63 Movies Like In the Mood for Love (2000)

Staff & contributors

Chasing the feel of watching In the Mood for Love ? Here are the movies we recommend you watch right after.

Called a masterpiece by many and featured on many best-of-the-21st-century lists, Director Wong Kar-wei has created a thing of singular beauty. Every frame is an artwork (painted, as it were, with help of cinematographer Christopher Doyle) in this meticulously and beautifully crafted film about the unrequited love of two people renting adjacent rooms in 1960s Hong Kong. These two people, played by Tony Leung and Maggie Cheung, struggle to stay true to their values rather than give in to their desires, while they both suspect their spouses of extramarital activities. The flawless acting, stunning visuals, and dream-like beauty of In the Mood for Love perfectly captures the melancholy of repressed emotions and unfulfilled love. The cello motif of Shigeru Umebayashi's main theme will haunt you long after you finished watching.

This French-Canadian slow-burner, written and directed by Denis Villeneuve, will pull you in with one of the best movie beginnings of all time – and its outstanding ending will leave you shaken. To fulfill their mother’s last wish after her sudden death in Montreal, the two twins Jeanne and Simon must travel separately to an unnamed Middle-Eastern country (with strong resemblances to civil-war-torn Lebanon) to deliver letters to close relatives they never knew they had.

The twins’ quest into a dark and staggering family history makes them experience themselves and the violence of war like they had never imagined. Their ordeal is interrupted by a series of flashbacks telling the story of their mother, Nawal Marwan, before leading them to uncover a deeply disturbing secret. Based on Wajdi Mouawad's 2003 play of the same name, this melodramatic war thriller takes a poetic and poignant look at how families are shaped by atrocities – even long the after wars that produced them have ended.

Genre: Drama, Mystery, War

Actor: Abdelghafour Elaaziz, Ahmad Massad, Allen Altman, Baraka Rahmani, Baya Belal, Dominique Briand, Hamed Najem, Hussein Sami, Jackie Sawiris, John Dunn-Hill, Karim Babin, Lara Atalla, Lobna Azabal, Lubna Azabal, Mélissa Désormeaux-Poulin, Majida Hussein, Maxim Gaudette, Mélissa Désormeaux-Poulin, Mohamed Majd, Mustafa Kamel, Nabil Sawalha, Nadia Essadiqi, Rémy Girard, Rémy Girard

Director: Denis Villeneuve

Rating: R

It comes as no surprise that former Bond villain Mads Mikkelsen won Best Actor in Cannes for delivering on this challenging role. In this merciless thriller by Danish director Thomas Vinterberg, the ice-eyed actor plays Lucas, an out-of-luck high school teacher struggling to start a new life. After a bitter divorce, he returns to the close-knit community he grew up in to work as a kindergarten teacher.

A few weeks before Christmas, a child from his class, who has an innocent crush on the popular teacher, hints to a colleague that he had exposed himself to her. The young girl’s intimation galvanizes the small hunter’s town into a witch-hunt that leaves Lucas’ life hanging from a string. Trapped in the lies, the more he fights back, the more irrational the mob becomes. In all its brutal honesty, The Hunt is one of those rare thrillers that will haunt you for days. Extraordinary and thought-provoking!

Genre: Drama, Mystery, Thriller

Actor: Alexandra Rapaport, Allan Wibor Christensen, Anne Louise Hassing, Annika Wedderkopp, Bjarne Henriksen, Daniel Engstrup, Frank Rubæk, Jacob Højlev Jørgensen, Josefine Gråbøl, Jytte Kvinesdal, Lars Ranthe, Lasse Fogelstrøm, Lasse Fogelstrøm, Mads Mikkelsen, Mona C. Soliman, Nicolai Dahl Hamilton, Ole Dupont, Øyvind Hagen-Traberg, Rasmus Lind Rubin, Sebastian Bull Sarning, Søren Rønholt, Susse Wold, Thomas Bo Larsen, Troels Thorsen

Director: Thomas Vinterberg

Rating: R

Not one but two Oscars as well as a Golden Globe are among this movie’s never-ending list of accolades. It was the first Iranian film ever to get an Oscar and the first non-English film ever nominated for Best Screenplay. Originally titled The Separation of Nader from Simin in Persian, it homes in on the dissolving relationship of a middle-class couple from Teheran – and the unintended consequences of tragic events.

However, this film is so intense, well-acted, and well-written, it defies categorization. To be sure, the movie does offer a painful look at a deteriorating marriage. It’s also timely, dealing with the politics of theocracy, economic underdevelopment, and social alienation. It presents tense moral dilemmas without pointing a finger. If you’re curious to learn about the humans of Iran and, by cultural extension, the humans of the Middle East beyond the scope of global politics, A Separation is also for you.

But please don’t call it world cinema, because this is no Slumdog Millionaire. Above all, it is a searing portrayal of human conflict, relationships, and morals. It is an almost perfect depiction of how many bad people are simply good people running out of options.

Genre: Drama

Actor: Ali-Asghar Shahbazi, Babak Karimi, Bahareh Riahi, Kimia Hosseini, Leila Hatami, Merila Zare'i, Payman Maadi, Peyman Maadi, Peyman Moaadi, Sahabanu Zolghadr, Sare Bayat, Sareh Bayat, Sarina Farhadi, Shahab Hosseini, Shirin Yazdanbakhsh

Director: Asghar Farhadi

Rating: PG-13

It’s a testament to Agnès Varda’s remarkable ability to glean so much raw beauty and truth from the world that this autobiographical documentary is such a rewarding watch, even for people unfamiliar with her. The Beaches finds the pioneering director in reflective mode as she looks back at her work and life, but her artistic impulses are by no means stagnant: she approaches the past with the same — if not more of the — generous candor and youthful spirit that colored her career.

It’s also a testament to Varda’s inimitable artistic touch that she turns a usually-bleak subject — mortality — into something this life-affirming. The Beaches was made when she was 81, aware of her own ticking clock and still nursing the decades-long loss of so many loved ones (chiefly, husband Jacques Demy). Just as her grief-stricken reflections don’t overwhelm the film with sadness, the whimsical impulses she indulges here — like constructing a beach on the street in front of her office — don’t blunt the sharpness of her candor. The overall effect is bittersweet and profoundly inspiring: as with the mirrors she places in front of the tide in the film's first scene, she’s showing us it’s possible to face the inescapable with a twinkle in your eye.

Genre: Documentary, Drama

Actor: Agnès Varda, Gérard Depardieu, Harrison Ford, Jane Birkin, Mathieu Demy, Robert De Niro, Rosalie Varda

Director: Agnès Varda

The 2016 outing of South-Korean auteur director Park Chan-wook (maker of Oldboy and Stoker) once again shifts attention to the dark side of what makes us human: betrayal, violence, and transgression. Based on the 2002 novel Fingersmith by British author Sarah Waters, The Handmaiden revolves around the love of two women and the greedy men around them. Park shifts the novel's plot from Victorian London to 1930s Korea, where an orphaned pickpocket is used by a con man to defraud an old Japanese woman. Routinely called a masterpiece with comparisons made to the likes of Alfred Hitchcock, this is a stylish and meticulous psychological thriller that packs enough erotic tension to put a crack in your screen. If you love cinema, you can't miss this movie. You might even have to watch it twice.

Genre: Drama, Mystery, Romance, Thriller

Actor: Bae Il-hyuck, Cho Jin-woong, Choi Byung-mo, Choi Jong-ryul, Eun-hyung Jo, Ha Jung-woo, Ha Si-yeon, Hae-suk Kim, Han Ha-na, In-woo Kim, Jeong Ha-dam, Jeong In-kyeom, Jin-woong Jo, Jo Eun-Hyung, Jung In-gyeom, Jung-woo Ha, Kim Hae-sook, Kim Hae-suk, Kim In-woo, Kim Min-hee, Kim Si-eun, Kim Tae-ri, Kwak Eun-jin, Lee Dong-hwi, Lee Ji-ha, Lee Kyu-jung, Lee Yong-nyeo, Lim Han-bin, Min-hee Kim, Moon So-ri, O Man-seok, Oh Man-seok, Rina Takagi, So-ri Moon, Tae-ri Kim, Takashi Kakizawa, Tomomitsu Adachi

Director: Chan-wook Park, Park Chan-wook

Rating: Not Rated

, 1997

Cure is about a mad society, where both cure and sickness might be one and the same. Director Kiyoshi Kurosawa subverts the police procedural into an interrogation without definite answers, an abstract study on the evil that resides and is suppressed in every person’s heart. Unlike most horror films, Cure’s scares are left in plain sight, hypnotically mesmerizing as they are gruesome, with a sense of mundanity associated with other Japanese masters like Ozu or Kore-eda. “At the time it just seemed the right thing to do,” a man answers when asked why he killed his wife, and it is this contradictorily calm, nonchalant demeanor that creates a feeling of unease in the film’s horror aesthetic.

Genre: Crime, Drama, Horror, Mystery, Thriller

Actor: Akira Otaka, Anna Nakagawa, Denden, Hajime Tanimoto, Kōji Yakusho, Makoto Kakeda, Makoto Togashi, Masahiro Toda, Masato Hagiwara, Misayo Haruki, Ren Osugi, Shôgo Suzuki, Shun Nakayama, Taijirō Tamura, Takeshi Mikami, Taro Suwa, Tsuyoshi Ujiki, Yoriko Dōguchi, Yukijiro Hotaru

Director: Kiyoshi Kurosawa

Wong Kar-wai’s dreamlike masterpiece is a perfect portrayal of the wilderness of a city at night. A hitman trying to get his job done, a woman hunting the prostitute who stole her boyfriend, and a mute who loves his father's cooking: each of the characters in Fallen Angels is eccentric and interesting in their own way. Along the watch, you may find yourself overwhelmed by all the events taking place as each character fights to stay alive and satisfy their desire, but this is exactly where the beauty lies. A hazy view of Hong Kong is the backdrop for the characters' riveting stories, blending loneliness, lust, as well as missed opportunities. Fallen Angels is a remarkably balanced film that not only exposes the coldness of people in the city, but also their warmth.

Genre: Action, Crime, Drama, Romance

Actor: Benz Kong, Benz Kong To-Hoi, Chan Fai-Hung, Chan Man-Lei, Chan Siu-Wah, Charlie Yeung, Choi Kwok-Keung, Choi Kwok-Ping, Chow Gam-Kong, Johnnie Kong, Karen Mok, Karen Mok Man-Wai, Kwan Lee-Na, Lee Tat-Chiu, Leon Lai, Michelle Reis, Takeshi Kaneshiro, Toru Saito, Wong Kwan-Hong

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

, 2000

Edward Yang’s masterful and lush Yi Yi follows the lives of the Jian family and their respective, middle-class worries. The father agonizes over a business deal and, at the back of his mind, an old flame. The mother struggles with emptiness, the daughter with sensuality, and the son with his burgeoning artistry. In the periphery are other family members trying to get by as best they can despite having no certain future to look forward to. The story, which is bookended with life and death, is punctuated with these lingering anxieties but also, crucially, with moments of potent, profound joys. 

The premise seems simple, but Yang weaves a breathtaking epic out of the mundane. The mise-en-scene is immersive, the dialogue delicate, and the direction effectively real. The understated elegance of each piece coming together to build a rich whole is what makes YiYi Yang’s legacy to the world of cinema.

Genre: Drama, Family, Romance

Actor: Adriene Lin, An-an Hsu, Chen Yiwen, Cheryl Yang, Danny Deng, Edward Yang, Elaine Jin, Hsi-Sheng Chen, Hsu Kuei-ying, Hsu Shu-Yuan, Issey Ogata, Jerry Sun, Jonathan Chang, Kai-Li Peng, Kate Yeung, Kelly Ko, Kelly Lee, Kenjiro Tsuda, Lawrence Ko, Leon Dai, Liang-Tso Liu, Luo Bei An, Ru-Yun Tang, Sharon Mao, Shau-Ching Sung, Shu-shen Hsiao, Shu-Yuan Hsu, Tang Ru-Yun, Tang Tsung Sheng, Tao Chuang Cheng, Wang Chi-tsan, Wu Nien-Jen, Yi-Wen Chen

Director: Edward Yang

Co-directed and narrated by legendary German director Wim Wenders in collaboration with Salgado's son, Juliano, this unique film tells Sebastião Salgado's life story from his childhood in Northern Brazil, his early career as an economist, and how he shifted towards photography to become a world-renowned photojournalist. Shot in stunning black and white by Juliano Salgado and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man's lifelong dedication to capture the suffering of humanity and of nature. Most famously, the nightmarish images of the teeming workers of Serra Pelada, a Brazilian mountain gold mine. While creating these images raises some ethical questions that Salgado was confronted with throughout his career, it is an utterly enthralling experience, upsetting at times in its frank display of war, death, and devastation. Ultimately, however, Salgado's elegance and kindness pull us back in and what we see is truth, awareness, and beauty.

Genre: Documentary

Actor: Juliano Ribeiro Salgado, Lélia Wanick Salgado, Régis Muller, Sebastião Salgado, Wim Wenders

Director: Juliano Ribeiro Salgado, Wim Wenders

Rating: PG-13

Between 1967-1975, a group of Swedish filmmakers traveled to America to document the Black Power movement. The resulting archival footage of Black activists and intellectuals, including Bobby Seale, Huey P. Newton, Eldridge Cleaver, and the amazing Angela Davis, was hidden in an archive until it was unearthed and woven together by Göran Olsson, a Swedish director. Angela Davis also supplies some contemporary voice commentary alongside many others, such as Erykah Badu, Harry Belafonte, and The Roots drummer and rap culture's No. 1 record keeper Questlove, who also co-scored the film. This adds to the mixtape feel of the film as does the raw and unfiltered piecing together of the historic footage, giving the viewer an authentic impression of the movement and the struggles of the time. Being Swedish, the filmmakers dared to go where American mainstream TV might have never gone.

Genre: Documentary, History

Actor: Angela Davis, Bobby Seale, Erykah Badu, Harry Belafonte, John Forte, Kathleen Cleaver, Melvin Van Peebles, Sonia Sánchez, Stokely Carmichael, Talib Kweli

Director: Göran Olsson

Rating: Not Rated

The atmosphere in Millennium Mambo is magical. The opening scene alone will leave you enchanted, with long walks through a tunnel-like space and dreamy techno music playing in the background. We are misled into thinking that this will be a movie full of colors and dance, and to some degree, this is true, as it portrays Taipei and its neon colors of green, pink, and blue, featuring dance sequences in a bar that serves flashy drinks. But as the movie develops, a chilling shadow is cast as we become entangled in a brutal relationship that is as full of cruelty as it is of love and lust. Narrated from the future, the story shows how the present-day protagonist, Vicky, grapples with her identity as she looks back upon her past self from ten years ago.

Chaotic, messy, but also peppered with moments of serenity and shot with flawless camerawork and cinematography, Millennium Mambo makes time feel fluid, and serves as a reminder that no matter how rough the journey may be, everything is always okay in the end.

Genre: Drama, Romance

Actor: Chun-hao Tuan, Doze Niu Cheng-Tse, Duan Chun-hao, Jack Kao, Pauline Chan, Pauline Chan Bo-Lin, Qi Shu, Rio Peng, Shu Qi

Director: Hou Hsiao-hsien, Hsiao-Hsien Hou

Rating: R

Koreeda's troubled childhood often serves as the inspiration for his poignant Japanese dramas that deal with loss, the meaning of being a child, and of being parent. In Like Father, Like Son, Ryota Nonomiya (Masaharu Fukuyama), a hard-working architect, who is married to his work, comes home from work. He receives a call from the hospital where his son Keita was born and learns that he was switched at birth with their biological son Ryūsei. His wife and him are not only faced with the prospect of having to switch the two six-year-olds back, but also with the rickety family his 'real' son grew up in—and his aversion to what they stand for. But who is real and who isn't? Must they be switched back? The age-old question of nature vs. nurture and the relationship of love and biology is at the heart of the parent's struggle. As always with Koreeda's works, the result is soft-spoken, sensitive, and symphonically directed. Winner of the Jury Prize at Cannes.

Genre: Drama, Family

Actor: Arata Iura, Hana Kino, Hiroshi Ôkôchi, Ichirō Ogura, Isao Natsuyagi, Jun Fubuki, Jun Kunimura, Kazuaki Shimizu, Kazuya Takahashi, Keiji Nakazawa, Keita Ninomiya, Ken Ochiai, Kirin Kiki, Kōichi Kitamura, Lily Franky, Machiko Ono, Maki Yoko, Masaharu Fukuyama, Megumi Morisaki, Meguri Hiroo, Natsuki Inaba, Pierre Taki, Rina Endou, Sasaki Masakazu, Shogen Hwang, Tetsushi Tanaka, Tomomitsu Adachi, Tomoya Nakamura, Yamamoto Shuri, Yo Yoshida, Yoh Yoshida, Yôko Maki, Yuji Yoshimasu, Yujiro Komura, Yuri Nakamura, 福山雅治

Director: Hirokazu Kore-eda, Hirokazu Koreeda

Rating: Not Rated

There are two auteur directors that we recommend more than anyone else on this site. One is Hirokazu Koreeda, the Japanese master of intricate drama, the other is Asghar Farhadi. Mr. Farhadi is an Oscar-winning, Iranian filmmaker and one of the most recognisable directors out there. His third film, Fireworks Wednesdays, paved the way for him to become one of the hidden champions of international cinema. As is often the case with the stories he tells, the film portrays the life of a couple in turmoil, Mozhdeh and Morteza Samiei, played by Hedye Tehrani and Hamid Farokhnezhad. She suspects him of cheating on her with their neighbor, a beautician, and sends the maid, a soon-to-be bride named Roohi, to the salon to spy on her. When Roohi takes matters in her own hands, the couple can't help but watch things spiraling out of control. This happens against the backdrop of Chaharshanbe Suri, an Iranian holiday celebrated with fireworks on the Wednesday before the Iranian New Year, hence the title. Will it make for an explosive ending? From what you have heard so far, this could easily be melodramatic, but Fahradi is too good. He's very, very good.

Genre: Drama

Actor: Behshad Sharifian, Hamid Farokhnezhad, Hamid Farrokhnejad, Hedie Tehrani, Hediyeh Tehrani, Houman Seyyedi, Pantea Bahram, Sahar Dolatshahi, Tarane Alidousti, Taraneh Alidoosti

Director: Asghar Farhadi

Rating: Not Rated

The apex of Abbas Kiarostami’s monumental filmography, Close-Up is a testament to the late directors’ ingenuity and humanism. Kiarostami documents the real-life trial of a man who impersonated fellow Iranian filmmaker Mohsen Makhmalbaf, and ingratiated himself to a family believing him to be the real deal. The courtroom drama and interviews are fascinating enough, but Kiarostami takes it one step further by having everyone involved reenact the events as they happened.

The result is an unparalleled piece of filmmaking that blurs the boundaries between documentary and narrative while posing vital questions about the exclusivity of cinema and the storytelling process. Despite its sophisticated constructions, Kiarostami’s direction is lucid and direct as it builds to a passionate and unforgettable conclusion.

Genre: Crime, Documentary, Drama

Actor: Abbas Kiarostami, Hossain Farazmand, Hossain Sabzian, Mohsen Makhmalbaf, Monoochehr Ahankhah

Director: Abbas Kiarostami

Having only made its way to the US six long years after its initial release, this is the long-awaited film from the Oscar-winning director of A Separation—Asghar Farhadi. First off, for full disclosure, Farhadi does not miss and we here at A Good Movie to Watch are unabashed fans of his. At the heart of his fourth film lies a haunting mystery. A group of old friends and relatives reunite for vacation in Northern Iran with one of them bringing Elly to the group, intent on introducing her to her friend Ahmad, a divorcee visiting from Germany. It looks like everything would work out as planned when, suddenly, Elly has vanished. In the habitual Farhadi style, the unfolding mystery and poignant questions about gender and politics are helped along by a subtle script, delicate directing, and on-point performances, including from one of the most well-known Iranian actors of today, Golshifteh Farahani. In addition to being an enthralling watch, it will let you catch a glimpse of the delicate balance struck by middle-class, modern-day Iranians, caught between their own expectations and those of society and tradition.

Genre: Drama

Actor: Ahmad Mehranfar, Golshifteh Farahani, Mani Haghighi, Marila Zare'i, Merila Zare'i, Payman Maadi, Peyman Maadi, Rana Azadivar, Saber Abar, Shahab Hosseini, Tarane Alidousti, Taraneh Alidoosti

Director: Asghar Farhadi

Rating: N/A, Unrated