How do you make a film about the Holocaust feel new? How do you make the terrors feel fresh, like it was just in the news, without sounding redundant or without giving into the sensationalized and emotionally manipulative? For Director Jonathan Glazer, the answer lies in not what you show but what you don’t show. The Zone of Interest is shot from the point of view of Nazi Officer Rudolf Höss (Christian Friedel) and his wife Hedwig (Sandra Hüller), who live a dreamy life right next to the infamous Auschwitz death camp. Glazer frames them plainly and without flourish as they ignore (or, arguably, revel in) the glow of burning bodies, the howls of pain, and the billows of smoke coming from the torture chamber a wall away. It’s a powerful, nauseating contrast that turns the question from “How can they do this?” to “Who among us is committing the same things right now?” Who among us is casting a blind eye to the atrocities and genocide being committed at this very moment to our neighbors? The film, which is also a technical feat in terms of the way it’s shot (the crew and cameras remained hidden so that the actors were free to roam, as if in a play) is chilling and thought-provoking, and it will unnerve you for days on end.
Genre: Drama, History, War
Actor: Anastazja Drobniak, Benjamin Utzerath, Bernhard Schirmer, Carsten Koch, Christian Friedel, Daniel Holzberg, Freya Kreutzkam, Halina Drzymota, Imogen Kogge, Jakub Sierenberg, Johann Karthaus, Kalman Wilson, Klaudiusz Kaufmann, Leo Meier, Lilli Falk, Luis Noah Witte, Marie Rosa Tietjen, Martyna Poznanski, Maximilian Beck, Medusa Knopf, Nele Ahrensmeier, Patryk Mika, Rainer Haustein, Ralf Zillmann, Ralph Herforth, Sandra Hüller, Sascha Maaz, Shenja Lacher, Stephanie Petrowitz, Thomas Neumann
Director: Jonathan Glazer
Rating: PG-13
