169 Movies Like Interstellar (2014) On Itunes Australia (Page 6)

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jill Parker-Jones, Julio Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Owen Wilson, Robert Musgrave, Russell Towery

Director: Wes Anderson

Rating: R

Filmed in Paul Greengrass' signature documentary style, Bloody Sunday captures one of the worst tragedies in Northern Ireland's recent history with stunning attention to detail and a single-minded focus that most thrillers only dream of having. But this film doesn't dress up its violence with Hollywood flashiness or contrived suspense. Everything is presented in a matter-of-fact way (and over the course of just one day), emphasizing how unjust the balance of power was between the Irish citizens and the British Army. It's a remarkably realistic reenactment that should inspire plenty of angry tears, having already made a mark by winning the prestigious Golden Bear at the 2002 Berlin International Film Festival.

Genre: Drama, History

Actor: Allan Gildea, Carmel McCallion, Christopher Villiers, David Clayton Rogers, David Pearse, Gerard Crossan, Gerard McSorley, James Hewitt, James Nesbitt, Kathy Kiera Clarke, Mary Moulds, Nicholas Farrell, Tim Pigott-Smith

Director: Paul Greengrass

A man is struggling to mourn his passing wife in this slow-burning Icelandic drama. The story starts with him converting an abandoned electricity station into a house, in an effort to find peace. Soon, however, questions about a possible extramarital affair that his wife disturb this peace and make it seem unattainable. 

The way A White, White Day's brilliant story unfolds might catch you off-guard a couple of times. Still, it's slow and requires a little bit of patience. Make sure you're in the mood for that to be rewarded with unmatched insight on how differently people process grief.

Genre: Drama

Actor: Arnmundur Ernst Björnsson, Björn Ingi Hilmarsson, Elma Stefanía Ágústsdóttir, Haraldur Ari Stefánsson, Hilmir Snær Guðnason, Ída Mekkín Hlynsdóttir, Ingvar E. Sigurðsson, Ingvar Eggert Sigurðsson, Ingvar Sigurdsson, Laufey Elíasdóttir, Sara Dögg Ásgeirsdóttir, Sigurður Sigurjónsson, Sverrir Þór Sverrisson, Thor Tulinius

Director: Hlynur Palmason

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont

This movie originally caught my eye for all the attention it got at the Cannes festival, but I assure you, all of the hype is more than warranted. Two Days, One Night takes you on an emotional journey with Sandra, recovering from depression and ready to get back to work, when she discovers that her co-workers, having to choose between receiving a bonus and Sandra keeping her job, hold her fate in their hands. And thus, barely convinced herself and with her husband as her only support, she sets out on an unlikely mission to convince the people to vote against the bonus so that she still has a salary. This movie will strike a chord for anyone who has encountered depression or even simply tried to understand the abstract concept that it is. Marion Cotillard flawlessly portrays through Sandra the desperate struggle of having to put up a fight despite the utter hopelessness that she finds herself drowning in. At strife with herself, watching her try even though every cell in her body has given up, is gut-wrenching and awe-inspiring at the same time. Before long Sandra's fight on the lay-off and on her own hopelessness seem to blur together. Whether she wins, is what keeps you hooked to the very end.

Genre: Drama

Actor: Alain Eloy, Baptiste Sornin, Batiste Sornin, Ben Hamidou, Catherine Salée, Christelle Cornil, Christelle Delbrouck, Fabrizio Rongione, Laurent Caron, Marion Cotillard, Morgan Marinne, Myriem Akeddiou, Myriem Akheddiou, Olivier Gourmet, Philippe Jeusette, Pili Groyne, Simon Caudry, Tom Adjibi, Yohan Zimmer

Director: Jean-Pierre Dardenne, Luc Dardenne

Rating: PG-13

Similar in spirit and in subject matter to the Oscar-winning documentary 20 Feet from Stardom, The Wrecking Crew pulls back the curtain on the recording of many of the greatest American songs of the 1960s and '70s: that a single group of unassuming session musicians were responsible for bringing out the sound in these tracks. The film is a treasure trove for musicians and music fans, making you hear certain instrumental nuances in a different light and deepening your perception of music between what was written and what was recorded. Then inevitably and tragically, the realization sets in that few—if any—of these musicians have received the recognition they truly deserve, as essential but unfairly small parts of a music industry ecosystem that often cares more about image and entertainment than musicianship.

Genre: Documentary, Family, Music

Actor: Adam West, Al Casey, Al Jardine, Annette Funicello, Bones Howe, Brian Wilson, Bruce Johnston, Carl Wilson, Carol Kaye, Cher, Dean Martin, Dick Clark, Don Randi, Eva Gabor, Frank Sinatra, Frank Zappa, Frankie Avalon, Glen Campbell, Graham Nash, Hal Blaine, Herb Alpert, Jan Berry, Jimmy Webb, Jody McCrea, Lou Adler, Micky Dolenz, Mike Love, Nancy Sinatra, Peter Tork, Ricky Nelson, Sam Cooke, Sammy Davis Jr., Sonny Bono, Tommy Kirk, Tommy Sands

Director: Denny Tedesco

Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back. 

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eddie Plaza, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

If you were on the Internet around 2015, you might be familiar with the viral phenomenon that is Wakaliwood, a “slum” neighborhood of Kampala, Uganda from where self-taught director Isaac Nabwana churns out bombastic DIY action comedies. Though they rack up online views in the millions, Isaac’s low-budget films weren’t money-makers due to a lack of proper distribution — something Alan Hofmanis, a Wakaliwood superfan and well-meaning New York-based publicist, wanted to help change.

Once Upon a Time chronicles the ups and somewhat perplexing downs of Isaac and Alan’s partnership, but their murky beef doesn’t detract too much from the documentary’s greatest strength, which is its showcasing of the scrappy spirit shared by Isaac and his volunteer collaborators: the actors who gleefully throw themselves in the mud for him, the “voice jokers” who provide riotous live narration at his screenings, and the props man who can jerry-rig just about anything his scripts call for. As Isaac points out, filmmaking is a business in the rest of the world — in Wakaliwood, it’s a passion. If Once Upon a Time does one thing, it’s faithfully transmit Isaac’s pure love for the craft — and, in doing so, reinvigorate us with the infectious joy that animates all of his movies.

Genre: Documentary, Drama

Actor: Alan Hofmanis, Bisaso Dauda, Nabwana IGG, V.J. Emmie

Director: Cathryne Czubek

British director Adrian Lyne (9 1/2 Weeks) is famous for his uncompromising treatment of seedy eroticism and charged stories. Fatal Attraction is a staple of the erotic thriller genre and with good reason, it's steamy and very 1980s in the best possible way. Like a good vintage, it has the whiff of old times, but with the pleasure of a spectacle that belongs to the past. That's the lens through which you can view the story of a deranged mistress who won't stop at anything to ruin your life and marriage, and still savour some sanity in the 21st century. Seen from a slightly removed perspective, the film becomes a stylized variation on conservative AIDS panic and a provocation to conservative heteronormativity. It has to be said that not all of the film has aged well, especially the gender politics at play. But if you can soothe yourself with a revisionist reading, it pairs well with Paul Verhoeven's Basic Instinct: the things Michael Douglas's characters do for (extramarital) thrills...

Genre: Drama, Thriller

Actor: Anna Thomson, Anne Archer, Barbara Harris, Carol Schneider, Christine Farrell, Christopher Rubin, David McCharen, Ellen Foley, Ellen Hamilton Latzen, Faith Geer, Fred Gwynne, Glenn Close, Greg Rhodes, J.D. Hall, J.J. Johnston, James Eckhouse, Jan Rabson, Jane Krakowski, Judi M. Durand, Justine Johnston, Larry Moss, Lois Smith, Lynnanne Zager, Marilyn Schreffler, Mary Joy, Meg Mundy, Michael Arkin, Michael Douglas, Mike Nussbaum, Rocky Krakoff, Sam Coppola, Stuart Pankin, Tom Brennan, Vladimir Skomarovsky

Director: Adrian Lyne

Rating: R

Featuring real, in-the-moment footage of operations to rescue young queer individuals from the continuing anti-gay purges in the Chechen Republic, Welcome to Chechnya makes for a demanding but essential call to action. There's a genuine sense of fear that pervades the documentary, not just for those being rescued after being forcibly outed, beaten, and trapped by the people around them, but for the filmmakers themselves, whose operations are built on meager resources and desperate, spur-of-the-moment decisions. It's a remarkably courageous film—one that also presents new ways of keeping sensitive subjects safe through the thoughtful use of deepfake technology, keeping their identities hidden while allowing them to freely express themselves.

Genre: Documentary

Actor: Ramzan Kadyrov, Vladimir Putin, Zelim Bakaev

Director: David France

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

Running on Empty is a movie that covers many timely themes including capitalism, education, and social class. It tells the story of a family who have to go on the run and hide their true identity for the rest of their lives. Director Sidney Lumet’s light touch on heavy topics gives the movie a tender and intimate atmosphere throughout. Aside from the great script, River Phoenix's performance is definitely one of the biggest highlights of this movie, where he successfully delivers a restrained yet fascinating performance. Christine Lahti and Judd Hirsch also give a top-notch performance that adds to the movie’s thrill. In short, Running on Empty is the kind of movie that shows there is courage in running away when it's the right thing to do.

Genre: Crime, Drama, Romance

Actor: Alice Drummond, Angela Pietropinto, Augusta Dabney, Bobo Lewis, Burke Pearson, Christine Lahti, Daniel Dassin, David Margulies, Donna Hanover, Ed Crowley, Elżbieta Czyżewska, Herb Lovelle, Jenny Lumet, Jonas Abry, Judd Hirsch, Justine Johnston, L.M. Kit Carson, Leila Danette, Lynne Thigpen, Marcia Jean Kurtz, Martha Plimpton, Michael Boatman, River Phoenix, Ronnie Gilbert, Sloane Shelton, Steven Hill, William Foeller

Director: Sidney Lumet

Rating: PG-13