33 Movies Like Inception (2010) On Max (HBO Max) (Page 2)

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The Automat is a charming documentary about the historic place it names—a spacious self-service cafeteria that fed thousands of people during a good part of the 20th century. Through nostalgic footage and delightful interviews with the likes of Mel Brooks, Howard Schultz, and Ruth Bader Ginsburg, The Automat successfully convinces you that more than just some gimmick, it was a cultural landmark, a piece of Americana whose existence alone taught an entire generation integral values like democracy, diversity, and hard work. It’s also straight-up hilarious, especially when Brooks attempts to direct the film himself, or other subjects salivate as they recall the Automat’s unbeatable menu. It’s more anecdotal than academic, so if you’re looking for a sweet, sentimental, and simple watch, this is it.

Genre: Documentary, Drama, History

Actor: Carl Reiner, Colin Powell, Elliott Gould, Howard Schultz, Mel Brooks, Ruth Bader Ginsburg

Director: Lisa Hurwitz

Rating: TV-PG

If you're a fan of musical theater of any kind, Topsy-Turvy pays tribute to that notoriously tricky art form with a stunning attention to detail and a dedication to telling its story without any unnecessary drama whatsoever. It's hard not to get swept up in the humor, entertainment, and simple joy found in the writing process and in rehearsals of entire scenes. Come for the Oscar-winning costumes and makeup, stay for the wonderfully old-timey musical numbers, the brilliantly grounded performance from Jim Broadbent, and the sense of satisfaction of just watching everything finally come together to thunderous applause.

Genre: Comedy, Drama, History, Music

Actor: Adam Searles, Akemi Otani, Alison Steadman, Allan Corduner, Andy Serkis, Angela Curran, Anna Francolini, Ashley Artus, Ashley Jensen, Bríd Brennan, Cathy Sara, Charles Simon, David Neville, Debbie Chazen, Dexter Fletcher, Dorothy Atkinson, Eiji Kusuhara, Eleanor David, Eve Pearce, Francis Lee, Gary Yershon, Gemma Page, Geoffrey Hutchings, Heather Craney, Jim Broadbent, John Warnaby, Jonathan Aris, Julia Rayner, Julian Bleach, Kacey Ainsworth, Kate Doherty, Katrin Cartlidge, Keeley Gainey, Kenneth Hadley, Kevin McKidd, Lavinia Bertram, Lesley Manville, Lorraine Brunning, Louise Gold, Mark Benton, Martin Savage, Mary Roscoe, Matt Bardock, Matthew Mills, Mia Soteriou, Michael Simkins, Michelle Chadwick, Monica Dolan, Naoko Mori, Nicholas Boulton, Nicholas Woodeson, Nick Bartlett, Paul Barnhill, Paul Rider, Richard Attlee, Richard Coyle, Roger Heathcott, Ron Cook, Rosie Cavaliero, Sam Kelly, Sarah Howe, Shirley Henderson, Sophie Duval, Stefan Bednarczyk, Steve Speirs, Sukie Smith, Teresa Gallagher, Theresa Watson, Timothy Spall, Togo Igawa, Vincent Franklin, Wendy Nottingham

Director: Mike Leigh

Featuring cannily edited filmography excerpts and interviews with friends and ex-lovers of Rock Hudson — the Golden Age matinee idol who became the first major celebrity to die of AIDS — this documentary lifts the lid on the closeted gay star’s double life. Though its first third draws chiefly on biographers to paint a serviceable picture of the homophobic context Hudson rose to fame in, it’s in later interviews with members of his inner circle that the film comes to life. These contributors give us a more closely informed picture of Hudson, who seemed to accept Hollywood’s compromise: he could live out his professional dreams so long as he didn’t rock the boat.

Some aspects of the film’s approach do raise an eyebrow, such as a risqué conversation that seems to have been surreptitiously recorded. These inclusions lend the film a tabloid scoop’s salaciousness in places, but, thanks to its final third, it’s largely a touching testament to Hudson. As it movingly argues, however reluctant he was to disclose his diagnosis (and, in doing so, his sexuality), he played a pivotal role in changing the tide of public attitudes towards AIDS, and thus to fundraising efforts — making him an unwitting LGBTQ+ hero.

Genre: Documentary

Actor: Allison Anders, Armistead Maupin, Bea Arthur, Burt Lancaster, Doris Day, Douglas Sirk, Elizabeth Taylor, Esther Shapiro, Howard McGillin, Illeana Douglas, James Dean, Joan Rivers, Kathleen Hughes, Lee Garlington, Linda Evans, Lucille Ball, Peter Kevoian, Piper Laurie, Richard Hodge, Rock Hudson, Tim Turner

Director: Stephen Kijak

Rating: PG-13

Though it doesn't proceed like most animal/nature-centered documentaries that you've seen, the Oscar-nominated All That Breathes is instantly memorable in the way it de-centers the human perspective from its all-encompassing study of New Delhi, India. The wildlife rescue team that features prominently in this film still only becomes a vessel through which director Shaunak Sen explores the environmental and political hazards being faced by the nation today. It's a movie that definitely challenges you to think for yourself, as any talking heads or on-screen explanations are traded for truly stunning shots of New Delhi as a biome teeming with life among the dirt. For those who want their documentaries unconventional, this is excellent stuff.

Genre: Documentary, Drama

Director: Shaunak Sen

A documentary told entirely through animated avatars can be a hard sell, but instead of playing into the expected jokes, director Joe Hunting takes this digital environment extremely seriously, and that makes all the difference. He doesn't downplay how absurd it is to see what are essentially 3D characters going on dates and having bellydance classes together, and yet Hunting still takes time to emphasize how freeing this virtual existence is for all involved. It's disappointing that the film never addresses the many real concerns people have about purely online relationships (deception, exploitation, and abuse, among others), but as a positive and perhaps overly romanticized view of this new, 21st-century social space, the documentary remains fresh and vital.

Genre: Animation, Documentary

Actor: DragonHeart, Dust Bunny, DylanP, IsYourBoi, Jenny0629

Director: Joe Hunting

Rating: R

A wonderful homage to the woman, actress, and mother based largely on her own archives and interviews with her four children. Bergman was an avid photographer, filmographer and letter writer. What emerges is a loving portrait of an adventurous, driven, complex, and loving woman. Not to be missed.

Genre: Documentary, History

Actor: Alan Marshal, Alberto Sordi, Aldo Fabrizi, Alfred Hitchcock, Alicia Vikander, Alma Reville, Anatole Litvak, Anna Magnani, Anthony Perkins, Cary Grant, Cecil Parker, Clark Gable, Ed Sullivan, Ernest Borgnine, Fiorella Mariani, Gregory Peck, Humphrey Bogart, Ingmar Bergman, Ingrid Bergman, Isabella Rossellini, Isotta Rossellini, Jack Weston, Jean Renoir, Jeanine Basinger, Jennifer Jones, Liv Ullmann, Lyle Talbot, Mel Ferrer, Merv Griffin, Mervyn LeRoy, Pia Lindström, Roberto Rossellini, Sigourney Weaver, Spencer Tracy, Victor Fleming, Ward Bond, Yul Brynner

Director: Stig Björkman

Rating: Not Rated

Most computer screen films take the horror film route as a cautionary tale about technology and how we use it. However, when the world was on lockdown, one screenlife film takes a look at its positive side. Simple, straightforward, and comforting, Language Lessons celebrates technology as a means for connection. Through surprise Spanish lessons purchased by his husband, Adam (Mark Duplass) forms a friendship with his instructor Cariño (Natalie Morales). At times, watching the film feels like listening into someone else’s Zoom call, however, their back-and-forth feels engaging because of Morales and Duplass’ chemistry. And when loss hits, on both sides, it’s only natural that their relationship deepens as they console each other. Expressive without being melodramatic and intimate without being too pushy, Language Lessons is a rare optimistic take towards the way we connect to each other through technology.

Genre: Comedy, Drama, Romance

Actor: Desean Terry, Mark Duplass, Natalie Morales

Director: Natalie Morales

Rating: Not Rated

Even if it doesn't provide the most comprehensive information about treatment and care for multiple sclerosis (MS)—especially for those who can't afford a ridiculously expensive stem cell transplant—this isn't really the point of Introducing, Selma Blair. This is still mostly a biographical documentary about a (self-confessed) "not-so-famous" celebrity, who gets to be incredibly honest about some of the privilege she enjoys, and how that privilege still doesn't make MS any easier. Blair's determination, her sense of humor, and her articulate way of expressing herself keep the film from descending into total sadness, but it also never shies away from the uglier, more difficult parts of her journey.

Genre: Documentary

Actor: Selma Blair

Director: Rachel Fleit

This documentary... man, where do I even begin? It captures the lives of the Friedmans and how their world turned upside down when their father, Arnold, and brother, Jesse, were both convicted of sexually abusing children. The filmmaker interviews victims, family members, and experts to strike you with the two sides of the story. The Oscar nominated film shows real footage from the family which makes it even more of an authentic experience. I won't tell you much more about it- but let me just say, this documentary will leave you speechless.

Genre: Crime, Documentary

Actor: Arnold Friedman, David Friedman, Elaine Friedman, Jesse Friedman, Seth Friedman

Director: Andrew Jarecki

Rating: Not Rated

It’s very interesting, if not startling, to see an earnest movie made about the white upper class these days. Metropolitan is one such film, and even though it was released in the ’90s, it still stands the test of time precisely because it neither judges nor defends the group of WASPs it follows. It simply shows them in all their elegance and sophistication, as well as their insulation and irony. 

Metropolitan takes place in the upper crust of New York debutante society, during Christmas vacation, where soirees are rampant and afterparties even more so. The young-adult leads who navigate the scene in their expensive clothes and self-important aura recall a Scott Fitzgerald novel, or if you like, Gossip Girl episode. But instead of falling into tragedies, these characters just end up in silly but relatable mishaps and misunderstandings: they’re just kids after all. And as high and mighty as they may seem, whiling away in tall Park Avenue apartments, they’re still prone to the universal pains that haunt and shape teenagers. Expect to see heartbreak, jealousy, and longing even among the brightest and wealthiest of New York. 

Genre: Comedy, Drama, Romance

Actor: Alice Connorton, Carolyn Farina, Chris Eigeman, Donal Lardner Ward, Francis Creighton, Isabel Gillies, Taylor Nichols, Thomas R. Voth, Will Kempe

Director: Whit Stillman

Rating: PG-13

To call Going to Mars a somewhat shapeless documentary isn't a criticism. If anything, its flexibility of structure feels entirely appropriate for the woman at its center, who doesn't necessarily defy categorization so much as she remains on the pulse of history as it continues to shift in unexpected ways. Nikki Giovanni is a person who knows who she is and knows that she stands for the essential dignity of Black people, and it's inspiring to see how she not only remains hopeful and articulate through every critical moment, but that she insists on being ambitious for what Black people deserve to achieve in the future. As her son tells her at a speaking engagement, Giovanni doesn't just dream of going to space; she feels that it is her people's imperative to be there.

Directors Joe Brewster and Michèle Stephenson tell her (still ongoing) life story in a strikingly impressionistic way—cleverly playing with archival footage, but more importantly having Giovanni's candid words blending seamlessly into her poetry. This is a credit to how connected to the milieu Giovanni's work actually is, of course, but the film does a very good job defining her as someone who can bring beauty and grace out of every experience.

Genre: Documentary

Actor: Kai Giovanni, Nikki Giovanni, Novella Nelson, Taraji P. Henson, Thomas Giovanni, Touré Neblett, Virginia Fowler

Director: Joe Brewster, Michèle Stephenson

From its title and premise, the hope for this kind of documentary would be for it to show some respect for the people who died from the Floridian opioid epidemic. At the very least, the film should dissuade people from the crimes documented here, by emphasizing the consequences of these actions. American Pain does not do this. It’s interesting to view how quickly the business gets out of hand for these unethical entrepreneurs – director Darren Foster reveals each development with enough style and flourish to be entertaining – but the film is clearly more fascinated with how the twins got away with drug dealing for so long. It’s a fun watch… if you forget people died from the events of this film.

Genre: Documentary

Director: Darren Foster

Rating: TV-MA

Ryan Bingham (George Clooney) is a corporate axman, he comes in a fires people when the managers are too afraid to do it themselves. The nature of his work requires a lot of flying, short lived meetings in transit zones and he absolutely loves it, and he has a certain goal in mind. When the company tries a new approach to corporate downsizing he has to change his way and view of life. It's full of cynicism and warmth. If you are familiar with Jason Reitman's previous work, you'll feel right at home, if you don't : Get to it!

Genre: Comedy, Drama, Romance

Actor: Adam Rose, Adhir Kalyan, Adrienne Lamping, Amy Morton, Anna Kendrick, Chris Lowell, ​Christopher Lowell, Cut Chemist, Danny McBride, Dave Engfer, George Clooney, J.K. Simmons, Jason Bateman, Jeff Witzke, Jerry Vogel, Matt O'Toole, Melanie Lynskey, Sam Elliott, Steve Eastin, Tamala Jones, Thomas M. Martilotti, Vera Farmiga, Zach Galifianakis

Director: Jason Reitman

Rating: R

, 2013

Chadwick Boseman who you might now know as the Black Panther had his break out role in 42, the true story of the first Black major league player Jackie Robinson. A story of expected struggle but also a humbling and humane account that is full of warmth. Jackie Robinson's coach is played by Dustin Hoffman, adding to the caliber of amazing performances in this movie, all put together by Oscar-winning writer/director Brian Helgeland (Mystic River, L.A. Confidential). From the baseball sequences to the personal life of Jackie Robinson, and of course his confrontation with racism, this is a powerful and uplifting movie.

Genre: Drama

Actor: Aaron Farb, Alan Tudyk, André Holland, Andre Holland, Andrew C. Mullins, Anthony S. Goolsby, Ari Blinder, Barry Suttle, Brad Beyer, Brett Cullen, Chadwick Boseman, Cherise Boothe, Christopher Meloni, Colman Domingo, Danny Vinson, Dax Griffin, Derek Phillips, Dusan Brown, Gino Anthony Pesi, Hamish Linklater, Harrison Ford, Hunter Clowdus, Jackson Walker, James Pickens Jr., James Rackley, Jamie Ruehling, Jayson Warner Smith, Jeremy Ray Taylor, Jesse Luken, Joe Inscoe, Joe Knezevich, John C. McGinley, Jon Kohler, Jud Tylor, Karole Foreman, Kelley Jakle, Kenny Cook, Linc Hand, Lou Criscuolo, Lucas Black, Marc Gowan, Mark Harelik, Matt Clark, Maury Covington, Max Gail, Michael H. Cole, Monnae Michaell, Nicole Beharie, Peter Jurasik, Peter MacKenzie, Rhoda Griffis, Ryan Merriman, T.R. Knight, Tobias Michael Finn, Toby Huss, William Flaman

Director: Brian Helgeland

Rating: PG-13

If you’ve ever been puzzled by “Greek life”, this documentary will go some way to demystifying that somewhat baffling phenomenon of American college culture. Bama Rush follows four hopefuls as they “rush” the University of Alabama’s sororities, a TikTok-viral weeklong recruitment process so cutthroat some candidates spend months preparing for it. The documentary digs deep into why these young women put so much time, energy, and money into joining what the film hints is a largely unforgiving and reductive element of campus life. What it finds is pretty affecting: they’re really just looking for acceptance and belonging.

Threaded throughout are director Rachel Fleit’s reflections on her own history with those motivations, having grown up with alopecia. Though it does illustrate that rushing isn’t so dissimilar from other quests for acceptance, this parallel is sometimes clunkily drawn — and can seem somewhat self-indulgent in places, given the documentary’s comparatively surface-level exploration of more systemic issues. A late development shifts Bama Rush into an even deeper self-reflexive mode, as the film itself becomes a contentious issue in the process it’s documenting. Despite its flaws, turns like this — and its participants’ extraordinary candor — help make Bama Rush an often illuminating look into an opaque world. 

Genre: Documentary, Drama

Director: Rachel Fleit