527 Movies Like Inception (2010) (Page 19)

Staff & contributors

Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary

Director: Dawn Porter

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There is no shortage of resources—be it books, films, articles, or interviews—about the atrocities Ferdinand Marcos unleashed on the Philippines. And yet, in the years since his exile and eventual death, his family has returned to power in the country, winning the hearts and (manipulated) minds of the masses.

In The Kingmaker, director Lauren Greenfield (who earlier directed the equally revealing The Queen of Versailles) exposes how this came to be, with a focus on the titular kingmaker herself, Imelda Marcos. It’s chilling how much of Imelda’s stated goals in this documentary, which spans five years, have come true. History repeats itself, and Greenfield skillfully and delicately captures the delusion, irony, and blatant corruption of a family dead set on owning a country, as if it were another luxury to purchase (or in the case of the Marcoses, pocket). 

Genre: Crime, Documentary, Drama

Actor: Andres D. Bautista, Benigno Aquino III, Bongbong Marcos, Etta Rosales, Imee Marcos, Imelda Marcos, Leni Robredo, Mary Yturria

Director: Lauren Greenfield

Rating: R

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This is a hard movie to describe, but I’ll do my best without giving too much away. The movie takes place in three separate segments that eventually come together. Half of the story takes place in Germany, half in Turkey, with almost all of the central six characters spending time in both countries while either searching for each other or trying to redeem themselves. Daughters search for their mothers (and vice versa) and one character’s actions will eventually bring everything more-or-less full circle. The film is as much about the characters though as it is about the cultural exchange happening between the two countries. If you have even a passing interest in films from this part of the world, I recommend giving this one a try.

Genre: Drama

Actor: Ali Akdeniz, Annette Uhlen, Baki Davrak, Cengiz Daner, Erkan Can, Feridun Koç, Gökhan Kıraç, Gürsoy Gemec, Güven Kiraç, Hanna Schygulla, İdil Üner, Lars Rudolph, Nejat İşler, Nurgül Yeşilçay, Nursel Köse, Önder Çakar, Öznur Kula, Patrycia Ziolkowska, Tuncel Kurtiz, Turgay Tanülkü, Yelda Reynaud

Director: Fatih Akin

Rating: Unrated

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The Automat is a charming documentary about the historic place it names—a spacious self-service cafeteria that fed thousands of people during a good part of the 20th century. Through nostalgic footage and delightful interviews with the likes of Mel Brooks, Howard Schultz, and Ruth Bader Ginsburg, The Automat successfully convinces you that more than just some gimmick, it was a cultural landmark, a piece of Americana whose existence alone taught an entire generation integral values like democracy, diversity, and hard work. It’s also straight-up hilarious, especially when Brooks attempts to direct the film himself, or other subjects salivate as they recall the Automat’s unbeatable menu. It’s more anecdotal than academic, so if you’re looking for a sweet, sentimental, and simple watch, this is it.

Genre: Documentary, Drama, History

Actor: Carl Reiner, Colin Powell, Elliott Gould, Howard Schultz, Mel Brooks, Ruth Bader Ginsburg

Director: Lisa Hurwitz

Rating: TV-PG

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Silver Dollar Road isn’t a new story– it’s one of many that comes as a consequence of systematic Black land loss that continues to happen to this day. Director Raoul Peck tells it in a new way, completely focusing on the Reels family and hearing their story entirely, from the initial confusion to two of the homeowners’ incarceration, and remembering the good old days when they used to enjoy the land. The land dispute has escalated to years of harassment, imprisonment, and being taken advantage of from opportunistic legal counsel. While it could have benefitted from from detailed legal proceedings, Silver Dollar Road still powerfully depicts an intimate family story that outlines the systemic racism enabling Black land loss today.

Genre: Documentary

Actor: Kim Renee Duhon, Mamie Reels Ellison

Director: Raoul Peck

Rating: PG

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A great example that you don't necessarily need millions of dollars to deliver something technically brilliant, Residue takes a simple story of a man coming home and layers its images and sound design together until it becomes something else entirely. And even with its aesthetic sophistication, the performances behind it still come off as nothing less than genuine—as if writer/director Merawi Gerima was filming a documentary or just a bunch of people hanging out in their neighborhood. The film's experimental nature does, unfortunately, somewhat get in the way of the protagonist having a more well-defined worldview or philosophy to his own filmmaking. But overall the film remains an entirely unique gem for anybody willing to tru something different.

Genre: Drama

Actor: Dennis Lindsey, Derron "Rizo" Scott, Jacari Dye, Obinna Nwachukwu, Taline Stewart

Director: Merawi Gerima

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Polytechnique directed by Denis Villeneuve, is a dramatization of the 1989 Montreal massacre of multiple female engineering students. This film focuses on a male student navigating the massacre for the majority of the film’s run time. The performances and minimal dialogue in this film certainly make this an unnerving film to watch. Littered with the screams of the actors portraying the engineering students, this could be mistaken as a gaudy horror film. However, this is far from a fictionalized horror.

This Villeneuve classic is undoubtedly one of the most emotionally brutal films of the 2000s, yet I appreciate the honesty of the storytelling. Polytechnique encourages its audience to ask itself if it truly understands the truth of misogyny. 

Genre: Crime, Drama, History, Thriller

Actor: Adam Kosh, Alexandre St-Martin, Alexis Lefebvre, Cynthia Wu-Maheux, Dawn Ford, Emmanuelle Girard, Eugénie Beaudry, Ève Duranceau, Eve Gadouas, Evelyne Brochu, Francesca Barcenas, François-Xavier Dufour, Johanne-Marie Tremblay, Jonathan Dubsky, Josée Lacombe, Julien Maranda, Karine Vanasse, Larissa Corriveau, Lily Thibeault, Louise Proulx, Manon Lapointe, Marc Gourdeau, Marc-André Brisebois, Marie-Évelyne Baribeau, Martin Watier, Mathieu Ledoux, Maxim Gaudette, Mireille Brullemans, Natalie Hamel-Roy, Nathalie Girard, Pierre Leblanc, Pierre-Yves Cardinal, Robert Reynaert, Sébastien Huberdeau, Sophie Desmarais, Stéphane Julien, Valerie Cadieux

Director: Denis Villeneuve

Rating: Not Rated

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Somehow an art house film, horror, and romance all in one, Let the Right One In explores the boundaries of its genres with unprecedented finesse, and offers a stunning alternative for those disappointed with recent vampire love stories. From its haunting minimalist imagery to its incredible score, it is persistently beautiful. The film follows twelve-year-old Oskar and Eli, drawing on numerous aspects of traditional undead lore, and still manages an impressive feat in feeling entirely fresh and devoid of cliche. Those in search of a terrifying movie might need to look elsewhere, but if what you're looking for is simply a great watch, don't pass this one up.

Genre: Drama, Horror

Actor: Anders T. Peedu, Henrik Dahl, Ika Nord, Johan Sömnes, Kåre Hedebrant, Karin Bergquist, Karl-Robert Lindgren, Lina Leandersson, Malin Cederblad, Mikael Rahm, Pale Olofsson, Patrik Rydmark, Per Ragnar, Peter Carlberg, Tom Ljungman

Director: Tomas Alfredson

Rating: R

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We’re familiar with dick jokes from stand-up comedians, especially male stand-up, but Jacqueline Novak’s 90-minute show about the blow job feels completely new. Get on Your Knees feels like casual storytelling from someone experienced yet distant enough to be a cool authority on it (say, your best friend’s older sister’s best friend), but funnier. It’s like a gossip session about a first experience, except the breathless, dizzying stream of thought is peppered with philosophical thought and points out the absurdity around the language and common attitudes about sex. And as she does so, and as she talks about self-conscious fumbling and unanswered questions, she strides back and forth, in an easy, self-assured way, the way we’d like to feel going into the act.

Genre: Comedy

Actor: Jacqueline Novak

Director: Natasha Lyonne

Rating: R

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Chinese artist Ai Weiwei directs his attention towards the ongoing refugee crisis, the biggest displacement of people since World War II. His documentary is apolitical and tries to focus on the human side of the picture. It's not a news report or a commentary on the causes of the situation. Instead, it's a combination of heartfelt stories spanning 23 countries that showcase people's battle for dignity and basic rights. A truly epic movie complemented by impressive drone footage that's as impressive as it is sad.

Genre: Documentary

Actor: Fadi Abou Akleh, Hiba Abed, Israa Abboud, Marin Din Kajdomcaj, Rami Abu Sondos

Director: Ai Weiwei, Weiwei Ai

Rating: PG-13

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Howard Ashman was at the peak of his career—fresh off Little Mermaid’s sweeping win at the Grammys and Oscars, and concocting the iconic songs that would make up Aladdin and Beauty and the Beast—when he died of AIDS at 40. But even at that relatively young age, Ashman already had a lifetime’s worth of work to show. Howard, the documentary, gives us a glimpse into Howard’s inner and early life, starting with his fanciful and imaginative childhood, all the way down to his formative college years, his foundational work in “off, off” Broadway, and the breakout success of The Little Shop of Horrors the Musical. Disney isn’t the whole picture, the documentary rightfully proclaims, so in between the abovementioned highlights, director Don Hahn inserts pockets of heartwarming anecdotes from Howard’s friends and family, and some of Howard’s own wise words from interview snippets. It’s clear Hahn was a good friend of Ashman, since the documentary often feels like a warm get-together of the people who knew and loved Ashman best. 

Genre: Documentary, Music

Actor: Adam Jacobs, Alan Menken, Angela Lansbury, Anne Bobby, Annette O'Toole, Barbara McCutchan, Barry Peterson, Bill Boggs, Bill Lauch, Bing Crosby, Bob Hope, Brynn O'Malley, Charles B. Griffith, Chris Montan, Colleen Camp, Dan Rather, Dan Stevens, Danny Glover, David Friedman, David Geffen, Denise Nickerson, Dennis Green, Diane Sawyer, Divine, Don Hahn, Donald W. Ernst, Douglas Seale, Dudley Moore, Ellen Greene, Emma Watson, Estelle Bennett, Fats Waller, Frank Oz, Frederick Coffin, Gary Trousdale, Glen Keane, Howard Ashman, James Monroe Iglehart, Janis Menken, Jeffrey Katzenberg, Jerry Orbach, Joan Prather, Jodi Benson, John Herman Shaner, John Musker, Jonathan Hadary, Jonathan Haze, Karen Miller, Kirk Wise, Kurt Vonnegut Jr., Kyle Renick, Larry Kramer, Leola Wendorff, Levi Stubbs, Maria O'Brien, Marvin Hamlisch, Maureen Abbott, Maury Yeston, Mel Welles, Melanie Griffith, Melinda Smith, Mena Massoud, Michelle Weeks, Mike Gabriel, Nancy Parent, Natalie Wood, Paige O'Hara, Pat Carroll, Paula Abdul, Peter Schneider, Phil Spector, Randy Cartwright, Richard Beymer, Richard White, Rick Moranis, Rob Minkoff, Roger Allers, Roger Ebert, Ron Clements, Ronnie Spector, Roy Edward Disney, Sarah Gillespie, Shirley Ashman, Steve Martin, Thomas Schumacher, Tichina Arnold, Tisha Campbell, Vincent Gardenia, Walt Disney, Will Smith

Director: Don Hahn

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Already featuring some of the desperation and melancholy that would go on to characterize most of his work, Paul Thomas Anderson's Hard Eight manages to draw palpable suspense and drama out of, essentially, three characters and a couple of seedy locations. We learn perhaps too little about these characters and why this veteran gambler is drawn to a young homeless man, but there's also something intriguing about how Anderson suggests much larger and much crueler stories going on just out of sight. It truly feels like these people are just trying to hold on to the smallest things that ease their pain—which works because of incredibly compelling work from Philip Baker Hall, John C. Reilly, and a young Gwyneth Paltrow already at the top of her game.

Genre: Crime, Drama

Actor: Ernie Anderson, F. William Parker, Gwyneth Paltrow, Jake Cross, John C. Reilly, Kathleen Campbell, Melora Walters, Nathanael Cooper, Philip Baker Hall, Philip Seymour Hoffman, Renee Breen, Richard Gross, Robert Ridgely, Samuel L. Jackson, Wendy Weidman, Wynn White

Director: Paul Thomas Anderson

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The Safdie Brothers spent over a decade making films before their mainstream breakout with Good Time and Uncut Gems. Their rich backlog captures New York City in its raw vibrant glory. Daddy Longlegs is the sardonic semi-autobiographical portrait of the Safdies’ childhood spent with their father after their parents' divorce. 

Lenny (Ronald Bronstein) is an awful dad whose parenting style ranges from the wildly irresponsible to the criminally negligent. While his behavior is often detestable and has few if any redeeming traits, the Safdies’ puncture through his demeanor and craft a sensitive portrait of fatherhood imbued with affection and feeling that could only originate from the well of a child’s capacity for forgiveness and love.

 

Genre: Comedy, Drama

Actor: Abel Ferrara, Alex Greenblatt, Alex Kalman, Casey Neistat, Dakota Goldhor, Dakota O'Hara, Danny Callahan, Eléonore Hendricks, Josh Safdie, Lance de los Reyes, Lee Ranaldo, Marc Raybin, Ronald Bronstein, Sage Ranaldo, Salvatore Sansone, Sean Price Williams, Seth Fleischaner, Steve Davis, Van Neistat, Wayne Chin

Director: Benny Safdie, Josh Safdie

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Less a documentary on Johannes Vermeer himself and more about the art scholar's mission to study ideas of beauty and aesthetics from various perspectives, this documentary successfully takes an admittedly very esoteric subject and makes it compelling. Director Suzanne Raes easily gets to the essence of the complex questions and insights that these Vermeer experts have, but without dumbing them down or reducing them into generic academic talking points. In fact, the thing that really comes through in the film's discussions is the emotion that these people feel in figuring out how Vermeer managed to paint such stunning images, and what the man was drawn to in human beings. It's oddly persuasive; whether or not you're a fan of 17th-century artists, watching Close to Vermeer feels like finally solving a puzzle.

Genre: Documentary, History

Actor: Abbie Vandivere, Anna Krekeler, Gregor J. M. Weber, Jonathan Janson, Pieter Roelofs

Director: Suzanne Raes

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Taking inspiration from neorealist classics, Chop Shop tells a thoroughly modern story about a pair of orphans contending with hard choices and blunt truths as they hustle to survive in New York City. But rather than take place in the concrete jungle, Ramin Bahrani’s third feature is set in an area of the city most of us aren’t familiar with: Queens’ “Iron Triangle,” an industrial zone crammed with scrapyards and car mechanic shops.

It’s in the upstairs room of one such shop that the bright young Ale (Alejandro Polanco) and his teen sister Isamar (Isamar Gonzalez) live, working days and nights downstairs to save up for the food truck that will give them a more stable life. This daily grind drives them into dark corners and onto the paths of unscrupulous adults, forcing the two kids to grow up beyond their years. Despite their plucky resilience, there’s still a childlike sweetness about them, which only further deepens the heartbreak of their situation. Polanco and Gonzalez give such emotionally raw and entirely believable performances that you’d almost think they were real siblings living lives like these. The fact that neither were professional actors before starring here makes their extraordinarily fluid performances all the more impressive, and helps burnish Chop Shop’s golden aura of genuine discovery.

Genre: Drama

Actor: Carlos Ayala, Laura Patalano, Nick Jasprizza

Director: Ramin Bahrani

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