63 Movies Like Hereditary (2018) (Page 3)

Staff & contributors

Chasing the feel of watching Hereditary ? Here are the movies we recommend you watch right after.

A chilling and dark movie to be especially appreciated by true suspense lovers. At the funeral of the family’s matriarch, no one is emotional except the granddaughter, whose grieving is disturbing, to say the least. When both grieving and not grieving are unsettling, you can tell what kind of family (and movie) this will be.

In the early 1990s, Singaporean teens Sandi, Jasmine, and Sophie set out to make the country’s first indie movie. Incredibly, in between college, day jobs, and very limited funding, they manage to do just that with the help of their wise but mysterious mentor, Georges. Shirkers, as the project came to be called, seemed primed to revolutionize the burgeoning Singaporean film industry. It was ambitious and bonkers, unlike anything the country has seen before, and it lovingly contained tributes to the makers' cinematic heroes (among them Wim Wenders and David Lynch). But before it could see the light of the day, before it could even be viewed and edited by the girls who conceptualized it, Shirkers’ raw footage was whisked away by Georges, who fled the country without a trace. 

The potentially pioneering film was never to be seen again—that is, until 20 years later when it resurfaces in near-mint condition (sadly, the audio could not be recovered). Fascinated by the journey of the lost film and mystified by Georges’ motives, Sandi decides to remake Shirkers as a documentary. The result is an artistic and personal interrogation into what made their small beloved film possible, how its loss affected the people behind it, and how this all led to Shirkers, the documentary, which is a testament to how art always prevails in the end. 

Genre: Documentary

Actor: Georges Cardona, Jasmine Ng, Jasmine Ng Kin Kia, Sandi Tan, Sophia Siddique Harvey

Director: Sandi Tan

Rating: TV-14

You may have heard about this 2019 critic-favorite from clips like this one of a kid running to flee the movie theater during a screening. “little billy ran the f**k out the door”, the caption reads.

You will want to do the same. Recovering from losing her sister and her parents in a single incident, a young girl goes on a trip to Sweden to observe a ritual within a bizarre commune that occurs every 90 years. This cult’s idea of death and their traditions intersect with the girl’s grief to create unthinkable monstrosities.

Note: while some readers praise the movie for its depiction of anxiety, I highly recommend against watching Midsommar if you suffer from panic attacks.

Genre: Drama, Horror, Mystery

Actor: Agnes Westerlund Rase, Anders Back, Anders Beckman, Anki Larsson, Anna Åström, Anna Berentzen, Archie Madekwe, Austin R. Grant, Björn Andrésen, Ellora Torchia, Florence Pugh, Frans Cavallin Rosengarten, Gunnel Fred, Hampus Hallberg, Henrik Norlen, Isabelle Grill, Jack Reynor, Julia Ragnarsson, Katarina Weidhagen, Klaudia Csányi, Lars Väringer, Lennart R. Svensson, Levente Puczkó-Smith, Liv Mjönes, Louise Peterhoff, Mats Blomgren, Mihály Kaszás, Rebecka Johnston, Tove Skeidsvoll, Vilhelm Blomgren, Vilmos Kolba, Will Poulter, William Jackson Harper, Zsolt Bojári

Director: Ari Aster

Rating: R

Eat Drink Man Woman takes place in Taipei, Taiwan in the mid-1990s. It tells the story of an aging father and his three daughters, all of whom are navigating different phases of adulthood while embracing new relationships. The family uses cooking and eating together as a way to communicate their love.

Food as a love language wasn’t a new concept in 1994, when the film was released, however it is impeccably explored in Eat Drink Man Woman. 

Genre: Comedy, Drama, Romance

Actor: Chen Chao-jung, Chi-Der Hong, Chin-Cheng Lu, Gin-Ming Hsu, Gua Ah-leh, Huel-Yi Lin, Jui Wang, Kuei-Mei Yang, Lester Chan, Lester Chit-Man Chan, Lung Hsiung, Lung Sihung, Shih-Jay Lin, Sihung Lung, Sylvia Chang, Wang Yu-wen, Winston Chao, Wu Chien-Lien, Ya-lei Kuei, Yang Kuei-Mei, Yu Chen, Yu-Wen Wang, 张艾嘉

Director: Ang Lee

Rating: Not Rated

If you grew up watching Mister Rogers’ Neighborhood, you may find yourself now humming along: It’s a beautiful day in this neighborhood, a beautiful day for a neighbor, would you be mine? Could you be mine? 

If you did not grow up watching this iconic children’s television program, you may still be familiar with its host, the late Fred Rogers. Rogers was an advocate for empathy and extending kindness toward people of all races, religions, and ages. He never talked down to the neighbors who paid him visits on the show, which aired from 1968 to 2001, even while tackling heavier subjects like grief, divorce, and loneliness.

Morgan Neville’s Won’t You Be My Neighbor best captures Rogers’ ability to build communities and make you, the viewer, feel less alone. Through interviews and archival footage, a clear portrait emerges of Rogers’ legacy and singular force of goodwill. Both the documentary and Fred Rogers’ spirit serve as reminders that each of us are worthy of love, exactly as we are.

Genre: Documentary, Drama

Actor: Al Gore, Ayden Soria, Betty Aberlin, Bill Clinton, Bill Isler, Brian Kilmeade, Christa McAuliffe, David Bianculli, David Letterman, David Newell, Eddie Murphy, Eleanor Way, François Clemmons, Fred Rogers, George Wirth, Hedda Sharapan, Hillary Clinton, Jim Rogers, Joanne Rogers, Joe Negri, Johnny Carson, Josie Carey, Junlei Li, Koko, Lorin Hollander, Lynden Liu, Lyndon B. Johnson, Major Hawbaker Manask, Margaret Whitmer, Max King, McColm Cephas Jr., McColm Kona Cephas Jr., Nick Tallo, Robert F. Kennedy, Susan Stamberg, Tom Junod, Tom Snyder, Yo-Yo Ma

Director: Morgan Neville

This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they're actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn't a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.

Genre: Documentary

Actor: David Kellman, Ellen Cervone, Howard Schneider, Lawrence Wright, Michael Domnitz, Robert Shafran, Tim Wardle

Director: Tim Wardle

Rating: PG-13

Documentaries about musicians — or anyone famous, for that matter — are often mythologizing puff pieces, essentially feature-length airings of PR material. But Against All Odds has more to it than flattery. It chronicles the rise of Australia’s first drill rappers, five young men of Samoan origin who soared to fame from their disadvantaged Sydney neighborhood after going viral and catching the eye of artists like the UK’s Skepta and Australia’s own The Kid Laroi. 

ONEFOUR’s rise from “the trenches” is compelling in itself — far more so than some of the dull origin stories that often pad out this kind of movie — but the documentary is given even more weight by its examination of the forces that sought to put out their fire: New South Wales police. ONEFOUR’s lyrics, which often reference violence, put them in the crossfires of a police tactical unit determined to, in one officer’s words, “make [ONEFOUR’s] life miserable until [they] stop what [they’re] doing.” Amazingly, the on-camera police interviews feature even more brazen admissions of the ways they “lawfully harass” ONEFOUR, a fact that makes this documentary an eye-opening portrait of both aggressive (and allegedly racist) policing and the resilience of the group in the face of it.

Genre: Documentary, Music

Actor: Celly, J Emz, Lekks, Spenny, The Kid LAROI, YP

Director: Gabriel Gasparinatos

Rating: R

If you were on the Internet around 2015, you might be familiar with the viral phenomenon that is Wakaliwood, a “slum” neighborhood of Kampala, Uganda from where self-taught director Isaac Nabwana churns out bombastic DIY action comedies. Though they rack up online views in the millions, Isaac’s low-budget films weren’t money-makers due to a lack of proper distribution — something Alan Hofmanis, a Wakaliwood superfan and well-meaning New York-based publicist, wanted to help change.

Once Upon a Time chronicles the ups and somewhat perplexing downs of Isaac and Alan’s partnership, but their murky beef doesn’t detract too much from the documentary’s greatest strength, which is its showcasing of the scrappy spirit shared by Isaac and his volunteer collaborators: the actors who gleefully throw themselves in the mud for him, the “voice jokers” who provide riotous live narration at his screenings, and the props man who can jerry-rig just about anything his scripts call for. As Isaac points out, filmmaking is a business in the rest of the world — in Wakaliwood, it’s a passion. If Once Upon a Time does one thing, it’s faithfully transmit Isaac’s pure love for the craft — and, in doing so, reinvigorate us with the infectious joy that animates all of his movies.

Genre: Documentary, Drama

Actor: Alan Hofmanis, Bisaso Dauda, Nabwana IGG, V.J. Emmie

Director: Cathryne Czubek

This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.

Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.

Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.

But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.

Genre: Drama

Actor: Fanny Tovar, Juan Daniel Garcia Treviño, Luis Leonardo Zapata, Xueming Angelina Chen

Director: Fernando Frias, Luis Fernando Frías de la Parra

When thinking about one’s family, we tend to remember our parents as parents, and rarely as people of their own. Ethel & Ernest, based on Raymond Briggs’ beloved graphic memoir of his own parents, instead focuses on two ordinary spouses in extraordinary times, sharing some of the day-to-day moments that show their affection, but is clearly marked by the times they’re in, materially and politically. The watercolor design is a cleaner, more modern update of the original illustrations, while Briggs’ handwritten speech bubbles still retain their character through Jim Broadbent’s and Brenda Blethyn’s voices. It’s just a loving, but still honest, depiction of one’s parents, one that makes you think about your own.

Genre: Animation, Drama, War

Actor: Alex Jordan, Brenda Blethyn, Duncan Wisbey, Gillian Hanna, Harry Collett, Jim Broadbent, June Brown, Luke Treadaway, Pam Ferris, Peter Wight, Raymond Briggs, Roger Allam, Simon Day, Virginia McKenna

Director: Roger Mainwood

The performance of a pot-bellied Joaquin Phoenix is nothing short of perfection. He brilliantly portrays a hitman down on his luck who happens to rescue a kidnapped teenage girl. It’s a tight movie, running a short 89 minutes. It makes a point that sticks. Pure entertainment, pure acting, and amazing directing by Lynne Ramsay (who also directed We Need to Talk About Kevin).

Genre: Crime, Drama, Mystery, Thriller

Actor: Alessandro Nivola, Alex Manette, Christian Reeve, Claire Hsu, Cristina Dohmen, Dante Pereira-Olson, Edward Latham, Ekaterina Samsonov, Frank Pando, Jalina Mercado, Jason Babinsky, Joaquin Phoenix, John Doman, Jonathan Wilde, Judith Roberts, Kate Easton, Larry Canady, Leigh Dunham, Lucy Lan Luo, Madison Arnold, Novella Nelson, Oleg Ossayenko, Ronan Summers, Rose De Vera, Ryan Martin Brown, Scott Price, Sophie Piedras, Vinicius Damasceno

Director: Lynne Ramsay

Rating: R

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

This is the follow-up film by the director of the (also) excellent and intense Blue Ruin. Like that film, Green Room often subverts genre expectations. The basic premise: a lefty punk band winds up taking a show at a skinhead club because they are desperate for cash. The show goes well, but afterward the band accidentally witnesses something they shouldn’t have and are trapped in the club’s green room. This film is brutal and intense, especially because you actually care about what happens to the characters. Bonus: Sir Patrick Stewart plays the leader of the skinhead organization, and gives a subtle yet effectively sinister performance. While some truly horrific acts of violence occur (especially in the back-half of the film) they really do serve the story. Still, there are a handful of scenes that may require more sensitive viewers to cover their eyes. You have been warned.

Genre: Crime, Horror, Thriller

Actor: Alia Shawkat, Anton Yelchin, Brent Werzner, Callum Turner, David W. Thompson, Eric Edelstein, Imogen Poots, Jeremy Saulnier, Joe Cole, Joseph Bertót, Kai Lennox, Lj Klink, Macon Blair, Mark Webber, Mason Knight, Michael Draper, October Moore, Patrick Stewart, Samuel Summer, Taylor Tunes

Director: Jeremy Saulnier

Rating: R

The film follows Yuma, a young woman with cerebral palsy who dreams of becoming a manga artist but struggles to find independence while living with an overprotective mother. That, however, doesn’t stop her from applying to work at an erotica manga publishing house. In this moving narrative, the themes of identity and self-discovery are tenderly portrayed through the lens of disability as Yuma embarks on a  journey toward self-acceptance and sexual empowerment. Despite a rocky and somewhat dragging last act, the respectful depictions of sex work and disability make this film's warm heart feel genuine.

Genre: Drama

Actor: Eita Okuno, Haruka Imou, Itaya Yuka, Kiyohiko Shibukawa, Makiko Watanabe, Mei Kayama, Minori Hagiwara, Misuzu Kanno, Nanami Kawakami, Nobu Morimoto, Shizuka Ishibashi, Shohei Uno, Shunsuke Daitoh, Toshinori Omi, Yuka Itaya

Director: Hikari

Rating: R, TV-MA

When people think of football, they think of teams, and if not teams, they think of individual goalscorers. Higuita: the Way of the Scorpion focuses instead on a single goalkeeper from Latin America. To be fair, this goalkeeper is René Higuita – even just checking his Wikipedia is bound to pull some curiosity. But the documentary does a great job in introducing the man and his life story, starting with his fantastic scorpion kick before delving into the more personal and sensitive aspects of his life. With the wild gameplays and crazy controversies linked to the man, it’s actually unbelievable how a documentary like this hasn’t been made yet.

Genre: Documentary

Actor: René Higuita

Director: Luis Ara

Rating: R

, 2012

Boy is the highest-grossing New Zealand film of all time, and a masterpiece of compassion and good humor. Set in New Zealand's rural East Coast in 1984, the film's protagonist, Boy, imagines a world outside, dreaming of meeting Michael Jackson and having adventures. These fantasies serve to distract him from the sad circumstances of his life, living with his grandmother while his father serves out a prison sentence. However, adventure comes to Boy suddenly when his ex-convict father returns to find a long hidden bag of money. Written, directed, and starring Taika Waitit and featuring the new comer James Rolleston as Boy, it's a hilarious and heartwarming tale.

Genre: Comedy, Drama

Actor: Cherilee Martin, Chris Graham, Cohen Holloway, Craig Hall, Darcy Ray Flavell-Hudson, Haze Rewiti, Hoanihuhi Takotohiwi, James Rolleston, Jarod Rawiri, Maakariini Butler, Madeleine Sami, Manaia Callaghan, Mavis Paenga, Moerangi Tihore, Ngapaki Emery, Pana Hema-Taylor, Rachel House, Rajvinder Eria, RickyLee Waipuka-Russell, Stu Rutherford, Stuart Rutherford, Taika Waititi, Te Aho Aho Eketone-Whitu, Te Aho Eketone-Whitu, Tuhoro Ranihera Christie, Waimihi Hotere

Director: Taika Waititi, Topaz Adizes

Rating: Not Rated