2 Movies Like Gone Mom: The Disappearance of Jennifer Dulos (2021)

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Chasing the feel of watching Gone Mom: The Disappearance of Jennifer Dulos ? Here are the movies we recommend you watch right after.

The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

Joy is a dutiful, overseas Filipino worker supporting her entire family back home. Ethan is a well-off bartender who has, time and again, put himself first before others. They couldn’t be any more different, yet in Hong Kong, their alien status and ambitious goals make them kindred spirits. What starts as a low-stakes bond quickly turns into an essential relationship, one that puts their personal commitments to the test. 

Hello, Love, Goodbye may appear formulaic at first, but it is heightened by a keen understanding of life overseas. It avoids romanticizing the migrant experience and sees it for what it truly is: a harsh but necessary means to an end. If this seems too severe, it’s also softened by an enchanting romance and some welcome comic relief in the form of the pair’s friends. Because of this nice mix, it’s no surprise that Hello, Love, Goodbye instantly broke domestic records and remains the highest-grossing Filipino movie of all time. 

Genre: Drama, Romance

Actor: Alden Richards, Anthony Jennings, Jameson Blake, Jeffrey Tam, Jerome Ponce, Joross Gamboa, Kaka Bautista, Kakai Bautista, Kathryn Bernardo, Lito Pimentel, Lovely Abella, Maricel Laxa, Maxine Medina, Maymay Entrata, Pang Mei-Seung, Wilbert Ross, William Lorenzo

Director: Cathy Garcia-Molina, Cathy Garcia-Sampana

Rating: TV-PG