566 Movies Like Inception (2010) (Page 24)

Staff & contributors
Electric Shadows is often deemed something like a Chinese Cinema Paradiso. It has the friendship with an older film projectionist, the small town gathering around outdoor screenings of foreign film, a childhood friendship between a boy and girl that meet again unexpectedly, and of course, it wears its heart for the movies right on its sleeve. It doesn’t quite compare to the Italian classic, and there are some moments when the film slightly drags, but Electric Shadows does capture the feeling of awe that you get when you watch your first movie, whether that be when you’re a kid taking your first steps in the world, or when you’re an adult hoping for something more despite the life allowed to you.

Genre: Drama, Family

Actor: Guan Xiaotong, Jiang Hongbo, Jiang Shan, Li Haibin, Wang Zhengjia, Yu Xia, Zhongyang Qi

Director: Jiang Xiao

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John Boyega, Algee Smith, and John Krasinski star in this difficult portrayal of the Detroit 1967 riots, the biggest civil unrest in American history before the 92 L.A. protests. A murderous cop, a band on the verge of breaking big, and a hard-working security guard find their fates intertwined by the events that took place that summer. Detroit blends real-life images with its storytelling. It would be a perfect movie if it wasn't for a scene in which the police brutalize young Black men for finding them in a hotel with two White girls. This scene, while a necessary part of the story, is overstretched and feels almost sadistic, more so because the film was made by a White director, Kathryn Bigelow.

Genre: Crime, Drama, History, Thriller

Actor: Alexander Cook, Algee Smith, Andrea Eversley, Anthony Mackie, Ato Blankson-Wood, Austin Hebert, Ben O'Toole, Bennett Deady, Benz Veal, Chris Chalk, Chris Coy, Darren Goldstein, Dennis Staroselsky, Ephraim Sykes, Frank Wood, Gary Wilmes, Gbenga Akinnagbe, Glenn Fitzgerald, Hannah Murray, Henry Frost III, Jack Reynor, Jacob Latimore, Jason Mitchell, Jennifer Ehle, Jeremy Strong, John Boyega, John Krasinski, Joseph David-Jones, Kaitlyn Dever, Karen Pittman, Khris Davis, Kris Sidberry, Laz Alonso, Leon G. Thomas III, Lizan Mitchell, Malcolm David Kelley, Mason Alban, Michael Jibrin, Miguel, Nathan Davis Jr., Peyton Alex Smith, Ricardo Pitts-Wiley, Samira Wiley, Timothy John Smith, Tokunbo Joshua Olumide, Tyler James Williams, Will Bouvier, Will Poulter, Zurin Villanueva

Director: Kathryn Bigelow

Rating: R

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As the first Zambian film on Netflix, Can You See Us? is an interesting portrayal of albinism. Inspired by the real-life story of musician John Chiti, the film’s plot feels grounded, even if it’s similar to other stories depicting discrimination. With newcomer Thabo Kaamba at the forefront, her performance of the albino boy Joseph shines brighter than even the older actors of the film’s cast. That being said, it is held back by repetitive dialogue and sped-up character development from certain characters. Despite this, Can You See Us? is still a remarkable film that stands out from the other tearjerkers available on the streaming platform.

Genre: Drama

Actor: Chilu Lemba, Fransisca Muchangwe, Kangwa Chileshe, Ruth Jule, Thabo Kaamba

Director: Kenny Mumba

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There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

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If you've never encountered Beth Stelling before, it might take some getting used to before her brand of comedy really hits. Her routine in this special isn't necessarily built around huge punchlines, animated delivery, or edgy subject matter. But there's plenty of oddly specific detail to her many, many anecdotes that gradually begins to feel warm and easy to connect with, whether or not you've ever been to Ohio. Stelling usually comments on the absurdity of many of these details herself—which, surprisingly, never ruins the joke but helps invite the audience in closer. Her storytelling is consistently engaging all throughout, painting this easygoing outlook on life, which just happens to be punctuated by the most bizarre memories that still remind us of the people we're fondest of.

Genre: Comedy

Actor: Beth Stelling

Director: Mo Welch

Rating: R

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Atonement is a tribute to cinematography, an epic film that might just remind you why you fell in love with movies to begin with. A young girl and aspiring writer has a crush on the man her older sister loves, so the young sister indulges her imagination to accuse the man of a crime he didn't commit. The two are separated and the latter is then sent away to prison and after joins the army.  As the young girl grows up and realizes the true consequences of her actions, what can she do, what can anyone do, to remedy such a wrong? Winner of two Golden Globes and nominated to 6 Academy Awards.

Genre: Drama, Romance

Actor: Ailidh Mackay, Alex Noodle, Alfie Allen, Alice Orr-Ewing, Anthony Minghella, Benedict Cumberbatch, Billy Seymour, Brenda Blethyn, Bronson Webb, Charlie von Simson, Craig Douglas, Daniel Mays, Elliott Francis, Felix von Simson, Gina McKee, Harriet Walter, Ian Bonar, James McAvoy, Jamie Beamish, Jérémie Renier, John Normington, Johnny Harris, Julia West, Juno Temple, Keira Knightley, Leander Deeny, Lionel Abelanski, Mark Holgate, Michel Vuillermoz, Michelle Duncan, Neil Maskell, Nick Bagnall, Nonso Anozie, Olivia Grant, Patrick Kennedy, Paul Stocker, Peter McNeil O'Connor, Peter O'Connor, Peter Wight, Roger Evans, Romola Garai, Ryan Kiggell, Saoirse Ronan, Tilly Vosburgh, Tobias Menzies, Vanessa Redgrave, Vivienne Gibbs, Wendy Nottingham

Director: Joe Wright

Rating: R

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Frank Zappa's creative scope could barely be defined -  a mix of rock, composition, design, and in his early days even filmmaking.  This documentary does its best to summarize the un-summarizable, starting with Zappa's last time playing guitar and going back to early details like an infatuation with explosives as a kid. 

Zappa's overwhelmingly full life is focused on the documentary in the study of his incredible work ethic and unique creative philosophy. Far from the drugged hippie perception he was often met with, Zappa was hard-working, business-aware, and didn't take drugs.

The manifestations of his exceptional intellect and unique character are abundant in a film that will please his fans and send anyone new to him into a deep Wikipedia rabbit hole.

Genre: Documentary, Music

Actor: Adam Curry, Adrian Belew, Ahmet Zappa, Al Gore, Alice Cooper, Arsenio Hall, Arthur Barrow, Aynsley Dunbar, Bill Wyman, Brian Jones, Bruce Bickford, Bruce Fowler, Bunk Gardner, Charles Manson, Chester Thompson, David Bowie, David Dondorf, David Harrington, David Letterman, David Raksin, Diva Zappa, Don Van Vliet, Dweezil Zappa, Edgard Varèse, Euclid James 'Motorhead' Sherwood, Frank Zappa, Gail Zappa, George Duke, Howard Kaylan, Ian Underwood, Ike Willis, Jean-Luc Ponty, Jerry D. Good, Jimi Hendrix, Jimmy Carl Black, Joe Travers, John Belushi, John Lennon, Kathleen Sullivan, Kent Nagano, Lonnie Lardner, Mark Volman, Mick Jagger, Mike Keneally, Miss Mercy, Moon Unit Zappa, Nancy Davis Reagan, Nancy Reagan, Napoleon Murphy Brock, Pamela Des Barres, Patrice Zappa, Patrick O'Hearn, Peter Wolf, Pierre Boulez, Ralph Humphrey, Ray White, Ringo Starr, Ronald Reagan, Rose Zappa, Roy Estrada, Ruth Underwood, Scott Thunes, Steve Vai, Ted Koppel, Terry Bozzio, Tipper Gore, Tom Fowler, Tommy Mars, Václav Havel, Vinnie Colaiuta, Yoko Ono

Director: Alex Winter

Rating: Not Rated

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The Reader is a German-American drama from 2008, based on the best-selling novel by author Bernhard Schlink. The storyline begins with adult Michael (Ralph Fiennes) reminiscing about his adolescence in post-World War II Berlin and his fateful relationship with an older woman named Hannah (Kate Winslet). 15-year old Michael is beset by Scarlet Fever and helped off the street one day by Hannah. Taken into her care, they soon begin a passionate affair, quickly forsaking family and friends for every opportunity to ensconce themselves in a world of lust and desire. As their time together progresses, Hannah begins urging Michael to read to her daily—to which he draws from many classic novels and delights in their rich interchange. Hannah suddenly disappears from Michael’s life, however, only reappearing several years later when young law student Michael is stunned to find her facing a World War II war-crimes tribunal. Tied to a real-life series of trials against former Auschwitz employees, The Reader is a strikingly original and exceptionally well-made film that is recommended to those who appreciate sophisticated, emotionally mannered cinema.

Genre: Drama, Romance

Actor: Alexandra Maria Lara, Benjamin Trinks, Bruno Ganz, Burghart Klaussner, Carmen-Maja Antoni, David Kross, Fabian Busch, Florian Bartholomäi, Hannah Herzsprung, Heike Hanold-Lynch, Jeanette Hain, Jürgen Tarrach, Karoline Herfurth, Kate Winslet, Kirsten Block, Lena Olin, Linda Bassett, Ludwig Blochberger, Margarita Broich, Marie Gruber, Martin Brambach, Matthias Habich, Moritz Grove, Ralph Fiennes, Susanne Lothar, Sylvester Groth, Vijessna Ferkic, Volker Bruch

Director: Stephen Daldry

Rating: R

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Lauren Greenfield’s film follows the Siegel family’s decline from opulent abundance to gaudy ruin. Mega wealth, delusions of grandeur, and grotesquely opulent taste—the Siegel family were the perfect subjects for the film, which sets out to document their most lavish expense: their Versailles home, a mansion sprawling more than 85,000 square feet and modeled after the Palace of Versailles.

The Siegels, no doubt, are entirely out of touch with reality. David Siegel, the owner of one of the world’s largest timeshare developers, married Jackie, a former Mrs. Florida who is 30 years younger. The Versailles home is to be Jackie’s castle, an enormous home for her eight kids and numerous pets.

But the 2008 recession does not spare the Siegels, and their company is devastated. After layoffs and desperate attempts to recover financially, the family struggles to pay back the banks. Construction halts. The Versailles home remains vacant and unfinished.

While the film does not sympathize with the Siegels, Greenfield creates a space where pity is possible as well as criticism. And from there comes the universal: desperation, longing, hope for better, if not also more, more, more.

Genre: Documentary, Drama

Actor: David Siegel, Jacqueline Siegel, Virginia Nebab

Director: Lauren Greenfield

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The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.

Genre: Adventure, Drama, Romance, Science Fiction

Actor: Abraham Aronofsky, Alex Bisping, Boyd Banks, Cliff Curtis, Donna Murphy, Ellen Burstyn, Ethan Suplee, Fernando Hernandez, Hugh Jackman, Janique Kearns, Kevin Kelsall, Lorne Brass, Marcello Bezina, Mark Margolis, Rachel Weisz, Richard McMillan, Sean Patrick Thomas, Stephen McHattie

Director: Darren Aronofsky

Rating: PG-13

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Borrowing heavily from yakuza films of the past, The Blood of Wolves feels like a movie plucked straight out of the 1970s and given a slick coat of 2010s neo-noir shine. The film never tries to reinvent the recipe it's working with, but it doesn't have to when its violence is still satisfyingly brutal, its plot endlessly twisty, and its morality grey. At the center is a brash and sleazy performance from the great Koji Yakusho, whom you can never really clock as being in control or out of his depth. It might only hold special value for hardcore fans of the genre, but it provides enough solid thrills for the more casual viewer.

Genre: Crime, Drama, Thriller

Actor: Abe Junko, Eiji Takigawa, Gorō Ibuki, Hajime Inoue, Issei Okihara, Joey Iwanaga, Junko Abe, Katsuya, Ken'ichi Yajima, Kenichi Takito, Kenichi Takitoh, Kōji Yakusho, Kyūsaku Shimada, Marie Machida, Megumi, Pierre Taki, Renji Ishibashi, Ryuji Sainei, Shidô Nakamura, Shun Nakayama, Takahiro Kuroishi, Takaki Uda, Takamitsu Nonaka, Taketo Tanaka, Takuma Otoo, Taro Suruga, Tomorowo Taguchi, Tomoya Nakamura, Tori Matsuzaka, Yôko Maki, Yosuke Eguchi, Yutaka Takenouchi

Director: Kazuya Shiraishi

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After the 1975 release of the Maysles brothers’ Grey Gardens, Big and Little Edie Beale’s story captivated viewers and spawned a musical and a dramatized biopic about the reclusive, impoverished socialite mother-daughter duo. The Beales of Grey Gardens is a compilation of the remaining unreleased archival footage, released after the death of both subjects and David Maysles. For those unfamiliar with their story, the film might feel a bit random and contextless. But for Beale fans, and those familiar with their first documentary, this sticks close to the classic cinema vérité style of the Maysles, while also uncovering other sides of these interesting, eccentric former socialites, becoming a lovely tribute for them and their fans.

Genre: Documentary, Drama

Actor: Albert Maysles, David Maysles, Edith Bouvier Beale, Jerry Torre, Lois Wright

Director: Albert Maysles, David Maysles

Rating: NR

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By all outward appearances, The Villages—a massive and manicured retirement community in Florida—looks like it does offer paradise to its aging residents, as promised. The list of activities is endless, the seniors are all partnered up. “It’s like going back to college,” as one of them puts it, where people from all over the country come together to create a new life with each other. 

But of course, nothing comes that easy, not even death. Some Kind of Heaven follows certain residents (and one committed trespasser) as they grapple with the slipperiness of fulfillment in their later years. It gets very eerie when the film's bleak messages are contrasted with the home's vibrant Floridian colors and the residents' plastered smiles. But the eeriness adds to the overall intrigue and pull of the documentary. Darren Aronofsky (Black Swan) co-produces this fascinating film.

Genre: Documentary, Drama

Director: Lance Oppenheim

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It would be easy to define Rose Plays Julie as a cross between Promising Young Woman and Killing Eve, but this psychological thriller turns the camp factor down to zero and makes even just the act of watching somebody else an existential experience. Directors Joe Lawlor and Christine Molloy treat this story with stone-cold intensity (perhaps to a fault), transforming their title character from a confused girl to somebody who relishes the power they have to disrupt other people's lives through her mere existence. There's something eerie about it that crawls under your skin if you let it, like a ghost story told among the living.

Genre: Drama, Thriller

Actor: Aidan Gillen, Alan Howley, Ann Skelly, Annabell Rickerby, Catherine Walker, Jack McEvoy, Joanne Crawford, Lochlann O'Mearáin, Orla Brady, Sadie Soverall

Director: Christine Molloy, Joe Lawlor

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Empirical truth is something that is observable, objective, and verifiable. However, without the ability to observe, one must find other means to obtain a set of observations– repeated, consistent answers to eventually parse out the reality. One must obtain proof. Proof is an Australian drama about a blind photographer named Martin, who uses his photos to get multiple viewpoints of what was present in that specific moment. Writer-director Jocelyn Moorhouse brilliantly uses that idea to craft a character that wields objectivity in order to protect himself and keep himself distant, as seen through the way he instantly trusts Andy due to his straightforward demeanor, and the way he attempts to drive away his housekeeper Celia to get her to see the worst of him, instead of the idealized, perhaps fetishized, image she creates of him. Proof challenges the photograph as a medium of truth, as well as the idea of complete honesty and trust in another person.

Genre: Drama, Romance

Actor: Belinda Davey, Cliff Ellen, Daniel Pollock, Frank Gallacher, Frankie J. Holden, Geneviève Picot, Heather Mitchell, Hugo Weaving, Jeffrey Walker, Russell Crowe, Saskia Post

Director: Jocelyn Moorhouse

Rating: R

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