is Chien-Ming Wang himself, a gentle and humble giant who makes for an unlikely but refreshing sports celebrity.

Genre: Documentary

Actor: Billy Connors, Brian Cashman, Chien-Ming Wang, Frank W Chen, Neil Allen

Director: Frank W Chen, Tommy Yu

Rating: N/A

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Being a post-pandemic show, a lot of this rides on camaraderie, on trauma bonding and a sense of unity. A lot of remember when’s and we all’s in a show built on Jo Koy’s appeal to shared experience. And being a Jo Koy show, a lot of this rides on caricature voices and sound effects and healthy audience interaction. But a lot of it falls short. If this is a celebration, it’s a celebration of Koy’s favorite reasons why he shouldn’t wear a face mask. A lot of the bits go long, and his toilet jokes and sheer crowd control shine as some of his better work, but compared to the rest of it which we slug through until he gets to a substantial ending spiel, it’s not really saying that much.

Genre: Comedy

Actor: Jo Koy

Director: Shannon Hartman

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You would think that a film made with Demi Moore, Sissy Spacek and Cher would be a major theatrical release, but even in 1996, the topic of abortion rights was still quite controversial. If These Walls Could Talk may be relegated to the small screen because of this, or because of being an anthology of shorts, but with each lead starring each segment, the film outlines real experiences with abortion, from the dangerous ways women had to resort to without it, to the way, that even with the Court’s support, these rights were actively suppressed. Of course, it’s a harrowing, unsubtle watch, and it would have been great to have a segment depicting the safety of modern day procedures, but if you have a friend that’s unconvinced of the procedure’s necessity, or if they’re entirely new to the conversation, If These Walls Could Talk is a place to start.

Genre: Drama, TV Movie

Actor: Aaron James Cash, Aaron Lustig, Anne Heche, Ben Marley, Brendan Ford, Carmen Thomas, Catherine Keener, CCH Pounder, Cher, Chris Ellis, Christine Avila, Craig T. Nelson, Demi Moore, Diana Scarwid, Eileen Brennan, Geoffrey Nauffts, Georganne LaPiere, Harris Yulin, Hedy Burress, Ian Bohen, Jack Kehler, Jada Pinkett Smith, Janna Michaels, Jason London, Joanna Gleason, Jordana Spiro, Judith Drake, Kevin Cooney, Lindsay Crouse, Lorna Scott, Lorraine Toussaint, Mary Portser, Matthew Lillard, Phyllis Lyons, Rita Wilson, Rob Camilletti, Robert Wisdom, Robin Gammell, Rusty Schwimmer, Sally Murphy, Sarah Koskoff, Shirley Knight, Sissy Spacek, Susie Spear Purcell, Tim DeKay, Vaughn Armstrong, Xander Berkeley, Zack Eginton

Director: Cher, Nancy Savoca

Rating: R

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