548 Movies Like Interstellar (2014) (Page 19)

Staff & contributors

Chasing the feel of watching Interstellar ? Here are the movies we recommend you watch right after.

"Interstellar," directed by Christopher Nolan, is a mesmerizing cinematic experience that seamlessly weaves together awe-inspiring visuals, intricate science fiction, and heartfelt storytelling. Set against a backdrop of Earth's environmental collapse, the film follows Cooper (Matthew McConaughey) and his team of scientists and astronauts as they embark on a perilous journey through a wormhole in search of a new habitable planet. Nolan's commitment to practical effects and meticulous attention to detail is evident in the film's stunning visuals, which bring the vastness and beauty of space to life. Hans Zimmer's hauntingly emotive score adds depth and intensity to the narrative, enhancing the overall cinematic experience. "Interstellar" challenges its audience with complex scientific concepts, yet it treats them with respect, avoiding oversimplification. This intellectual depth adds layers to the story, making it particularly rewarding for viewers who appreciate a more thought-provoking approach to science fiction. The performances, especially McConaughey's portrayal of Cooper, are outstanding, grounding the film's emotional core in the midst of its cosmic spectacle. While the film's deliberate pacing may test some viewers' patience, those who embrace its intellectual challenges will be rewarded with a profound and unforgettable journey through space and time. "Interstellar" stands as a visionary work of science fiction, exploring themes of love, sacrifice, and the human spirit's indomitable will to survive in the face of the unknown.

An eye-opening 1989 American documentary that boldly explores the experiences of Black gay men in America. Directed by Marlon Riggs, this film challenges societal norms and sheds light on the intersections of race, sexuality, and identity. Through a mix of personal testimonies, poetry, and distinctive visuals, Tongues Untied captures the struggles and resilience of its subjects, offering a raw and honest portrayal of their lives. Riggs' poetic approach and unflinching storytelling create an immersive experience that will leave a lasting impact. The film confronts issues of homophobia, racism, and social exclusion but also celebrates the strength and beauty of self-expression.

Genre: Documentary, Drama

Actor: Eddie Murphy, Marlon Riggs, Michael Bell, Willi Ninja

Director: Marlon Riggs

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A Ken Loach type of vibe drives The Selfish Giant  to be an interesting mix between anger,  desperation, and the beauty and humor often found in tough circumstances (think I, Daniel Blake but with kids as main characters). This sort of contemporary fable tells the story of two friends who skip school and hustle for work from a local scrap-dealer.  As they get more and more involved with him and his entourage, the grim realities of what once seemed a way out start to cast a shadow over their lives. The script is based on a short story by Oscar Wilde, it's a beautiful, ultimately sad portrayal of the British underclass.

Genre: Drama

Actor: Conner Chapman, Elliott Tittensor, Ian Burfield, Joseph Priestly, Lorraine Ashbourne, Macy Shackleton, Ralph Ineson, Rebecca Manley, Robert Emms, Sean Gilder, Shaun Thomas, Siobhan Finneran, Steve Evets

Director: Clio Barnard

Rating: Not Rated

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Warm, enchanting, poetic and delicate, this is an almost silent film about a poor Vietnamese girl who goes to work for a well-off family in Saigon. The film follows her experiences as she grows but is also very focused on the nature around her, and the beautiful little details of this nature, which the young girl seems attuned to and curious about. The feelings in the film come more from the excellent visuals rather than the plot itself.

Genre: Drama, Romance

Actor: Anh Hoa Nguyen, Hoa Hoi Vuong, Keo Souvannavong, Man San Lu, Ngoc Trung Tran, Thi Loc Truong, Tran Nu Yên-Khê, Vantha Talisman

Director: Anh Hung Tran, Tran Anh Hung

Rating: Not Rated

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Gangster films have an issue of glorifying organized crime, and in some ways The Pig, The Snake, and The Pigeon does the same. There are excellent, action-packed fight scenes that makes Ethan Juan as Chen Kui-lin look so damn cool, and the journey Chen takes as a stern criminal out for his legacy definitely romanticizes the character, but it’s so compelling to see him contemplate the purpose of his life through confronting those like him, who tend to move for the ideas of love and spiritual detachment. There are some moments when the pacing falters, but The Pig, The Snake, and the Pigeon delivers on its ending and reimagines the gangster as something to remember.

Genre: Action, Crime

Actor: Ben Yuen Foo-Wah, Chen Yi-wen, Cherry Hsieh, Ethan Juan, Gingle Wang, Huang Di Yang, Lee-zen Lee, Ming Che Lee, Nelson Shen, Peggy Tseng, Troy Liu, Yi-Jung Wu, Yu An-Shun

Director: Wong Ching-Po

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Set between the years 1977 and 2005, this Polish drama goes through various stages in the life of the controversial surrealist-expressionist painter Zdzisław Beksiński. The extensive video archive left behind by the artist was used to craft an intimate portrait of three interdependent people: Beksiński himself, his suicidal and neurotic son, and his wife.

Beksiński is superbly played by veteran actor Andrzej Seweryn, known for his appearance in numerous Andrzej Wajda films. Even though the film focuses less on Zdzisław's painting career and more on his relationship with his family, it will definitely inspire you to dig deeper into both his tragic life and impressively dark body of work. 

Genre: Drama

Actor: Agnieszka Michalska, Aleksandra Konieczna, Alicja Karluk, Andrzej Chyra, Andrzej Seweryn, Danuta Nagorna, Dawid Ogrodnik, Jakub Wróblewski, Magdalena Boczarska, Zofia Perczynska

Director: Jan P. Matuszynski

Rating: N/A

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Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary

Director: Dawn Porter

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There is no shortage of resources—be it books, films, articles, or interviews—about the atrocities Ferdinand Marcos unleashed on the Philippines. And yet, in the years since his exile and eventual death, his family has returned to power in the country, winning the hearts and (manipulated) minds of the masses.

In The Kingmaker, director Lauren Greenfield (who earlier directed the equally revealing The Queen of Versailles) exposes how this came to be, with a focus on the titular kingmaker herself, Imelda Marcos. It’s chilling how much of Imelda’s stated goals in this documentary, which spans five years, have come true. History repeats itself, and Greenfield skillfully and delicately captures the delusion, irony, and blatant corruption of a family dead set on owning a country, as if it were another luxury to purchase (or in the case of the Marcoses, pocket). 

Genre: Crime, Documentary, Drama

Actor: Andres D. Bautista, Benigno Aquino III, Bongbong Marcos, Etta Rosales, Imee Marcos, Imelda Marcos, Leni Robredo, Mary Yturria

Director: Lauren Greenfield

Rating: R

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The Automat is a charming documentary about the historic place it names—a spacious self-service cafeteria that fed thousands of people during a good part of the 20th century. Through nostalgic footage and delightful interviews with the likes of Mel Brooks, Howard Schultz, and Ruth Bader Ginsburg, The Automat successfully convinces you that more than just some gimmick, it was a cultural landmark, a piece of Americana whose existence alone taught an entire generation integral values like democracy, diversity, and hard work. It’s also straight-up hilarious, especially when Brooks attempts to direct the film himself, or other subjects salivate as they recall the Automat’s unbeatable menu. It’s more anecdotal than academic, so if you’re looking for a sweet, sentimental, and simple watch, this is it.

Genre: Documentary, Drama, History

Actor: Carl Reiner, Colin Powell, Elliott Gould, Howard Schultz, Mel Brooks, Ruth Bader Ginsburg

Director: Lisa Hurwitz

Rating: TV-PG

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Meditative, slow, and peppered with mysticism and subtle humour, Syndromes and a Century is a truly unique Thai drama. With a male and female doctor as the central protagonists, the story is split into two settings, in different hospitals and 40 years apart. This is not a plot-driven movie by any means. Patiently paced scenes weave together the protagonists’ memories with their current lives, in a hypnotic thread that touches on Buddhist themes as it explores the timeless human experiences of love, relationships, illness, and death.

The movie was originally intended to be a tribute to the parents of writer and director Apichatpong Weerasethakul, himself the son of physicians who worked in a hospital. Though he went on to claim that the movie took a different path eventually, it does recall the enigmatic spirit and ethereal quality of childhood memories. Despite—or maybe thanks to—the absence of narrative, Syndromes and a Century remains a beguiling watch from start to finish.

Genre: Drama, Romance

Actor: Jaruchai Iamaram, Jenjira Pongpas, Nantarat Sawaddikul, Sakda Kaewbuadee, Sophon Pukanok

Director: Apichatpong Weerasethakul

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Stories We Tell got on everyone’s radar when, back in 2015, it made the list of the all-time top ten list of Canadian films. That speaks to both the caliber of this movie and its relevance to North America. It’s in fact a first-person account about (and made by) actress Sarah Polley (Mr. Nobody, Exotica, Away from Her, Take This Waltz). In the film, she investigates the rumor that she was the product of an affair, and that her father might not be her biological father. Her family and suspected fathers are all storytellers, and many of them Academy Award winners. Ultimately, the movie becomes about her family’s remembrance of her now-deceased mother (the famous actress Diane Polley). It’s an examination of how the same story can be told so differently by different people and across time. Lies get added and truths are hidden, and all of that enriches Polley’s pursuit.

Genre: Documentary

Actor: Alex Hatz, Alexandra "Allie" MacDonald, Allie MacDonald, Anne Tait, Cathy Gulkin, Christine Horne, Dave Kiner, Deirdre Bowen, Geoffrey Bowes, Harry Gulkin, Jeanie Calleja, Jeff Mallory, Joanna Polley, John Buchan, Lani Billard, Mairtin O'Carrigan, Marie Murphy, Mark Polley, Michael Polley, Mort Ransen, Pixie Bigelow, Rebecca Jenkins, Robert MacMillan, Sarah Polley, Susy Buchan, Thomas Hauff, Tom Butler, Tracey Ferencz, Wayne Curnew

Director: Sarah Polley

Rating: PG-13

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Silver Dollar Road isn’t a new story– it’s one of many that comes as a consequence of systematic Black land loss that continues to happen to this day. Director Raoul Peck tells it in a new way, completely focusing on the Reels family and hearing their story entirely, from the initial confusion to two of the homeowners’ incarceration, and remembering the good old days when they used to enjoy the land. The land dispute has escalated to years of harassment, imprisonment, and being taken advantage of from opportunistic legal counsel. While it could have benefitted from from detailed legal proceedings, Silver Dollar Road still powerfully depicts an intimate family story that outlines the systemic racism enabling Black land loss today.

Genre: Documentary

Actor: Kim Renee Duhon, Mamie Reels Ellison

Director: Raoul Peck

Rating: PG

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Lee Holloway (Maggie Gyllenhaal) is compassionate and diminutive, but her social awkwardness hinders her as she attempts to navigate young adulthood. After recently being hospitalized for self-harm, Lee is determined to prove she is capable of autonomously taking care of herself. She begins working as a secretary for E. Edward Grey (James Spader), a meticulous attorney.

It’s not long before both Lee and Edward realize they’re attracted to one another’s opposite natures: Lee’s obedience and Edward’s dominance. They begin a mutually consensual BDSM relationship, with both experiencing a sexual and emotional awakening. 

The premise may sound familiar: 50 Shades of Grey is widely acknowledged as, at the very least, owing its title to Secretary. But while 50 Shades of Grey portrays an unhealthy, toxic, and superficial idea of a BDSM affair, Secretary maintains that consent must be at the core of any relationship. And ultimately for Lee and Edward, BDSM becomes a way for them to communicate and overcome their individual pain, and unite stronger as a vulnerable, loving whole.

Genre: Comedy, Drama, Romance

Actor: Alison Tatlock, Amy Locane, Christina Gray, David Wiater, Diane McGee, Erin Cressida Wilson, Ezra Buzzington, Herbert Russell, James Spader, Jeremy Davies, Jessica Tuck, Julene Renee, Kyle Colerider-Krugh, Lacey Kohl, Lauren Cohn, Lesley Ann Warren, Lily Knight, Maggie Gyllenhaal, Mary Joy, Michael Mantell, Osgood Perkins, Oz Perkins, Patrick Bauchau, Sabrina Grdevich, Shannon Convery, Stephen McHattie, Steven Fierberg, Steven Shainberg

Director: Steven Shainberg

Rating: R

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A great example that you don't necessarily need millions of dollars to deliver something technically brilliant, Residue takes a simple story of a man coming home and layers its images and sound design together until it becomes something else entirely. And even with its aesthetic sophistication, the performances behind it still come off as nothing less than genuine—as if writer/director Merawi Gerima was filming a documentary or just a bunch of people hanging out in their neighborhood. The film's experimental nature does, unfortunately, somewhat get in the way of the protagonist having a more well-defined worldview or philosophy to his own filmmaking. But overall the film remains an entirely unique gem for anybody willing to tru something different.

Genre: Drama

Actor: Dennis Lindsey, Derron "Rizo" Scott, Jacari Dye, Obinna Nwachukwu, Taline Stewart

Director: Merawi Gerima

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Aggressive, grungy, and rebellious, writer-director Fruit Chan’s debut film captures teen nihilism amidst abandonment in uncertain times. Immediately, the first look of this film is reminiscent of Wong Kar Wai with its use of character narration, hazy green scenes, and over-exposed film. However, Chan pairs these aesthetic techniques with the storyline of a revenge film mixed with an us-against-the-world mentality. While the protagonists Autumn Moon (Sam Lee), Ping (Neiky Yim Hui-Chi), and Sylvester (Wenders Li) start the film with teenage concerns like dealing with wet dreams, dating, and bullying, it’s clear that they go through them aimlessly, without the guidance of their fathers, almost as if with no hope at all due to their specific circumstances. In Chan’s hands, how every kid reacts to each change feels like an outburst against the adults in their life, and of the life outside of the film. It’s as if the words “fuck you” were made into a movie.

Genre: Comedy, Crime, Drama, Romance

Actor: Doris Chow, Sam Lee, Wenders Li Tung-Chuen

Director: Fruit Chan

Rating: Not Rated

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It’s hard not to botch a documentary about one of the most endearing, beloved, and talented celebrities to come out of the industry, so in subject matter alone, Love, Gilda is a winner. But director Lisa Dapolito rightly understands that Radner’s life is more than just the usual Hollywood story of stumbling into fame and fortune as she mines something quite special out of Radner’s journey. More than a biography, Love, Gilda is also a manifesto for female comedians, a relatable tale of girlhood, and a comforting message for those afflicted with similar illnesses that they’re not alone. Also, by the end, it turns into a great love story you can’t help but long for.

Genre: Documentary

Actor: Amy Poehler, Bill Hader, Bill Murray, Cecily Strong, Chevy Chase, Gene Wilder, Gilda Radner, Laraine Newman, Lorne Michaels, Martin Short, Maya Rudolph, Melissa McCarthy, Paul Shaffer

Director: Lisa D’Apolito

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