22 Movies Like Happiness for Beginners (2023)

Chasing the feel of watching Happiness for Beginners ? Here are the movies we recommend you watch right after.

Sanitized, predictable, and utterly cheesy, Happiness for Beginners feels like one of those TV movies made to fill the time in between the stuff people actually watch. It’s baffling how wasted Kemper is here; the actress’ signature pep, which was fully utilized in shows like The Office and Unbreakable Kimmy Schmidt, is nowhere to be found. She plays a grump who, by the sheer power of love and friendship, transforms into a happier person, but even then we see no trace of Kemper’s infectious energy. It was hinted that Kemper’s character, Helen, struggles with depression, but the film is either unwilling or incapable of digging further and offering Helen actual solutions, like therapy or medicine. The movie’s saving grace is the ensemble behind Kemp, who thankfully are able to exercise their comic chops. Nico Santos, Ben Cook, and Gus Birney deserve a special mention for their full-bodied and entertaining performances.

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1. Asteroid City, 2023

After experimenting with multiple storylines in The French Dispatch, the inimitable Wes Anderson goes one step further with the mind-bendingly meta Asteroid City. Framed as a TV documentary about the making of a play, Asteroid City’s Russian doll setup reflects the neurosis of its period (the Cold War-struck ‘50s), art-making, and the intimidating vastness of outer space.

The play takes place in a tiny desert town where atom bomb tests routinely rattle the doorframes and where a convention for young geniuses is being held, attended by a host of typically idiosyncratic characters (played by Jeffrey Wright, Tilda Swinton, Tom Hanks, and many, many more). Still, it retains a central focus: the grief of new widower Augie (Jason Schwartzman) and his kids, and the connections he and his son (Jake Ryan) forge with a visiting actress (Scarlett Johansson) and her daughter (Dinah Campbell). Asteroid City draws much of its poignancy from this story (and its behind-the-scenes goings-on), as these people stare into the cosmic wilderness and a future without their loved one. Shot in gorgeous bleached postcard tones and full of the imaginative flourishes we’ve come to expect from Anderson, this is a profound rumination on existential angst that miraculously finds hope amidst all its characters’ nihilism.

Genre: Comedy, Drama

Actor: Adrien Brody, Aimee Mullins, Ainhoa Aldanondo, Ara Hollyday, Bob Balaban, Bryan Cranston, Damien Bonnard, Deanna Dunagan, Dominique Fouassier, Edward Norton, Elena Uriz, Eliel Ford, Ella Faris, Erika Godwin, Ethan Josh Lee, Fisher Stevens, Francisco Javier Gomez, Grace Edwards, Gracie Faris, Guillermo García, Hong Chau, Hope Davis, Jack Eyman, Jake Ryan, Jarvis Cocker, Jason Schwartzman, Jay Lau, Jeff Goldblum, Jeffrey Wright, Liev Schreiber, Margot Robbie, Matt Dillon, Maya Hawke, Nicolas Avinée, Palmira Ferrer, Patricia Colin, Paul Kynman, Randall Poster, Rita Wilson, Rodolphe Pauly, Rupert Friend, Sam Marra, Sandy Hamilton, Scarlett Johansson, Seu Jorge, Sonia Gascón, Sophia Lillis, Stéphane Bak, Stephen Park, Steve Carell, Steve Park, Tilda Swinton, Tom Hanks, Tom Hudson, Tony Revolori, Truman Hanks, Wendy Nottingham, Willa Skye, Willem Dafoe

Director: Wes Anderson

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2. Showing Up, 2023

The title of this small-scale comedy drama alludes to an aspect of creativity that isn’t inherently cinematic but which is necessary if you’re going to make anything: just showing up and doing the work. Kelly Reichardt’s filmmaking is in keeping with that focus: this is a gentle movie, full of the patience the art-making process requires and which has always characterized her contributions to “slow cinema.”

The film is set in a small creative community where the prickly Lizzy (Michelle Williams) works in administration at an arts center and perfects her sculptures for her upcoming solo show. Her efforts are hampered by small daily dramas, though, like the pigeon whose wing her naughty kitty has broken or the friends of her father who lightly exploit his hospitality. And then there’s her neighbor and landlord Jo (Hong Chau), a rising star of an artist who inspires thorny feelings of inadequacy in the only moderately successful Lizzy. Reichardt and Williams deftly explore these insecurities, subtly suggesting that one-sided resentments like Lizzy’s are easily dissolved with a bit of human connection. These gentle moments of insight are rewarding, but it should be noted that your mileage may vary with Showing Up’s insular art world focus and Reichardt’s more unhurried-than-ever pace.

Genre: Comedy, Drama

Actor: Amanda Plummer, André 3000, Bahni Turpin, Cody Burns, Denzel Rodriguez, Eudora Peterson, Heather Lawless, Hong Chau, Izabel Mar, James Le Gros, Jean-Luc Boucherot, John Magaro, Judd Hirsch, Kevin-Michael Moore, Kristina Haddad, Lauren Lakis, Maryann Plunkett, Matt Malloy, Michelle Williams, Orianna Milne, Sam Kamerman, Teal Sherer, Ted Rooney, Theo Taplitz

Director: Kelly Reichardt

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3. Love at First Sight, 2023

Watching Love at First Sight, there are times you catch it almost falling into eye-rolling clichés, like when Hadley loses Oliver’s number or when their first kiss is interrupted by someone suddenly opening the door. But the film’s self-assured and self-aware charm subverts conventions and saves it from being just another cheesy rom-com you’d sooner skip on Netflix. The statistic-heavy narration by Jameela Jamil manages to be both amusing and romantic, and casting Jamil as an omnipresent chameleon who is fate-personified is an inspired move that helps the film move along smoothly. Though they lack sensual chemistry, Richardson and Hardy are individually, abundantly charming. It’s hard not to be moved by their stories, as common as they may be in movies like this. Love at First Sight is fluffy and familiar, but it is also the sort of heartwarming fare you’ll want to watch again and again, especially at Christmastime, when the movie is set.

Genre: Drama, Romance

Actor: Andromeda Godfrey, Anthony Warren, Ben Hardy, Dexter Fletcher, Doña Croll, Haley Lu Richardson, Ibinabo Jack, Jameela Jamil, Jessica Ransom, Katrina Nare, Kerry Howard, Philip Bird, Rob Delaney, Sally Phillips, Sam Booth, Tom Taylor, Tracy Wiles

Director: Vanessa Caswill

Rating: PG-13

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4. Joy Ride, 2023

True to its name, Joy Ride is a raucous delight that has everything you want out of a road trip comedy and more. There’s love, sex, adventure, and even music, but most of all there’s friendship, the interesting complexities of which are explored against the backdrop of race. There’s something meaningful keeping everything together at the core, and first-time director Adele Lim—helped by a strong script and cast—does an excellent job of holding it down. The film is also just plain funny. There are physical gags and of-the-moment jokes, plus a couple of insider quips made for and by the Asian community. But apart from the hilarity and tenderness, the film also delivers in the visual department: it looks gorgeous, not only because the characters are tourists who embark on a jet-setting adventure, but because of the inspired animation and vibrant editing.

Genre: Comedy

Actor: Alexander Hodge, Annie Mumolo, Ashley Park, Baron Davis, Chris Pang, Daniel Dae Kim, David Denman, Debbie Fan, Desmond Chiam, Isla Rose Hall, Kenneth Liu, Lori Tan Chinn, Meredith Hagner, Michelle Choi-Lee, Ronny Chieng, Sabrina Wu, Sherry Cola, Stephanie Hsu, Timothy Simons

Director: Adele Lim

Rating: R

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5. The Deepest Breath, 2023

Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It's a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer's expectations to the point of callousness.

Genre: Documentary

Actor: Alessia Zecchini, David Attenborough, Natalya Molchanova, Stephen Keenan

Director: Laura McGann

Rating: PG

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6. Take Care of Maya, 2023

It’s a bit on the sensational side, but this Netflix documentary about a family torn apart by the medical industry is fascinating and empathetic enough to bring justice to its delicate subject matter. Director Henry Roosevelt takes care to use as many angles as possible in presenting the documentary’s central mystery —why is the hospital so insistent on separating Maya from her mother Beata?—while also leaving enough room for the audience to come to their own conclusions. I only wish they would probe into that question a bit more and get experts to hypothesize, for instance, what exactly would the hospital get out of allegedly lying and if it’s an occurrence that’s been happening in many places other than Florida. Painting it as a systemic problem might’ve given it more punch, though admittedly, it’s already stirring and powerful as it is.

Genre: Documentary

Director: Henry Roosevelt

Rating: TV-14

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7. Biosphere, 2023

There's an elephant lurking in the room from the outset of Biosphere, in which two men are the last survivors of an apocalypse: how will humanity live on? Best friends Billy (Mark Duplass) and Ray (Sterling K. Brown) have only survived thanks to the ingenuity of Ray, who built the glass dome in which they live, insulated from whatever it is that’s keeping the sky perpetually black outside. But the dome’s protective glass increasingly needs patching up, and their last female fish (responsible for the continuation of their food supplies) has just died, setting their clocks ticking.

What happens next — to the remaining male fish and humans — is an astonishing evolution that speaks to the strangeness of nature, which will break its most rigid laws in pursuit of its ultimate goal: furthering the species. Biosphere undergoes a similar metamorphosis: while its zany twist (which we won’t spoil) seems to direct it towards gross-out bro-comedy territory, it transforms, surprisingly, into something more profoundly philosophical. Like the dome, Biosphere’s structure isn’t as solid as it could be — it often meanders — but, with its thoughtful meditations on gender, sexuality, and evolution in all its forms, it’s easy to forgive this quirky indie gem that flaw.

Genre: Comedy, Drama, Fantasy, Science Fiction

Actor: Mark Duplass, Sterling K. Brown

Director: Mel Eslyn

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8. Unknown: Killer Robots, 2023

The latest installment in Netflix'S “Unknown” docuseries, Unknown: Killer Robots puts the evolution of artificial intelligence under an ethical microscope. Although the title could be misleading, it does cover the possible dangerous applications of AI as it forces us to question the growing divide between human morality and machine efficiency. With advances in war and medicinal applications, the capabilities of AI to heal, save and destroy are terrifying and awe-inspiring in equal measure. Like the previous films in the series, it is hyper-concentrated to an almost-stifling degree, but it’s also powered by the passionate subjects on either side of these advancements. Forgoing sensationalism, this digestible documentary questions intention over the technology itself.

Genre: Documentary, Drama

Director: Jesse Sweet

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9. Dream, 2023

Dream is a sports dramedy that is susceptible to a lot of the genre’s cliches. Yes, we follow Hong-dae’s journey from being an egomaniac lone wolf to an empathetic team player. Of course, we get to witness all the heartwrenching backstories of the homeless football members. And sure, we even see get to see ourselves in Lee So-min (IU), the hardworking filmmaker who puts her all into this documentary in the hopes that it could somehow pay off her student loan debt. These are plotlines you’ve heard of before, and there are holes in a lot of them (like how it criticizes documentaries for exploiting sob stories while doing the same in the film, for instance). But at the end of the day, Dream only wants to be an uplifting feel-good movie and in that regard, it succeeds immensely. Say what you want about Seo-joon and his exaggerated yell-all way of acting, but the man knows how to draw out a chuckle from even the most reserved viewer. And paired with IU, who brings with her a plucky charm, the two can command an audience any which way they want. If you’re looking for a serious deep dive into the world of sports, the deceit of documentaries, and the complex reality of homelessness, Dream touches on a bit of that but don’t expect it to fully deliver. However, if you’re looking for an easy watch filled with delightful performances and feel-good moments, then Dream is your film.

Genre: Comedy, Drama

Actor: Baek Ji-won, Han Jun-woo, Han Sang-chul, Heo Joon-seok, Hong Wan-pyo, IU, Jeong Soon-won, Jeong Sun-won, Jo Woo-jong, Jun Suk-ho, Jung Seung-kil, Jung Soon-won, Kang Ha-neul, Kim Il-jung, Kim Jong-soo, Kim Nam-woo, Ko Chang-seok, Lee Eun-jae, Lee Ha-nui, Lee Hae-woon, Lee Hyun-woo, Lee Ji-hyeon, Lee Seung-joon, Lee Yu-bi, Nam Min-woo, Park Hyeong-su, Park Hyoung-soo, Park Moon-sung, Park Myung-hoon, Park Seo-jun, Park Seong-jun, Park Sung-jun, Song Yeong-sik, Song Yong-sik, Yang Hyun-min, Yoon Ji-on, Yun Ji-on

Director: Lee Byeong-heon

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10. The Beanie Bubble, 2023

Between Air, Pinball, Blackberry, and Tetris (is nothing sacred anymore?), 2023 has seen its fair share of business biopics. Unfortunately for The Beanie Bubble, it’s coming at the tail end of a trend that has overstayed its welcome in theaters. The Beanie Bubble isn’t very different from its predecessors in that it depicts its product as revolutionary and game-changing for the industry (it’s really not) and attempts to simplify the business phenom via cute graphics and quirky dialogue. Those aspects of the film are fine, if a bit forgettable, but The Beanie Bubble deserves some praise for exploring the power imbalance between Warner and his female partners, whose ideas he milked to no end. Robbie (Elizabeth Banks), Sheila (Sarah Snook), and Maya (Geraldine Viswanathan) are the ones telling this story, and even though the constant time hopping can get irritating, there are times when it feels inspired, like when Robbie starts one sentence and Maya ends her thought. They may be years apart but they’re all falling victim to the same greedy man who has a pattern of exploiting the talented women around him.

Genre: Comedy, Drama

Actor: Adelle Drahos, Ajay Friese, Brian Troxell, Callie Johnson, Carl Clemons-Hopkins, Chris Mayers, Delaney Quinn, Elizabeth Banks, Geraldine Viswanathan, Hari Dhillon, Jason Burkey, Javier Vazquez Jr., Jeff Schine, Julia Farino, Kurt Yaeger, Laura Palka, Laura Whyte, Madison Johnson, Mariana Novak, Myke Holmes, Nils Onsager, Paul Kim, Paul Ryden, Robert Mello, Sam Salary, Sarah Snook, Scott Hanson, Stephanie Hong, Sweta Keswani, Tatyana White, Toru Shimoji, Tracey Bonner, Veanna Black, Vince Pisani, Zach Galifianakis

Director: Damian Kulash, Kristin Gore

Rating: R

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11. Nimona, 2023

After Nimona's long journey to the big screen (involving the shutdown of animation studio Blue Sky, and Disney's resistance to LGTBQ+ themes), the fact that the movie has been completed and allowed to tell its story at all is something to be celebrated. The film itself is pretty standard fare for American children's animation, with a script that spends far too much time on quips, and visuals that don't take advantage of the movie's science-fantasy world. But if you can get beyond its more ordinary aspects, Nimona becomes a surprisingly thorough metaphor of Otherness and queerness—best represented in the title character's shapeshifting abilities, and how people fear and become violent with her before even trying to understand her. It's a film that's sadly become more relevant than ever now, addressing how prejudice is something that's taught and passed down, packaged in an easy, entertaining manner for younger audiences.

Genre: Action, Adventure, Animation, Comedy, Family, Fantasy, Sci-Fi & Fantasy, Science Fiction

Actor: Beck Bennett, Chloë Grace Moretz, Cindy Slattery, Eugene Lee Yang, Frances Conroy, Indya Moore, Jarrett Bruno, Julie Zackary, Julio Torres, Karen Ryan, Lorraine Toussaint, Matthew J. Munn, ND Stevenson, Nick Bruno, Riz Ahmed, RuPaul, Sarah Sherman, Tim Nordquist, Troy Quane

Director: Nick Bruno, Troy Quane

Rating: PG

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12. Paint, 2023

Set in the quaint city of Burlington, Vermont, Paint is a cute and folksy comedy that has a Wes Anderson-esque charm to it. The characters are dressed in blocked pastels and wooly sweaters, while the protagonist Carl seems stuck in the ‘70s, and not just sartorially, too. He drives a “Vantastic” custom van, swears off cell phones, and manages to incorporate phrases like “far out” in his daily lingo. It all makes for whimsical viewing, but underneath the flair, there’s very little substance holding this picture up. It tells the tale of an aging narcissist who learns the error of his ways when a younger version of himself is hired to aid and eventually replace him. Narratively, it’s familiar and forgettable, and it becomes immediately clear that style is a crutch that the film leans on. It’s funny, at times, thanks to a very likable Wilson and a strong supporting cast (there are occasional laugh-out-loud moments too, like when Carl does the big reveal about his portrait). But ultimately, it’s just too flat to be as special as the art it admires.

Genre: Comedy, Drama, Romance

Actor: Aidan T.K. Baker, Brit McAdams, Ciara Renée, Colin J. Sweeney, Crystal Tweed, Denny Dillon, Elisabeth Henry-Macari, Elizabeth Loyacano, Evander Duck Jr., Jen Smedley, Joel Leffert, Kristin Hensley, Lucy Freyer, Lusia Strus, Lynda Suarez, Michael Pemberton, Michaela Watkins, Noa Graham, Owen Wilson, Paul Kosopod, Rob Figueroa, Ryan Czerwonko, Ryan Gaul, Sarah Baker, Scott Beehner, Stephen Root, Vin Craig, Wendi McLendon-Covey

Director: Brit McAdams

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13. Love Again, 2023

Love Again is cute. It’s cheesy and predictable, but it’s cute. Chopra makes for a fine leading lady who is able to switch between sorrow and sappy in a heartbeat. Heughan, though painfully generic, isn’t all that bad either; his hopelessly awkward attempts at getting Mira’s attention provides much of the film’s needed laughs. But outside of the bare minimum, Love Again doesn’t give us anything of value. The jokes are few and far between and the chemistry, if you can believe it, is even thinner. And for two people who are supposedly writers (Mira is children book’s author and Rob is a music journalist), none of their writings, much less their texts to one another, are particularly good.

Genre: Comedy, Drama, Romance

Actor: Amanda Blake, Arinzé Kene, Celia Imrie, Céline Dion, Harry Attwell, Lydia West, Nick Jonas, Omid Djalili, Priyanka Chopra Jonas, Russell Tovey, Sam Heughan, Sofia Barclay, Steve Oram

Director: Jim Strouse

Rating: PG-13

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14. Heart of Stone, 2023

Between the film’s non-existent marketing and Hollywood's ongoing writers' strike, I knew not to expect much from Heart of Stone, Netflix’s latest direct-to-streaming outing. And sure enough, the spy thriller proved to be a mediocre watch. The plot is facile and generic, another one of those attempts at justifying AI and government data breaches. The acting is subpar, which is expected from the ever-stoic Gal Gadot. About the only good thing you can say about it is that it has entertaining action sequences. Gadot is precise and terrifying, a stunt wonder made for the genre. Now if only the acting matched the action, then maybe the film wouldn’t feel as plain and wooden.

Genre: Action, Drama, Thriller

Actor: Alia Bhatt, Archie Madekwe, BD Wong, Enzo Cilenti, Gal Gadot, Giulia Innocenti, Glenn Close, Jamie Dornan, Jing Lusi, Joe Reisig, Jon Kortajarena, Jónas Alfreð Birkisson, Luca Fiamenghi, Mark Ivanir, Matthias Schweighöfer, Neran Persaud, Paul Ready, Roy Sampson, Sophie Okonedo, Thomas Arnold

Director: Tom Harper

Rating: PG-13

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15. Trevor Noah: Where Was I, 2023

For the entirety of Where Was I, Trevor Noah is comfortably in his pocket—speaking to an audience that's clearly familiar with his style and his views (if the respectful silences and occasional cheering are any indication) and branching off into sharing more serious facts between the jokes. And Noah's style is clearly refined, as he speaks clearly and sticks to a coherent structure at all times. But at a certain point his level of comfort here also leads to punchlines that are too easy or unsurprising, with too much focus placed on the kinds of voices and accents he can put on rather than the content of what he's saying. Noah remains a strong entertainer, but when you know how scathing he can get, this feels more like a warmup round.

Genre: Comedy, Documentary

Actor: Trevor Noah

Director: David Paul Meyer

Rating: PG-13

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