21 Movies Like Indiana Jones and the Dial of Destiny (2023) On Vudu (Page 2)

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Chasing the feel of watching Indiana Jones and the Dial of Destiny ? Here are the movies we recommend you watch right after.

This biopic of the little-known Chevalier de Saint-Georges, the world’s first prominent Black classical composer, opens with a fierce indictment of history’s ignorance of its subject. Even if it’s one example of the movie’s dramatic license-taking, the scene — in which the Chevalier (Kelvin Harrison Jr.) challenges his eminent contemporary Mozart to an onstage musical “duel” and easily bests him — is a dramatically thrilling statement of intent for the movie.

Unfortunately, the rest of its overlong runtime doesn’t quite fulfill the promise of that opener. That’s largely because of the writing, which leaves uber-talented performers like Harrison Jr. with only a limited range of notes to play. What’s more, Chevalier stops short of exploring some of the most fascinating facts of its multihyphenate subject’s life — like the role he played in the French Revolution, commanding the first all-Black regiment in Europe — in favor of hewing to a predictable screenwriting formula that demands a romantic element to the plot, even if the one in question is only thinly backed by actual evidence. Still, while some of Chevalier’s filmmaking choices seem to misjudge what makes its subject so interesting, the key facts of his life — his extraordinary skill at music and fencing, the role racism played in blocking his greatest ambitions — still get enough exposure here to make it an enlightening watch.

Genre: Drama, History, Music

Actor: Alec Newman, Alex Fitzalan, Ben Bradshaw, Henry Lloyd-Hughes, Jessica Boone, Jim High, Joseph Prowen, Kelvin Harrison Jr., Lucy Boynton, Marton Csokas, Minnie Driver, Ronkẹ Adékoluẹjo, Sam Barlien, Samara Weaving, Sian Clifford

Director: Stephen Williams

It's a pretty nifty idea to expand on just one section of Bram Stoker's Dracula that's essentially just a footnote but implies something much more violent and horrific. And to its credit, The Last Voyage of the Demeter takes this sliver of the source material very seriously—with strong, period-specific production design and a cast that brings humanity and morality to their otherwise two-dimensional characters. Unfortunately, the film just doesn't know what to do with itself. As a creature feature, the thrills are uninspired and difficult to see properly on screen; as a supposedly character-driven horror movie, it only ever gestures toward deeper ideas but fails to give the tragic nature of its story any weight. And Dracula himself has none of the terror or the sophistication that has made him such an enduring figure throughout all of fiction. He's just a thing with wings.

Genre: Fantasy, Horror, Thriller

Actor: Adam Shaw, Aisling Franciosi, Chris Walley, Christopher York, Corey Hawkins, David Dastmalchian, Graham Turner, Javier Botet, Jon Jon Briones, Liam Cunningham, Malcolm Galea, Martin Furulund, Nicolo Pasetti, Nikolai Nikolaeff, Noureddine Farihi, Sally Reeve, Stefan Kapičić, Vladimir Cabak, Woody Norman

Director: André Øvredal

, 2024

Sometimes, after a demanding work week, you want to watch a low-stakes, enjoyable movie with just enough plot to enjoy. Heist comedy Lift tries to be that film, with Kevin Hart as a smooth criminal who steals art in order to keep art from undeserving owners and improve the artist’s revenue from their work. It’s an interesting twist to the Robin Hood stereotype, one that could have hinted at concerns of screen artists last year when its release date was originally scheduled for. That being said, the film throws this idea away when Kevin Hart and his team are now forced to participate in a risky heist due to the Interpol. The events that play out amount to a fairly generic caper, but there are far better heist films to spend your weekend watching, with far better plots and stunts.

Genre: Action, Comedy, Crime

Actor: Amit Dhut, Andrew Wilson, Billy Magnussen, Burn Gorman, Caroline Loncq, David Proud, Erol Ismail, Gary Fannin, Gerard Monaco, Gordon Alexander, Gugu Mbatha-Raw, Jacob Batalon, Jean Reno, Jess Liaudin, Kevin Hart, Kim Yun-jee, Oli Green, Paul Anderson, Ross Anderson, Roy McCrerey, Russ Bain, Sam Worthington, Úrsula Corberó, Vincent D'Onofrio, Viveik Kalra

Director: F. Gary Gray

Rating: PG-13

This B-movie sci-fi-action-thriller from co-writer-director Robert Rodriguez starts out like a hammy pastiche of (the already overdone) Taken, but its interminable succession of galaxy-brain twists reveals other obvious influences — among them Inception, Memento, and Shutter Island. Fine ingredients, but the recipe is all wrong, as a gravelly-voiced, seemingly barely awake Ben Affleck sleepwalks his way through the cringy dialogue. Alongside William Fichtner in shady supervillain mode, Affleck is joined in that endeavor by Alice Braga as the psychic who is (seemingly) helping his Detective Rourke track down his (again, seemingly!) kidnapped daughter, though what Braga mostly does is hold the audience’s hand and explain the plot’s increasingly convoluted sci-fi elements to us. At one point, she tells Rourke that “pain keeps the mind awake” — and, while the excruciating script doesn’t seem to have that effect on Affleck (judging from his lethargic performance), it’s hard not to find yourself a little enlivened by Hypnotic’s sheer absurdity.

Genre: Action, Drama, Mystery, Science Fiction, Thriller

Actor: Alice Braga, Ben Affleck, Bobby Hernandez, Bonnie Discepolo, Carrick O'Quinn, Corina Calderon, Dayo Okeniyi, Derek Russo, Gabriel 'G-Rod' Rodriguez, Hala Finley, J. D. Pardo, Jackie Earle Haley, Jeff Fahey, Kelly Frye, Kelly Phelan, Lawrence Varnado, Nikki Dixon, Ryan Ryusaki, Sonia Izzolena, William Fichtner, Zane Holtz

Director: Robert Rodriguez

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva

Director: Antoine Fuqua

Rating: R

What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more. 

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Barney Burman, Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Ashley, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R