39 Movies Like In Time (2011) (Page 3)

Straight to the point and without any overly elaborate set-ups or personal anecdotes, Shane Gillis' Beautiful Dogs is a sort of back-to-basics approach to stand-up comedy that proves surprisingly effective. Over the course of about 50 minutes, Gillis' jokes move smoothly and freely—loose in structure but still clearly centering around very American notions of authority and masculinity (revolving around the military and U.S. history), which the comedian is quick to poke holes in. Gillis' humor is definitely of the lowbrow variety though, and while this in itself isn't a bad thing, a number of his jokes begin to repeat their point to no additional effect, usually relying on low-hanging fruit. Gillis skirts and occasionally dips into offensive territory, which he fully acknowledges. And while some of the stuff in this special is a little tasteless, at least Gillis is sheepishly honest about it.

Genre: Comedy, Documentary

Actor: Shane Gillis

Director: John McKeever, McKeever

As a story, Knuckle Girl settles for the simplest beats, at times strung together by odd, obligatory choices (for example, a training montage that comes out of nowhere, or the film's abrupt ending). It's not particularly sophisticated as far as thriller narratives go. But taken as a showcase for boxing-centered action, the film really sets itself apart from many countless action movies on streaming. The fist-fights here are brutal and kinetic, shot through lots of dynamic footage and crunchy sound design—making every punch that's thrown feel desperate. And in the lead role, Ayaka Miyoshi makes for a convincing, everyman action star who always seems in over her head but perseveres all the same.

Genre: Action, Drama, Thriller

Actor: Ayaka Miyoshi, Eishin, Goki Maeda, Hideaki Ito, Kanata Hosoda, Kotona Minami, Masaki Miura, Narimi Arimori, Ruka Matsuda, Satoshi Jinbo, Yoshimasa Kondô, Yosuke Kubozuka, Yuichi Yasoda

Director: Chang

“There is no ethical consumption under capitalism,” a famous socialist belief goes, but like many activists, Jo is trying to curb that. She marries her two conflicting passions, coffee and the environment, by establishing a vegan cafe that only serves plant-based drinks. If a customer so much as mentions dairy, they're humiliated before being kicked out of the place. It’s both impressively assertive and gratingly obnoxious, which is something you could also say about the tone the entire film strikes. It’s well-meaning in its attempt to shed light on the ongoing climate crisis, but rather tone-deaf in trying to place the blame on everyday consumers rather than large-scale corporations. The editing choices, while meant to be cheeky, also go overboard with the cuts and colors, making it more annoying than anything else. Which is a shame, because apart from a noble cause, Coffee Wars also has a funny script and engaging performances going for it. It also gives us an insightful look into the highly competitive coffee tournaments being staged around the world. If only Coffee Wars let things brew for longer, maybe removed some elements and expanded others—specifically, dwell more on the contradiction of wanting to change a system while participating in it—then it would’ve been even more enjoyable and educational than it is. 

Genre: Comedy, Drama

Actor: Freddie Fox, Hugh Dennis, Jenny Rainsford, Jordan Stephens, Kate Nash, Lydia West, María Conchita Alonso, Owain Arthur, Ray Fearon, Rosie Cavaliero, Sally Phillips, Saoirse-Monica Jackson, Tobias Forrest, Toby Sebastian

Director: Randall Miller

There's a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don't Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle of misfortune continues plaguing their characters, the filmmaking itself doesn't give us anything more to latch onto, with little progression in their arcs and a frustrating lack of insight into the very promising central relationship. There's no mistaking the film's good intentions, but the message arrives in an unfortunately clunky manner.

Genre: Drama

Actor: Abdellah El Hajjouji, Aïcha Tebbae, Antoine Reinartz, Jonathan Genet

Director: Fyzal Boulifa

There’s no doubt that pro climber Sasha DiGiulian is a fiercely brave and talented woman. And between her early entry into the sport and multiple first female ascents, her journey warrants an equally impressive film. Unfortunately, Here To Climb isn’t that film. It fails to capture DiGiulian’s spark and instead shows us a canned version of the athlete, one who may look appealing in inspirational clips and sponsored commercials, but here looks too guarded and rehearsed to seem authentic. The directors also don’t seem keen on appealing on a non-climbing audience since it doesn’t care to explain much of the jargon used, nor does it take its time to contextualize DiGiulian’s sport and success. The rare time it looks back, like when it introduced Lynn Hill and the major impact she had on rock climbing, is when it actually shines.

Genre: Documentary

Actor: Alex Honnold, Cedar Wright, Sasha DiGiulian

Director: Anne Sundberg, Ricki Stern

In TV and cinema, meeting your partner’s parents is a tried-and-tested formula that’s bound to generate relatable laughs. Meet the Parents, The Proposal, and Happiest Season are some modern classics that come to mind. Yet, French Girl fumbles this opportunity by peddling cliche after cliche with zero charm. Braff’s character is supposed to possess at least an inkling of likeability for us to root for him, but he can’t even manage that. His rival Ruby (Vanessa Hudgens) is so much more inviting that the film has to create a whole new evil arc for her in the third act to convince us to turn on her. This is all too bad because, beneath the rubble that is the film’s characters and plot lines, there is something true and endearing in the form of Sophie’s family. I wish we had more of those scenes because their interactions feel real and intimate. Unrestricted by formula and pressures to be funny, they soar.

Genre: Comedy, Romance

Actor: Alex Woods, Antoine-Olivier Pilon, Catherine De Sève, Chanelle Ouellette, Charlotte Aubin, Christian Paul, Ed Weeks, Evelyne Brochu, Georges St-Pierre, Isabelle Vincent, Jeanne Roux-Coté, Karl Farah, Luc Picard, Luc-Martial Dagenais, Marc Larrivée, Melia Charlotte Cressaty, Muriel Dutil, Olivier Gervais-Courchesne, Ralph Prosper, Rémi Goulet, Sylvie Potvin, Vanessa Hudgens, William Fichtner, Zach Braff

Director: James A. Woods, Nicolas Wright

Rating: R

Nobody should doubt Tatiana Suarez's place in the world of mixed martial arts, and it goes without saying how inspirational she can be to young girls who feel they don't fit a traditionally feminine mold. But a documentary really should do more than just reiterate facts, farm motivational soundbites, and refuse to ask follow-up questions to the most interesting ideas revealed. By the end of The Unbreakable Tatiana Suarez, it feels as if the film has repeated the same few talking points over and over, which doesn't actually make Suarez herself look better, but makes her look more like a product to be endorsed. Any potential discussion that can be had about the dangerous nature of wrestling and MMA—or on how this kind of controlled, organized violence interacts with real domestic violence experienced by Suarez—is quietly dismissed.

Genre: Documentary

Actor: Tatiana Suarez

Director: Cassius Corrigan

Rating: PG-13