75 Movies Like Hacksaw Ridge (2016) (Page 5)

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With other available resources that tell a more well-balanced story of Tina Turner's life (notably, the 2021 documentary Tina), What's Love Got to Do with It shouldn't, by any means, be used seen as the definitive portrait of the American-Swiss singer. Still, while this 1993 biopic, insists on depicting violence instead of dissecting it, there's something to be said about how uncompromisingly it shows us what an abusive relationship can look like. As a plea to see beyond the public personas of celebrities, the film makes for an effective statement—especially because of a truly despicable turn from Laurence Fishburne, and the power that steadily builds within Angela Bassett.

Genre: Drama, History, Music

Actor: Angela Bassett, Barry Shabaka Henley, Bo Kane, Chi McBride, Cora Lee Day, Damon Hines, Daniel McDonald, Jackie O'Brien, Jenifer Lewis, Khandi Alexander, Laurence Fishburne, Michael Colyar, O'Neal Compton, Patricia Sill, Penny Johnson Jerald, Phyllis Yvonne Stickney, Rae'Ven Larrymore Kelly, Richard T. Jones, Rob LaBelle, Rose Jackson, Shavar Ross, Sherman Augustus, Suli McCullough, Timmy Cappello, Tina Turner, Vanessa Bell Calloway, Virginia Capers

Director: Brian Gibson

There is a great deal of disbelief to suspend with this film, arguably the weakest of Japanese animation director Makoto Shinkai’s oeuvre. It follows Hodaka, a broke high school student in Tokyo looking for a job. The story kicks off when he meets Hina, a cheerful girl who lives with her younger brother and has the power to control the weather.

Again, as with all of Shinkai’s work, it’s remarkably beautiful. Rainfall, skies, and cityscapes are eye candy here, probably more than in any piece of animation ever. But this has every high school romance trope elevated to an extreme level, like Shinkai’s best known film Your Name but on steroids—a teenage boy and cute girl fit together like pieces of a puzzle, a grand adventure starts, forces beyond their control threaten to separate them, and the standard anime couple seemingly never see each other again, until they dramatically meet years later.

For the sake of an against-all-odds romance, Weathering with You downplays its insane plot devices. It glosses over runaway kids wielding firearms, an underage girl almost going into sex work, and a climate disaster potentially displacing millions of people—all for a love story.

Genre: Animation, Drama, Fantasy, Romance

Actor: Aoi Yuki, Ayane Sakura, Chieko Baisho, Hidekatsu Shibata, Kana Hanazawa, Kana Ichinose, Kanon Tani, Kotaro Daigo, Masako Nozawa, Mone Kamishiraishi, Nana Mori, Ryo Narita, Ryohei Kimura, Ryunosuke Kamiki, Sakura Kiryu, Sei Hiraizumi, Shinjirou Gouda, Shun Oguri, Sumi Shimamoto, Tsubasa Honda, Yuki Kaji, Yuki Ominami

Director: Makoto Shinkai

Rating: PG-13

In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).

Genre: Comedy, Drama, Music, Romance

Actor: Aidan Gillen, Art Campion, Ben Carolan, Des Keogh, Don Wycherley, Eva-Jane Gaffney, Ferdia Walsh-Peelo, Ian Kenny, Jack Reynor, Karl Rice, Keith McErlean, Kelly Thornton, Kian Murphy, Kyle Bradley Donaldson, Lucy Boynton, Lydia McGuinness, Marcella Plunkett, Maria Doyle, Maria Doyle Kennedy, Mark McKenna, Paul Roe, Percy Chamburuka, Peter Campion

Director: John Carney

Rating: PG-13

So much of Puppy Love is adorable. The title alone promises that, and to be fair, it actually delivers. The movie is filled with romance, pooches, and hijinks that circle back to those two core aspects. I couldn’t be giddier watching this, as a dog lover and romantic comedy aficionado myself, but it’s frustrating how the movie doesn’t go above and beyond its basic premise, even if it easily could’ve done so. It has strong leads in Hale and Gustin, whose chemistry may be lacking but who individually perform well. It has a decent script, “reasonably funny” as it calls itself in the film, delivering amusing and touching lines in equal measure. It even manages to flesh out Nicole and Max with backstories; Max, in particular, gets an interesting characterization as an anxious germaphobe who refuses to go to the office for work. But for whatever reason, every exciting thorn in this premise gets smoothed out by the end. The tension is never realized and loose ends are tied up neatly in a conclusion that feels too simplified for its own good. 

Genre: Comedy, Drama, Romance

Actor: Al Miro, Christine Lee, Corey Woods, Grant Gustin, Jane Seymour, Lucy Hale, Michael Hitchcock, Nore Davis, Rachel Risen, Sarah Almonte Peguero

Director: Nicholas Fabiano, Richard Alan Reid

Expect both heavy emotional punches and great comedic moments in this engaging comedy-drama. Boosted by amazing writing, the characters are easy to relate to but remain interesting throughout the movie, with many ideas and layers to them. Jenny Slate and Chris Evans are both great as a very gifted child and her uncle who find themselves at the center of a custody battle. The plot may be a little unusual but it offers a great vehicle to explore the dynamics between a caring uncle, a gifted child, and an obsessive mother.

Genre: Comedy, Drama, Family

Actor: Aidan McKenna Bateman, Ashley L. Thomas, Brody Rose, Candace B. Harris, Chris Evans, Crystal Freyermuth, Danielle Deadwyler, David Cordell, Desmond Phillips, Elizabeth Marvel, Glenn Plummer, Gordon Danniels, Jack Landry, Jenny Slate, Joe Chrest, John Finn, John M. Jackson, Jon Sklaroff, Jona Xiao, Jordan Ellenberg, Julie Ann Emery, Karleigh Chase, Keir O'Donnell, Kelly Collins Lintz, Lindsay Duncan, Maia Moss-Fife, Marc Webb, Mckenna Grace, Michael Kendall Kaplan, Octavia Spencer, Teresa L. Graves, Walt Elder, Will Buie Jr.

Director: Marc Webb

Rating: PG-13

This documentary about the 2015 massacre at the Emanuel African Methodist Episcopal Church explores key questions around faith, justice, and forgiveness. It situates the massacre – which left nine African American churchgoers dead – within a bigger picture, with Emanuel being the first-ever freestanding black church in Charleston, a city in South Carolina with a highly charged racial history.

The film’s strengths lie in the stories of those who lost loved ones in the massacre, and the miraculous forgiveness some of the survivors offered the 21-year-old white supremacist responsible for the attack. Above all, it is a story about the power of faith.

Genre: Crime, Documentary, Drama

Actor: Dylann Storm Roof

Director: Brian Ivie

Sometimes all a movie needs to be entertaining is a character having a really bad day. Breakdown might not have the most story or thematic depth to it, but having Kurt Russell try to track down the men who kidnapped his wife leads to one tension-filled scene to the next. It's a great showcase for the small towns and empty stretches of highway that make up so much of America, lending to the film the feel of a western, with violence and stuntwork that feel edgier than most '90s action fare. There are no guarantees here that our hero will win the day, which makes the danger he's in that much more exciting.

Genre: Action, Crime, Drama, Mystery, Thriller

Actor: Ancel Cook, Gene Hartline, Helen Duffy, J.T. Walsh, Jack McGee, Jack Noseworthy, Jonathan Mostow, Kathleen Quinlan, Kim Robillard, Kurt Russell, M.C. Gainey, Moira Sinise, Rex Linn, Rick Zieff, Ritch Brinkley, Thomas Kopache, Vincent Berry

Director: Jonathan Mostow

Rating: R

While marketed as a family drama, Long Live Love! plays out more like a romance film between parents Sati and Meta. Where Meta has dived in, and accepted her role as a wife and mother, former model Sati still clings to the immature lifestyle he’s used to, to the glimmers of fame that he used to have. The premise is genius– there’s something poetic in the way someone who’s constantly obsessed with the look of a photo now has to go on the quest for its behind-the-scenes. There’s something here that questions previous portrayals of toxic masculinity and of marriage primarily because of how they’ll be perceived. However, there seems to be some missing sequences that could have made the ending more devastating.

Genre: Comedy, Romance

Actor: Araya A. Hargate, Becky Armstrong, Bhumibhat Thavornsiri, Kittiphak Thongauam, Niti Chaichitathorn, Nopachai Jayanama, Panissara Arayaskul, Pannawit Phattanasiri, Paweenut Pangnakorn, Sadanont Durongkhaweroj, Sunny Suwanmethanon, Thanakorn Chinakul

Director: Piyakarn Butprasert

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

Composed of archival footage of the titular musical legend and testimonials from those who worked with him or whose lives were profoundly impacted by his courage, Little Richard: I Am Everything feels comprehensive but is also oddly lacking. The documentary makes a bold, confident claim: that all popular music today can be directly traced to his work. And when the film lets itself get into full music nerd mode, it's easy to be convinced. But after you accept that perspective on Little Richard, the rest of the movie seems like it's just spinning its wheels, covering key moments in the artist's life and career without really challenging or substantiating long-held ideas about him.

Chief among these is Little Richard's shifting feelings toward his own queerness—proudly expressing his true self one year, then openly denouncing his own homosexuality the next. This subject matter is ripe for difficult but insightful analysis, which the film just never gets around to. It begins to feel like the believes there is no more discussion to be had about him. And that may very well be true; he deserves the flowers that were denied him for so long. But this attitude doesn't necessarily make for the best documentary.

Genre: Documentary, Music

Actor: Alan Freed, Billy Porter, Elvis Presley, John Lennon, John Waters, Little Richard, Mick Jagger, Nile Rodgers, Nona Hendryx, Pat Boone, Paul McCartney, Tom Jones, Valerie June

Director: Lisa Cortés

To be fair to this visibly low-budget adaptation of H. G. Wells' seminal science-fiction novel, it doesn't always settle for the cheap way out. Though it still leaves much to be desired in its visual effects, awkward action scenes, and generally unimaginative direction, Fear the Invisible Man makes a valiant effort to deepen its story by placing a strong, unlikely protagonist at its center (played in all seriousness and with admirable resolve by Mhairi Calvey). Since the titular villain isn't actually the star of the show—nor is he made out to be an ever-present threat, like in the modern 2020 adaptation—this version of The Invisible Man is able to circle relatively newer ideas about a woman's "invisible" place in the world, and how she's tempted to go down a path of pride and violence. If only the rest of the film could keep up with the script's ambition.

Genre: Horror, Science Fiction, Thriller

Actor: David Hayman, Delroy Brown, Emily Haigh, Grahame Fox, Joe Tucker, Marc Danbury, Mark Arnold, Mhairi Calvey, Mike Beckingham, Simon Pengelly, Wayne Gordon

Director: Paul Dudbridge

, 2023

Sayen is the kind of film that ultimately feels like it was written by a focus group: ample representation for a worthy cause funneled into the sort of escapism that should theoretically hit the widest demographic possible. But even with its solid production values and a determined performance by Rallen Montenegro, the film lacks the emotional bite that a less corporate-driven project likely would've had. It's not that Sayen comes off insincere about the plight of Indigenous peoples in Chile; it's that its desire to appear sincere stops most of its good ideas halfway. The action isn't particularly thrilling, the story doesn't develop so much as it stretches itself thin, and its supposed representation begins and ends with some terribly obvious—borderline tokenistic—scenes and character types.

Genre: Action, Adventure, Thriller

Actor: Alejandro Trejo, Álvaro Espinoza, Aron Piper, David Gaete, Eduardo Paxeco, Enrique Arce, Loreto Aravena, Rallén Montenegro, Ramón González, Roberto García Ruiz, Serge Santana, Teresa Ramos

Director: Alexander Witt

With its celebration of Thai dances, excellent costumes, and two male theater actor leads, ManSuang seemed like it would be something akin to a Thai Farewell My Concubine, especially as it starts off with what could have been sex scene interrupted by a murder. The addition of the espionage storyline, as well as the dynamics between the Chinese and the mainland Thai, seemed like the film would be subtle social commentary through historical drama. However, the story feels haphazardly assembled, with characters acting contrary to their goals, and sadly, the film doesn’t showcase as much of Thai culture as we would like. Instead, the film spends more time establishing an overly complicated mystery that gets too hard to follow with its multiple plotlines. ManSuang has beautiful set design, costumes, and a handsome cast, but the writing wastes the potential the story had.

Genre: Drama, Mystery

Actor: Asavapatr Ponpiboon, Chartchai Ketnust, Duangjai Hiransri, Gandhi​ Wasuvitchayagit, Nattawin Wattanagitiphat, Nutthasid Panyangarm, Ornanong Panyawong, Phakphum Romsaithong, Pradit Prasartthong, Sornchai Chatwiriyachai, Teerawat Mulvilai, Thanayut Thakoonauttaya

Director: Bhanbhassa Dhubthien, Chartchai Ketnust, Krisda Witthayakhajorndet

Rating: PG-13

There's a novel idea at the center of World's First Christmas, but the film's unfortunately takes it through the least interesting route available. There's a rich opportunity here to unpack what the holiday season really means to people, or to poke fun at how this occasion for togetherness and celebration has been co-opted by corporations trying to make a buck. But the film never gets there, running through a series of occasionally funny scenarios only to end up becoming an unconvincing advertisement for Christmas as a consumer holiday. The main gag here is that everyone has been left miserable by the absence of Christmas, which is an idea that falls apart immediately once you start asking even the simplest questions about it.

Genre: Comedy, Drama, Family, Fantasy

Actor: Fabiana Karla, Ígor Jansen, Ingrid Guimarães, Lázaro Ramos, Rafael Infante, Theo Mattos, Wilson Rabelo

Director: Gigi Soares, Susana Garcia

It’s got a main character, 10-year-old Tochtli (Miguel Valverde Uribe), with the most unforgettably forgettable idiosyncrasies. The emotional anchor of this whole thing is entirely dependent on our inclination to be protective of children, but it gives surface level characterization of both the young boy and his father Yolcaut (Manuel Garcia-Rulfo). The most interesting thing it almost pulls off is the father trying to reconcile his commitment to his son and to being macho, but it’s barely a chapter in this 2-hour story. It has some potential with the teachings and aphorisms, but it never really leans into it. It fails four different times, never with fireworks.

Genre: Comedy, Drama

Actor: Alfredo Gatica, Daniel Giménez Cacho, Debi Mazar, Manuel Garcia-Rulfo, Mercedes Hernández, Miguel Valverde, Pierre Louis, Raúl Briones, Teresa Ruiz

Director: Manolo Caro

Rating: R