43 Movies Like Inherent Vice (2014) (Page 3)

The Safdie Brothers spent over a decade making films before their mainstream breakout with Good Time and Uncut Gems. Their rich backlog captures New York City in its raw vibrant glory. Daddy Longlegs is the sardonic semi-autobiographical portrait of the Safdies’ childhood spent with their father after their parents' divorce. 

Lenny (Ronald Bronstein) is an awful dad whose parenting style ranges from the wildly irresponsible to the criminally negligent. While his behavior is often detestable and has few if any redeeming traits, the Safdies’ puncture through his demeanor and craft a sensitive portrait of fatherhood imbued with affection and feeling that could only originate from the well of a child’s capacity for forgiveness and love.

 

Genre: Comedy, Drama

Actor: Abel Ferrara, Alex Greenblatt, Alex Kalman, Casey Neistat, Dakota Goldhor, Dakota O'Hara, Danny Callahan, Eléonore Hendricks, Josh Safdie, Lee Ranaldo, Marc Raybin, Ronald Bronstein, Sage Ranaldo, Salvatore Sansone, Sean Price Williams, Seth Fleischaner, Steve Davis, Van Neistat, Wayne Chin

Director: Benny Safdie, Josh Safdie

A dramatic recreation of the last 10 years in the life of famed pianist Liberace (Michael Douglas), told primarily from the perspective of his young lover Scott Thorson (Matt Damon). Directed by Steven Soderbergh, the film follows from naive young Thorson’s early introduction to Liberace through his 6-year romance and live-in relationship with the celebrated luminary. Coming from a broken home and multiple foster families, Thorson finds newfound comfort in the fawning adoration and financial protection that Liberace provides to him, as they quickly become lovers and confidants. Much of the story re-enacts their often stormy, behind-the-scenes affairs in candid fashion—including the lengths to which Thorson alters himself physically to conform to Liberace’s standards. Both Douglas and Damon are excellent in their roles, with Douglas in particular providing a striking recreation of Liberace in both appearance and mannerism. He truly embodies the role, and provides the viewer with a genuine glimpse into the personal life of “Mr. Showmanship"—replete with all of his passions, concerns and insecurities. It’s an intimate depiction of a real-life May-December relationship, told with striking honesty, and ending with a remarkably touching tribute to Liberace in all of his campy yet sincere glory.

Genre: Drama, Romance

Actor: Adam J. Kassel, Amber Lee Ettinger, Anna Wendt, Anthony Crivello, Aussie Guevara, Austin Stowell, Ayesha Orange, Barbara Brownell, Becca Sweitzer, Boyd Holbrook, Brandon Henschel, Brian Blu, Brittany Perry-Russell, Bruce Ramsay, C.J. Stussi, Cal Rein, Casey Kramer, Cassandra M. Bellantoni, Cassidy Noblett, Charles Moniz, Charlotte Crossley, Cheyenne Jackson, Corey Eid, Dan Aykroyd, David Dustin Kenyon, David Koechner, Debbie Reynolds, Deborah Lacey, Dominique Kelley, Eddie Jemison, Eric Zuckerman, Ferly Prado, Fielding Edlow, Francisco San Martin, Garrett M. Brown, Greg Baine, Gregg Atwill, Gregory Niebel, Harvey J. Alperin, Hugo Pierre Martin, Jane Morris, Jason Williams, Jerry Clarke, Jimmy Scanlon, Joe Filippone, Johnny Carson, Josh Meyers, Kass Connors, Kc Monnie, Kelli Erdmann, Kelly Allen, Kiff VandenHeuvel, Kristin Lindquist, Krystal Ellsworth, Lance Patrick, Lenny Jacobson, Lisa Frantz, Matt Damon, Max Napolitano, Meredith Ostrowsky, Michael Douglas, Mike Jerome Putnam, Mike O'Malley, Natacha Bachour, Nellie Sciutto, Nick Lanzisera, Nicky Katt, Nikea Gamby-Turner, Pat Asanti, Patty Chong, Paul Borst, Paul Reiser, Paul Witten, Peggy King, Rachael Markarian, Randy Lowell, Richard Allan Jones, Rick L. Dean, Rob Lowe, Roby Schinasi, Ryan Novak, Scott Bakula, Shaun T. Benjamin, Stephanie Maura Sanchez, Thure Riefenstein, Timothy Skyler Dunigan, Tom Papa

Director: Steven Soderbergh

Rating: TV-MA

We Are the Best! is one movie that may be overlooked largely by viewers, though it perfectly captures counterculture, and relates to the misfit young and old. The movie is an adaptation of Moodysson's wife Coco's graphic novel "Never Goodnight". Set in Stockholm, Sweden in 1982, Klara (Mira Grosin) and her best friend Bobo (Mira Barkhammar) are junior high teenage girls who believe in their heart that punk rock is alive and well. With both of their home lives not so pleasant, the girls spend their time at the local youth center while taking up the time slot in the band room to get revenge on the local metal band. That's when they find themselves starting a punk band without even knowing how to play an instrument. We Are the Best! is a fun and deeply sincere exploration of adventure, friendship, love, and betrayal in adolescence.

Genre: Comedy, Drama, Music

Actor: Ann-Sofie Rase, David Dencik, Emrik Ekholm, Felix Sandman, Johan Liljemark, Lena Carlsson, Liv LeMoyne, Mira Barkhammar, Mira Grosin, Peter Eriksson, Sofi Ahlström Helleday

Director: Lukas Moodysson

Rating: Not Rated

This is a revelation of a movie for its simplicity in handling a pretty serious and dark subject. It's the story of a generally immature and newly unemployed stand-up comic in New York and her unplanned pregnancy with a man that was supposed to be a fling, and it's surprisingly funny and yet rather touching. I can't think of many actresses who would've fit the bill quite like Jenny Slate. Not only is she hilarious, but her treatment of a generally sensitive issue from the honest, crass point of view of a down-on-life, New York-er leaves you drowning in empathy for her. I recommend this for anyone looking to cuddle up, have a few little clever laughs and feel all tingly in the chest-al area.

Genre: Comedy, Romance

Actor: Amy Novondo, Cindy Cheung, David Cross, Elise Widerker, Emily Tremaine, Ernest Mingione, Gabe Liedman, Gaby Hoffmann, Jake Lacy, Jennifer Kim, Jenny Slate, Justin Lerner, Karen Maine, Kitty Crystal, Mary DelMarco, Michael Bonfiglio, Nicholas Cirillo, Paul Briganti, Polly Draper, Richard Kind, Sarina Roma, Stacey Sargeant, Stephen Singer, Suzanne Lenz

Director: Gillian Robespierre

Rating: R

Nine years after his out-of-nowhere, mind-bending premier Primer, writer/producer/director/ star Shane Carruth returns with this exponentially more challenging feature—a neo sci-fi/drama/romance/thriller quite nearly impossible to describe effectively in words. Ostensibly focused upon a woman who has been drugged, brainwashed and robbed and is subsequently drawn to an unknown man who has experienced a similar theft, Carruth draws out the drama in a fractured narrative that challenges the viewer to piece together the dream-like story fragments and implications like a complicated puzzle. Certainly not "audience friendly" in any sort of traditional sense, I love how Carruth paints such an elaborate, intelligent tale in such a remarkably original manner. If this is the future of film, I'm definitely on board.

Genre: Drama, Romance, Science Fiction

Actor: Amy Seimetz, Andreon Watson, Andrew Sensenig, Ashton Miramontes, Brina Palencia, Carolyn King, Frank Mosley, Jack Watkins, John Walpole, Joy Leigh, Kerry McCormick, Mollie Milligan, Myles McGee, Shane Carruth, Thiago Martins

Director: Shane Carruth

Rating: Not Rated

Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred