57 Movies Like Indiana Jones and the Dial of Destiny (2023) (Page 4)

Staff & contributors

Chasing the feel of watching Indiana Jones and the Dial of Destiny ? Here are the movies we recommend you watch right after.

, 2024

Sometimes, after a demanding work week, you want to watch a low-stakes, enjoyable movie with just enough plot to enjoy. Heist comedy Lift tries to be that film, with Kevin Hart as a smooth criminal who steals art in order to keep art from undeserving owners and improve the artist’s revenue from their work. It’s an interesting twist to the Robin Hood stereotype, one that could have hinted at concerns of screen artists last year when its release date was originally scheduled for. That being said, the film throws this idea away when Kevin Hart and his team are now forced to participate in a risky heist due to the Interpol. The events that play out amount to a fairly generic caper, but there are far better heist films to spend your weekend watching, with far better plots and stunts.

Genre: Action, Comedy, Crime

Actor: Amit Dhut, Andrew Wilson, Billy Magnussen, Burn Gorman, Caroline Loncq, David Proud, Erol Ismail, Gary Fannin, Gerard Monaco, Gordon Alexander, Gugu Mbatha-Raw, Jacob Batalon, Jean Reno, Jess Liaudin, Kevin Hart, Kim Yun-jee, Oli Green, Paul Anderson, Ross Anderson, Roy McCrerey, Russ Bain, Sam Worthington, Úrsula Corberó, Vincent D'Onofrio, Viveik Kalra

Director: F. Gary Gray

Rating: PG-13

While investigating a gold heist in Johannesburg, Chili (S'dumo Mtshali) is jaded after an undercover operation fails spectacularly. With one chance left, he must choose between following the law and protecting the wealth of higher-ups or going against it and helping a heist crew dole out the riches to those in need. Wealth redistribution is at the heart of the film, with greed on all sides thwarting any prospects of prosperity for the city. The action-crime-thriller examines economic inequality via the lead cops trying to effect change, all while leaning into a warm visual style that shifts cameras to mirror the tensions. It's a nice touch to the average Robin Hood and "for the people" narrative, but the CGI choices and generic action scenes can get distracting at times.

Genre: Action, Crime, Thriller

Actor: Brenda Ngxoli, Deon Lotz, Presley Chweneyagae, S'Dumo Mtshali

Director: Donovan Marsh

This B-movie sci-fi-action-thriller from co-writer-director Robert Rodriguez starts out like a hammy pastiche of (the already overdone) Taken, but its interminable succession of galaxy-brain twists reveals other obvious influences — among them Inception, Memento, and Shutter Island. Fine ingredients, but the recipe is all wrong, as a gravelly-voiced, seemingly barely awake Ben Affleck sleepwalks his way through the cringy dialogue. Alongside William Fichtner in shady supervillain mode, Affleck is joined in that endeavor by Alice Braga as the psychic who is (seemingly) helping his Detective Rourke track down his (again, seemingly!) kidnapped daughter, though what Braga mostly does is hold the audience’s hand and explain the plot’s increasingly convoluted sci-fi elements to us. At one point, she tells Rourke that “pain keeps the mind awake” — and, while the excruciating script doesn’t seem to have that effect on Affleck (judging from his lethargic performance), it’s hard not to find yourself a little enlivened by Hypnotic’s sheer absurdity.

Genre: Action, Drama, Mystery, Science Fiction, Thriller

Actor: Alice Braga, Ben Affleck, Bobby Hernandez, Bonnie Discepolo, Carrick O'Quinn, Corina Calderon, Dayo Okeniyi, Derek Russo, Gabriel 'G-Rod' Rodriguez, Hala Finley, J. D. Pardo, Jackie Earle Haley, Jeff Fahey, Kelly Frye, Kelly Phelan, Lawrence Varnado, Nikki Dixon, Ryan Ryusaki, Sonia Izzolena, William Fichtner, Zane Holtz

Director: Robert Rodriguez

The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.

Genre: Action, Comedy, Crime

Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić

Director: Peter Atencio

Rating: R

In the sea of mommy-horror films, Run Rabbit Run would float somewhere in the middle. Despite Sarah Snook's imposing commitment to playing a mother haunted by her past, the story doesn't meet her halfway with a memorable script. The dynamic between mother and daughter gets stuck in an exhausting loop of sudden bursts of anger and angst followed by glaringly quick reconciliation. Twists and scares are present as Snook's character, also named Sarah, confronts the dark and disturbing truths of her past, but it feels more mandatory than useful. The potential for transforming gripping familial tension into horror is lost in a meandering mother/daughter fight.

Genre: Drama, Horror, Thriller

Actor: Damon Herriman, Genevieve Morris, Greta Scacchi, Julia Davis, Katherine Slattery, Lily LaTorre, Michala Banas, Naomi Rukavina, Neil Melville, Sarah Snook, Trevor Jamieson

Director: Daina Reid

A movie based on a theme park ride is always going to be a marketing exercise, but what’s remarkable about Haunted Mansion is how uninterested it is in even pretending to be anything more. Amazon, Yankee Candle, CVS, Baskin Robbins, Burger King: you could fill a mall with the list of brands shamelessly name-dropped in the movie. Gallingly, the cast are even forced to do double duty as brand ambassadors during some of the movie’s most determined efforts at poignancy — oof.

Not even an ensemble featuring the comedic-dramatic chops of LaKeith Stanfield, Rosario Dawson, Tiffany Haddish, Danny DeVito, Owen Wilson, and Chase Dillon (the best of the bunch) can make such naked cash-grabs feel organic. What’s more, though, Haunted Mansion depressingly asks so little of its cast that there aren’t really any opportunities for them to counterbalance these embarrassing moments with anything approaching compelling. Adding to its struggles are the mansion’s sludgy color palette (which renders every scene unremarkable, no matter how moving or spooky it’s supposed to be) and the fact that it somehow feels rushed even at an overlong two hours. Though you can appreciate director Justin Simien’s efforts at elevating the material into something coherent, Haunted Mansion feels as lifeless as the ghosts that fill it.

Genre: Comedy, Family, Fantasy, Horror

Actor: Alisa Harris, Amy Parrish, Andrew Morgado, Anthony Burrell, Arielle Prepetit, Ashley John, Ayane Azevedo, Ben Bladon, Bryan McClure, Chad Crumley, Charity Jordan, Charles Black, Chase W. Dillon, Chenise Johnson, Christopher Winchester, Clarence White III, Creek Wilson, Cruz Abelita, D. Jerome Wells, Dan Levy, Danny DeVito, Derrick James Moss, Don Stallings, Edward Zhu, Elisabeth Lagrande, Erika Coleman, Erion Brandon WIlliams, Fedor Steer, Glendon Ray Hobgood, Gralen Bryant Banks, Hasan Minhaj, Hector Machado, Helene Henry, Ian Covell, J.R. Adduci, Jamie Lee Curtis, Jared Leto, Jared Simon, Jo Koy, John Curran, Joseph Miller, Julie Nalibov, Kailie Sanders, Kamran Shaikh, Kat Montes, Kathi Callahan, Kay Galvin, Keiko Bell, Kurt Yue, Lakeith Stanfield, Lindsay Lamb, Lorenzo Beronilla, Lumar Christopher Leblanc III, Manuel Perkins, Marcus Otis Hubbard, Marilu Henner, Mike Benitez, Nico Gomez, Owen Wilson, Paul Michael Robertson, Rachel Pitner, Raianna Brown, Rick Andosca, Rosario Dawson, Rowan Joseph, Sebastien Soudais, Steve Zissis, Terence Mathews, Terence Rosemore, Tiffany Haddish, Tony Paone, Tracy Goode, William Calvert, Winona Ryder

Director: Justin Simien

Rating: PG-13

The Spy Kids movies have always been knowingly corny, which hasn't changed for this latest installment—it's just that it also has an odd lack of color and personality to its generic action movie shenanigans. This is especially disappointing given the film's focus on video games, which it only seems to understand in their most surface level terms. And because there's a lack of definition in the movie's rules and logic, the plot progresses without any weight or sense of mounting excitement. These are just people going through the motions toward some unclear message about the value of honesty and kindness, which never really factor into the actual adventure and keep the status quo firmly unchanged.

Genre: Action, Action & Adventure, Adventure, Comedy, Family, Science Fiction

Actor: Billy Magnussen, Connor Esterson, D.J. Cotrona, Everly Carganilla, Gina Rodriguez, Jersey Johnston, Joe Schilling, Neal Kodinsky, Solar Dena Bennett, Zachary Levi

Director: Robert Rodriguez

Rating: PG

Given the nature of the subject (the discovery of a species that predates humans), this installment of the Unknown documentary movies has more fanfare than its predecessors. The narrative never transcends positing that a Homo Naledi is just like Homo Sapiens, but not really. The experts' enthusiasm is often unsettling when you quickly realize that no opposing view is mentioned. In other installments, the balance of arguments for and against discoveries made the narrative compelling. However, Cave of Bones is suspiciously wrapped in (and warped by) the need to have Homo Naledis feel different from humans. What is initially fascinating eventually lends itself to fatigue when discoveries and philosophized theories are repeatedly aggrandized. 

Genre: Documentary

Actor: Lee Berger

Director: Mark Mannucci

Rating: PG

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva

Director: Antoine Fuqua

Rating: R

What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more. 

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Barney Burman, Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Ashley, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R

Making a heist so unoriginal and uneventful is a feat, and Gold Brick manages to do both without missing a beat. None of the characters are particularly interesting or distinct enough to remember their names. The idea of stealing from a big corporation (usually a solid setup) has no bite because the motivations feel hollow and unrealized. Most of the "ingenious" slight of hands and master plans don't impress or stick, and later plot points' payoffs stay as lackluster as their setups. Crisp, saturated cinematography is pleasant on the eyes but not enough to stop them from glazing over.

Genre: Comedy, Drama

Actor: Agathe Rousselle, Antoine Gouy, Bruno Lochet, Grégoire Colin, Igor Gotesman, Irina Muluile, Ludovik, Nicolas de Lavergne, Nina Meurisse, Raphaël Quenard, Slimane Dazi, Stéphan Wojtowicz, Youssef Hajdi

Director: Jérémie Rozan

Christmas is a common setting for romance stories, because it’s obviously the best time to warm up… if you know what we mean. (Warm drinks, sweet treats, and snuggling with loved ones, of course.) Christmas as Usual seems to go along that vein, as Thea brings home her fiancé Jashan to meet the parents, and he tries to impress her family, as these family Christmas romances tend to go. This obviously brings about the relatable romantic troubles that anyone can empathize with, so it’s a bit of a shock when Thea’s Norwegian family treats Jashan so badly that it seems more insidious than good ol’ concern over their daughter. Had the story been approached with more sensitivity, Christmas as Usual would have been outstanding, but its current version never really questions the racism of the Norwegian family, or the passive way Thea just lets it all happen.

Genre: Comedy, Drama, Romance

Actor: Erik Follestad, Ida Ursin-Holm, Jonas Strand Gravli, Kanan Gill, Mads Sjogard Pettersen, Marit Andreassen, Veslemøy Mørkrid

Director: Petter Holmsen