527 Movies Like Inception (2010) (Page 32)

Incredible footage combined with a great soundtrack will keep you frozen in your seat until global warming melts you off (so to speak). Chasing Ice is about a National Geographic photographer who tries to capture a complete overview of what climate change is doing to our planet. Consequently this movie took years to make and countless technical issues had to be dealt with in order to record the time-lapse videos. The result is mesmerizing, and captures something that has never been caught on camera before. This movie is evidence of what our planet is going through that everyone can relate to. Be prepared to be charmed and saddened at the same time.

Genre: Documentary

Actor: Adam LeWinter, Dennis Dimick, James Balog, Jeff Orlowski, Kitty Boone, Louie Psihoyos, Svavar Jónatansson, Sylvia Earle, Tad Pfeffer

Director: Jeff Orlowski

Rating: PG-13

I'm still stuck between calling The Tour 23 a clever marketing trick or a feast for the senses. Contradictions have always nested at the heart of the brand, between beauty and its toxic standards, so it's self-aware of them to highlight that in an audience-facing film. It's undeniable that the VS shows have held spectacle in high regard and cultivated a fanbase that outnumbers the actual consumers, but this film will feel like a treat even if you don't care for luxury wear. Even more, it's perhaps a bit too likable: it's lush without being kitschy, it's woke without the overt politics, it's fun, but not a joke, and most of all, it brings us closer to the visions of creators from around the world who have so much more to give than what they've given Victoria's Secret.

Genre: Documentary

Actor: Adriana Lima, Adwoa Aboah, Candice Swanepoel, Doja Cat, Emily Ratajkowski, Gigi Hadid, Hailey Bieber, Imaan Hammam, Iris Law, Julia Fox, Lily Aldridge, Naomi Campbell, Sui He, Valentina Sampaio, Winnie Harlow, Yseult, Ziwe Fumudoh

Director: Cristina Sánchez Salamanca, Korty Eo, Lola Raban-Oliva, Margot Bowman, Umi Ishihara

Despite what its title suggests, the real thrill of this documentary isn’t the mysterious 1998 robbery of a royal Austrian jewel, but the many other criminal escapades of Gerald Blanchard’s that are chronicled here. Blanchard, who appears on camera for much of the doc, remains cagey (for legal reasons) about how exactly he orchestrated the titular crime, but even if he divulged his secrets, the jewel theft pales in comparison to his earlier exploits: his ballsy teenage shoplifting, slippery escapes from police custody, and subsequent spree of audacious bank heists.

The Jewel Thief benefits from a wealth of remarkable footage thanks to Blanchard's penchant for videotaping his criminal antics. This exhibitionist tendency is corroborated by testimonies from the many other interviewees featured here, including the two policemen who received taunting photos of Blanchard’s loot during their years-long cat-and-mouse chase. As indicated by the opening titles — “This is a true story… Mostly” — Blanchard also has a tendency to embellish his stories, which makes the fact-checking provided by these other participants a wise inclusion by the filmmakers. Ultimately, though, having such an unreliable subject isn’t a handicap — it’s a blessing, giving the documentary a winkingly ludicrous edge that helps it stand out in an overstuffed genre.

Genre: Crime, Documentary

Director: Landon Van Soest

Rating: R

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Rebecca Patricia Armstrong, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

Last Stop Larrimah is the rare true-crime doc in which not a single tear is shed throughout its substantial two-hour runtime. That’s because the assumed-dead 70-year-old around whom it's centered had a lot of enemies: nearly all of his neighbors in the titular tiny Outback outpost he lived in, in fact. As the doc reveals, Larrimah — population: 10 (11 before Paddy Moriarty disappeared in 2017) — was a pressure cooker of big personalities roiling with animosity. 

Given the town’s tiny population, the film has the uncommon privilege of being able to explore the potential motives of every possible suspect — and it does, diving into vicious feuds over meat pies, hungry pet crocodiles, and the million grievances Paddy’s neighbors apparently harbored. But, though it presents all motives as equally plausible, it turns out one explanation is much more likely than the rest. That’s the problem here: like so many other true-crime docs, by the end, you can’t help but feel that the journey this takes is ultimately exploitative. Though it’s an entertaining portrait of eccentric Aussie characters, the film is much too devoted to doing just that — entertaining — at the expense of all its participants (including the unremarkable local police, for some reason), and so its late pivot into emotional profundity feels markedly insincere.

Genre: Documentary

Director: Thomas Tancred

While this documentary may not provide the level of insight or as cohesive a narrative as other films from recent years about children's entertainment, Hot Potato benefits from the sheer charm and approachability of The Wiggles themselves. It's inspiring to see these men and women be perfectly ordinary people who just patiently put in the work to get to where they are today. The film doesn't necessarily find a central idea or philosophy behind The Wiggles' music, but their creativity and enthusiasm for performing manages to turn the simplest things (like fruit salad) into a celebration of life. The documentary isn't particularly good at balancing its tones, especially when it deals with the struggles that various Wiggles have faced in their personal lives, but it remains likable and wholesome all the same.

Genre: Documentary

Actor: Anthony Field, Bindi Irwin, Caterina Mete, Emma Watkins, Evie Ferris, Greg Page, Jeff Fatt, John Travolta, Lachlan Gillespie, Lucia Field, Matthew Broderick, Murray Cook, Paul Field, Paul Paddick, Robert De Niro, Sam Moran, Sarah Jessica Parker, Simon Pryce, Steve Irwin, Terri Irwin, Tsehay Hawkins

Director: Sally Aitken

As a documentary, The Darkness Within doesn't dig as deep as it probably could have. It doesn't offer a particularly specific account of how La Luz del Mundo has achieved its popularity and what exactly keeps it in power today. However, due to the fact that many church members seem to remain loyal to its corrupt, criminal leaders, a straightforward testimony is also exactly what this film needs to be. In direct, uncompromising detail—but always edited with a solemn respect for the survivors, who get to make their statements without the camera in their face—it lays out the mountain of damning personal experiences that too many La Luz del Mundo have suffered, as the rest of the church has turned a blind eye towards them.

Genre: Crime, Documentary

Director: Carlos Pérez Osorio

The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco's gorgeous colors and brown tones fill the 4:3 aspect ratio nicely, and director Elisa Miller lets events unfold with the stately pace of a long novel. There's something fascinating here about how each new "chapter" or perspective doesn't really lead to more answers, but simply to more anguish closing in from all sides.

So it would be understandable if some may be put off by how unrelentingly dark Hurricane Season is, especially as the trans woman whose death becomes the central event never enjoys the kind of characterization everybody around her gets. Apart from how the film illustrates that discrimination against women, against repressed "taboo" sexuality, and against access to proper reproductive health only threatens to grow under poverty, it can be difficult to grasp what point the movie is trying to make. Social realism certainly has its place in cinema, but the different perspective in this particular film still don't add up to more than the sum of its parts.

Genre: Crime, Drama, Thriller

Actor: Andrés Cordaz, Edgar Treviño, Flor Eduarda Gurrola, Guss Morales, Kat Rigoni, Mónica Martínez​, Norma Reyna, Paloma Alvamar, Rodrigo Corea, Said Sandoval

Director: Elisa Miller

Rating: R

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

What seems like The Good Mother's biggest asset is actually its downfall. Yes, the three main actors (Swank, Cooke, and Jack Reynor as the civil servant son, Toby) are all good at what they do, but they're incapable of resuscitating a script that's never truly come to life. These casting choices, obviously made to give some clout to a very mediocre project, feel even more disappointing because the disconnect between actor and character is way too big. For example, Swank is not the alcoholic, fed-up mother we need her to be in this case, and its hard to see this as something else than a derogatory take on her previous more tender and glam roles. Director Miles Joris-Peyrafitte's Sundance-winning As You Are carried a whiff of fresh air, The Good Mother is drained out of all its energy, avoiding reflective depth at all costs, not to mention skirting around the ambivalences of motherhood. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Cliff Ware, Dilone, Frank Alfano, Hilary Swank, Hopper Penn, Jack Reynor, Karen Aldridge, Larry Fessenden, Laurent Rejto, Norm Lewis, Olivia Cooke

Director: Miles Joris-Peyrafitte

Rating: R

Hipgnosis’s body of work is so rich, brilliant, and recognizable, that it’s hard not to at least sit in awe as they flash by you in this documentary. The accompanying stories behind their creation, sometimes told by Thorgerson and Powell, other times by their musician clients like Jimmy Page and Paul McCartney, are also pleasant and informative enough to paint, in whole, an interesting picture. But apart from the covers themselves, Squaring the Circle doesn’t have much else going for it. The co-founders’ history is too brief and plain to render drama, and their upbringing too upper-class and male to be relatable. A more broad, ambitious goal would’ve been to parallel the history of these artworks with the history of rock music itself, but this niche documentary seems uninterested in explaining itself to outsiders and newcomers. That said, it still serves as a precious account for those familiar with Hipgnosis’ pieces. 

Genre: Documentary, Music

Actor: David Gilmour, Glen Matlock, Graham Gouldman, Jimmy Page, Nick Mason, Noel Gallagher, Paul McCartney, Peter Gabriel, Peter Saville, Robert Plant, Roger Waters

Director: Anton Corbijn