2 Movies Like Ginger Snaps 2: Unleashed (2004)

Get ready for one hell of a journey. From the writer of City of God, Elite Squad: The Enemy Within is a poignant and powerful action-packed movie. Set in Brazil, the film follows two seemingly opposed characters (one a police officer, one a professor) as they both work to treat the systemic social ills that corrupt the country. As much a social commentary as it is an action-packed drama (think The Departed and The Wire), Elite Squad will take you on a whirlwind journey that will leave you considering the larger issues of poverty, crime, and "doing good" in the world.

Genre: Action, Crime, Drama

Actor: Adriano Garib, Andre Mattos, André Ramiro, Cadu Fávero, Caio Junqueira, Charles Fricks, Emílio Orciollo Netto, Fabrício Boliveira, Irandhir Santos, Juliana Schalch, Kikito Junqueira, Luca Bianchi, Luciano Vidigal, Marcelo Freixo, Maria Ribeiro, Milhem Cortaz, Pedro Van-Held, Pierre Santos, Prazeres Barbosa, Rogério Trindade, Roney Villela, Sandro Rocha, Seu Jorge, Taina Muller, Thogun Teixeira, Wagner Moura

Director: José Padilha

Rating: Not Rated, Unrated

This sociologically revealing documentary follows the attempts of the largely “snow-white” staff of Amsterdam’s Stedelijk art museum to refresh the institution’s collection, just 4% of which was by women artists at the time of filming. The museum also featured exactly zero works by artists of color — another embarrassing truth that the Stedelijk’s staff, headed up by (white) museum director Rein Wolfs, work frantically to rectify by acquiring new works and “turning the mirror around” on the canon to contextualize whiteness as a distinct category of its own, rather than “the standard” (as the museum’s own Charl Landvreugd puts it). 

Though it features discussions on such worthy topics as artistic canons (who defines them?), linguistic nuances (should works with problematic titles be renamed?), and how to decide which art will be put into storage to make room for works that better reflect Amsterdam’s diverse population, this documentary is less interested in delving into the dark side of art history itself than the human behavior that arises when confronted with such uncomfortable truths. More than anything, what director Sarah Vos is perceptively spotlighting here is the intense discomfort and self-consciousness of the museum’s white staff when confronted with these historic issues — when, in a sense, the mirror is “turned around” on them.

Genre: Documentary

Director: Sarah Vos