30 Movies Like Gran Turismo (2023) On Netflix Australia (Page 2)

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One wouldn't expect to see Count Dracula's youthful-looking helper at your local 12-step self-help group for people in codependent relationships, but Renfield holds more than one surprise up its sleeve. By translating the working relationship (or master-slave, since the latter doesn't get any pay) into the vocabulary of common relationship counselling parlance, the film actually elevates its symbolic status. Even more, I'd dare call it a hoot. Not that many vampire films have managed to make a proper comedy out of the figure in question, and Renfield with its simplistic appeal puts to shame even the artsy Netflix production El Conde, which also came out earlier this year. With Awkwafina in the mix and iconic lines such as "I don't want your murder cookies", how can you resist?

Genre: Comedy, Fantasy, Horror

Actor: Adrian Martinez, Anil Bajaj, Awkwafina, Ben Schwartz, Bess Rous, Betsy Borrego, Brandon Scott Jones, Brian Egland, Camille Chen, Caroline Williams, Chloe Adona, Christopher Matthew Cook, Christopher Winchester, Dave Davis, Derek Russo, Gabriel 'G-Rod' Rodriguez, James Moses Black, Jenna Kanell, Joshua Mikel, Keith Brooks, Krystal Tomlin, Lacey Dover, Lena Clark, Lucy Faust, Marcus Lewis |, Marvin Ross, Mike Harkins, Miles Doleac, Nicholas Hoult, Nicolas Cage, Oren Michaeli, Rhonda Johnson Dents, Shohreh Aghdashloo, Stephen Louis Grush, Susan McPhail, T.C. Matherne, William Ragsdale

Director: Chris McKay

Rating: R

While not having world-ending stakes or large-scale operations, Sixty Minutes just works as an action movie. Sure, the plot is familiar and a little far fetched, but the film maximizes the potential of its premise, with excellently choreographed fight sequences working in tandem with the cinematography to reflect the MMA fighter leading the movie. Each moment isn’t wasted, with the action escalating each time Octa finds out about the hidden information kept from him about the match he’s planned to skip, and the film easily keeps track of his journey through neon-lit stopwatch faces and maps. And when we (and Octa) feel tired from all the fighting, the film ends right on time after sixty (and twenty nine) minutes.

Genre: Action, Drama

Actor: Alain Blazevic, Aristo Luis, Balázs Megyeri, Bettina Hoppe, Bruno Salgueiro, Dennis Mojen, Emilio Sakraya, Eniko Fulop, Florian Schmidtke, Georg Blumreiter, Harry Szovik, Janna Striebeck, José Barros, Laurent Winkler, Livia Matthes, Ludger Bökelmann, Marie Mouroum, Mehmet Ateşçi, Morik Heydo, Nyamandi Adrian, Paul Wollin, Philipp Droste, Steffen Jung, Tatjana Šojić, Tayssir Khalfallah, Vassilis Koukalani, Wanja Valentin Kube

Director: Oliver Kienle

Rating: R

You could take away a lot of parts in Reptile, and it would still make sense. It’s the kind of film that leans on sound and style to justify overlong takes and teeth-grittingly predictable scenes. But all is forgiven when del Toro, who also co-writes and co-produces the film, appears on screen. He has a simmering, captivating presence that demands you keep your eyes on him even when little, if anything at all, happens. Silverstone, Eric Bogosian, and Ato Essandoh are likewise enthralling, but Justin Timberlake unfortunately does not hold the same staying power. The film is at its weakest when it tries to convince us that he plays a complex, layered man when, in fact, Timberlake relays nothing but surface-level thrills. But Reptile is at its strongest when it gives us del Toro in all his forceful glory. 

Genre: Crime, Drama, Mystery, Thriller

Actor: Africa Miranda, Alex Parkinson, Alicia Silverstone, Allison Smith, Amy Parrish, Ato Essandoh, Benicio Del Toro, Catherine Dyer, Dani Deetté, Deena Beasley, Domenick Lombardozzi, Elena Varela, Eric Bogosian, Frances Fisher, Gilbert Glenn Brown, Gregory Albrecht, James Devoti, Jesse C. Boyd, Jon Levine, Jp Lambert, Justin Timberlake, Karl Glusman, Kurt Yue, Lee Perkins, Matilda Anna Ingrid Lutz, Matilda Lutz, Matt Medrano, Matthew Cornwell, Michael Beasley, Michael Pitt, Michael Rene Walton, Mike Pniewski, Monique Yvette Grant, Owen Teague, Sky Ferreira, Thad Luckinbill, Tiffany Fallon, Victor Rasuk

Director: Grant Singer

Rating: R

A deep dive into African-American cinema in the 1970s, Is That Black Enough for You?!? may at times feel like an extended audiovisual Wikipedia article, but it convincingly sets up its ideas in breezy, entertaining fashion. And it successfully argues that Hollywood today just hasn't cashed in on the wealth of innovative Black art that already existed 50 years ago. At the center of this talking heads documentary is director and narrator Elvis Mitchell, who elevates the assembled footage with frank commentary that isn't afraid to make things personal or to throw shade at other filmmakers who've made a career out of appropriating Black film traditions.

Genre: Documentary

Actor: Antonio Fargas, Billy Dee Williams, Charles Burnett, Elvis Mitchell, Glynn Turman, Harry Belafonte, James Signorelli, Laurence Fishburne, Louise Archambault, Margaret Avery, Mario Van Peebles, Roscoe Orman, Samuel L. Jackson, Sheila Frazier, Stan Lathan, Suzanne de Passe, Whoopi Goldberg, Zendaya

Director: Elvis Mitchell

Because the world exploits developing countries as dumping grounds for their waste, more attention should be focused on this issue. The immediate filmmaking response would be to document this reality, but Telugu thriller Gandeevadhari Arjuna takes this idea as the driving force of its story. It’s the reason why the bodyguard Arjun takes this job, as well as the reason why the Minister needs protection and why his family has unresolved drama. While the romance subplot distracts from this issue, Gandeevadhari Arjuna deftly interweaves this real-life problem into sleek action sequences, relatable family drama, and a personalized depiction of the problem’s consequences.

Genre: Action, Drama, Thriller

Actor: Abhinav Gomatam, Kalpalatha, Mahati Bikshu, Manish Chaudhary, Narain, Nassar, Ravi Varma, Roshini Prakash, Varun Tej, Vimala Raman, Vinay Rai

Director: Praveen Sattaru

Just like with its predecessor, it can be surprising how sober Street Flow 2 is. You expect stories about street gang life to be of a certain tone, but these films are more interested in the emotional and philosophical struggle to respond to violence and poverty in a just and proper way. This sequel continues this conversation from a more stable (but therefore less interesting) position: youngest sibling Noumouké is no longer torn between the influence of his older brothers, as all three try to move forward as a united front. But without a more distinct dilemma driving the action forward, the film ends up spinning its wheels—and rushes to an incomplete ending  that doesn't say enough about survival, lawfulness, or the African immigrant experience in France.

Genre: Crime, Drama

Actor: Alessandra Sublet, Alix Mathurin, Bakary Diombera, Cherine Ghemri, Foued Nabba, Georgina Elizabeth Okon, Jammeh Diangana, Kadi Diarra, Kery James, Krystel Roche, Mahamadou Coulibaly, Sana Sri

Director: Alix Mathurin, Kery James, Leïla Sy

Rating: R

Pain Hustlers is based on a 2018 New York Times article of the same name exposing a drug company that marketed a fentanyl-based drug. Zanna, the on-screen pharmaceutical start-up, is modelled after Insys: the actual company who pushed a fentanyl-based spray for pain management with the help of sales reps who particularly appeal to a certain male gaze. A DIY scheme of bribing doctors through "speaker programs"—or recurring, debaucherous parties—gets Zanna off the ground, catapulting stripper-turned-manager Liza Drake (Emily Blunt) to a much-yearned financial stability. Together with the coked-up COO (magnificently played by Chris Evans), Liza puts her street smart potential to work; she goes all in, until it all crashes and burns. It's cynical how predictable the plot of such a film can be, mainly because the only character development we see is in Liza's sudden moral spark at the sight of drug abuses and overdoses. Pain Hustlers tries really hard to build a hero, tear her down, and then rehabilitate her status, but to what end? The film ends up using the fentanyl crisis as a narrative drive, a highly dubious move when you're supposed to be spreading awareness. 

 

Genre: Crime, Drama

Actor: Adrian Eppley, Alex Klein, Amit Shah, Andy Garcia, Aubrey Dollar, Avis-Marie Barnes, Becca Breitfeller, Brian d'Arcy James, Britt Rentschler, Catherine O'Hara, Chloe Coleman, Chris Evans, Emily Blunt, Erin Ownbey, Greyson Chadwick, Jay Duplass, Josh Ventura, Mandi Christine Kerr, Mary Ann Hagan, Michael Kosta, Michael Lowry, Nicholas Christopher McNeil, Omer Mughal, Pat Dortch, Quinn Bozza, Rowan Joseph, Samantha Kacho, Selena Anduze, Sharon Conley, Tris Marie, Valerie LeBlanc, Willie Raysor

Director: David Yates

Rating: R

As much as the Alabama-bred stand-up comic doesn't fit into the stereotype of someone with an online presence, Dusty Slay's comedy special can't help but feel like you're scrolling through the Twitter feed of someone's funny but incoherent (and most likely high) thoughts. There isn't much connective tissue to be found in Workin' Man, which doesn't necessarily weaken his jokes—many of which are actually these amusing, absurd observations on everyday life—but definitely makes all the little silences feel much longer, and leaves you looking for some sort of primary theme to really bring the show home. Still, the fact that a self-proclaimed stoner is actually this normal and unassuming (as opposed to a few other comics who can get dark and aggressive with their drug-related content) is pretty refreshing, all things considered.

Genre: Comedy

Actor: Dusty Slay

Rating: PG-13

Unknown's next documentary installment takes us to the stars following the construction and deployment of the James Webb Space Telescope. The documentary centers on the behind-the-scenes of launching the telescope, which eradicated all possible errors as it was the most expensive operation to enter space without human intervention. Explanations are palatable, and the highlights of their successes and failures are enough for casual viewers. Packed with emotion from NASA's scientists and engineers (and global spectators during Covid), the investment in this project and journey carry the film even though the concepts are too large to condense. 

Genre: Documentary

Actor: Joe Biden

Director: Shai Gal

Rating: G

In terms of the quality of the material delivered in Son I Never Had, this special is really just okay at best. Heather McMahan has charisma and personality, but she has a tendency to run directly into the set-ups for her jokes, without the kind of build-up between segments that would make the whole hour flow better. And the comedy here is pretty standard, lightly raunchy fare that's often amusing but never really cuts deep into the various topics McMahan brings up. Where she's really successful, instead, is in the way she uses humor to contrast the lingering but gentle grief she feels over her father's passing. Son I Never Had, in its own roundabout way, becomes a sort of extended eulogy, emphasizing how our loved ones remain with us in our every memory.

Genre: Comedy

Actor: Heather McMahan

Director: Jen Zaborowski

Rating: R

The new stand-up special from Pete Davidson won't win over any skeptics, but there's something to admire in how the comedian heads straight towards edgy material, tells us he's going to go there, and still manages to surprise when he follows through. Which is to say Davidson's audacity might be more impressive than any of his actual writing in this special, with a good number of his jokes highlighting the bizarre situations his fame leads him into, but little more than that. It's stoner comedy for better or worse—observations about a strange world from a hazy point of view that may not always be coherent.

Genre: Comedy

Actor: Pete Davidson

Director: Jason Orley

Rating: R

, 2024

Sometimes, after a demanding work week, you want to watch a low-stakes, enjoyable movie with just enough plot to enjoy. Heist comedy Lift tries to be that film, with Kevin Hart as a smooth criminal who steals art in order to keep art from undeserving owners and improve the artist’s revenue from their work. It’s an interesting twist to the Robin Hood stereotype, one that could have hinted at concerns of screen artists last year when its release date was originally scheduled for. That being said, the film throws this idea away when Kevin Hart and his team are now forced to participate in a risky heist due to the Interpol. The events that play out amount to a fairly generic caper, but there are far better heist films to spend your weekend watching, with far better plots and stunts.

Genre: Action, Comedy, Crime

Actor: Amit Dhut, Andrew Wilson, Billy Magnussen, Burn Gorman, Caroline Loncq, David Proud, Erol Ismail, Gary Fannin, Gerard Monaco, Gordon Alexander, Gugu Mbatha-Raw, Jacob Batalon, Jean Reno, Jess Liaudin, Kevin Hart, Kim Yun-jee, Michael Absalom, Oli Green, Paul Anderson, Ross Anderson, Roy McCrerey, Russ Bain, Sam Worthington, Úrsula Corberó, Vincent D'Onofrio, Viveik Kalra

Director: F. Gary Gray

Rating: PG-13

Family Switch is a film clearly built to give its ensemble fun acting opportunities, with Jennifer Garner and Ed Helms being given excuses to loosen up more than expected, and Brady Noon and Emma Myers (arguably the movie's MVP) moving beyond mere imitation into more full-bodied performances as adults seeing through their kids' eyes. Unfortunately, the rest of the film saddles them with uninteresting situations that never take the body-switching aspect to more clever territory. Whatever mutual understanding that's learned by the end feels contrived, with the Christmas setting feeling especially tacked on—leaving these otherwise talented actors little to anchor their performances on.

Genre: Comedy, Family, Fantasy

Actor: Adam Lustick, Alanna Fox, Andrew Bachelor, Anwar Jibawi, Austin Boyce, Bashir Salahuddin, Benjamin Flores Jr., Bob Stephenson, Brady Noon, Carl McDowell, Chloé Wepper, Connor Finnerty, Cyrus Arnold, Dan Finnerty, Ed Helms, Emma Myers, Fortune Feimster, Hannah Stocking, Helen Hong, Howie Mandel, Ilia Isorelýs Paulino, Jason Rogel, Jennifer Garner, Lauren Ash, Mark McGrath, Matthias Schweighöfer, Naomi Ekperigin, Ned Bellamy, Patrick Wilson, Paul Scheer, Pete Holmes, Preston Galli, Punam Patel, Ravi Kapoor, Rita Moreno, Rivers Cuomo, Ryan James, Scott Shriner, Sebastian Quinn, Vanessa Carrasco, Xosha Roquemore

Director: McG

Rating: PG

Between Overhaul's frequently nonsensical blend of truck racing and vehicular heists, and its focus on found families, the comparisons to the Fast & Furious series are undeniable. This also means that this Brazilian blockbuster is also much less engaging than it thinks it is; the stakes don't feel particularly urgent, and the near indifference of the rest of the world to all this criminal activity means these characters may as well be fantasy heroes. It does, however, have more significantly more color to it than its Hollywood role model, thanks to the gorgeous vistas of Brazil and the unique physical attributes of the big rigs the main characters drive. All things considered, it's pretty novel to have these high-speed chases through more cumbersome vehicles—less flashiness, more brute power.

Genre: Action, Crime, Drama, Thriller

Actor: Evandro Mesquita, Flávio Pardal, Fumassa Alves, Gillray Coutinho, Jaderson Fialho, Leandro Tadeu Gonçalves, Milhem Cortaz, Orã Figueiredo, Paulo Vilhena, Raphael Logam, Sheron Menezes, Thiago Martins, Vitória Valentin

Director: Tomás Portella

Rating: R

The idea of a true-crime documentary being narrated mostly by the very person who did it should be appealing to fans of the genre, especially those who would rather stay away from non-violent crimes. And Vjeran Tomic is a compelling thief, with his own perspective on the people he tends to steal from and the kind of life he thinks he's owed. But by fixating so intensely on the method to the crime, it eventually loses its appeal—eventually becoming clear that there are so many potentially interesting (and more emotional) perspectives to the story that are being left out. Tomic may be a somewhat morally ambiguous criminal, but his testimonials alone, which are accompanied by mostly corny reenactments, can't carry an entire movie that teases but never fully delves into shady dealings in the world of the fine arts.

Genre: Crime, Documentary

Actor: Vjeran Tomic

Director: Jamie Roberts

Rating: NR