281 Movies Like Inception (2010) On Itunes (Page 14)

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The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.

Genre: Adventure, Drama, Romance, Science Fiction

Actor: Abraham Aronofsky, Alex Bisping, Boyd Banks, Cliff Curtis, Donna Murphy, Ellen Burstyn, Ethan Suplee, Fernando Hernandez, Hugh Jackman, Janique Kearns, Kevin Kelsall, Lorne Brass, Marcello Bezina, Mark Margolis, Rachel Weisz, Richard McMillan, Sean Patrick Thomas, Stephen McHattie

Director: Darren Aronofsky

Rating: PG-13

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By all outward appearances, The Villages—a massive and manicured retirement community in Florida—looks like it does offer paradise to its aging residents, as promised. The list of activities is endless, the seniors are all partnered up. “It’s like going back to college,” as one of them puts it, where people from all over the country come together to create a new life with each other. 

But of course, nothing comes that easy, not even death. Some Kind of Heaven follows certain residents (and one committed trespasser) as they grapple with the slipperiness of fulfillment in their later years. It gets very eerie when the film's bleak messages are contrasted with the home's vibrant Floridian colors and the residents' plastered smiles. But the eeriness adds to the overall intrigue and pull of the documentary. Darren Aronofsky (Black Swan) co-produces this fascinating film.

Genre: Documentary, Drama

Director: Lance Oppenheim

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It would be easy to define Rose Plays Julie as a cross between Promising Young Woman and Killing Eve, but this psychological thriller turns the camp factor down to zero and makes even just the act of watching somebody else an existential experience. Directors Joe Lawlor and Christine Molloy treat this story with stone-cold intensity (perhaps to a fault), transforming their title character from a confused girl to somebody who relishes the power they have to disrupt other people's lives through her mere existence. There's something eerie about it that crawls under your skin if you let it, like a ghost story told among the living.

Genre: Drama, Thriller

Actor: Aidan Gillen, Alan Howley, Ann Skelly, Annabell Rickerby, Catherine Walker, Jack McEvoy, Joanne Crawford, Lochlann O'Mearáin, Orla Brady, Sadie Soverall

Director: Christine Molloy, Joe Lawlor

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This documentary charts the challenges faced by sailor Tracy Edwards and her 12-woman crew in the wake of their decision to participate in the Whitbread Round the World Yacht Race, the grueling yachting competition that covers 33,000 miles and lasts nine months. Director Alex Holmes recreates their adventure using archival footage shot by the women themselves on their voyage, and interesting interviews with the crew members as well as the men who criticized and ridiculed them at the time. Maiden is an interesting bit of documentary filmmaking that is also inspirational and empowering.

Genre: Documentary, Drama

Actor: Frank Bough, Howard Gibbons, Jo Gooding, John Chittenden, Sally Hunter

Director: Alex Holmes

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While painfully accurate, Lost in America is a cutting satire of the white-collar mid-life crisis that’s so hilarious, but in a depressing sort of way. When denied his expected promotion and then fired, David Howard (director Albert Brooks) convinces his wife Linda (Julie Haggerty) that they should “drop out of society”, pursuing a freewheeling lifestyle to travel across the country. Brooks and Haggerty lead the film – their back-and-forth dynamic feels compelling, whether they’re arguing, pouting, or tenderly reconciling. And while the couple stays compatible with each other, the film reveals them (and us) at our most shallow.

Genre: Comedy, Drama

Actor: Albert Brooks, Art Frankel, Bob Hughes, Candy Ann Brown, Charles Boswell, Donald Gibb, Garry Marshall, Herb Nanas, James L. Brooks, Julie Hagerty, Larry King, Maggie Roswell, Michael Cornelison, Michael Greene, Priscilla Cory, Radu Gavor, Raynold Gideon, Rex Reed, Tom Tarpey

Director: Albert Brooks

Rating: R

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An 80-minute documentary about a diver who gets stranded in the deep sea with 5 minutes of oxygen left, while the nearest rescue team was 30 minutes away. This type of diving in the depths of the sea, as someone explains, is like “going into space but underwater”.

The documentary uses genuine footage from the dive as well as interviews of people who were present. Still, some parts of this incredible story can’t be explained. And if like me you’re not familiar with diving, everything will have more appeal. The vessel they use is quite impressive, the duration of its dive is obscene (28 days!), and lastly: the divers inhale helium (and speak with a funny voice) the whole time they are down there.

Genre: Documentary

Actor: Alex Parkinson, Chris Lemons, Duncan Allcock, Kjetil Ove Alvestad, Michal Cichorski, Richard da Costa, Stuart Anderson

Director: Alex Parkinson, Richard da Costa

Rating: N/A

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Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

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I Saw the Devil is a South Korean psychological thriller/horror film. IT IS NOT FOR THE FAINT OF HEART!!! It has a lot of blood and gore that could make even the strongest stomachs turn. A young woman is kidnapped from her car while waiting for a tow truck and the kidnapper murders her far from her car and scatters her body parts around. Her fiancé, a secret service agent of the National Intelligence Service, sets out to track down her murders and exact his revenge. If you're looking for a thrill ride, look no further- but don't say we didn't warn you.

Genre: Horror, Mystery, Thriller

Actor: Byung-hun Lee, Cheon Ho-jin, Choi Jin-ho, Choi Min-sik, Choi Moo-seong, Choi Moo-sung, Gook-hwan Jeon, Han Se-joo, Ho-jin Cheon, Ho-jin Chun, In-seo Kim, Jeon Kuk-hwan, Jo Deok-jae, Jo Myeong-yeon, Kim Dae-hye, Kim Gab-soo, Kim In-seo, Kim Jae-Geon, Kim Kang-il, Kim Kap-soo, Kim Yoon-seo, Lee Byung-hun, Lee Jun-hyuk, Lee Seol-gu, Lee Seol‑gu, Min-sik Choi, Moo-Seong Choi, Nam Bo-ra, Oh San-ha, Park Jeong-gi, Park Ji-yeon, Park Seo-Yeon, San-ha Oh, Seol Chang-hee, Son Young-soon, Uhm Tae-goo, Um Tae-goo, Yoon Byung-hee, Yoon Chae-yeong, Yoon-seo Kim

Director: Jee-Woon Kim, Kim Jee-woon

Rating: Not Rated

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As southern movies go, Fried Green Tomatoes is inoffensively sweet and realistic—it’s not afraid to touch on the genuine issues that plagued America in the 1930s while also cushioning some blows, as feel-good movies are wont to do. But the film seems less interested in presenting a clear picture of the past than it is in telling a specific tale: that of outsiders forming bonds and making it together in an unforgiving society. 

The main narrator is Ninny, an 83-year-old woman seemingly forgotten by everyone except Evelyn, an unhappy housewife who is “too young to be old and too old to be young.” Ninny recalls the stories of Sipsey and Big George, Black laborers who dared to succeed in their deeply racist community; of Smokey, the town outcast, who still helped people even if he was denied it himself; of Ruth, the domestic abuse victim; and of Idgie, the tomboy who spat on the face of all decorum. Then, of course, there’s the unspoken relationship between Ruth and Idgie, which hint at something quite radical for its time. 

These are all the people conventionally denied happy endings, and in period films, you’d expect to be abandoned in tragedy. But here they sing; they win and lose in equal measure, and even though it might seem like light and familiar fare to some, it still goes down heartily and unforgettably—funnily enough, like a plate of fried green tomatoes.

Genre: Comedy, Drama

Actor: Afton Smith, Bob Hannah, Carol Mitchell-Leon, Chris O'Donnell, Chris O'Donnell, Cicely Tyson, Constance Shulman, Danny Nelson, David Dwyer, Evan Lockwood, Fannie Flagg, Gailard Sartain, Gary Basaraba, Grace Zabriskie, Grayson Fricke, Haynes Brooke, Jessica Tandy, Jo Harvey Allen, Kathy Bates, Kathy Larson, LaTanya Richardson Jackson, Lois Smith, Macon McCalman, Mary Stuart Masterson, Mary-Louise Parker, Nancy Moore Atchison, Nick Searcy, Raynor Scheine, Reid Binion, Richard Riehle, Stan Shaw, Suzi Bass, Ted Manson, Tim Scott, Timothy Scott, Tom Even, Wallace Merck

Director: Jon Avnet

Rating: PG-13

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Even with its haphazard construction and occasionally unnecessary and corny flourishes (what's with all the mellowed-out covers of pop songs?), there's a sense of intense, sincere pride and joy that shines through Every Body's many testimonials. Intersex people are barely represented whether in media or in legislation, and countless people still have very little understanding of what intersex is. But while this subject is usually viewed as uncomfortable—and this documentary definitely doesn't hold back in explaining the various ways intersex people are mutilated and mentally abused just to force them to conform to the gender binary—the film grounds everything by showing us how its main characters are as ordinary, creative, and full of good humor as the rest of us. So as Every Body skips through various aspects of the intersex experience, even its disorganization takes on the charm of a simple chat with friends. And either way, the discussions held here are the stuff of real courage—demanding our attention and earning our respect.

Genre: Documentary

Actor: Alicia Roth Weigel, Julie Cohen, River Gallo, Sean Saifa Wall, Steven Crowder

Director: Julie Cohen

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Chile 76 takes place three years after the dictator Augusto Pinochet took over the country and cracked down on dissenting groups and rebels. There was political strife and unnecessary violence, but almost none of this plays out explicitly in the film. Instead, we mostly follow Carmen, who seems to be going through a crisis of her own, albeit an internal one. She lives a well-to-do life as she decorates a new house and volunteers at the church, but there is a deep-seated melancholia about her, which is maybe why she’s so drawn to Elias (Nicolás Sepúlveda). She exits her comfort zone and aids in his covert exchanges across town, perhaps because she’s genuinely interested in Elias’ cause, but possibly because she sees it as a way out from the humdrum of her privileged life. The beauty of the film is that it melds the personal with the political in subtle and interesting ways, allowing us viewers to draw our own conclusions to the matter.

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amalia Kassai, Antonia Zegers, Elvis Fuentes, Ernesto Meléndez, Gabriel Urzúa, Germán de Silva, Graciela Tenenbaum, Julián Marras, Marcial Tagle, Mauricio Pesutic, Mora Recalde, Vilma Verdejo

Director: Manuela Martelli

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Ben du Toit (Donald Sutherland) is a patriarch of an upper-class white family insulated from the roiling protests and violence in their suburban household outside of Johannesburg. When his gardener’s son is arrested, du Toit’s complacency is tested and he becomes embroiled in the devastating political reality outside the comforts of his gated world. 

Although it falls into the somewhat blemished category of films that center white protagonists when covering Black struggle, it does so with a piercing critical lens that confronts white denial and complicity. Euzhan Palcy’s direction is striking, depicting racism and violence with uncompromised clarity, while her unfettered dedication to getting this made even brought Marlon Brando out of retirement. Keep an eye out for him playing a beleaguered civil rights attorney - a role which notched him his final Academy Award nomination. 

Genre: Drama, Mystery

Actor: Andrew Whaley, Charles Pillai, David de Keyser, Donald Sutherland, Ernest Ndhlovu, Gerard Thoolen, Janet Suzman, John Kani, Jürgen Prochnow, Kevin Johnson, Leonard Maguire, Marlon Brando, Michael Gambon, Paul Brooke, Richard Wilson, Ronald Pickup, Rosemary Martin, Sello Maake Ka-Ncube, Susan Sarandon, Susannah Harker, Thoko Ntshinga, Winston Ntshona, Zakes Mokae

Director: Euzhan Palcy

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For better or worse, The Reason I Jump isn't a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn't really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their own unique ways, uninterrupted. That said, The Reason I Jump still structures itself smartly (with stunning filmmaking to boot) by having each of its five characters introduce us to different aspects of the autism experience, from sense and memory to communication and community.

Genre: Documentary

Actor: David Mitchell, Donna Budway, Emma Budway, Jeremy Dear, Jordan O'Donegan

Director: Jerry Rothwell

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Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer

Director: John Dahl

Rating: R

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For kids and kids-at-heart who find Jim Henson's technical mastery of puppets riveting, this documentary on the classic and still-contemporary Sesame Street provides a ton of behind-the-scenes footage that's endlessly fun to watch. Street Gang rebuts any arguments that could be made about children's TV being low-effort—showing just how much craft is needed in a show like this. But more importantly, the film's first act illustrates the risky process of building Sesame Street from the ground-up, specifically as programming for inner-city Black children who weren't getting the education they deserved. It's nothing short of an inspiration to see this ragtag group of creatives and communication experts—none of whom wanted to take sole credit—coming together like a superhero team to create one of the most iconic and enduring TV shows in American history.

Genre: Documentary, Family

Actor: Bob McGrath, Brian Henson, Caroll Spinney, Christopher Cerf, Dizzy Gillespie, Emilio Delgado, Fran Brill, Frank Oz, Fred Rogers, Holly Robinson Peete, James Earl Jones, Jesse Jackson, Jim Henson, Joan Ganz Cooney, Joe Raposo, Johnny Carson, Johnny Cash, Jon Stone, Lisa Henson, Lloyd Morrisett, Loretta Long, Matt Robinson, Muhammad Ali, Norman Stiles, Odetta, Orson Welles, Roscoe Orman, Sonia Manzano, Stevie Wonder, Will Lee

Director: Marilyn Agrelo

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