170 Movies Like Guardians of the Galaxy Vol. 3 (2023) (Page 3)

Staff & contributors
Other People’s Children wrestles with some very tricky life experiences: bonding with a partner’s child in the agonizing knowledge that that attachment is entirely contingent on the fate of your romantic relationship; being a woman of a certain age and wanting a child but becoming keenly aware of the ticking of your body clock. For all the sharp points of pain the movie zones in on, though, there is remarkable cheerfulness in it, too. Writer-director Rebecca Zlotowski captures a wide spectrum of mood here, fusing lighthearted laughs and swooning romance with bitter disappointments and grief in a way that feels organic to life itself. The buoyant moments don’t undermine the sincere, intelligent consideration given to Rachel’s (Virginie Efira) perspective as a woman navigating a situation for which there are no real rules, and vice versa — because the film considers her as a whole from the outset. Neither reducing Rachel to her childlessness nor ignoring its emotional impact on her, this is a deeply empathetic movie that never questions the completeness of its protagonist’s life.

Genre: Comedy, Drama

Actor: Anne Berest, Antonia Buresi, Callie Ferreira-Goncalves, Chiara Mastroianni, Fadila Belkebla, Frederick Wiseman, Guillaume Verdier, Henri-Noël Tabary, Lydie Muller, Marlène Saldana, Mireille Perrier, Roman Kolinka, Roschdy Zem, Sébastien Pouderoux, Véréna Paravel, Victor Lefebvre, Virginie Efira, Yamée Couture

Director: Rebecca Zlotowski

Rating: NR

Only a writer of Albert Brooks’ comedic and perceptive talents could turn the premise of an insecure middle-aged man having romantic trouble into something genuinely funny and poignant. Brooks appears as his signature brand of self-loathing boomer here: he plays John Henderson, a middling novelist who's recently gone through a second divorce. When he finds himself in the unenviable position of having to start afresh in his forties, John first decides he needs to get to the bottom of his recurring failures with women. In keeping with the neurotic preoccupations of his characters, Brooks has John take the psychoanalytic approach by going back to the source: his mother. 

To better get to the root of his hang-ups, John temporarily moves back in with Mrs Henderson, whom Debbie Reynolds plays as a hilariously blithe foil to her manic, insecure son. Brooks and Reynolds’ fractious rapport is tortuously true to life: John finds her petty habits maddening, while she doesn’t seem to understand his life or his work — an obliviousness that, it turns out, might run the other way, too. Cleverly turning the self-obsessions of its lead character on its head, Mother is a wry comedy full of insight and unexpected sweetness.

Genre: Comedy, Drama

Actor: Albert Brooks, Anne Haney, Billye Ree Wallace, Debbie Reynolds, Ernie Brown, Greg Bronson, Harry Hutchinson, Isabel Glasser, James Gleason, Joey Naber, John C. McGinley, Kimiko Gelman, Laura Weekes, Lisa Kudrow, Matt Nolan, Michael Moertl, Paul Collins, Peter White, Richard Assad, Rob Morrow, Rosalind Allen, Spencer Klein, Vanessa Williams

Director: Albert Brooks

Rating: PG-13

An incredible documentary about Matt Green, a man who decided to walk every street in New York City. That’s more than 8000 miles (more than the diameter of Earth) that he had been walking for six years up to the point of making this movie.  

Matt stops. And that’s the beauty of this documentary, where the filmmaker joins him for part of the journey. You quickly realize that the intrigue is not so much about Matt’s challenge, but about who he meets and what kind of experiences he goes through. You also realize (if you didn’t already) that New York is a place of unimaginable size, with incredibly lively and diverse human stories. Plus lots of other forms of life too: Matt doesn’t have a fixed place, so he cat-sits for shelter.

Fun fact: this is the first movie that actor Jesse Eisenberg ever produced!

Genre: Documentary

Actor: Matt Green

Director: Jeremy Workman

Rating: PG-13

There’s a scene early in the documentary when present-day Michael J. Fox, who famously suffers from Parkinson’s Disease, swaggers along a street and greets a fan, only to stumble at that very moment and have people surround him with concern. Instead of giving into their pity or pretending nothing happened, he cooly tells the fan, “It was so nice meeting you, you knocked me off of my feet!” This brief moment tells you all you need to know about the ‘80s icon—Fox refuses to be a victim. Still is his brilliant and admirable attempt at telling his well-known story on his own terms. It covers everything from his childhood and early work in Hollywood to his life-changing roles in Family Ties, Teen Wolf, and most memorably, Back to the Future. It also sheds light on Fox's life as a husband, father, and Parkinson's sufferer. Director Davis Guggenheim (An Inconvenient Truth) does a genius job of using faceless reenactments and cuts from films and TV shows to accompany Fox’s narration, which pumps the film with a dynamism that matches Fox’s resilient spirit. Urgent, clever, and exciting, Still is one of the rare celebrity biographies that serves a higher purpose than just recounting a famous person's life. Anyone who understands the importance of constantly moving and evolving will appreciate this film's existence.

Genre: Documentary

Actor: Angela Galanopoulos, Annabelle Fox, Aquinnah Fox, Chad Sayn, Christopher Lloyd, Crispin Glover, Danny Irizarry, David Diamond, David Letterman, Donna Lysell, Eric Stoltz, Gary David Goldberg, Gene Siskel, Hannah Galway, Jason Calder, Jay Leno, Johnny Carson, Justine Bateman, Larry David, Liam Raymond Dib, Meredith Baxter, Michael J. Fox, Michael McDonald, Muhammad Ali, Rick Pearce, Robert Zemeckis, Roger Ebert, Sam Fox, Schuyler Fox, Shayn Walker, Siobhan Murphy, Steven Spielberg, Thomas F. Wilson, Tracy Pollan, Woody Harrelson

Director: Davis Guggenheim

Abel Ferrara's protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992's Bad Lieutenant took Harvey Keitel to church for one of American indie cinema's most spectacular endings, Padre Pio doesn't offer such solace. Ferrara (who's been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in.

Genre: Drama

Actor: Alessandro Cremona, Alessio Montagnani, Anna Ferrara, Asia Argento, Brando Pacitto, Cristina Chiriac, Ermanno De Biagi, Federico Majorana, Ignazio Oliva, Luca Lionello, Marco Leonardi, Martina Gatti, Michelangelo Dalisi, Roberta Mattei, Salvatore Ruocco, Shia LaBeouf, Stella Mastrantonio, Vincenzo Crea

Director: Abel Ferrara

Rating: R

The sooner you adjust your expectations for Nomad—and realize that this isn't a travel documentary but Werner Herzog's own wonderfully offbeat way of remembering his dear friend—the better. Any uneven moments in this film's construction are smoothed over by the sheer authenticity of what Herzog puts on screen, from his own distinctive narration, to gorgeous excerpts from Bruce Chatwin's writings, to the sounds and images that make up the strange worlds that both men were fascinated in. No mysteries are solved here, but just being closer to the strange and surreal becomes a way for Herzog to come to terms with the strangest and most surreal of life's realities: death.

Genre: Documentary

Actor: Bruce Chatwin, Elizabeth Chatwin, Karin Eberhard, Marcus Wheeler, Michael Liddle Pula, Nicholas Shakespeare, Petronella Vaarzon-Morel, Stefan Glowacz, Werner Herzog

Director: Werner Herzog

Rating: PG

A young woman’s coming-of-age threatens to topple the uneasy hierarchy of her family in this striking debut from Croatian director Antoneta Alamat Kusijanović. The trigger for Julija’s (Gracija Filipović) angsty rebellion is the arrival of her parents’ enigmatic wealthy friend, Javi (Cliff Curtis), whom her controlling father Ante (Leon Lučev) is hoping to squeeze a juicy investment out of. Part of hot-headed Ante’s strategy involves playing on Javi’s still-simmering feelings for Ante's wife Nela (Danica Čurčić) — a dicey game to play when you have a temper like his. It’s also a very manipulative one, and the film lives in the atmosphere of claustrophobia that comes with being a woman in Ante’s life. Though her mother seems resigned to acceptance, Julija yearns for liberation, and it’s her burgeoning awareness of her own power as a woman that fires this drive for freedom. With its stunning Adriatic setting and haunting underwater sequences — the family are keen spearfishers — Murina is a film of natural beauty and human ugliness, a slow burn of a psychological drama that uses volatile teenage emotions as its incendiary fuel.

Genre: Drama

Actor: Cliff Curtis, Danica Curcic, Goran Grgić, Gracija Filipović, Ivana Živković, Jonas Smulders, Klara Mucci, Leon Lucev, Marina Redzepovic, Milan Štrljić, Mislav Čavajda, Nancy Abdel Sakhi, Nikša Butijer, Zoran Tadić

Director: Antoneta Alamat Kusijanović

Like many coming-of-age films about films, it’s easy to assume that Last Film Show would be a derivative of all-time film classic Cinema Paradiso. Both films from opposite corners of the world, separated by more than three decades, do share that awe of cinema from a projection booth. However, unlike Paradiso, the awe of Last Film Show is also tempered by the rural poverty its young protagonist faces. Samay learns projection from a film booth, and learns community is formed through the screen, but he also learns it through snatching the few reels that passes through their village, manually experimenting with scrap material, and recreating the same light and shadows through its fundamentals. These scenes are precocious because of the children, but it makes for a more interesting take, because Samay’s journey proves that cinema truly is worth saving, even without the money. It’s undeniably awe-inducing with Pan Nalin’s stunning shots and semi-autobiographical story.

Genre: Drama

Actor: Bhavesh Shrimali, Bhavin Rabari, Dipen Raval, Rahul Koli, Richa Meena

Director: Pan Nalin

Only a few people in Dita’s house are related by blood, but you wouldn’t know that by how they move. They’re tight-knit but argumentative, loving at times but spiteful in other instances. In other words, they’re complicated just like any other family. Housekeeping for Beginners makes a compelling case for the validity—and at times necessity—of found families like Dita’s, who all found each other after being shunned by their race and sexuality. As in his previous works, Director Goran Stolevski paints a realistic and relevant portrait here, one tinted with striking pain and poignancy, bound to leave your heart aching long after the credits roll.

Genre: Comedy, Drama

Actor: Aleksandra Peševska, Alina Serban, Anamaria Marinca, Bislim Muçaj, Blagoj Veselinov, Irena Ristić, Mia Mustafa, Rozafa Celaj, Samson Selim, Sara Klimoska, Strezo Stamatovski, Vladimir Tintor

Director: Goran Stolevski

Rating: R

While best known for 1977 cult horror classic House, Nobuhiko Obayashi first dreamed of adapting Hanagatami, a 1937 novella by Kazuo Dan, and it was only until the later end of his life that he got to fulfill that dream. It’s possibly the reason why Hanagatami feels like a surreal set of memories, with Karatsu’s seaside portrayed with theatrical sets and back projection, with scenes flipped and unflipped ever so often, with Bach looped and mixed with dissonant chords and children singing. And as the teenagers of Karatsu try to cling to their innocence despite the looming possibility of death, Obayashi remembers the lives cut short, not in nostalgia, but in an anxious bid for us to remember humanity’s biggest failure.

Genre: Drama, Romance, War

Actor: Hirona Yamazaki, Honoka Yahagi, Kayoko Shiraishi, Keishi Nagatsuka, Kiyotaka Nanbara, Masahiro Takashima, Mugi Kadowaki, Shinnosuke Ikehata, Shinnosuke Mitsushima, Shunsuke Kubozuka, Takahito Hosoyamada, Takako Tokiwa, Takao Ito, Takehiro Murata, Tetsuya Takeda, Tokio Emoto, Tōru Shinagawa, Toshie Negishi, Tsurutaro Kataoka, Wakaba Irie, Yuriko Ono

Director: Nobuhiko Obayashi

Given the title, it isn’t surprising that Falling in Love Like in Movies would be a metanarrative with the main romance mirroring the filmmaking and the filmmaking reflecting the main romance. It’s a familiar approach, and at first, Falling seems to follow the inevitable ending where the couple falls in love, but right on time, in around Sequence Four, writer-director Yandy Laurens chooses a more honest, less chosen path– a path that plenty of previous romance films hasn’t examined– that still falls within the eight sequence screenplay structure Bagus talks about. While Bagus is pitching his film to Hana, and to his producer, Jatuh Cinta Seperti di Film-Film pitches a new way of thinking about love, grief, and of course, filmmaking.

Genre: Comedy, Drama, Romance

Actor: Abdurrahman Arif, Alex Abbad, Deni Kumis, Dion Wiyoko, Ernest Prakasa, Julie Estelle, Nirina Zubir, Ringgo Agus Rahman, Sheila Dara Aisha

Director: Yandy Laurens

After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

Somewhere near the border between Russia and Ukraine lies a shelter for kids coming from unstable homes. Their parents, either alcoholics or abusers, have nine months to prove that they’re fit to look after their children; otherwise, the kids are sent straight to the orphanage, with no chance of a goodbye. A House Made of Splinters is a documentary that quietly and closely follows the shelter’s occupants amid growing joys and pains, not to mention the ever-present danger of war.

Perhaps one of the most striking things about A House Made of Splinters is how attuned it is to the kids. It serves as a reminder of their immense sensitivity and observational skills (more than once, you’ll hear a child assess their home situation in the calmest of manners), as well as their clever ingenuity (there’s a lot of playing going on despite everything, which is heartwarming to watch.

Genre: Documentary, Drama

Director: Simon Lereng Wilmont

Given a budget from Netflix to make a documentary on Korean film, some would have chosen instead to make one for big Korean filmmaking personalities like Academy Award winner Bong Joon-ho, who is featured here. However, director Lee Hyuk-rae instead creates Yellow Door, a love letter to the ‘90s film club that inspired a generation. The warm way each member tries to remember the club made decades ago, and the handy, almost cheeky, animations makes it feel like we’re there in the club with them, just listening to friends reminisce about the way they obsessed about film, even if it wasn’t the major they were studying in. It’s so nostalgic and sentimental, and in shifting its focus, it celebrates the lovely experience of finding a community of like-minded people that’s just obsessed with film as you are.

Genre: Documentary

Actor: Ahn Nae-sang, Bong Joon-ho, Choi Jong-tae, Ju Sung-chul, Kim Hong-joon, Kim Hye-ja, Kim Hyung-oak, Lee Hyuk-rae, Woo Hyeon

Director: Lee Hyuk-rae

Rating: PG-13

, 2023

For a short while in the ‘80s, the pop scene benefited from the sheer musical joy created by George Michael and Andrew Ridgeley, known together as Wham! With confectionary hits like “Wake Me Up Before You Go-Go” and “Last Christmas,” the  British duo sang about the escapism that a generation desperately sought out. Their songs were dismissed by pundits as shallow (“How can the country be in love with these two idiots?”), but as young people flocked to their concerts in droves, it was clear that Wham! struck a chord with the worn-out youth. 

They were no Beatles or Bowie, not heavyweight enough to make a lasting impression in our collective pop culture memory, but theirs is a story rich with meaningful lessons. Wham!, the film, is as much about the personal lives of the duo as it is about the difficulty of making it as independent artists; about the saving grace of music; and about the importance of authenticity. 

Genre: Documentary, Music

Actor: Andrew Ridgeley, Aretha Franklin, Bono, Boy George, David Bowie, Elton John, Freddie Mercury, George Michael, Helen DeMacque, Jerry Wexler, Mick Jagger, Paul McCartney, Sting, Terry Wogan, Tony Hadley

Director: Chris Smith

Rating: NR